Carl Philipp Emanuel Bach - Symphonies No. 1-4
The English Concert / Andrew Manze
EAC+LOG+CUE | WV: 301 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMU 907403 | Country/Year: Europe 2006
Genre: Classical | Style: Classical Period
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 5. December 2010, 0:39
Alison McGillivray (cello), The English Concert, Andrew Manze / Carl Philipp Emanuel Bach - Symphonies No. 1-4
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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11 | 47:45.35 | 2:05.52 | 214910 | 224336
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14 | 56:08.50 | 5:01.12 | 252650 | 275236
15 | 61:09.62 | 3:20.13 | 275237 | 290249
Range status and errors
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Filename Z:\NetLab\Carl Philipp Emanuel Bach - Symphonies No. 1-4 (English Concert, Andrew Manze) (2006)\Carl Philipp Emanuel Bach - Symphonies No. 1-4 (The English Concert, Andrew Manze).wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 68580766
Copy CRC 68580766
Copy OK
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Track 2 accurately ripped (confidence 29) [3B00FD14]
Track 3 accurately ripped (confidence 29) [0531D306]
Track 4 accurately ripped (confidence 29) [9B674255]
Track 5 accurately ripped (confidence 30) [90967408]
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Track 7 accurately ripped (confidence 29) [17D1532B]
Track 8 accurately ripped (confidence 28) [5F78BFF1]
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Track 14 accurately ripped (confidence 29) [166FCB21]
Track 15 accurately ripped (confidence 26) [CC66FA7B]
All tracks accurately ripped
End of status report
EAC extraction logfile from 5. December 2010, 0:39
Alison McGillivray (cello), The English Concert, Andrew Manze / Carl Philipp Emanuel Bach - Symphonies No. 1-4
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:17.22 | 0 | 28296
2 | 6:17.22 | 1:55.40 | 28297 | 36961
3 | 8:12.62 | 3:07.00 | 36962 | 50986
4 | 11:19.62 | 4:11.68 | 50987 | 69879
5 | 15:31.55 | 1:13.02 | 69880 | 75356
6 | 16:44.57 | 5:38.43 | 75357 | 100749
7 | 22:23.25 | 6:26.50 | 100750 | 129749
8 | 28:50.00 | 8:08.47 | 129750 | 166396
9 | 36:58.47 | 5:31.28 | 166397 | 191249
10 | 42:30.00 | 5:15.35 | 191250 | 214909
11 | 47:45.35 | 2:05.52 | 214910 | 224336
12 | 49:51.12 | 3:00.60 | 224337 | 237896
13 | 52:51.72 | 3:16.53 | 237897 | 252649
14 | 56:08.50 | 5:01.12 | 252650 | 275236
15 | 61:09.62 | 3:20.13 | 275237 | 290249
Range status and errors
Selected range
Filename Z:\NetLab\Carl Philipp Emanuel Bach - Symphonies No. 1-4 (English Concert, Andrew Manze) (2006)\Carl Philipp Emanuel Bach - Symphonies No. 1-4 (The English Concert, Andrew Manze).wav
Peak level 100.0 %
Range quality 100.0 %
Test CRC 68580766
Copy CRC 68580766
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 30) [E0081F1B]
Track 2 accurately ripped (confidence 29) [3B00FD14]
Track 3 accurately ripped (confidence 29) [0531D306]
Track 4 accurately ripped (confidence 29) [9B674255]
Track 5 accurately ripped (confidence 30) [90967408]
Track 6 accurately ripped (confidence 30) [F9BAA74B]
Track 7 accurately ripped (confidence 29) [17D1532B]
Track 8 accurately ripped (confidence 28) [5F78BFF1]
Track 9 accurately ripped (confidence 29) [767081C5]
Track 10 accurately ripped (confidence 29) [FC77EAB7]
Track 11 accurately ripped (confidence 29) [492CE932]
Track 12 accurately ripped (confidence 29) [83164FE1]
Track 13 accurately ripped (confidence 29) [5DBC441C]
Track 14 accurately ripped (confidence 29) [166FCB21]
