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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Dan Visconti - Lonesome Roads (2012)

    Posted By: Piterets
    Dan Visconti - Lonesome Roads (2012)

    Dan Visconti - Lonesome Roads (2012)
    Contemporary Classical | Bridge Records 9386 | 2012 | 66:37 | EAC (FLAC, cue, log) | Full Scans | Various File Hosts | 330 MB
    Scharoun Ensemble Berlin of the Berlin Philharmonic, Michael Hasel, conductor, Horszowski Trio

    Dan Visconti (b. 1982) composes concert music infused with the directness of expression and maverick spirit of the American vernacular. His compositions often explore the rough timbres, propulsive rhythms, and improvisational energy characteristic of jazz, bluegrass, and rock—elements that tend to collide in unexpected ways with Visconti’s experience as a classically-trained violinist...


    Lonesome Roads is a nod to the American century. The grit and vernacular of the M­­­inimalists can be found in the bassoon solo called Ramble and Groove, and the blues-soaked string quartet Black Bend; the raw, unfettered beauty of the Neo-Romantics is in the plainspun prettiness of Lawless Airs; and the compositional rigor and adherence to lofty notions of the High Modernists is in the opening movements of Fractured Jams. And there are pieces, like Low Country Haze or Lonesome Roads that either meld or ignore these mostly obsolete distinctions for music that is just plain rapturous to hear.
    Daniel Felsenfeld


    Even after listening many times to this Bridge Records CD of music by the young American composer Dan Visconti, it's still difficult to describe. He certainly doesn't write in any one particular style, and you can't apply a label such as minimalist, modernist or bluesman to him, even for a single work. He writes in all of these styles and more. There are no rules; anything can be done. In fact, much if it sounds improvisatory. Bridge Records is the first to dedicate an entire CD to Visconti's music. Written between 2000 and 2012, they are all chamber works for anywhere from one musician (a solo bassoonist performs on our sample track) to a small chamber orchestra. The medium sized ensembles are typically traditional in make-up - a piano trio and string quintet, for example - but not typical in any other way. The opening track, Black Bend for string quintet, starts with what sounds like distant train whistles and buzzing insects. Then we hear a train on its tracks and a simple tune from a single violin. More string players are added, and the music grows subtly bluesy. Suddenly, it breaks, and all five players wailing the blues! This was when, my first time through, I picked up the booklet to see who these fabulous players were and was completely stunned to see that they are all members of the Berlin Philharmonic! I've included all three of our little tonality icons, indicating that the music ranges from "tonal and consonant" to "highly atonal or dissonant", often within one work. There is frequently an evocation of nature, and what sounds like machine noises. Sometimes, the music shines with a radiant beauty. Visconti can transition effortlessly from one style to another so you can't recall how or when you got to such a vastly different place from where you were. Other times he'll throw you a jarring right angle turn into a highly contrasting section. Do listen to the solo bassoon track provided to get a feeling for what the music can sound like, and hear BPO Bassoonist Markus Weidmann bring this completely original piece to a foot-stomping, key-fluttering, reed-blasting conclusion.


    Just listen to the first track - Black Bend - you gotta love this bluesy piece. With Americana-influenced names like Hard-Knock stomp, Fractured Jams, Jug Band Jamboree and Low Country Haze you know you will be treated to a whole disc of inventive groovy fusion of styles and genres.

    Track List:

    Black Bend (5:23)
    Lawless Airs (5:50)
    Ramble and Groove (7:53)
    Hard-Knock Stomp (3:30)
    Drift of Rainbows, for chamber ensemble and delay unit (5:19)
    Fractured Jams~1. Eleven (5:10)
    Fractured Jams~2. Jug Band Jamboree (3:27)
    Fractured Jams~3. Series Echoes (Feedback) (2:29)
    Fractured Jams~4. Kaleidoscope Rag (2:42)
    Remembrances (3:51)
    Low Country Haze, for chamber orchestra (7:20)
    Lonesome Roads~[Part 1] (3:28)
    Lonesome Roads~[Part 2] (2:50)
    Lonesome Roads~[Part 3] (4:40)
    Lonesome Roads~[Part 4] (1:22)
    Lonesome Roads~[Part 5] (4:12)
    Lonesome Roads~[Part 6] (2:35)
    Lonesome Roads~[Part 7] (2:55)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 25. May 2013, 23:56

    Dan Visconti / Lonesome Roads

    Used drive : TSSTcorpCDDVDW TS-L632H Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 768 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 5:23.28 | 0 | 24252
    2 | 5:23.28 | 4:50.49 | 24253 | 46051
    3 | 10:14.02 | 6:53.33 | 46052 | 77059
    4 | 17:07.35 | 3:03.68 | 77060 | 90852
    5 | 20:11.28 | 5:19.14 | 90853 | 114791
    6 | 25:30.42 | 5:10.09 | 114792 | 138050
    7 | 30:40.51 | 3:27.05 | 138051 | 153580
    8 | 34:07.56 | 2:29.17 | 153581 | 164772
    9 | 36:36.73 | 1:42.59 | 164773 | 172481
    10 | 38:19.57 | 2:51.32 | 172482 | 185338
    11 | 41:11.14 | 7:20.74 | 185339 | 218412
    12 | 48:32.13 | 3:28.61 | 218413 | 234073
    13 | 52:00.74 | 1:50.59 | 234074 | 242382
    14 | 53:51.58 | 3:40.16 | 242383 | 258898
    15 | 57:31.74 | 1:22.38 | 258899 | 265086
    16 | 58:54.37 | 4:12.57 | 265087 | 284043
    17 | 63:07.19 | 1:35.06 | 284044 | 291174
    18 | 64:42.25 | 1:55.42 | 291175 | 299841


    Range status and errors

    Selected range

    Filename D:\Dan Visconti - Lonesome Roads\Dan Visconti - Lonesome Roads.wav

    Peak level 97.5 %
    Extraction speed 1.7 X
    Range quality 100.0 %
    Test CRC 87C33283
    Copy CRC 87C33283
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 not present in database
    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
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    Track 12 not present in database
    Track 13 not present in database
    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database
    Track 17 not present in database
    Track 18 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    ==== Log checksum B0F6737B6D02E15808D772777C1E52ACDAE1C5168DF3E9D12603C3CFAD718CB3 ====


    Read more about the CD here.
    Read more about Dan Visconti here.

    3% recovery record is included.

    Of related interest:

    www.horszowskitrio.com
    Kenji Bunch - Boiling Point (2012) Link

    More contemporary American and European music is available at my blog.