Ethan Iverson, Dayna Stephens, Ben Street, Lewis Nash, Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) {Repost}
Ethan Iverson, Dayna Stephens, Ben Street, Lewis Nash, Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021)
EAC Rip | FLAC (tracks+log+.cue) - 394 Mb | MP3 CBR 320 kbps - 147 Mb | 00:59:57
Jazz, Bebop, Big Band | Label: Sunnyside Records
EAC Rip | FLAC (tracks+log+.cue) - 394 Mb | MP3 CBR 320 kbps - 147 Mb | 00:59:57
Jazz, Bebop, Big Band | Label: Sunnyside Records
The effects of the bebop revolution in jazz music are still being felt and explored. Of the half dozen true pioneers of the movement, pianist Bud Powell has remained somewhat in the shadows, although his work has become a major touchstone for true devotees of the music and a principal influence for most of jazz’s most explorative pianists.Tracklist:
Powell’s brilliant original compositions are essential, infinitely listenable but also strangely tricky. Unlike Monk, Parker and Gillespie, the composer neglected to perform them much after their original recordings, so they never became a part of the jazz lingua franca. Pianist and historian Ethan Iverson provides a fantastic validation of Powell’s compositional genius on his new recording, Bud Powell In The 21st Century, a reworking of a number of Powell’s pieces for big band.
Iverson came upon Powell’s music early in his development via the Mosaic boxed set of the complete Powell on Blue Note Records and the essential The Genius of Bud Powell compilation on Verve Records. The music was revelatory for Iverson and has continued to be an inspiration well into his career. That career has always balanced itself between the presentation of new contemporary work and jazz history, essentially Iverson’s involvement with The Bad Plus paired with his work on Do The Math.
After his departure from The Bad Plus, Iverson’s time has been occupied more and more with large commissions, like curating MONK@100, the Monk Centennial event at Duke University, Iverson’s overview of the British jazz scene for the London Jazz Festival, a piano concerto for the American Composers Orchestra, and Pepperland for the Mark Morris Dance Group. It was under the auspices of a commission from Carlo Pagnotta, Enzo Capua and the Umbria Jazz Festival that Iverson’s Powell project was able to take shape.
The popular pull of tribute concerts in jazz institutions has continued to surge, a common draw at Jazz at Lincoln Center and jazz festivals all over the world. Iverson believes fresh creative composition to be almost a requirement for jazz repertory projects to be successful. The project shaped itself into what would be Iverson’s first attempt at arranging for big band; to be presented at the Umbria Jazz Festival in 2019.
For source material, Iverson began toward four quintet pieces that Powell recorded with an incredible group of musicians in 1949. The ensemble of Powell, saxophonist Sonny Rollins, trumpeter Fats Navarro, bassist Tommy Potter and drummer Roy Haynes plays quintessential versions of Powell’s “Bouncing with Bud,” “Dance of The Infidels” and “Wail,” along with Monk’s “52nd Street Theme.” Because this is the only Powell led session with horns, Iverson decided to use these tunes as the backbone of his orchestrations.
Iverson is generally attracted to more idiosyncratic jazz composers who write for their ensembles, individuals like Duke Ellington and Carla Bley. In an effort to bridge a divide that would come from composing and arranging for a one-off big band, Iverson enlisted a tremendous quintet to secure the foundation of his work. Ingrid Jensen had impressed Iverson for years as a triumphant solo voice in Darcy James Argue’s Secret Society Band. Saxophonist Dayna Stephens stood apart for his virtuosity and oblique approach. Bassist Ben Street has been a longtime collaborator, someone who understands both bebop and modernity. The happy opportunity to add drummer Lewis Nash, a master musician who has been the first call of many legends, was too good for Iverson to pass up.
Going into the actual writing and arranging, Iverson knew that he wanted to present Powell’s compositions accurately, doing “no harm” to their original intention. This would be difficult, as the pieces are hard and have finicky details. There were a number of composers and arrangers Iverson looked to for inspiration, including Stravinsky’s arranging of older Italian music and Carla Bley’s take on Spanish folk songs for Charlie Haden’s Liberation Music Orchestra. Shades of Count Basie and the Dizzy Gillespie Big Band also tint Iverson’s palette.
