Tags
Language
Tags
April 2024
Su Mo Tu We Th Fr Sa
31 1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 1 2 3 4
https://canv.ai/
The picture is generated by canv.ai

We are excited to announce that Canv.ai now features a built-in translator, allowing you to communicate in your native language. You can write prompts in your language, and they will be automatically translated into English, facilitating communication and the exchange of ideas!

We value freedom of speech and guarantee the absence of censorship on Canv.ai. At the same time, we hope and believe in the high moral standards of our users, which will help maintain a respectful and constructive atmosphere.


👉 Check for yourself!

Christopher D. Lewis, John McMurtery, Kevin Mallon - Philip Glass, John Rutter & Jean Francaix - Harpsichord Concertos (2013)

Posted By: Designol
Christopher D. Lewis, John McMurtery, Kevin Mallon - Philip Glass, John Rutter & Jean Francaix - Harpsichord Concertos (2013)

Philip Glass, John Rutter & Jean Françaix: Harpsichord Concertos (2013)
Christopher D. Lewis, harpsichord; John McMurtery, flute
West Side Chamber Orchestra, conducted by Kevin Mallon

EAC | FLAC | Image (Cue&Log) ~ 325 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included
Genre: Classical | Label: Naxos | # 8.573146 | Time: 01:04:00

Attracted by a delightful fusion of early music sonorities with modern expressiveness, the three composers in this amazingly rich and varied programme build on the magnificent harpsichord concerto legacy of JS Bach. John Rutter’s beautiful Suite Antique is full of rich and haunting themes, with a significant solo flute part and a jazzy Waltz which is as much Brubeck as Bach. Philip Glass delivers an exciting experience of virtuoso instrumental blending and solo expressiveness, and with typical wit and elegance. Jean Françaix’s Concerto is terrific fun throughout.

Gidon Kremer & Naoko Yoshino - Insomnia (1999)

Posted By: Designol
Gidon Kremer & Naoko Yoshino - Insomnia (1999)

Gidon Kremer & Naoko Yoshino - Insomnia (1999)
works by Jean Françaix, John Cage, Arvo Pärt, Richard Strauss, Nino Rota, Alfred Schnittke
Erik Satie, Toru Takemitsu, Michio Miyagi, Yuji Takahashi, Kaija Saariaho

EAC | FLAC | Image (Cue&Log) ~ 315 Mb | Mp3 (CBR320) ~ 194 Mb | Scans included
Classical, Contemporary | Label: Philips | # 289 456 016-2 | Time: 01:18:10

This is a handsome-looking compact disc release, with strikingly muted graphics in cool purple tones, featuring Latvian violinist Gidon Kremer and Japanese harpist Naoko Yoshina. Here the pretty graphics go a little too far: the buyer finds no listing of compositions on the outside of the package and has no way of knowing what is played aside from a bare mention of the names of the 11 composers featured. That's where the All Classical Guide comes in. The works were all written in the twentieth century. They are: Michio Miyagi's Haru no umi (Ocean in Spring, a calming, melodic piece); Kaija Saariaho's Nocturne for violin solo (a somewhat avant-garde coloristic piece); Toru Takemitsu's Stanza II for harp and tape (also pretty far out and very Japanese-sounding); Yuji Takahashi's Insomnia for violin, voices, and kugo (strange, but oddly soothing); a movement from Satie's Le fils des étoiles as arranged by Takahashi (austere); Jean Françaix's Five Little Duets (100 percent charming); the Étude for violin from Richard Strauss's Daphne (also charming); Six Melodies by John Cage (simple and pleasant); Arvo Pärt's Spiegel im Spiegel (even simpler and not startling); Nino Rota's love theme from The Godfather (you know this one); and the final movement from Schnittke's Suite in the Old Style (gently Classical except for one deliberately horrendous dissonance).

Dimitri Ashkenazy - Jean Francaix: Works for Clarinet (2016)

Posted By: Designol
Dimitri Ashkenazy - Jean Francaix: Works for Clarinet (2016)

Jean Françaix: Works for Clarinet (2016)
Dimitri Ashkenazy, clarinet; Yvonne Long, piano; Ada Meinich, viola; Bernd Glemser, piano
Cincinnati Philharmonia Orchestra, conducted by Christoph-Matthias Mueller

EAC | FLAC | Image (Cue&Log) ~ 210 Mb | Mp3 (CBR320) ~ 132 Mb | Artwork included
Genre: Classical | Label: Paladino Music | # pmr 0074 | Time: 00:55:57

In collaboration with Yvonne Lang, Ada Meinich, Bernd Glemser and the Cincinnati Philharmonia Orchestra, Ashkenazy presents some of the most exciting works for clarinet by French composer Jean Françaix. "I have been a fan of Françaix‘s music since the first time I heard one of his pieces, which was sometime in my youth at the old Kunsthaus in Lucerne," says Dimitri Ashkenazy. "Hans-Rudolf Stalder played his 'Tema con variazioni' [the second piece on this disc] in the version with string orchestra accompaniment. I loved the spirit, the subtle use of harmony, and the humour, but also its introspectiveness".

The Gaudier Ensemble - Jean Francaix - Chamber Music: L'heure du berger; Divertissement; Clarinet Quintet; A huit (1998)

Posted By: Designol
The Gaudier Ensemble - Jean Francaix - Chamber Music: L'heure du berger; Divertissement; Clarinet Quintet; A huit (1998)

The Gaudier Ensemble - Jean Françaix: Chamber Music (1998)
L'heure du berger; Divertissement; Clarinet Quintet; A huit

EAC | FLAC | Image (Cue&Log) ~ 241 Mb | Mp3 (CBR320) ~ 144 Mb | Scans included
Genre: Classical, Chamber | Label: Hyperion | # CDA67036 | Time: 01:02:35

Jean Françaix: a quintessentially French composer following in the tradition of Saint-Saëns, Poulenc and Satie; composer of some one-hundred-and-fifty works; and virtuoso pianist in his own right. The four works on this recording were composed between 1942 (the Divertissement—very much a 'distraction' during the Nazi Occupation of France) and 1977 (the Clarinet Quintet). All four share a high degree of compositional mastery, but this is always embedded within an air of grace, of profound charm, and of wit. It is perhaps this sense of humour which has so endeared Françaix's music to generations of musicians and music-lovers. But despite the facts that L'heure du berger was composed in honour of a Parisian restaurant who were to use it as 'background' music, that Françaix self-deprecatingly passed off A huit as a 'stop-gap to fill a programme' for the Vienna Octet, and that the Divertissement contains unashamedly blatant musical jokes, these compositions are unmistakably the work of an expert, a distinctively 'Gallic' artist.