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    3. Fromm-Michaels- Babette Dorn - Complete Piano Works (1999, Tacet # TACET 96) [RE-UP]

    Fromm-Michaels- Babette Dorn - Complete Piano Works (1999, Tacet # TACET 96) [RE-UP]

    Posted By: luckburz
    Date: 2 Nov 2015 19:52:09
    Fromm-Michaels- Babette Dorn - Complete Piano Works (1999, Tacet # TACET 96) [RE-UP]

    Ilse Fromm-Michaels - Babette Dorn - Complete Piano Works
    EAC+LOG+CUE | FLAC: 209 MB | Full Artwork: 67 MB | 5% Recovery Info
    Label/Cat#: Tacet # TACET 96 | Country/Year: Germany 1999
    Genre: Classical | Style: Early 20th Century, Piano

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [X] not my rip [ ]

    Fromm-Michaels- Babette Dorn - Complete Piano Works (1999, Tacet # TACET 96) [RE-UP]


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 12. June 2013, 11:11

    Babette Dorn / Fromm-Michaels: Complete Piano Works

    Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

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    Used output format : User Defined Encoder
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    TOC of the extracted CD

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    2 | 12:00.45 | 1:16.05 | 54045 | 59749
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    11 | 22:03.24 | 0:48.46 | 99249 | 102894
    12 | 22:51.70 | 0:26.30 | 102895 | 104874
    13 | 23:18.25 | 1:36.52 | 104875 | 112126
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    15 | 35:26.50 | 7:36.52 | 159500 | 193751
    16 | 43:03.27 | 6:46.05 | 193752 | 224206
    17 | 49:49.32 | 11:19.05 | 224207 | 275136
    18 | 61:08.37 | 8:29.48 | 275137 | 313359
    19 | 69:38.10 | 4:32.43 | 313360 | 333802


    Range status and errors

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    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Fromm-Michaels- Babette Dorn - Complete Piano Works.wav

    Peak level 92.7 %
    Extraction speed 8.1 X
    Range quality 100.0 %
    Copy CRC DE70A3AC
    Copy OK

    No errors occurred


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    Track 14 not present in database
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    Track 19 not present in database

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    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: _l9rydQ1ZE0zswTGMiLcBMTiSds-] disk not present in database, Submit result: _l9rydQ1ZE0zswTGMiLcBMTiSds- has been uploaded


    ==== Log checksum 3CE12754B859B002ED6FA00743E154E88C595374B4013BC48E4DEFDC8936B60B ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2013-06-24 21:58:41

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Babette Dorn / Fromm-Michaels: Complete Piano Works
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -0.77 dB -20.15 dB 12:01 01-Variationen uber ein eigenes Thema op.8
    DR12 -7.54 dB -24.64 dB 1:16 02-Vier Puppen op.4-Der Holzsoldat
    DR12 -4.63 dB -21.28 dB 0:57 03-Vier Puppen op.4-Der Hampeimann
    DR14 -12.32 dB -30.49 dB 1:38 04-Vier Puppen op.4-Das Puppenmadchen
    DR12 -3.39 dB -22.68 dB 1:18 05-Vier Puppen op.4-Der Harlekin
    DR14 -4.89 dB -26.37 dB 1:20 06-Acht Skizzen op.5-Nr.I
    DR13 -3.85 dB -24.23 dB 0:35 07-Acht Skizzen op.5-Nr.II
    DR14 -2.14 dB -18.83 dB 0:29 08-Acht Skizzen op.5-Nr.III
    DR12 -17.14 dB -34.07 dB 1:18 09-Acht Skizzen op.5-Nr.IV
    DR11 -12.37 dB -31.06 dB 1:11 10-Acht Skizzen op.5-Nr.V
    DR11 -13.45 dB -29.47 dB 0:49 11-Acht Skizzen op.5-Nr.VI
    DR9 -13.97 dB -28.50 dB 0:26 12-Acht Skizzen op.5-Nr.VII
    DR13 -13.34 dB -30.80 dB 1:37 13-Acht Skizzen op.5-Nr.VIII
    DR14 -1.00 dB -20.86 dB 10:32 14-Sonate fur Klavier op.6-Markig
    DR15 -2.83 dB -23.89 dB 7:37 15-Sonate fur Klavier op.6-Sehr langsam Frei im Zeitmas
    DR14 -0.65 dB -19.82 dB 6:46 16-Sonate fur Klavier op.6-Lebhaft,aber nicht schnell
    DR15 -1.74 dB -23.76 dB 11:19 17-Walzerreigen op.7
    DR14 -1.65 dB -21.29 dB 8:30 18-Passacaglia op.16
    DR12 -14.88 dB -31.52 dB 4:33 19-Langsamer Walzer
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 19
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 395 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Ilse Fromm-Michaels - Babette Dorn - Complete Piano Works