Iverson’s composed original pieces, like “Bud Powell in the 21st Century” and “Nobile Paradiso,” use Powell’s improvisations as building blocks. Iverson also borrows key harmonic and melodic ideas to inform his “Spells,” short chorales that connect the larger pieces and have the feel of an eerie séance with the celebrated pianist. Pieces like “Continuity” and “Nobile Paradiso” are heightened by Iverson’s mastery of counterpoint, with strands of ideas moving around each other, the latter piece composed of Iverson’s original material that builds like an anthemic Powell composition, like a hill from a grain of sand (with a foxtrot rhythm!). Big moving block chords hammer in the harmonic ingenuity of Powell’s originals under Iverson’s dynamic revisions.
Powell’s touch can be heard throughout the recording. Iverson and other ensemble members quote the pianist’s solo lines throughout, as can be heard in the saxophone section on “Celia” and under Iverson’s capable fingers on “Tempus Fugit,” which happens to be led in by an unaccompanied display of Nash’s impeccable bebop drumming. The gorgeously played French horn feature for Giovanni Hoffer on Powell’s ballad, “I’ll Keep Loving You,” is a true showstopper.
Ethan Iverson’s Bud Powell in The 21st Century is a landmark not only in his career but also in the legacy of Powell, a musician who came from a generation that longed for the opportunities to have their pieces appreciated as the true art it is. Iverson has stylishly recreated the legend’s pieces for a grand big band to perform on a festival stage in Italy. Powell’s spirit should be pleased.
1. Bud Powell In The 21st Century: I. Chorale (02:34)
2. Bud Powell In The 21st Century: II. Continuity (04:14)
3. Celia (05:10)
4. Tempus Fugit (05:03)
5. Five Simple Spells: I. Chorale (01:12)
6. Bouncing with Bud (04:00)
7. Five Simple Spells: II. Waltz (00:53)
8. Wail (03:03)
9. Five Simple Spells: III. Chorale (00:52)
10. Dance of The Infidels (02:50)
11. Five Simple Spells: IV. Moderato (01:16)
12. 52nd Street (03:51)
13. Five Simple Spells: V. Ballad (01:42)
14. I'll Keep Loving You (05:47)
15. Nobile Paradisco (11:11)
16. Un Poco Loco (06:22)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 28. May 2021, 20:12
Ethan Iverson; Umbria Jazz Orchestra / Bud Powell In The 21st Century
Used drive : TSSTcorpCDDVDW TS-H653N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:33.59 | 0 | 11533
2 | 2:33.59 | 4:13.66 | 11534 | 30574
3 | 6:47.50 | 5:10.30 | 30575 | 53854
4 | 11:58.05 | 5:02.62 | 53855 | 76566
5 | 17:00.67 | 1:11.67 | 76567 | 81958
6 | 18:12.59 | 4:00.33 | 81959 | 99991
7 | 22:13.17 | 0:53.12 | 99992 | 103978
8 | 23:06.29 | 3:02.47 | 103979 | 117675
9 | 26:09.01 | 0:52.23 | 117676 | 121598
10 | 27:01.24 | 2:49.61 | 121599 | 134334
11 | 29:51.10 | 1:15.39 | 134335 | 139998
12 | 31:06.49 | 3:50.72 | 139999 | 157320
13 | 34:57.46 | 1:41.73 | 157321 | 164968
14 | 36:39.44 | 5:46.47 | 164969 | 190965
15 | 42:26.16 | 11:10.47 | 190966 | 241262
16 | 53:36.63 | 6:20.16 | 241263 | 269778
Track 1
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Track 2
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Track 5
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Track 11
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Track 12
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Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\14 - I'll Keep Loving You.wav
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Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\16 - Un Poco Loco.wav
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–– CUETools DB Plugin V2.1.6
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==== Log checksum E15B84C12F6B9BD5283918419F83CF713939A5D9FA83B6261995B3C0206D5C15 ====
EAC extraction logfile from 28. May 2021, 20:12
Ethan Iverson; Umbria Jazz Orchestra / Bud Powell In The 21st Century
Used drive : TSSTcorpCDDVDW TS-H653N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:33.59 | 0 | 11533
2 | 2:33.59 | 4:13.66 | 11534 | 30574
3 | 6:47.50 | 5:10.30 | 30575 | 53854
4 | 11:58.05 | 5:02.62 | 53855 | 76566
5 | 17:00.67 | 1:11.67 | 76567 | 81958
6 | 18:12.59 | 4:00.33 | 81959 | 99991
7 | 22:13.17 | 0:53.12 | 99992 | 103978
8 | 23:06.29 | 3:02.47 | 103979 | 117675
