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    Bunk Johnson & Louis Armstrong - Bunk & Louis (2002) {GHB Records BCD-101 rec 1938-1945}

    Posted By: ruskaval
    Bunk Johnson & Louis Armstrong - Bunk & Louis (2002) {GHB Records BCD-101 rec 1938-1945}

    Bunk Johnson & Louis Armstrong - Bunk & Louis (2002) {GHB Records BCD-101 rec 1938-1945}
    XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 144 Mb | MP3 @320 -> 115 Mb
    Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
    © 1938-45, 2002 GHB Records | BCD-101
    Jazz / Early Jazz / New Orleans Jazz / Trumpet

    This is the Bunk Johnson World Transcription session, beautifully recorded in World's superior recording studios. It's not a typical Bunk session with George Lewis and Jim Robinson, but a West Coast studio session with well-known artists such as Floyd O'Brien, Wade Whaley, Frank Pasley, Red Callender and Lee Young (includes alternate and incomplete takes). This CD also includes tracks by the man who learned the art of playing the blues by absorbing everything Bunk played…Louis Armstrong. With him are J.C. Higginbotham, Jack Teagarden, Sidney Bechet, Bud Freeman, Fats Waller, Al Casey, Paul Barbarin and others. Includes material from the Second Esquire Jazz Concert, Louis' only recording with Bunk, and a 1938 Saturday Night Swing Club broadcast.
    Bunk Johnson & Louis Armstrong - Bunk & Louis (2002) {GHB Records BCD-101 rec 1938-1945}

    In 1944, to somehow get the found—from-long-lost Bunk Johnson into a major recording studio continued to be the goal of his many benefactors. Although he had been recorded twice (previous to this session), both were under rather mediocre conditions, in fact one session was done in the storage room of a New Orleans music store converted into a makeshift recording studio. This was all going to be changed now as one of his staunch supporters, Gene Williams of Decca Records, and Bill Colburn, Bunk’s West Coast mentor, arranged to have Bunk record for World Broadcasting System, Inc., then an associate of Decca, who recorded music released only on sixteen-inch transcriptions made for radio broadcasting and not available to the general record-buying public. Bunk had little success during his year and a half in San Francisco, so he was heading back to New Iberia, Louisiana, to wait and see where his new-found career might be heading. The World recording date was arranged for the Los Angeles studio, a stopover on his way home by train. Colburn lined up the Kid Ory band, then playing in Los Angeles, to record with Bunk. They had played along with Bunk in a concert at the Geary Theatre in San Francisco the preceding year and that had been successful. When Bunk arrived in Los Angeles on the day prior to the recording date, he learned that Kid Ory had told Colburn that neither he nor his band would record as only unnamed members of a band with Bunk as leader. It is shameful that this recording session planned with such a compatible group of musicians did not materialize. Bill Russell, who was the first one to rediscover Bunk (with no teeth, no horn, and no money) in New Iberia in 1939, told me he had a letter (now lost) that Colburn had written to him relating all the problems with the World recording date. Urgent calls went out to everyone in an attempt to locate musicians familiar with Bunk’s earlier style who could and would play on the session. Wade Whaley, who worked part-time as a musician, said he would play the date. Whaley was from New Orleans and had played with Johnson in the Geary concert although he was not the regular Ory clarinet man. Floyd O'Brien, a Chicago trombone player who had been with the Bob Crosby Band for a while, had previously joined Bunk on a Sunday after- noon gig in San Francisco, liked his playing and quickly agreed to record on the session. The only Ory man to risk the wrath of his boss was Fred Washington. Fred probably located the other men, Red Callender, a youthful modern bassist of that time, and drummer Lee Young the junior brother of Lester.

    Combining the sounds of this CD with the photographs will bring us fans absent July 11, 1944 as close to being at the recording session as is possible. As this was Bunk's date, the tunes were selected by him and it seems apparent that his associates sometimes falter from unfamiliarity and we find Bunk showing them the way, particularly on the first choruses. George Buck here pre- sents the music just as it was recorded with the false starts and breakdowns included. If you listen carefully you will hear a voice (Bunk?) on several occasions giving the band direction. In one instance, Floyd O'Brien just hits a loud string of notes to call a halt to a bad take. The bell signalling the band to start the second take of Ballin’ the Iack makes you feel as if you're in the control room in charge of the record date.

    Don't let the statements lead you to think this record is of only historical importance. The music made this day is great; Bunk was in top form. Although Bunk finds himself with bedfellows who did not know the tunes intimately and were not altogether familiar with his style of playing he somehow gets them all together for some great music. It is also interesting to hear how he performs without George Lewis and Co. In fact, I found myself eagerly comparing the same tunes performed by this band with those recorded versions usually associated with Bunk. One title, Spicy Advice, was written by Bunk (the sheet music cover from my collections pictured) but never recorded by Bunk or anyone else except in this World Broadcasting version included here. I think also that note should be made of the excellent sound quality of these recordings, for, in my opinion, they are superior to all other of Bunk’s recordings. It's good to finally have this recorded document available on commercial recordings. -Paul A. Larson, May 1982
    Bunk Johnson & Louis Armstrong - Bunk & Louis (2002) {GHB Records BCD-101 rec 1938-1945}


    Track Listing & Personnel

    Bunk Johnson
    01 Low Down Blues (Take 1)
    02 Low Down Blues (Take 2)
    03 Ballin' The Jack (Take 1 False Start)
    04 Ballin' The Jack (Take 2 Incomplete)
    05 Ballin' The Jack (Take 3)
    06 Mama's Gone Goodbye
    07 Careless Love (Take 1 Incomplete)
    08 Careless Love (Take 2)
    09 Arkansas Blues
    10 I Ain't Gonna Give Nobody None Of My Jellyroll
    11 I Ain't Gonna Give Nobody None Of My Jellyroll (Take 2)
    12 Panama
    13 Spicy Advice

    Bunk Johnson,tpt
    Floyd O'Brien,tbn
    Wade Whaley,clt
    Fred Washington,pno
    Frank Pasley, gtr
    George"Red"Calender,bs
    Lee Young,drs

    Nov. 7, 1944 - W.B.S. Los Angeles

    Louis Armstrong
    14 Basin St Blues

    Louis Armstrong,tpt
    Bunk Johnson,tpt
    Sidney Bechet,clt
    J.C.Higginbotham,tbn
    James P.Johnson,pno
    Richard Alexis,sbs
    Paul Barbarin,drs

    Jan. 17, 1945 - Municipal Auditorium New Orleans

    15 Sunny Side of The Street
    16 The Blues
    17 Honeysuckle Rose
    18 Tiger Rag
    19 Jeepers Creepers
    20 I Got Rhythm

    Louis Armstrong,tpt
    Bud Freeman, tnr
    Jack Teagarden,tbn
    Fats Waller,pno
    Al Casey,gtr
    Slick Jones,drs

    Oct. 10, 1938 - New York City

    X Lossless Decoder version 20170729 (150.3)

    XLD extraction logfile from 2018-08-25 23:03:29 +0100

    Bunk Johnson & Louis Armstrong / Bunk & Louis

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    15 | 31:16:07 | 05:28:60 | 140707 | 165366
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    17 | 41:05:10 | 01:18:65 | 184885 | 190799
    18 | 42:24:00 | 04:38:35 | 190800 | 211684
    19 | 47:02:35 | 02:52:10 | 211685 | 224594
    20 | 49:54:45 | 03:59:30 | 224595 | 242549

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    Bunk Johnson & Louis Armstrong - Bunk & Louis (2002) {GHB Records BCD-101 rec 1938-1945}



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