Track 15 accurately ripped (confidence 26) [CC66FA7B]
All tracks accurately ripped
End of status report
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Alison McGillivray (cello), The English Concert, Andrew Manze - Carl Philipp Emanuel Bach - Symphonies No. 1-4.wav]
Detected average hi-boundary frequency: 2.025293e+004 Hz
Detected average lo-boundary frequency: 1.375007e+004 Hz
Detected average hi-cut frequency: 2.151607e+004 Hz
Detected average lo-cut frequency: 1.170420e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.029203e+000
First order smothness: 3.006479e-001
Second order smothness: 7.341253e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Alison McGillivray (cello), The English Concert, Andrew Manze - Carl Philipp Emanuel Bach - Symphonies No. 1-4.wav]
Detected average hi-boundary frequency: 2.025293e+004 Hz
Detected average lo-boundary frequency: 1.375007e+004 Hz
Detected average hi-cut frequency: 2.151607e+004 Hz
Detected average lo-cut frequency: 1.170420e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.029203e+000
First order smothness: 3.006479e-001
Second order smothness: 7.341253e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-10-24 17:04:05
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alison McGillivray (cello), The English Concert, Andrew Manze / Carl Philipp Emanuel Bach - Symphonies No. 1-4
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.25 dB -17.97 dB 6:17 01-Orchestra-Symphony No.1 in D major Wq.183/1 - I. Allegro di molto
DR11 -10.46 dB -26.65 dB 1:56 02-II. Largo
DR15 -1.01 dB -19.08 dB 3:07 03-III. Presto
DR13 -2.39 dB -19.80 dB 4:12 04-Orchestra-Symphony No.2 in E-flat major Wq.183/2 - I. Allegro di molto
DR12 -5.63 dB -24.04 dB 1:13 05-II. Larghetto
DR14 -1.31 dB -19.29 dB 5:39 06-III. Allegretto
DR13 -5.99 dB -23.08 dB 6:27 07-Cello Concerto in A major Wq.172 - I. Allegro di molto
DR13 -6.38 dB -24.21 dB 8:09 08-II. Largo con sordini, mesto
DR16 -3.52 dB -23.38 dB 5:31 09-III. Allegro assai
DR13 -1.00 dB -19.43 dB 5:15 10-Orchestra-Symphony No.3 in F major Wq.183/3 - I. Allegro di molto
DR12 -6.00 dB -24.05 dB 2:06 11-II. Larghetto
DR14 -1.55 dB -19.33 dB 3:01 12-III. Presto
DR13 -0.33 dB -18.29 dB 3:17 13-Orchestra-Symphony No.4 in G major Wq.183/4 - I. Allegro assai
DR13 -8.12 dB -25.43 dB 5:01 14-II. Poco andante
DR15 0.00 dB -17.77 dB 3:20 15-III. Presto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 653 kbps
Codec: WavPack
================================================================================
log date: 2012-10-24 17:04:05
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alison McGillivray (cello), The English Concert, Andrew Manze / Carl Philipp Emanuel Bach - Symphonies No. 1-4
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.25 dB -17.97 dB 6:17 01-Orchestra-Symphony No.1 in D major Wq.183/1 - I. Allegro di molto
DR11 -10.46 dB -26.65 dB 1:56 02-II. Largo
DR15 -1.01 dB -19.08 dB 3:07 03-III. Presto
DR13 -2.39 dB -19.80 dB 4:12 04-Orchestra-Symphony No.2 in E-flat major Wq.183/2 - I. Allegro di molto
DR12 -5.63 dB -24.04 dB 1:13 05-II. Larghetto
DR14 -1.31 dB -19.29 dB 5:39 06-III. Allegretto
DR13 -5.99 dB -23.08 dB 6:27 07-Cello Concerto in A major Wq.172 - I. Allegro di molto
DR13 -6.38 dB -24.21 dB 8:09 08-II. Largo con sordini, mesto
DR16 -3.52 dB -23.38 dB 5:31 09-III. Allegro assai
DR13 -1.00 dB -19.43 dB 5:15 10-Orchestra-Symphony No.3 in F major Wq.183/3 - I. Allegro di molto
DR12 -6.00 dB -24.05 dB 2:06 11-II. Larghetto
DR14 -1.55 dB -19.33 dB 3:01 12-III. Presto
