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    3. Frederic Chopin - Rafal Blechacz - The Complete Preludes (2007, Deutsche Grammophon # 477 6592) [RE-UP]

    Frederic Chopin - Rafal Blechacz - The Complete Preludes (2007, Deutsche Grammophon # 477 6592) [RE-UP]

    Posted By: luckburz
    Date: 10 Oct 2015 07:09:23
    Frederic Chopin - Rafal Blechacz - The Complete Preludes (2007, Deutsche Grammophon # 477 6592) [RE-UP]

    Rafal Blechacz - Chopin - The Complete Preludes
    EAC+LOG+CUE | FLAC: 148 MB | Artwork | 5% Recovery Info
    Label/Cat#: Deutsche Grammophon # 477 6592 | Country/Year: Europe 2007
    Genre: Classical | Style: Romantic

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [X] not my rip []

    Frederic Chopin - Rafal Blechacz - The Complete Preludes (2007, Deutsche Grammophon # 477 6592) [RE-UP]


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 17. August 2012, 17:40

    Rafal Blechacz / Chopin - The Complete Preludes

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
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    28 | 52:29.29 | 5:39.02 | 236204 | 261630


    Range status and errors

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    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Rafal Blechacz - Chopin - The Complete Preludes.wav

    Peak level 90.0 %
    Extraction speed 1.3 X
    Range quality 100.0 %
    Test CRC 90FB376D
    Copy CRC 90FB376D
    Copy OK

    No errors occurred


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    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: nKIOuMN2Q93w6Iw73UoHIi9mhz4-] found, Submit result: nKIOuMN2Q93w6Iw73UoHIi9mhz4- has been confirmed
    [fa08f050] (35/36) Accurately ripped
    [84ca2053] (01/36) No match


    ==== Log checksum 3FE444C8F6993C721D40C3812CD52909C1C1445622FD7546CB2255C142D3D28D ====

    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-08-24 19:17:11

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Rafal Blechacz / Chopin - The Complete Preludes
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR9 -5.53 dB -22.70 dB 0:38 01-Prelude op.28 Nr.1 C-Dur - Agitato
    DR13 -13.79 dB -33.00 dB 2:13 02-Prelude op.28 Nr.2 a-moll - Lento
    DR12 -10.26 dB -27.36 dB 0:58 03-Prelude op.28 Nr.3 G-Dur - Vivace
    DR13 -6.17 dB -28.61 dB 2:08 04-Prelude op.28 Nr.4 e-moll - Largo
    DR11 -6.36 dB -22.15 dB 0:35 05-Prelude op.28 Nr.5 D-Dur - Molto allegro
    DR13 -11.99 dB -32.87 dB 2:08 06-Prelude op.28 Nr.6 h-moll - Molto allegro
    DR13 -12.10 dB -33.15 dB 0:56 07-Prelude op.28 Nr.7 A-Dur - Andantino
    DR11 -4.97 dB -20.09 dB 2:03 08-Prelude op.28 Nr.8 fis-moll - Molto agitato
    DR13 -3.64 dB -22.18 dB 1:38 09-Prelude op.28 Nr.9 E-Dur - Largo
    DR12 -10.06 dB -25.57 dB 0:33 10-Prelude op.28 Nr.10 cis-moll - Molto allegro
    DR12 -7.76 dB -27.72 dB 0:42 11-Prelude op.28 Nr.11 H-Dur - Vivace
    DR11 -2.05 dB -18.85 dB 1:17 12-Prelude op.28 Nr.12 gis-moll - Presto
    DR14 -13.31 dB -32.75 dB 3:14 13-Prelude op.28 Nr.13 Fis-Dur - Lento
    DR10 -6.39 dB -20.18 dB 0:39 14-Prelude op.28 Nr.14 es-moll - Allegro
    DR14 -2.10 dB -24.02 dB 4:55 15-Prelude op.28 Nr.15 Des-Dur - Sostenuto
    DR12 -3.38 dB -18.75 dB 1:10 16-Prelude op.28 Nr.16 b-moll - Presto con fuoco
    DR14 -4.85 dB -24.74 dB 3:16 17-Prelude op.28 Nr.17 As-Dur - Allegretto
    DR12 -1.47 dB -18.19 dB 0:57 18-Prelude op.28 Nr.18 f-moll - Molto allegro
    DR11 -7.90 dB -22.72 dB 1:23 19-Prelude op.28 Nr.19 Es-Dur - Vivace
    DR14 -4.16 dB -25.27 dB 1:56 20-Prelude op.28 Nr.20 c-moll - Largo
    DR13 -3.25 dB -23.87 dB 1:51 21-Prelude op.28 Nr.21 B-Dur - Cantabile
    DR11 -0.91 dB -14.96 dB 0:42 22-Prelude op.28 Nr.22 g-moll - Molto agitato
    DR11 -13.97 dB -29.34 dB 0:58 23-Prelude op.28 Nr.23 F-Dur - Moderato
    DR12 -1.86 dB -18.36 dB 2:40 24-Prelude op.28 Nr.24 d-moll - Allegro appassionato
    DR11 -6.50 dB -22.33 dB 0:50 25-Prelude As-Dur op.posth. - Presto, con leggierezza
    DR13 -6.16 dB -26.38 dB 4:36 26-Prelude op.45 cis-moll - Sostenuto
    DR13 -7.93 dB -28.78 dB 7:34 27-Nocturne op.62 Nr.1 H-Dur - Andante
    DR13 -5.56 dB -25.43 dB 5:39 28-Nocturnes op.62 Nr.2 E-Dur - Lento
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 28
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 357 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Rafal Blechacz - Chopin - The Complete Preludes

