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Christoph Graupner - Orchestral Works Vol. 3 (2010, MDG "Gold" # 341 1628-2) [RE-UP]

Posted By: luckburz

Date: 9 Sep 2016 17:13:48

Christoph Graupner - Orchestral Works Vol. 3 (2010, MDG "Gold" # 341 1628-2) [RE-UP]

Christoph Graupner - Orchestral Works Vol. 3
Nova Stravaganza - Siegbert Rampe
EAC+LOG+CUE | FLAC: 308 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Gold" # 341 1628-2 | Country/Year: Germany 2010
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

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EAC_LOG

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 1. July 2012, 16:03

Nova Stravaganza, Siegbert Rampe / Christoph Graupner - Orchestral Works Vol. 3

Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%

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3 | 5:29.57 | 1:59.27 | 24732 | 33683
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18 | 43:38.68 | 5:28.67 | 196418 | 221084
19 | 49:07.60 | 2:27.44 | 221085 | 232153
20 | 51:35.29 | 4:27.15 | 232154 | 252193
21 | 56:02.44 | 4:46.60 | 252194 | 273703

Track 1

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Track 2

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Accurately ripped (confidence 3) [DA6FA9D6] (AR v1)
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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

Filename Z:\Christoph Graupner - Orchestral Works Vol. 3 (Nova Stravaganza, Siegbert Rampe) (2010) [FLAC] {mDG 341 1628-2}\07 - Sonata in G minor GWV 711; I. Largo.wav

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Track 8

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Track 9

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Track 10

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Track 11

Filename Z:\Christoph Graupner - Orchestral Works Vol. 3 (Nova Stravaganza, Siegbert Rampe) (2010) [FLAC] {mDG 341 1628-2}\11 - Sonata in G major GWV 707; I. Andante.wav

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Track 12

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Track 13

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Accurately ripped (confidence 3) [E54D3895] (AR v1)
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Track 14

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Track 15

Filename Z:\Christoph Graupner - Orchestral Works Vol. 3 (Nova Stravaganza, Siegbert Rampe) (2010) [FLAC] {mDG 341 1628-2}\15 - V. Menuet.wav

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Accurately ripped (confidence 3) [0A228505] (AR v1)
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Track 16

Filename Z:\Christoph Graupner - Orchestral Works Vol. 3 (Nova Stravaganza, Siegbert Rampe) (2010) [FLAC] {mDG 341 1628-2}\16 - Ouverture in F major GWV 447; I. Ouverture.wav

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Track 17

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Track 18

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Track 19

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Track 20

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Track 21

Filename Z:\Christoph Graupner - Orchestral Works Vol. 3 (Nova Stravaganza, Siegbert Rampe) (2010) [FLAC] {mDG 341 1628-2}\21 - VI. Plaisanterie.wav

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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum 956F0B3B4E76A801BEC05C52333F988343C1103CA182F2C47223BF7A856788D9 ====

Dynamic_Range_LOG

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-09-19 16:33:23

––––––––––––––––––––––––––––––––––––––––
Analyzed: Nova Stravaganza, Siegbert Rampe / Christoph Graupner - Orchestral Works Vol. 3
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -5.73 dB -22.17 dB 2:09 01-Canon all'unisono in B flat major GWV 218; I. Grave
DR13 -3.52 dB -19.56 dB 3:21 02-II. Tempo giusto
DR11 -5.05 dB -20.44 dB 1:59 03-III. Adagio
DR13 -4.84 dB -21.37 dB 2:16 04-IV. Allegro
DR11 -5.38 dB -20.79 dB 1:24 05-V. (Largo)
DR12 -6.29 dB -21.42 dB 1:54 06-VI. Menuet
DR11 -10.04 dB -24.55 dB 2:04 07-Sonata in G minor GWV 711; I. Largo
DR11 -8.56 dB -23.02 dB 1:35 08-II. Presto
DR10 -10.50 dB -25.49 dB 1:26 09-III. Largo
DR12 -8.51 dB -24.67 dB 3:18 10-IV. Menuet
DR11 -5.07 dB -21.54 dB 1:50 11-Sonata in G major GWV 707; I. Andante
DR12 -7.12 dB -22.27 dB 2:56 12-II. Allegro
DR11 -6.83 dB -22.16 dB 1:51 13-III. Adagio
DR11 -5.49 dB -22.10 dB 1:25 14-IV. Allegro
DR12 -6.67 dB -23.31 dB 1:13 15-V. Menuet
DR13 -0.38 dB -16.88 dB 8:41 16-Ouverture in F major GWV 447; I. Ouverture
DR12 -4.20 dB -19.92 dB 4:17 17-II. La Speranza
DR12 -2.68 dB -17.71 dB 5:29 18-III. Air en Gavotte
DR12 -1.63 dB -16.93 dB 2:28 19-IV. Menuet
DR11 -3.02 dB -17.40 dB 4:27 20-V. Air
DR13 -1.38 dB -17.10 dB 4:47 21-VI. Plaisanterie
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 21
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 745 kbps
Codec: FLAC
================================================================================

