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    Joseph Haydn - Symphonies 41, 44 & 47 (Fey Haydn Project Volume 8)

    Posted By: wursthans
    Joseph Haydn - Symphonies 41, 44 & 47 (Fey Haydn Project Volume 8)

    Joseph Haydn - Symphonies 41, 44 & 47 (Fey Haydn Project Volume 8)
    Genre: Classical Symphony | 1 CD | EAC & FLAC (CUE+LOG) | Complete Covers & PDF | 303 MB
    2006 recording, 2007 release | Publisher: hänssler CLASSIC CD98.238
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    Works/Tracks:

    1. (00:08:22) Symphony No. 41 in C: I. Allegro con spirito
    2. (00:05:22) Symphony No. 41 in C: II. Un poco Andante
    3. (00:03:36) Symphony No. 41 in C: III. Menuet
    4. (00:03:20) Symphony No. 41 in C: IV. Finale. Presto
    5. (00:08:51) Symphony No. 44 in E minor »Trauersinfonie«: I. Allegro con brio
    6. (00:03:23) Symphony No. 44 in E minor »Trauersinfonie«: II. Menuetto. Allegretto (Canone in Diapason)
    7. (00:09:29) Symphony No. 44 in E minor »Trauersinfonie«: III. Adagio
    8. (00:04:25) Symphony No. 44 in E minor »Trauersinfonie«: IV. Finale. Presto assai
    9. (00:07:42) Symphony No. 47 in G: I. Allegro
    10. (00:07:30) Symphony No. 47 in G: II. Un poco adagio, cantabile
    11. (00:02:39) Symphony No. 47 in G: III. Menuet
    12. (00:05:43) Symphony No. 47 in G: IV. Finale. Presto assai

    Performers

    Heidelberger Sinfoniker & Thomas Fey

    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 2. August 2009, 8:38

    Heidelberger Sinfoniker & Thomas Fey / Joseph Haydn - Symphonies 41, 44 & 47

    Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 3 ID: 0

    Read mode : Secure
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    Make use of C2 pointers : No

    Read offset correction : 30
    Overread into Lead-In and Lead-Out : Yes
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 128 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : D:\Programme\EAC099\Flac\flac.exe
    Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "ALBUMARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 5, Secure Mode, Test & Copy, Accurat


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.02 | 8:22.17 | 2 | 37668
    2 | 8:22.19 | 5:22.00 | 37669 | 61818
    3 | 13:44.19 | 3:35.58 | 61819 | 78001
    4 | 17:20.02 | 3:20.00 | 78002 | 93001
    5 | 20:40.02 | 8:50.40 | 93002 | 132791
    6 | 29:30.42 | 3:22.39 | 132792 | 147980
    7 | 32:53.06 | 9:28.53 | 147981 | 190633
    8 | 42:21.59 | 4:25.18 | 190634 | 210526
    9 | 46:47.02 | 7:41.69 | 210527 | 245170
    10 | 54:28.71 | 7:29.44 | 245171 | 278889
    11 | 61:58.40 | 2:39.15 | 278890 | 290829
    12 | 64:37.55 | 5:42.45 | 290830 | 316524


    Track 1

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    Track 2

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    Track 3

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    Track 4

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\04 - [41] IV. Finale. Presto.wav

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    Track 5

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    Track 6

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\06 - [44] II. Menuetto. Allegretto (Canone in Diapason).wav

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    Track 7

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\07 - [44] III. Adagio.wav

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    Accurately ripped (confidence 2) [42E094EC]
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    Track 8

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\08 - [44] IV. Finale. Presto assai.wav

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    Track 9

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\09 - [47] I. Allegro.wav

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    Track 10

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\10 - [47] II. Un poco adagio, cantabile.wav

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    Track 11

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\11 - [47] III. Menuet.wav

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    Track 12

    Filename E:\Joseph Haydn - Symphonies 41, 44 & 47 (2007) [FLAC] {haenssler CLASSIC CD 98.238}\12 - [47] IV. Finale. Presto assai.wav

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    Accurately ripped (confidence 2) [BE3A3D9D]
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    All tracks accurately ripped

    No errors occurred

    End of status report




    Recording Information

    recorded May & September 2006
    released 2007

    hänssler CLASSIC
    CD 98.238



    Reviews

    So this is it, in David Hurwitz' eyes one of the weaker discs in Fey's complete survey of Haydn's symphonies – which will take another ten years until it is completed, based on the current speed of releases.
    Speed is one of the main points of Hurwitz's criticism. He considers them too fast to bring out the beauties of the compositions. In a sense, he might have a point. However, the playing is just spectacular and Haydn really needs such up-tempo-frenzy in my opinion, after decades of sugary-sweet mis-interpreation from the likes of Karajan, Beecham, Böhm etc.
    If you are no fan of prominent (natural) horns and timpany, you might want to skip this, for both instrumental groups are really, really prominent here, so much so that the harpsichord conitnuo is not really that intrusive as Hurwitz considers it to be. This is Haydn how he might have sounded back in his days: Music that really set him apart from his contemporaries and paved the way for Mozart and Beethoven. Enjoy. (me :) )

    Can we really have too much of a good thing in this music? The virtues of Thomas Fey's Haydn are well known, and are firmly on display here: the cutting timpani and brass in Symphony No. 41, the blazingly fast presto finales of all three symphonies, and the amazingly clear textures. But isn't the canonic minuet of No. 44 really taken much more quickly than contrapuntal clarity and the Allegretto tempo dictate? Can the orchestra really articulate the finale's jagged principal theme with the necessary violence at this speed? And doesn't that wholly unnecessary harpsichord continuo blur the rhythm in No. 47's finale and buzz annoyingly? Don't get me wrong: these are exciting, mostly enjoyable performances, immaculately played, but there's more emotional depth in this music than Fey seems willing to allow. A touch less haste and relentlessness, and consequently a bit more time to savor the details even in fast movements, might have paid big dividends in what is in most other respects a very impressive disc. (David Hurwitz on classicstoday.com



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