9 | 26:09.01 | 0:52.23 | 117676 | 121598
10 | 27:01.24 | 2:49.61 | 121599 | 134334
11 | 29:51.10 | 1:15.39 | 134335 | 139998
12 | 31:06.49 | 3:50.72 | 139999 | 157320
13 | 34:57.46 | 1:41.73 | 157321 | 164968
14 | 36:39.44 | 5:46.47 | 164969 | 190965
15 | 42:26.16 | 11:10.47 | 190966 | 241262
16 | 53:36.63 | 6:20.16 | 241263 | 269778
Track 1
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Accurately ripped (confidence 1) [D44888B1] (AR v2)
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Track 2
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\02 - Bud Powell In The 21st Century, Part 2- Continuity.wav
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Accurately ripped (confidence 1) [9C607149] (AR v2)
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Track 3
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\03 - Celia.wav
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Accurately ripped (confidence 1) [D5AE3A67] (AR v2)
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Track 4
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\04 - Tempus Fugit.wav
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Accurately ripped (confidence 1) [50E616C0] (AR v2)
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Track 5
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\05 - Five Simple Spells- I. Chorale.wav
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Accurately ripped (confidence 1) [22A26469] (AR v2)
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Track 6
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\06 - Bouncing With Bud.wav
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Accurately ripped (confidence 1) [47493160] (AR v2)
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Track 7
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\07 - Five Simple Spells- II. Waltz.wav
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Track 8
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Accurately ripped (confidence 1) [6F50A80C] (AR v2)
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Track 9
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Accurately ripped (confidence 1) [1D2112E6] (AR v2)
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Track 10
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\10 - Dance Of The Infidels.wav
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Accurately ripped (confidence 1) [DC96E1E1] (AR v2)
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Track 11
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\11 - Five Simple Spells- IV. Moderato.wav
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Accurately ripped (confidence 1) [0D82B3A9] (AR v2)
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Track 12
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Track 13
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Accurately ripped (confidence 1) [9870FA3A] (AR v2)
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Track 14
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\14 - I'll Keep Loving You.wav
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Accurately ripped (confidence 1) [84BAEF08] (AR v2)
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Track 15
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\15 - Nobile Paradiso.wav
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Track quality 99.9 %
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Accurately ripped (confidence 1) [EB67B647] (AR v2)
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Track 16
Filename C:\That is the question\Ethan Iverson; Umbria Jazz Orchestra - Bud Powell In The 21st Century (2021) [FLAC] {SSC 1619}\16 - Un Poco Loco.wav
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End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: eZHHfVdNnAz0sBC_dNzbL_TKHag-] found
Submit result: eZHHfVdNnAz0sBC_dNzbL_TKHag- has been confirmed
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
11 | (3/3) Accurately ripped
12 | (3/3) Accurately ripped
13 | (3/3) Accurately ripped
14 | (3/3) Accurately ripped
15 | (3/3) Accurately ripped
16 | (3/3) Accurately ripped
==== Log checksum E15B84C12F6B9BD5283918419F83CF713939A5D9FA83B6261995B3C0206D5C15 ====
Thanks to the Original ripper !