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    Bruckner - LSO, Bernard Haitink - Symhony No. 4 [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]

    Posted By: luckburz
    Date: 6 May 2012 17:04:00
    Bruckner - LSO, Bernard Haitink - Symhony No. 4 [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]

    Anton Bruckner - Symphony No. 4
    London Symphony Orchestra / Bernard Haitink
    PS3 SACD ISO: 4,06 GB (2.0/5.1) | EAC Rip, FLAC LOG & CUE: 251 MB (2.0) | 24B/88,2kHz FLAC (2.0): 1,07 GB | Lossless Artwork: 110 MB | Recovery Info
    Label/Cat#: LSO Live LSO0716 | Country/Year: UK 2011 | Genre: Classical | Hoster: Filepost/Filefactory

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    With kind permission by the administration this is crossposted in music & hi-res. Thanks!


    Bruckner - LSO, Bernard Haitink - Symhony No. 4 [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]

    Extraction Log:

    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 27. March 2012, 21:01

    LSO - Bernard Haitink / Bruckner - Symphony No 4

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 20:32.60 | 0 | 92459
    2 | 20:32.60 | 15:07.10 | 92460 | 160494
    3 | 35:39.70 | 11:11.44 | 160495 | 210863
    4 | 46:51.39 | 22:16.60 | 210864 | 311123


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\LSO - Bernard Haitink - Bruckner - Symphony No 4.wav

    Peak level 100.0 %
    Extraction speed 8.3 X
    Range quality 100.0 %
    Test CRC BBE52390
    Copy CRC BBE52390
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 1) [3B3BF0BD] (AR v1)
    Track 2 accurately ripped (confidence 1) [C7B7330A] (AR v1)
    Track 3 accurately ripped (confidence 1) [C7D23CBC] (AR v1)
    Track 4 accurately ripped (confidence 1) [2DAEA76D] (AR v1)

    All tracks accurately ripped

    End of status report

    ==== Log checksum 8D825AD36B115D20914AAA00C176562FD16900AB0BCCA132E1EC2851E048F6A2 ====


    SACD Extraction & Conversion Logs:

    16908361[0x1020049]: SACD-Ripper Version 0.36
    16908361[0x1020049]: config: 00 00 00 0c 00 00 00 00 ff 41 00 04 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: device_info: 75 6e 6e 61 6d 65 5c 10 80 00 00 00 00 53 a0 00
    16908361[0x1020049]: device_info: 80 00 00 00 10 12 9e 70 80 00 00 00 00 5e 78 00
    16908361[0x1020049]: device_info: 00 00 00 00 00 00 00 00 00 00 00 00 7f ff ff ff
    16908361[0x1020049]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
    16908361[0x1020049]: disc inserted..
    16908361[0x1020049]: config: 00 00 00 0c 00 00 00 10 ff 41 01 04 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: device_info: 75 6e 6e 61 6d 65 5c 10 80 00 00 00 00 53 a0 00
    16908361[0x1020049]: device_info: 80 00 00 00 10 12 9e 70 80 00 00 00 00 5e 78 00
    16908361[0x1020049]: device_info: 00 00 00 00 00 00 00 00 00 00 00 00 00 20 7f 80
    16908361[0x1020049]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
    16908361[0x1020049]: Album Title: BRUCKNER Symphony No 4
    16908361[0x1020049]: Album Artist: Bernard Haitink, London Symphony Orchestra
    16908361[0x1020049]: Disc Version: 01.20
    16908361[0x1020049]: config: 00 00 00 0c 00 00 00 10 ff 41 01 04 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: config: 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00 00
    16908361[0x1020049]: device_info: 75 6e 6e 61 6d 65 5c 10 80 00 00 00 00 53 a0 00
    16908361[0x1020049]: device_info: 80 00 00 00 10 12 9e 70 80 00 00 00 00 5e 78 00
    16908361[0x1020049]: device_info: 00 00 00 00 00 00 00 00 00 00 00 00 00 20 7f 80
    16908361[0x1020049]: device_info: 00 00 08 00 00 00 00 01 00 01 01 00 00 00 00 01
    16908361[0x1020049]: succeeded. raw_spu number is 0
    16908361[0x1020049]: succeeded. entry d0
    16908361[0x1020049]: Establishing the interrupt tag on the interrupt PPU thread.
    16908361[0x1020049]: ioctl_report_key1[45023901] 0
    16908361[0x1020049]: sac_exec_generate_key 0 c9 0
    16908361[0x1020049]: ioctl_send_key[2] c9 0
    16908361[0x1020049]: ioctl_report_key[2] c8 0
    16908361[0x1020049]: sac_exec_validate_key_1[0]
    16908361[0x1020049]: sac_exec_generate_key_2[ae] 0
    16908361[0x1020049]: ioctl_send_key[3] ae 0
    16908361[0x1020049]: ioctl_report_key[3] b0 0
    16908361[0x1020049]: sac_exec_validate_key_2[0]
    16908361[0x1020049]: ioctl_report_key[4] 30 0
    16908361[0x1020049]: sac_exec_validate_key_3[0]
    16908361[0x1020049]: ioctl_report_finish [0xff] 0
    16908361[0x1020049]: Queuing raw: /dev_usb000/Bernard Haitink, London Symphony Orchestra - BRUCKNER Symphony No 4.iso.001, start_lsn: 0, length_lsn: 2090000
    16908361[0x1020049]: Queuing raw: /dev_usb000/Bernard Haitink, London Symphony Orchestra - BRUCKNER Symphony No 4.iso.002, start_lsn: 2090000, length_lsn: 39792


