Carl Philipp Emanuel Bach - Akademie für Alte Musik Berlin - Symphonies & Concertos
EAC+LOG+CUE | WV: 398 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi "Gold" # HMG 501711 | Country/Year: France 2008, 2001
Genre: Classical | Style: Classical
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 19. October 2010, 23:09
Akademie fur Alte Musik Berlin & Alpermann, Bruns / Carl Philipp Emanuel Bach - Symphonies & Concertos
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:15.35 | 0 | 19159
2 | 4:15.35 | 3:59.42 | 19160 | 37126
3 | 8:15.02 | 2:49.10 | 37127 | 49811
4 | 11:04.12 | 10:44.40 | 49812 | 98151
5 | 21:48.52 | 8:12.63 | 98152 | 135114
6 | 30:01.40 | 5:27.07 | 135115 | 159646
7 | 35:28.47 | 3:59.00 | 159647 | 177571
8 | 39:27.47 | 3:42.38 | 177572 | 194259
9 | 43:10.10 | 3:25.65 | 194260 | 209699
10 | 46:36.00 | 10:19.10 | 209700 | 256134
11 | 56:55.10 | 7:53.72 | 256135 | 291681
12 | 64:49.07 | 6:22.63 | 291682 | 320394
13 | 71:11.70 | 2:37.07 | 320395 | 332176
14 | 73:49.02 | 2:37.45 | 332177 | 343996
15 | 76:26.47 | 2:55.03 | 343997 | 357124
Range status and errors
Selected range
Filename Z:\NetLab\Carl Philipp Emanuel Bach - Symphonies & Concertos (Akademie fur Alte Musik Berlin) (2001)\Carl Philipp Emanuel Bach - Symphonies & Concertos (Akademie fur Alte Musik Berlin).wav
Peak level 98.0 %
Range quality 100.0 %
Test CRC 4F776B01
Copy CRC 4F776B01
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 8) [EBF76C64]
Track 2 accurately ripped (confidence 8) [A5C12DED]
Track 3 accurately ripped (confidence 8) [1E0A762F]
Track 4 accurately ripped (confidence 8) [5E7D18C7]
Track 5 accurately ripped (confidence 8) [1ED73A59]
Track 6 accurately ripped (confidence 8) [19B96B91]
Track 7 accurately ripped (confidence 8) [B6BCF830]
Track 8 accurately ripped (confidence 8) [9C430902]
Track 9 accurately ripped (confidence 8) [B4817D1B]
Track 10 accurately ripped (confidence 8) [45538DE6]
Track 11 accurately ripped (confidence 8) [C5E86CB6]
Track 12 accurately ripped (confidence 8) [638164ED]
Track 13 accurately ripped (confidence 8) [4CD10584]
Track 14 accurately ripped (confidence 8) [162D3788]
Track 15 accurately ripped (confidence 7) [C1953CA7]
All tracks accurately ripped
End of status report
EAC extraction logfile from 19. October 2010, 23:09
Akademie fur Alte Musik Berlin & Alpermann, Bruns / Carl Philipp Emanuel Bach - Symphonies & Concertos
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:15.35 | 0 | 19159
2 | 4:15.35 | 3:59.42 | 19160 | 37126
3 | 8:15.02 | 2:49.10 | 37127 | 49811
4 | 11:04.12 | 10:44.40 | 49812 | 98151
5 | 21:48.52 | 8:12.63 | 98152 | 135114
6 | 30:01.40 | 5:27.07 | 135115 | 159646
7 | 35:28.47 | 3:59.00 | 159647 | 177571
8 | 39:27.47 | 3:42.38 | 177572 | 194259
9 | 43:10.10 | 3:25.65 | 194260 | 209699
10 | 46:36.00 | 10:19.10 | 209700 | 256134
11 | 56:55.10 | 7:53.72 | 256135 | 291681
12 | 64:49.07 | 6:22.63 | 291682 | 320394
13 | 71:11.70 | 2:37.07 | 320395 | 332176
14 | 73:49.02 | 2:37.45 | 332177 | 343996
15 | 76:26.47 | 2:55.03 | 343997 | 357124
Range status and errors
Selected range
Filename Z:\NetLab\Carl Philipp Emanuel Bach - Symphonies & Concertos (Akademie fur Alte Musik Berlin) (2001)\Carl Philipp Emanuel Bach - Symphonies & Concertos (Akademie fur Alte Musik Berlin).wav
Peak level 98.0 %
Range quality 100.0 %
Test CRC 4F776B01
Copy CRC 4F776B01
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 8) [EBF76C64]