    Label: Tacet
    Catalog#: TACET 96
    Format: CD, Album
    Country: Germany
    Released: 1999
    Genre: Classical
    Style: Early 20th Century, Piano

    Tracklist:

    1 Variationen uber ein eigenes Thema op.8 12:01
    2 Vier Puppen op.4-Der Holzsoldat 1:16
    3 Vier Puppen op.4-Der Hampeimann 0:57
    4 Vier Puppen op.4-Das Puppenmadchen 1:38
    5 Vier Puppen op.4-Der Harlekin 1:18
    6 Acht Skizzen op.5-Nr.I 1:20
    7 Acht Skizzen op.5-Nr.II 0:35
    8 Acht Skizzen op.5-Nr.III 0:29
    9 Acht Skizzen op.5-Nr.IV 1:18
    10 Acht Skizzen op.5-Nr.V 1:11
    11 Acht Skizzen op.5-Nr.VI 0:49
    12 Acht Skizzen op.5-Nr.VII 0:26
    13 Acht Skizzen op.5-Nr.VIII 1:37
    14 Sonate fur Klavier op.6-Markig 10:32
    15 Sonate fur Klavier op.6-Sehr langsam Frei im Zeitmas 7:37
    16 Sonate fur Klavier op.6-Lebhaft,aber nicht schnell 6:46
    17 Walzerreigen op.7 11:19
    18 Passacaglia op.16 8:30
    19 Langsamer Walzer 4:33

    Instrument: Steinway & Sons, D
    Recorded: March 1999
    Mics: 2 Neumann M49+
    A/D-converter: dCS 900B

    Ilse Fromm-Michaels (1888 - 1986) was a famous female pianist and composer at the beginning of the 20th century. 1933 she was completely banned from pursuing her career, because she refused to abandon her jewish husband. She was not allowed to perform in public. None of her works could be played or published. The results of this discrimination can be felt up to the present day.

    The composer/pianist Ilse Fromm-Michaels was based in Hamburg throughout most of her long life (born in 1888, she lived to be 98). At the famous Stern Conservatory, where she befriended a fellow pupil named Otto Klemperer, Fromm-Michaels studied piano with James Kwast and composition with Hans Pfitzner. Max Reger wrote her a letter of recommendation on hearing her play his monumental Bach Variations. She must have been a big player in order to tackle fingerbusters like the Busoni and Reger Concertos, as well as the Rachmaninov Third. She was invited to play the latter under Artur Nickisch after he had heard Fromm-Michaels play her own Piano Sonata, the largest-scaled work among her complete piano oeuvre. In the main, her piano writing owes as much to Rachmaninov’s swirling filigree as it does to her mentor Pfiztner’s crabby chromaticism. If the Walzerreigen Op. 7 seems to regress toward Brahms’ lilting wistfulness, her 1932 Passacaglia is forged from an ascetic blueprint that flirts with atonality. There’s also an intriguing set of variations on an original theme, plus two youthful books of miniatures. Fromm-Michaels’ final piano work was a nostalgia-laden Waltz penned around 1950 that might fit into a Kreisler folio or a Korngold opera. Babette Dorn’s solid pianism and excellent musicianship make a convincing case for the revival of Fromm-Michaels’ essentially derivative yet ultimately rewarding keyboard output. Should an enterprising label undertake her 1938 Symphony or Music Larga for clarinet and string quartet, I’ll be there to listen. classicstoday
    Fromm-Michaels- Babette Dorn - Complete Piano Works (1999, Tacet # TACET 96) [RE-UP]



    Fromm-Michaels- Babette Dorn - Complete Piano Works (1999, Tacet # TACET 96) [RE-UP]


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