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Ethan Iverson & Lee Konitz - Costumes are Mandatory (2013)

Posted By: delpotro
Ethan Iverson & Lee Konitz - Costumes are Mandatory (2013)

Ethan Iverson & Lee Konitz - Costumes are Mandatory (2013)
EAC Rip | FLAC (tracks+log+.cue) | 00:56:09 | 257 Mb
Contemporary Jazz, Post-Bop | Label: HighNote Records

Costumes Are Mandatory is very collegially advertised as a collaborative album featuring Ethan Iverson, Lee Konitz, Larry Grenadier, and Jorge Rossy. And while the music may indeed be collaborative, even multi-improvisational at times, it's Iverson's date and he's very clearly the leader.

The record is envisioned as an homage to—"a dialogue with," according to the liner notes—the late blind pianist Lennie Tristano, who in addition to generally being credited as a founder of the 'cool school' (an oversimplification, to be sure), and an early avant-garde pioneer, was also a primary teacher and influence on Konitz (as well as tenorist Warne Marsh). Though he is often thought of as being a somewhat separate musical line from bebop, he was nonetheless a great admirer of Charlie Parker, playing on many of Bird's early recordings in the late 1940s, and later serving as a pallbearer in his funeral. Strangely, given its stated intent, there isn't a single composition credited to Tristano on the record.

Iverson is well represented though, opening with his "Blueberry Ice Cream take 2" a relatively conventional blues with a quick walking bass line and catchy melody. The direct connection to Tristano is, of course, Konitz who's own playing in recent years has become freer, with very little melodic structure. Iverson lays out for Konitz' compact solo which has an airiness to it that floats above the straight-ahead structure of the tune. Iverson's piano work is, in places, more reminiscent of Thelonious Monk than Tristano.

The intro to "Try A Little Tenderness" is very reminiscent of Tristano's melancholy "Requiem" featuring broad, well- sustained chords before Konitz and the rhythm section rejoin with the melody. Konitz' straight ahead statement of the tune is uncharacteristic of much of his recent playing, and he barely deviates at all leaving the improvisation to Iverson.

"It's You (Tempo Complex)" pulls a Tristano trick right out of the hat by overdubbing two pianos to psychedelic, effect. At only one minute long it's enough to convey the effect without overpowering the surrounding tracks. The following straight acoustic version of the song delivers some of Konitz' best most Konitz-like improvisations: loose and searching, endlessly inventive, but still melodic and delightful.

According to the liner notes Konitz declined to play on "Blueberry Hill" stating "Sounds like something The Bad Plus should play instead."

Costumes Are Mandatory might work best because the music and the musicians have either approached Tristano with completely different competing musical influences, or in the case of Konitz, having completely absorbed then transcended his former mentor. They're not trying to imitate Tristano, but they forge just enough of a connection to make a truly interesting record that's worth seeking out.
Tracklist:
01 - Blueberry Ice Cream take 2 (Ethan Iverson) 03:23
02 - Try a Little Tenderness (Jimmy Campbell, Reg Connelly, Harry Woods) 07:03
03 - It's You (Tempo Complex) (Lee Konitz) 01:05
04 - It's You (Lee Konitz) 04:54
05 - What's New? (Bob Haggart) 05:33
06 - 317 East 32nd (Lee Konitz) 04:47
07 - Body and Soul (Johnny Green/Edward Heyman,Robert Sour,Frank Eyton) 05:50
08 - Blueberry Hill (Vincent Rose / Larry Stock, Al Lewis) 04:42
09 - A Distant Bell (Ethan Iverson) 02:01
10 - Bats (Ethan Iverson) 02:12
11 - Mr. Bumi (Ethan Iverson) 01:19
12 - My New Lovers All Seem So Tame (Ethan Iverson) 02:36
13 - My Old Flame (Arthur Johnston / Sam Coslow) 07:04
14 - Blueberry Ice Cream take 1 (Ethan Iverson) 03:34

Exact Audio Copy V1.0 beta 4 from 7. December 2014

EAC extraction logfile from 28. January 2015, 10:45

Ethan Iverson & Lee Konitz / Costumes Are Mandatory

Used drive : hp DVDRAM GT30L Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 103
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:23.38 | 0 | 15262
2 | 3:23.38 | 7:03.14 | 15263 | 47001
3 | 10:26.52 | 1:05.68 | 47002 | 51944
4 | 11:32.45 | 4:54.09 | 51945 | 74003
5 | 16:26.54 | 5:33.44 | 74004 | 99022
6 | 22:00.23 | 4:47.66 | 99023 | 120613
7 | 26:48.14 | 5:49.71 | 120614 | 146859
8 | 32:38.10 | 4:42.59 | 146860 | 168068
9 | 37:20.69 | 2:01.62 | 168069 | 177205
10 | 39:22.56 | 2:12.36 | 177206 | 187141
11 | 41:35.17 | 1:19.03 | 187142 | 193069
12 | 42:54.20 | 2:36.40 | 193070 | 204809
13 | 45:30.60 | 7:04.51 | 204810 | 236660
14 | 52:35.36 | 3:34.27 | 236661 | 252737


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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 10

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Track 11

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Track 12

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Track 13

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Track 14

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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 189B24E879180FA770C57075FAF24FD8D01677A1CD6EFB98BCA5C70C2C121760 ====

Thanks to the Original ripper spindrifter !