Track 2 accurately ripped (confidence 8) [A5C12DED]
Track 3 accurately ripped (confidence 8) [1E0A762F]
Track 4 accurately ripped (confidence 8) [5E7D18C7]
Track 5 accurately ripped (confidence 8) [1ED73A59]
Track 6 accurately ripped (confidence 8) [19B96B91]
Track 7 accurately ripped (confidence 8) [B6BCF830]
Track 8 accurately ripped (confidence 8) [9C430902]
Track 9 accurately ripped (confidence 8) [B4817D1B]
Track 10 accurately ripped (confidence 8) [45538DE6]
Track 11 accurately ripped (confidence 8) [C5E86CB6]
Track 12 accurately ripped (confidence 8) [638164ED]
Track 13 accurately ripped (confidence 8) [4CD10584]
Track 14 accurately ripped (confidence 8) [162D3788]
Track 15 accurately ripped (confidence 7) [C1953CA7]
All tracks accurately ripped
End of status report
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Akademie fur Alte Musik Berlin - Carl Philipp Emanuel Bach - Symphonies & Concertos.wav]
Detected average hi-boundary frequency: 2.035713e+004 Hz
Detected average lo-boundary frequency: 1.420056e+004 Hz
Detected average hi-cut frequency: 2.108526e+004 Hz
Detected average lo-cut frequency: 1.405282e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.183882e+000
First order smothness: 2.818697e-001
Second order smothness: 7.834632e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Akademie fur Alte Musik Berlin - Carl Philipp Emanuel Bach - Symphonies & Concertos.wav]
Detected average hi-boundary frequency: 2.035713e+004 Hz
Detected average lo-boundary frequency: 1.420056e+004 Hz
Detected average hi-cut frequency: 2.108526e+004 Hz
Detected average lo-cut frequency: 1.405282e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 1.183882e+000
First order smothness: 2.818697e-001
Second order smothness: 7.834632e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-10-29 18:36:58
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie fur Alte Musik Berlin & Alpermann, Bruns / Carl Philipp Emanuel Bach - Symphonies & Concertos
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.21 dB -17.10 dB 4:15 01-Sinfonia in E flat major, Wq 179/H 654 - I. Prestissimo
DR13 -6.79 dB -24.95 dB 4:00 02-II. Larghetto
DR14 -2.85 dB -20.51 dB 2:49 03-III. Presto
DR15 -0.96 dB -23.98 dB 10:45 04-Concerto for Harpsichord in C major, Wq 20/H 423 - I. Ohne Satzbezeichnung
DR14 -4.67 dB -25.67 dB 8:13 05-II. Adagio ma non troppo
DR14 -4.37 dB -23.43 dB 5:27 06-III. Allegro assai
DR13 -0.17 dB -17.15 dB 3:59 07-Sinfonia in E minor, Wq 178/H 653 - I. Allegro assai
DR11 -9.94 dB -24.67 dB 3:43 08-II. Andante moderato
DR14 -3.37 dB -20.64 dB 3:26 09-III. Allegro
DR14 -3.77 dB -22.51 dB 10:19 10-Concerto for Cello no 1 in A minor, Wq 170/H 432 - I. Allegro assai
DR14 -5.53 dB -24.86 dB 7:54 11-II. Andante
DR15 -5.14 dB -22.82 dB 6:23 12-III. Allegro assai
DR14 -3.72 dB -23.72 dB 2:37 13-Sinfonia in G major, Wq 173/H 648 - I. Allegro assai
DR14 -10.32 dB -28.31 dB 2:38 14-II. Andante
DR13 -7.98 dB -25.68 dB 2:55 15-III. Allegretto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 686 kbps
Codec: WavPack
================================================================================
log date: 2012-10-29 18:36:58
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie fur Alte Musik Berlin & Alpermann, Bruns / Carl Philipp Emanuel Bach - Symphonies & Concertos
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.21 dB -17.10 dB 4:15 01-Sinfonia in E flat major, Wq 179/H 654 - I. Prestissimo
