Franziska Pietsch & Detlev Eisinger - Prokofiev: Works for Violin & Piano (2016)
Classical | MP3 CBR 320 kbps | 01:08:38 | 158 MB
Label: Audite
Classical | MP3 CBR 320 kbps | 01:08:38 | 158 MB
Label: Audite
Following the successful release of the Grieg Violin Sonatas, Franziska Pietsch and her piano partner Detlev Eisinger now present music by Sergei Prokofiev on the audite label. His works reflect facets of her own biography to a significant degree. As an emerging talent in the GDR, Franziska Pietsch enjoyed special state support; her musical training was thus initially shaped by the Eastern European school, bringing Prokofiev's music close to her heart. His two Violin Sonatas appear as two contrasting poles within his oeuvre - her life has also moved between extremes. The state support led to early success in the GDR. However, her father's escape to the West in 1984 was followed by two years of reprisals by the regime, intensively shaping Franziska Pietsch's understanding of music: deprived of any possibility of playing concerts or taking lessons, her chosen path towards hope - against desperation, refusal, fear and despotism - led inwards. Music became the only language in which she was able to express herself freely and which gave her the necessary strength to withstand external circumstances, continuing to hope for freedom. These were the origins of the intensity and artistic depth which characterise Franziska Pietsch's playing to the present day. The two Violin Sonatas, written largely between 1938 and 1946 after Prokofiev's return to the Soviet Union, could not be more contrary: No 1 in F minor, Prokofiev's ""Appassionata"", is a tragic piece, whilst No 2 in D major, originally conceived for flute and piano, is predominantly joyful and serene. Prokofiev arranged it himself, with David Oistrakh advising him. The reworked version of the Cinq mélodies, composed in 1919/20 for voice (without text) and piano accompaniment, was also produced by Prokofiev himself. These chamber works expose three intrinsic aspects of his artistry: his ability to create a seamless, emotionally intense melodic line; his often concealed tragic side; and his classicist inclination.
Tracklist:
01. Violin Sonata No. 1 in F Minor, Op. 80: I. Andante assai
02. Violin Sonata No. 1 in F Minor, Op. 80: II. Allegro brusco
03. Violin Sonata No. 1 in F Minor, Op. 80: III. Andante
04. Violin Sonata No. 1 in F Minor, Op. 80: IV. Allegrissimo
05. Violin Sonata No. 2 in D Major, Op. 94b: I. Moderato
06. Violin Sonata No. 2 in D Major, Op. 94b: II. Scherzo. Presto
07. Violin Sonata No. 2 in D Major, Op. 94b: III. Andante
08. Violin Sonata No. 2 in D Major, Op. 94b: IV. Allegro con brio
09. Cinq mélodies, Op. 35b: I. Andante
10. Cinq mélodies, Op. 35b: II. Lento, ma non troppo
11. Cinq mélodies, Op. 35b: III. Animato, ma non allegro
12. Cinq mélodies, Op. 35b: IV. Allegretto leggero e scherzando
13. Cinq mélodies, Op. 35b: V. Andante non troppo