Su	Mo	Tu	We	Th	Fr	Sa
1	2	3	4	5	6	7
8	9	10	11	12	13	14
15	16	17	18	19	20	21
22	23	24	25	26	27	28
29	30	1	2	3	4	5

Camerata Flamenco Project - Entre Corrientes (2011) {Trimeca TR 000002-F}

Posted By: ruskaval

Date: 24 Apr 2018 08:48:19

Camerata Flamenco Project - Entre Corrientes (2011) {Trimeca TR 000002-F}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 300 dpi (png) -> 54 Mb | Data -> 166 Mb | 5% repair rar
© 2011 Trimeca | TR 000002-F
Jazz / Post Bop / Flamenco / Chamber / Classical

Flamenco is no longer limited to cante, guitar and baile. Instrumental offers are making their way. And with them, encounters between genres and diverse musical trends. Camerata Flamenco Project joins this fourth way with ‘Entre corrientes’, an album on which three instruments meet — piano, cello and flute; as well as three genres — flamenco, classical and jazz. Pablo Suárez, José Luis López and Ramiro Obedman are the soul of this group which, although it has started off as a trio, has the flexibility to “end up becoming a symphony orchestra”. But for the time being, on stages the project is growing with double bass, percussion, Antonio Campos’ cante and Concha Jareño’s baile.

The three of them are regulars in the musical lineup of flamenco companies. Pianist Pablo Suárez, cellist José Luis López and flutist Ramiro Obedman met in the late ’90s in projects such as ‘La garra y el ángel’ by Rafael Amargo and a tour around Japan with Adrián Galia. Next would come their work for other companies like Rafaela Carrasco’s. As Suárez recalls, “we began to coincide and musical affinities started to spring up”. And the time came when “we had enough material to move forward with a name of our own”, he adds.

That is how Camerata Flamenco Project came about. The group has flamenco as a common denominator, but it brings together the musical paths of its members, which are flamenco, jazz and classical. “The structure is flamenco, but we feed on many other elements”, they explain. To which Obedman adds that “the work system is that of flamenco dancing, which is how we’ve encountered one another musically. There is quite an important flamenco base for those who want to hear it”.

Most of the seven songs on the disc come from that composing work, from ‘Camerata x bulerías’ to ‘Entre corrientes’, with ‘Seguirilla para Astor’ in between. All of them except one: a version of ‘Entre dos aguas’ by Paco de Lucía. “Doing a version is a way to make us understand better. If we only do our own songs, many people might not know where to place us. But it’s a chamber-music-style ‘Entre dos aguas’. You can understand our filter there”, they comment.

The base of the group is the trio, but the live band is flexible. “We can be everything from a trio to a symphony orchestra”, they affirm. They have added percussion, “a very necessary fourth element” and also a double bass. And since the presentation this past summer at the 2011 Dublin Flamenco Festival, they have had Antonio Campos on cante and Concha Jareño on baile as special guests. Thus, they were at the mythical Madrilenian tablao Villa Rosa in their premiere before the media and before guests as illustrious as cantaora Carmen Linares (in whose ‘Oasis abierto’ the pianist is currently taking part) and writer Félix Grande. And they will be in their concert premiere on September 27th at the Sala Clamores in the Spanish capital.

They are aware of the difficulty involved in the instrumental way for flamenco. “There’s already a lot of this, fortunately; the thing is that there’s no room for it. People are restless and you see projects which go along that road, but it’s hard”, the pianist comments. To which Obedman adds that “there’s a big breeding ground of musicians who do instrumental flamenco, but there might not be places where that can be displayed. It seems as if they weren’t there, but there are a ton of musicians doing really interesting things, people coming from flamenco and people coming from the outside”. Camerata Flamenco Project is one of those things, one which understands “flamenco as avant-garde”, one willing “to keep up the excitement and to go on rowing”.

MUSICIANS

Pablo Suárez: Piano, Handclaps
José Luis López: Cello, Electric Cello, Handclaps
Ramiro Obedman: Flute, Sax (alto & soprano)

Guests:
Sergey Saprychev: Tablas, Tambourine (# 2, 3, 6)
Daniel Suárex "Sena": Cajon, Handclaps (# 1, 3)

TRACKLIST

1. Camerata x bulerias
2. Entre dos aguas
3. Seguirilla para Astor
4. Nananta
5. Garnacheando
6. Entre Corrientes
7. La nave

Videoclip: Entre Corrientes

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 27. December 2011, 19:00

Camerata Flamenco Project / Entre Corrientes

Used drive : Optiarc DVD RW AD-7200A Adapter: 2 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:15.47 | 0 | 28171
2 | 6:15.47 | 7:58.58 | 28172 | 64079
3 | 14:14.30 | 5:29.57 | 64080 | 88811
4 | 19:44.12 | 4:20.36 | 88812 | 108347
5 | 24:04.48 | 5:57.18 | 108348 | 135140
6 | 30:01.66 | 6:29.60 | 135141 | 164375
7 | 36:31.51 | 7:39.34 | 164376 | 198834
8 | 46:43.10 | 22:34.23 | 210235 | 311807

Track 1

Filename D:\Rips\01 - Camerata x bulerias.wav

Pre-gap length 0:00:02.00

Peak level 99.6 %
Extraction speed 2.6 X
Track quality 100.0 %
Test CRC 3A22400B
Copy CRC 3A22400B
Track not present in AccurateRip database
Copy OK

Track 2

Filename D:\Rips\02 - Entre dos aguas.wav

Peak level 99.6 %
Extraction speed 3.1 X
Track quality 100.0 %
Test CRC A0C9B1F9
Copy CRC A0C9B1F9
Track not present in AccurateRip database
Copy OK

Track 3

Filename D:\Rips\03 - Seguirilla para Astor.wav

Peak level 99.6 %
Extraction speed 3.4 X
Track quality 100.0 %
Test CRC 44FE90EF
Copy CRC 44FE90EF
Track not present in AccurateRip database
Copy OK

Track 4

Filename D:\Rips\04 - Nananta.wav

Peak level 99.6 %
Extraction speed 3.5 X
Track quality 100.0 %
Test CRC 48ED129C
Copy CRC 48ED129C
Track not present in AccurateRip database
Copy OK

Track 5

Filename D:\Rips\05 - Garnacheando.wav

Peak level 99.6 %
Extraction speed 3.5 X
Track quality 99.9 %
Test CRC 21313DF1
Copy CRC 21313DF1
Track not present in AccurateRip database
Copy OK

Track 6

Filename D:\Rips\06 - Entre corrientes.wav

Peak level 99.6 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC CA7966E9
Copy CRC CA7966E9
Track not present in AccurateRip database
Copy OK

Track 7

Filename D:\Rips\07 - La nave.wav

Peak level 99.6 %
Extraction speed 4.2 X
Track quality 99.9 %
Test CRC 2EFA3A8C
Copy CRC 2EFA3A8C
Track not present in AccurateRip database
Copy OK

None of the tracks are present in the AccurateRip database

No errors occurred

End of status report

==== Log checksum 554DD3F25817CA268104DD9B876B91E2AC12394D25D1B677EEC2037650D42137 ====

see more flamenco…

===

Download from icerbox.com

Jazz Classical MP3 320 CBR Ethnic World 2010s Lossless