DR13 -6.79 dB -24.95 dB 4:00 02-II. Larghetto
DR14 -2.85 dB -20.51 dB 2:49 03-III. Presto
DR15 -0.96 dB -23.98 dB 10:45 04-Concerto for Harpsichord in C major, Wq 20/H 423 - I. Ohne Satzbezeichnung
DR14 -4.67 dB -25.67 dB 8:13 05-II. Adagio ma non troppo
DR14 -4.37 dB -23.43 dB 5:27 06-III. Allegro assai
DR13 -0.17 dB -17.15 dB 3:59 07-Sinfonia in E minor, Wq 178/H 653 - I. Allegro assai
DR11 -9.94 dB -24.67 dB 3:43 08-II. Andante moderato
DR14 -3.37 dB -20.64 dB 3:26 09-III. Allegro
DR14 -3.77 dB -22.51 dB 10:19 10-Concerto for Cello no 1 in A minor, Wq 170/H 432 - I. Allegro assai
DR14 -5.53 dB -24.86 dB 7:54 11-II. Andante
DR15 -5.14 dB -22.82 dB 6:23 12-III. Allegro assai
DR14 -3.72 dB -23.72 dB 2:37 13-Sinfonia in G major, Wq 173/H 648 - I. Allegro assai
DR14 -10.32 dB -28.31 dB 2:38 14-II. Andante
DR13 -7.98 dB -25.68 dB 2:55 15-III. Allegretto
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 686 kbps
Codec: WavPack
================================================================================
CD Info:
Carl Pihilipp Emanuel Bach - Akademie für Alte Musik Berlin - Symphonies & Concertos
Label: Harmonia Mundi
Series: Gold
Catalog#: HMG 501711
Format: CD, Album, ReIssue
Country: France
Released: 2008, 2001
Genre: Classical
Tracklist:
Sinfonia in E flat major, Wq 179/H 654:
1. Prestissimo
2. Larghetto
3. Presto
Concerto for Harpsichord in C major, Wq 20/H 423:
4. Ohne Satzbezeichnung
5. Adagio ma non troppo
6. Allegro assai
Sinfonia in E minor, Wq 178/H 653:
7. Allegro assai
8. Andante moderato
9. Allegro
Concerto for Cello no 1 in A minor, Wq 170/H 432:
10. Allegro assai
11. Andante
12. Allegro assai
Sinfonia in G major, Wq 173/H 648:
13. Allegro assai
14. Andante
15. Allegretto
Total Time: 01:19:24
Musicians:
Akademie fur Alte Musik Berlin
Raphael Alpermann (harpsichord)
Peter Bruns (cello)
Recorded: January 2000, Christuskirche, Berlin-Oberschöneweide
Harmonia Mundi’s well-packed, well-recorded C.P.E. Bach CD certainly whets the appetite for more of this amazing composer. The second son of J. S., Carl Philipp Emanuel blazed new paths with his unorthodox approaches to form, counterpoint, and especially emotional expression, developing a style that to modern ears points forward to the romantic era. The three symphonies (from 1741 and 1756) share similar traits of extremes of tempo, abrupt transitions, shocking contrasts, and completely unheard of modulations. Even today’s listeners can be caught off-guard by Bach’s bracing originality.
Turning to the two concertante works, the 1750 Cello Concerto is the far more radical. The furious first movement is a perfect example of Bach’s innovations with the concertante form: the tight interplay between the soloist (a fire-breathing Peter Bruns) and orchestra resembles the rapid-fire exchanges of a heated discussion, completely at odds with the polite conversation typified by the conventional concertos of the day, a category into which even Bach’s much earlier (1720), far less explosive, but no less brilliant Harpsichord Concerto (exquisitely played by Raphael Alpermann) does not fit. The Akademie für Alte Musik Berlin scores a triumph with these fresh, powerful, and ever-stylish performances that even long-time connoisseurs shouldn’t be without. And if you’re new to C.P.E., you’re in for a pleasant surprise.Classicstoday
Thanks to pr3ss!