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    Dinah Washington - What a Diff'rence a Day Makes! (1959)

    Posted By: intothe
    Dinah Washington - What a Diff'rence a Day Makes! (1959)

    Dinah Washington - What a Diff'rence a Day Makes! (1959)
    Jazz | EAC rip (FLAC+CUE+LOG) | 280 MB | full scans
    Verve (Master Edition) | 39:05 | RAR with 5% recovery


    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 17. April 2009, 8:11

    Dinah Washington / What a diff'rence a day makes!

    Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:48.67 | 0 | 12666
    2 | 2:48.67 | 2:34.53 | 12667 | 24269
    3 | 5:23.45 | 2:19.67 | 24270 | 34761
    4 | 7:43.37 | 2:21.40 | 34762 | 45376
    5 | 10:05.02 | 2:29.58 | 45377 | 56609
    6 | 12:34.60 | 2:30.67 | 56610 | 67926
    7 | 15:05.52 | 2:31.65 | 67927 | 79316
    8 | 17:37.42 | 3:18.63 | 79317 | 94229
    9 | 20:56.30 | 4:19.02 | 94230 | 113656
    10 | 25:15.32 | 2:30.70 | 113657 | 124976
    11 | 27:46.27 | 2:41.13 | 124977 | 137064
    12 | 30:27.40 | 2:36.40 | 137065 | 148804
    13 | 33:04.05 | 2:19.52 | 148805 | 159281
    14 | 35:23.57 | 2:31.13 | 159282 | 170619
    15 | 37:54.70 | 3:06.17 | 170620 | 184586
    16 | 41:01.12 | 0:45.28 | 184587 | 187989


    Range status and errors

    Selected range

    Filename J:\eMusic\Rip\Dinah Washington - What a diff'rence a day makes!.wav

    Peak level 100.0 %
    Range quality 100.0 %
    Copy CRC F224901E
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 2) [AD85C966]
    Track 2 accurately ripped (confidence 2) [BEEE2CB8]
    Track 3 accurately ripped (confidence 2) [60239A02]
    Track 4 accurately ripped (confidence 2) [94226E06]
    Track 5 accurately ripped (confidence 2) [C0F3E865]
    Track 6 accurately ripped (confidence 2) [D663614A]
    Track 7 accurately ripped (confidence 2) [76116F8F]
    Track 8 accurately ripped (confidence 2) [D16DDB0F]
    Track 9 accurately ripped (confidence 2) [8F8FACC6]
    Track 10 accurately ripped (confidence 2) [040E0943]
    Track 11 accurately ripped (confidence 2) [FD22230C]
    Track 12 accurately ripped (confidence 2) [803F0215]
    Track 13 accurately ripped (confidence 2) [A707215E]
    Track 14 accurately ripped (confidence 2) [6670BDC2]
    Track 15 accurately ripped (confidence 2) [E3F9A27D]
    Track 16 accurately ripped (confidence 2) [E8E340BF]

    All tracks accurately ripped

    End of status report


    One of the more notorious albums in the history of vocal music, What a Diff'rence a Day Makes! is the lush session that bumped up Dinah Washington from the "Queen of the Blues" to a middle-of-the-road vocal wondress – and subsequently disenfranchised quite a few jazz purists. Washington had been praised in the same breath as Holiday and Fitzgerald for more than a decade, but Mercury nevertheless decided to back her with mainstream arrangements (by Belford Hendricks), heavy strings, and wordless vocal choruses similar to the radio hits of the day. Apparently, the mainstream backings didn't faze Washington at all; she proves herself with a voice as individual and evocative as ever. To be honest, the arrangements are quite solid for what they're worth; though it's a bit jarring to hear Washington's voice wrapped in sweet strings, the effect works well more frequently than not. Most of the songs here are familiar standards ("I Remember You," "I Thought About You," "Cry Me a River," "Manhattan," "Time After Time"), but they've been transformed by Washington as though they'd never been sung before. The Top Ten title track is by no means the best song on the album, but its title proved prophetic for Washington's career. Though her vocal style hadn't changed at all, one day she was a respected blues singer; the next, according to most of the jazz cognoscenti, she had become a lowbrow pop singer. Thankfully, the evidence against Washington's "transformation" is provided right here.- by John Bush, AMG

    Tracks:
    1. I Remember You (Victor Scherzinger/Johnny Mercer) 2:44
    2. I Thought About You (Jimmy Van Heusen/Johnny Mercer) 2:31
    3. That's All There Is to That (Kelly Owens/Clyde Otis) 2:16
    4. I Won't Cry Anymore (Al Frisch/Fred Wise) 2:17
    5. I'm Thru With Love (Joseph Livingstone/Matt Malneck/Gus Khan) 2:26
    6. Cry Me a River (Arthur Hamilton) 2:26
    7. What a Difference a Day Made (Maria Grever/Stanley Adams) 2:27
    8. Nothing in the World (Brook Benton/Belford Hendricks/Clyde Otis) 3:15
    9. Manhattan (Richard Rodgers/Lorentz Hart) 4:16
    10. Time After Time (Jule Styne/Sammy Chan) 2:27
    11. It's Magic (Jule Styne/Sammy Chan) 2:30
    12. A Sunday Kind of Love (Barbara Belle/Anita Nye/Louis Prima/Stanley Rhodes) 2:29
    13. Time After Time (First Version) (Jule Styne/Sammy Chan) 2:15
    14. Come on Home (Juanita Hill/Dinah Washington) 2:27
    15. It Could Happen to You (Jimmy Van Heusen/Johnny Burke) 2:19

    Personnel:
    Dinah Washington (Vocal)
    Belford Hendricks (Arranger and Conductor)
    Joe Zawinul (Piano)
    Panama Francis (Drums)
    Jerome Richardson (Flute and Saxophones) - 1,4,7-9,13,14
    Kenny Burrell (Guitar) - 1,4,7-9,13,14
    Charles Davis (Baritone Saxophone) - 4,7,13,14
    Milt Hinton (Double Bass) - 4,7,13,14
    Others unknown

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