    Label: Deutsche Grammophon
    Catalog#: 477 6592
    Format: CD, Album
    Country: Europe
    Released: 2007
    Genre: Classical
    Style: Romantic

    Tracklist:

    24 Préludes Op. 28
    1 No. 1 In C Major. Agitato 0:38
    2 No. 2 In A Minor. Lento 2:13
    3 No. 3 In G Major. Vivace 0:58
    4 No. 4 In E Minor. Largo 2:08
    5 No. 5 In D Major. Molto Allegro 0:35
    6 No. 6 In B Minor. Lento Assai 2:08
    7 No. 7 In A Major. Andantino 0:56
    8 No. 8 In F Sharp Minor. Molto Agitato 2:03
    9 No. 9 In E Major. Largo 1:38
    10 No. 10 In C Sharp Minor. Molto Allegro 0:33
    11 No. 11 In B Major. Vivace 0:42
    12 No. 12 In G Sharp Minor. Presto 1:17
    13 No. 13 In F Sharp Major. Lento 3:14
    14 No. 14 In E Flat Minor. Allegro 0:39
    15 No. 15 In D Flat Major. Sostenuto 4:55
    16 No. 16 In B Flat Minor. Presto Con Fuoco 1:10
    17 No. 17 In A Flat Major. Allegretto 3:16
    18 No. 18 In F Minor. Molto Allegro 0:57
    19 No. 19 In E Flat Major. Vivace 1:23
    20 No. 20 In C Minor. Largo 1:56
    21 No. 21 In B Flat Major. Cantabile 1:51
    22 No. 22 In G Minor. Molto Agitato 0:42
    23 No. 23 In F Major. Moderato 0:58
    24 No. 24 In D Minor. Allegro Appassionato 2:25
    25 Prélude In A Flat Major, Op. Posth. (Presto, Con Leggierezza) 0:50
    26 Prélude In C Sharp Minor, Op. 45 (Sostenuto) 4:36
    2 Nocturnes Op. 62
    27 No. 1 In B Major. Andante 7:34
    28 No. 2 In E Major. Lento 5:39

    Notes:

