Fabio Bonizzoni & La Risonanza - Bach: Harpsichord Concertos Vol. 1 (2018)
Fabio Bonizzoni & La Risonanza - Bach: Harpsichord Concertos Vol. 1 (2018)
EAC Rip | FLAC (tracks+log+.cue) - 372 Mb | MP3 CBR 320 kbps - 147 Mb | 01:03:05
Classical | Label: Challenge Classics
EAC Rip | FLAC (tracks+log+.cue) - 372 Mb | MP3 CBR 320 kbps - 147 Mb | 01:03:05
Classical | Label: Challenge Classics
This is the first volume in a complete survey of Bach's harpsichord concertos, recorded by La Risonanza and Fabio Bonizzoni in one-to-a-part practice performance.Tracklist:
The first instalment of a complete edition of Johann Sebastian Bach's harpsichord concertos includes following works: BWV 1052, BWV 1053, BWV 1055, BWV 1056. Fabio Bonizzoni, one of the most learned and imaginative harpsichordists of our time, presents these concertos along with soloists from his orchestra, La Risonanza in one-to-a-part performances.
With his Fifth Brandenburg Concerto of 1719, Bach had created the first harpsichord concerto. From 1729, in Leipzig, the opportunity arose to continue this experiment: each week at Café Zimmermann he conducted his Collegium musicum in orchestral concerts that lasted around two hours. In the summer of 1733, he took delivery of "a new harpsichord, the like of which has not been heard before around here". This magnificent instrument, which featured at the Zimmermann concerts, urgently called for concertos to be played by himself as soloist, and even more so by his sons and students. Not only in Saxony but also well beyond, Bach was considered to be the absolute authority in all things harpsichord and organ; he therefore made his own contribution to the emerging genre of the "clavier concerto". The manuscript of his six harpsichord concertos BWV1052 to 1057 should therefore be understood as a repertoire collection for his Collegium musicum, and as a compositional manifesto.
Within the six concertos, each work takes on a specific function: The D minor concerto is the longest, most virtuosic and most Italianate of the collection. The stormy and sombre concerto is followed by the serene and cantabile E major concerto which, as Joshua Rifkin has convincingly argued, may well be based on a lost oboe concerto in E flat major Whilst the concertos in D minor and E major are substantial works, the concertos in A major and F minor are far more compact. Both display noticeable influences of the galant style and were therefore probably not written before 1730.
As a soloist, Bonizzoni has been recording for many years for the Spanish label Glossa. His discography includes works by Claudio Merulo, Giovanni Salvatore, Giovanni Picchi, Francesco Geminiani, Bernardo Storace, Domenico Scarlatti and Johann Sebastian Bach (Goldberg Variations and the Art of Fugue). His latest release is devoted to the two books of toccatas of Girolamo Frescobaldi.
In 2010, Bonizzoni completed, with La Risonanza, the project of recording the complete Italian Cantatas with instruments by G.F. Handel: this project has been defined by Gramophone magazine as the most important of the decade, and 3 of the 7 CDs have been awarded the prestigious Handel Stanley Sadie Prize. The last disc of this series, Apollo e Dafne, won a Gramophone Award in 2011.
1 Harpsichord Concerto No. 1 in D Minor, BWV 1052: I. Allegro
2 Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio
3 Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro
4 Harpsichord Concerto No. 2 in E Major, BWV 1053: I. [no tempo marking]
5 Harpsichord Concerto No. 2 in E Major, BWV 1053: II. Siciliano
6 Harpsichord Concerto No. 2 in E Major, BWV 1053: III. Allegro
7 Harpsichord Concerto No. 4 in A Major, BWV 1055: I. Allegro
8 Harpsichord Concerto No. 4 in A Major, BWV 1055: II. Larghetto
9 Harpsichord Concerto No. 4 in A Major, BWV 1055: III. Allegro ma non tanto
10 Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. [no tempo marking]
11 Harpsichord Concerto No. 5 in F Minor, BWV 1056: II. Largo
12 Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 21. January 2019, 21:06
Fabio Bonizzoni; La Risonanza / Harpsichord Concertos Vol. 1
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10 | 53:43.57 | 3:29.16 | 241782 | 257472
11 | 57:12.73 | 2:16.30 | 257473 | 267702
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==== Log checksum 87259E28524C344113888B2039FAC06E1A96BA99D8F8F620004117AFA35E1F66 ====
EAC extraction logfile from 21. January 2019, 21:06
Fabio Bonizzoni; La Risonanza / Harpsichord Concertos Vol. 1
Used drive : HL-DT-STDVDRAM GHD0N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
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Quality : High
Add ID3 tag : No
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 7:37.57 | 0 | 34331
2 | 7:37.57 | 5:47.73 | 34332 | 60429
3 | 13:25.55 | 7:54.62 | 60430 | 96041
4 | 21:20.42 | 8:04.05 | 96042 | 132346
5 | 29:24.47 | 4:07.48 | 132347 | 150919
6 | 33:32.20 | 6:53.16 | 150920 | 181910
7 | 40:25.36 | 4:23.69 | 181911 | 201704
8 | 44:49.30 | 4:24.20 | 201705 | 221524
9 | 49:13.50 | 4:30.07 | 221525 | 241781
10 | 53:43.57 | 3:29.16 | 241782 | 257472
11 | 57:12.73 | 2:16.30 | 257473 | 267702
12 | 59:29.28 | 3:36.16 | 267703 | 283918
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Track | CTDB Status
1 | (2/2) Accurately ripped
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==== Log checksum 87259E28524C344113888B2039FAC06E1A96BA99D8F8F620004117AFA35E1F66 ====
Thanks to the Original ripper signeurAlfred !