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  3. Duo Tal & Groethuysen - J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue' (2020)

Duo Tal & Groethuysen - J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue' (2020)

Posted By: delpotro
Date: 14 Aug 2020 15:58:52
Duo Tal & Groethuysen - J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue' (2020)

Duo Tal & Groethuysen - J.S. Bach & Reinhard Febel: 18 Studies on 'The Art of Fugue' (2020)
WEB FLAC (tracks) - 330 Mb | MP3 CBR 320 kbps - 216 Mb | Digital booklet | 01:33:17
Classical | Label: Sony Classical

With its fourteen fugues and four canons, all of which are derived from the same thematic germ cell, J. S. Bach’s "The Art of Fugue" contains within it a veritable cornucopia of constructional variants. In his own Studies, Reinhard Febel takes apart the constituent elements of Bach’s work and reassembles them in completely new ways, occasionally opening up the musical material and allowing it to range over the entire keyboard. With their refined and extremely complex “manipulations”, these Studies produce a brilliant and occasionally even dramatically expressive undertow. They were commissioned by the Duo Tal & Groethuysen, who have now recorded them for the present world-premiere release. In composing the fugues and canons that make up "The Art of Fugue", Bach was presumably thinking of the sound world of a keyboard instrument, although he never specified this unambiguously. As a result, this has legitimized a whole range of disparate versions for different combinations of instruments. Yaara Tal and Andreas Groethuysen – both of them well known as outstanding pianists – were drawn to the idea of interpreting the work as a piano duet. The term “study” stresses the idea of exploring and experimenting with different compositional possibilities and in that way finds its counterpart in Bach’s conception of the word “contrapunctus”. The Art of Fugue was not primarily intended for performance but was designed as a compendium of the possibilities of contrapuntal composition at a time when the golden age of this art already lay in the past. Yet Alban Berg was only one of many commentators to observe that a work regarded by many as based on pure mathematics has a uniquely profound musical depth to it. Bach maintains an impressive balance between academically abstract composition and the art of sensual expression. And the same is true for Febel’s Studies.
Tracklist:
Disc 1 (46:09)
1. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 1. Nicht zu langsam (Contrapunctus 1) (05:35)
2. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 2. Sehr schnell (Contrapunctus 2) (02:25)
3. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 3. Leicht schwebend, nicht zu langsam (Contrapunctus 3) (04:00)
4. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 4. Nicht zu langsam (Contrapunctus 4) (03:34)
5. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 5. Langsam (Contrapunctus 5) (04:25)
6. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 6. Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese) (07:04)
7. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 7. Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem) (03:15)
8. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 8. Nicht zu langsam (Contrapunctus 8) (05:29)
9. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 9. Sehr schnell (Contrapunctus 9 alla Duodecima) (02:28)
10. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 10. Schnell (Contrapunctus 10 alla Decima) (04:41)
11. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 11. Prestissimo possibile (Contrapunctus 11) (03:13)

Disc 2 (46:59)
1. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12. Langsam (Contrapunctus 12 Rectus+Inversus) (04:17)
2. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a. Nicht zu langsam (Contrapunctus 12 Rectus+Inversus) (02:53)
3. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13. Prestissimo possibile (Contrapunctus 13 Rectus+Inversus) (02:01)
4. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13a. Schnell (Contrapunctus 13 Rectus+Inversus) (02:06)
5. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14. Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu) (08:53)
6. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 15. Schnell (Canon in Hypodiapason - Canon alla Ottava) (03:41)
7. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 16. Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza) (05:16)
8. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 17. Presto feroce (Canon alla Duodecima in Contrapunto alla Quinta) (02:41)
9. Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 18. Maestoso, ma molto calmo (Fuga a 3 (4) Soggetti) (15:11)

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–––––––––––-

PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
Copyright © 2008-2010 y-soft. All rights reserved

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.


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FILE: 07 Studie 16 Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza).flac
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FILE: 04 Studie 13a Schnell (Contrapunctus 13 Rectus+Inversus).flac
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