In retrospect, the musical direction each of these artists would take was already becoming clear. Since that winter, each of them has found an individual manner of expression based on his or her respective national culture. Mari Boine created an inlet for the musical culture of her people, the Sami, into the great river of World Music, developing a very personal idiom and style from the Sami traditions. Inna Zhelannaya continued to work on her own texts and songs, initially still in collaboration with the popular Russian group Alliance, which accompanied her on this album, later with other Russian musicians.

Entre 1994 et 1998, l’absence de tout nouvel album studio de la seule chanteuse samì (de Laponie) qui bénéficie d’une renommée internationale, Mari BOINE, alimentait les plus inquiètes interrogations. Et ce n’est pas une simple compilation (Radiant Warmth) dont le contenu reprenait des pièces de ses albums Goaskinviellja (Eagle Brother) et Leahkastin (Unfolding) qui était de nature à nous rassasier (surtout quand on sait qu’un album live autrement pertinent, Eallin, est sorti à la même époque, mais n’a pas été diffusé en France). Et voici que Bálvvoslatjna (Room of Worship), son cinquième opus, paraît sans crier gare pour rasséréner nos consciences.