    This release is Blechacz's debut recording for Deutsche Grammophon. It was recorded in July 2007 in Friedrich-Ebert-Halle in Hamburg-Harburg (Germany). The CD was manufactured and the cover printed in the E.U. Recorded and mastered by Emil Berliner Studios.
    The CD and booklet are housed in a Digipak. On the front cover is a red sticker declaring this recording to be a "recording debut of the 2005 Warsaw Chopin competition winner"; it also contains two excerpts from reviews in the Financial Times and Westfälische Nachrichten, and the longer catalog number.
    On the first page of the booklet is the drawing of Chopin by Eugène Delacroix from 1838 (© Musée du Louvre, Paris). The english translation from the polish liner notes was made by Polish Music Center at the University of Southern California.
    The title on spine reads:
    Chopin: Complete Preludes | 2 Nocturnes Op. 62
    The title on the front cover omits the Nocturnes, but they are mentioned on the red sticker.
    The shorter catalog number appears on spine. The longer (derived from the barcode), appears on the sticker, back cover, booklet and CD. The catalog numbers on the spine, booklet and back cover are followed by the letters GH (each in its own square).

    Copyright notices:
    ? 2007 Deutsche Grammophon GmbH, Hamburg
    © 2007 Deutsche Grammophon GmbH, Hamburg
    Photographs: © Felix Broede

    CD made in Germany by EDC
    Barcode: 0 28947 76592 9

    Discogs: http://www.discogs.com/Chopin-Rafa%C5%82-Blechacz-The-Complete-Preludes/release/1732055

    The tiny group of living great pianists is now a little larger.

    A little while ago I worked my way through a fifteen-CD set documenting the 2005 Warsaw Chopin Competition, which Blechacz won. I was a little puzzled at some of those who made it to the finals, but I was left in no doubt that Blechacz’s first prize was fully deserved. Looking around at the various commentaries on the competition, I see there was complete unanimity over this, with many stressing the abyss between Blechacz and all the others. This was the first time since Krystian Zimerman’s victory in 1975 that a Polish pianist had won the competition, and for quite a while no first prize had been awarded at all. Now he is becoming a household name and has a contract with Deutsche Grammophon, of which this is the first fruit.

    These tiny pieces are really incredibly difficult to get right. In the first I was impressed that he shows us more than most when the theme in the middle voice is syncopated and when it is on the beat. His literal observance of Chopin’s instruction to remove the pedal at the half-bar in the four measures before the closing arpeggiated chord, instead of at the end of each bar, is a minor revelation…he shows in the fourth that he can create a brooding atmosphere and a sense of total absorption in what he is playing. After a notably withdrawn number 6, his seventh is surprisingly full-toned and sunlit. It is also very slow for an Andantino. The next piece is more majestic than "Molto agitato" and the twelfth lacks sheer demonic force, as does number 16. This quality is provided for number 22, however, and the last is imperiously passionate.

    In the thirteenth his interplay between melody and countermelody is exquisitely done. I have never heard this piece played better. It is my candidate for the most beautiful of all the Preludes and few pianists get to the end without incurring my wrath somewhere along the line. I thought this just perfection. The same may be said of the ubiquitous number 15 and the beautifully sung number 21, with 17 and 19 not far behind. Number 23 is magical, not least in its placing of Chopin’s eerie E flats towards the end.

    With a fair number of Preludes at the highest possible level and no actual failures – take my earlier points as queries more than reservations – this is bound to enter the select group of top contenders, especially for those who put poetry first. Blechacz is also pretty successful at presenting the Preludes as a unity, something on which Cortot very much insisted and at which he remains unsurpassed, whatever you think of details along the way.

    For the record, Blechacz’s performances of 7-12 in the competition were not particularly different from the present ones, with the mellower DG recording a bonus.

    The tiny A flat Prelude is beautifully turned. The larger op. 45 and the two Nocturnes bring something more. Op. 62/2 is sometimes considered a less than worthy conclusion to Chopin’s work in this oeuvre. Blechacz definitively proves this is not so, bringing patriotic ardour as well as magic. But indeed, I would hold up these three last pieces as touchstones of Blechacz’s current achievement. With their complete mastery of rubato, voicing and structure combined with expressive freedom, it is impossible to hear them without feeling that the tiny group of living great pianists is now a little larger. This is a career to follow, so don’t miss out. – Christopher Howell, MusicWeb International

    Frederic Chopin - Rafal Blechacz - The Complete Preludes (2007, Deutsche Grammophon # 477 6592) [RE-UP]


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