DR13 -0.33 dB -18.29 dB 3:17 13-Orchestra-Symphony No.4 in G major Wq.183/4 - I. Allegro assai
DR13 -8.12 dB -25.43 dB 5:01 14-II. Poco andante
DR15 0.00 dB -17.77 dB 3:20 15-III. Presto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 653 kbps
Codec: WavPack
================================================================================
CD Info:
C.P.E. Bach - The English Concert / Manze / McGillivray - Symphonies 1-4
Label: Harmonia Mundi USA
Catalog#: HMU 907403
Format: CD, Album
Country: Europe
Released: 2006
Genre: Classical
Tracklist:
Orchestra-Symphony No.1 in D major Wq.183/1:
1. I. Allegro di molto
2. II. Largo
3. III. Presto
Symphony No. 2 in E-flat major Wq. 183/2:
4. I. Allegro di molto
5. II. Larghetto
6. III. Allegretto
Cello Concerto in A major Wq. 172:
7. I. Allegro di molto
8. II. Largo con sordini, mesto
9. III. Allegro assai
Symphony No. 3 in F major Wq. 183/3:
10. I. Allegro di molto
11. II. Larghetto
12. III. Presto
Symphony No. 4 in G major Wq. 183/4:
13. I. Allegro assai
14. II. Poco andante
15. III. Presto
Total Time: 01:04:34
Let the musicologists and other critics analyze, discuss, and debate C.P.E. Bach's role as a Baroque/Classical, Classical/Romantic transitional figure–meanwhile the rest of us will simply enjoy the pure delight of "the Hamburg Bach's" music, exemplified in these five vibrant, curiously inventive, infinitely attractive, continuously surprising works. Let others worry about form–or lack thereof–or which style a particular work represents; the real pleasure comes with the listening. A great place to begin is with the E-flat major symphony (No. 2), where Bach's knack for weaving together a dazzling array of seemingly disparate elements into a cohesive and colorful if sometimes quirky fabric is on full display. The stop and start rhythmic/melodic patterns of the first movement are followed by the ardent emotion of the second, concluding with an energetic, Haydn-esque finale, which alternates emphatic, firm-footed rhythms with swirling string figures and delicately uttered asides by a few instruments. The cello concerto is a gem, a substantial work (20 minutes) that offers the soloist plenty of clever challenges in the fast movements while providing a slow movement of astonishing expressive intensity that transcends time, place, and stylistic formality. You will definitely want to hear this more than a few times.
These pieces have been treated fairly well on disc, but no other performances surpass those of Andrew Manze and his orchestra, who simply have tremendous fun with Bach's uniquely personable creations, highlighting and enlivening every twist and turn, start and stop, reveling in moments where, say, a driving tutti is suddenly interrupted by a delicate flute duet. In the concerto, Alison McGillivray's confident, dynamic cello work is complemented by her instrument's rich, warm tone (tuned a whole step lower than in Miklós Perényi's brighter but equally lovely rendition from the early 1990s). And again, the slow movement is an unforgettable highlight. (Incidentally, for those who pay attention to such things, the packaging contains a timing error for the slow movement of Symphony No. 4–it's short by about three minutes.)
In sum, this is a disc that's easy to recommend for its consistently engaging music and first-rate performances–but it's also a recording that you can turn way up and enjoy full-bodied, undistorted, viscerally present instrumental sound. A winner! [9/7/2006]
– David Vernier, ClassicsToday.com
Thanks to pr3ss!