CD Info:

Christoph Graupner (1683-1760) - Orchestral Works Vol. 3

Nova Straganza (on period instruments)
Siegbert Rampe - direction from the hapsichord

Label: MDG
Series: Gold
Catalog#: 341 1628-2
Format: CD, Album
Country: Germany
Released: 2010
Genre: Classical

Tracklist:

01-06 Canon all'unisono GWV 218 12:57
07-10 Sonata GWV 711 8:15
11-15 Sonata GWV 707 9:02
16-21 Ouverture GWV 447 30:09

Disc reviews Johan van Veen "MUSICWEB"
…The study of counterpoint had a lasting influence on Graupner. Just like Heinichen he developed a special interest in the canon. In 1730 he started to write 5625 canons on the same subject. And in 1736 he copied Kuhnau's treatise Von dem doppelten Contrapunct, which was circulating only in manuscript. This is most remarkable, as at that time the aesthetic of the Enlightenment quickly won ground. Its main theorist was Johann Mattheson, who, in 1723 in his journal Critica Musica, specifically wrote that the foundation of music is not the canon but melody and that the ability to write a melody owes little or nothing to the artifice of the canon.

This disc proves that Graupner stuck to his interest in counterpoint all his life. It begins with a Canon all'unisono in B flat, which dates probably from around 1736 - the year he copied Kuhnau's treatise. It is scored for two oboes, cello and basso continuo, and consists of six movements: grave, tempo giusto, adagio, allegro, a movement without tempo indication which is played here as a largo, and a menuet. The sound of the two oboes moving alongside and around each other is especially delightful. The slow movements are full of expression, and here the two oboists add their own ornaments to the melody lines.

The two next works are pieces for the transverse flute. The Sonata in G (GWV 707) is remarkable in that it is an early example of a piece for the transverse flute which was only just beginning to become popular, at the cost of the recorder. It is taken from a manuscript with chamber music by composers from Germany as well as other countries which was completed by 1720 at the latest. It is therefore assumed Graupner's sonata dates from his Hamburg period (1706-09) or shortly thereafter. In this piece the basso continuo is played by the harpsichord only, without an additional cello. That can be explained from the fact that Siegbert Rampe uses the copy of a harpsichord which was built around 1710 by Johann Heinrich Harraß, and has a 16' stop which Rampe uses throughout the sonata. Such instruments are increasingly used these days. As such instruments have survived there can be no doubt that they are historical. But as only a small number have come down to us, there is every reason to question how widely disseminated this kind of instruments were.

From the 1720s more and more chamber music was composed in which the harpsichord was given a concertante role. That is also the case in the Sonata in g minor (GWV 711) in which the transverse flute accompanies the harpsichord. But as so often Graupner follows his own path. In many of such sonatas the melody instrument plays with the right hand of the harpsichord. Although the flute sometimes does the same here or imitates a phrase in the right hand of the harpsichordist, it mostly has its own line, largely independent of the keyboard. Despite the date of composition (c.1740) this sonata follows still the traditional structure of the sonata da chiesa, with a sequence of four movements: slow - fast - slow - fast. The last movement is a menuet which is strongly ornamented in this recording.

Half of this disc is taken by the Overture in F (GWV 447) which is scored for recorder, two violins, viola and basso continuo. Again, it should be pointed out that Graupner is out of step with his time. The Sonata in G was one of the first in Germany written for the transverse flute, this Overture dates from around 1740, when the recorder had largely become obsolete. It belongs to the genre of the overture-suite, which was modelled after Jean-Baptiste Lully. Among the most prolific composers of such overtures were Graupner and his close friend Telemann. The Overture is performed here with one instrument per part, and that is certainly an option. In the light of this the title of the disc, "Orchestral Music", is hardly accurate. But then, in a time when instrumental ensembles were often rather small and there were various options in regard to the number of players involved, the distinction between "orchestral music" and "chamber music" is blurred anyway.

This particular Overture has been recorded two times before. That doesn't matter as all three discs have additional music to offer which is worthwhile. And all performances on this disc are first-rate. The oboists give very fine interpretations of the Canon and the Canadian flautist Annie Laflamme is the sensible performer of the two sonatas with flute, adding nice ornamentation where needed. The recorder part in the Overture is beautifully realised by the Swiss recorder player Matthias Weilenmann. The violin parts are a bit thin and could have be a little more colourful. But that is about the only criticism.

If you don't know Graupner's music, this disc with its varied repertoire is an excellent opportunity to get acquainted with his style. And if you have listened to it, there is a good chance you will want more. The previous two discs by Nova Stravaganza on the same label are a good way to extend your knowledge of Graupner's music.

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