Tags
Language
Tags
<<
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
  1. Home
  2. Music
  3. Telarc
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.

👉 Check for yourself!

Jacques Loussier Trio - Mozart: Piano Concertos 20/23 (2005)

Posted By: tirexiss
Date: 5 Jun 2023 12:08:41
Jacques Loussier Trio - Mozart: Piano Concertos 20/23 (2005)

Jacques Loussier Trio - Mozart: Piano Concertos 20/23 (2005)
EAC | APE (image+.cue, log) | Covers Included | 59:22 | 315 MB
Genre: Classical, Jazz | Label: Telarc | Catalog: CD-83628

This doesn't really work, but Jacques Loussier's attempt to make Mozart work as jazz is sufficiently complex enough to make you ask, as you're hearing it, why it isn't working, and maybe that's a worthwhile thing. As the liner notes point out, it is most often Bach among classical composers whose music has served as the basis for jazz experiments. Mozart-jazz is much rarer.
Details

Atlanta Symphony Orchestra & Chamber Chorus, Robert Shaw - J.S. Bach: Mass In B Minor (1990)

Posted By: tirexiss
Date: 22 Jan 2023 07:29:16
Atlanta Symphony Orchestra & Chamber Chorus, Robert Shaw - J.S. Bach: Mass In B Minor (1990)

Atlanta Symphony Orchestra & Chamber Chorus,
Robert Shaw - J.S. Bach: Mass In B Minor (1990)
EAC | FLAC (image+.cue, log) | Covers Included | 117:51 | 536 MB
Genre: Classical, Choral | Label: Telarc | Catalog: CD-80233-B

Robert Shaw's reading of the B Minor Mass is, in one sense at least, just what one would expect: sober and purposeful, beautifully shaped (Shaw is a master architect), it centers on the chorus. Like all of Shaw's choruses, the Atlanta group has that trademark richness of body and blend, and it sings with utter unanimity as though it were one great voice. Shaw opts for marginally broader tempos than those found in most period-instrument performances but is nowhere near as glacial as some interpreters.
Details
UPWARDS