    ____________________________________________________________________________________


    Bernard Haitink, London Symphony Orchestra - [2011] BRUCKNER Symphony No 4 [STEREO]
    ======================================================================================
    SACD[PS3]ISO to flac 24bit/88.2kHz conversion using SACD_Conversion_script version 0.3

    Track list
    –––––

    Symphony No 4 Romantic: i: Bewegt, nicht zu schnell i: Bewegt, nicht zu schnell34.80
    Symphony No 4 Romantic: ii: Andante quasi Allegretto ii: Andante quasi Allegretto07.13
    Symphony No 4 Romantic: iii: Scherzo. Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend iii: Scherzo. Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend11.59
    Symphony No 4 Romantic: iv: Finale: Bewegt, doch nicht zu schnell iv: Finale: Bewegt, doch nicht zu schnell16.80

    Technical Details
    ––––––––-

    1) ISO image created using sacd-ripper for PS3

    2) Dff files extracted from the ISO using SACD_Extract

    3) Dff files analysed using foobar + foo_input_sacd and DR Meter plugins to find peak track(s)

    4) Loudest tracks converted using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 0dB gain

    5) Non-clipping gain calculated using SoX

    6) Edited Master Dff file extracted using SACD_Extract

    7) Final pass conversion using Weiss Saracon 1.61-27 at 24bit/88.2kHz with 4.15dB gain as calculated above

    7) Final pass PCM file spilt into individual tracks (discarding first 41 samples) using track lengths calculated from cue file generated by SACD_Extract

    8) Spikes at begining of first/end of last tracks eliminated by deleting 24 samples and replacing with the adjacent 24 samples using SoX to give the correct track length

    9) Finalised tracks converted to flac (level 8) and tagged using tag.exe

    10) Dynamic Range measured using Foobar DR Meter plugin

    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-03-27 20:30:05

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Bernard Haitink, London Symphony Orchestra / BRUCKNER Symphony No 4
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -1.85 dB -23.00 dB 20:35 01-Symphony No 4 Romantic: i: Bewegt, nicht zu schnell
    DR15 -5.61 dB -28.13 dB 15:07 02-Symphony No 4 Romantic: ii: Andante quasi Allegretto
    DR13 -4.14 dB -25.08 dB 11:12 03-Symphony No 4 Romantic: iii: Scherzo. Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend
    DR15 -0.01 dB -23.07 dB 22:17 04-Symphony No 4 Romantic: iv: Finale: Bewegt, doch nicht zu schnell
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 4
    Official DR value: DR14

    Samplerate: 88200 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2264 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Anton Bruckner / London Symphony Orchestra / Bernard Haitink - Symphony No. 4

    Label: LSO Live
    Catalog#: LSO0716
    Format: Hybrid-SACD, Album, Stereo / Multichannel
    Country: UK
    Released: 2011
    Genre: Classical

    Tracklist:


    1 Symphony No 4 Romantic: i: Bewegt, nicht zu schnell i: Bewegt, nicht zu schnell 34.80
    2 Symphony No 4 Romantic: ii: Andante quasi Allegretto ii: Andante quasi Allegretto 07.13
    3 Symphony No 4 Romantic: iii: Scherzo. Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend iii: Scherzo. Bewegt - Trio: Nicht zu schnell. Keinesfalls schleppend 11.59
    4 Symphony No 4 Romantic: iv: Finale: Bewegt, doch nicht zu schnell iv: Finale: Bewegt, doch nicht zu schnell 16.80

    Notes:

    recorded live June 2011 at the Barbican, London

    Bruckner - LSO, Bernard Haitink - Symhony No. 4 [Hybrid SACD: PS3 SACD Rip & EAC CD Rip]


    Maybe because I've been collecting recordings by Maestro Bernard Haitink for nearly fifty years, ever since his appointment as chief conductor of the Concertgebouw Orchestra in the early Sixties, to find the man still conducting, now in his eighties, is fascinating and reassuring. It's nice to know some things don't change. More important, I've always found Haitink's performances models of decorum, propriety, insight, and intelligence. They wear well.

    In this 2011 SACD recording with the London Symphony Orchestra, Haitink tackles the Symphony No. 4 in E flat major, "Romantic," by Austrian composer Anton Bruckner (1824-1896). The fact that Haitink has recorded the Fourth Symphony at least twice before–in the 1960's with the Concertgebouw and in the mid 80's with the Vienna Philharmonic–only whetted my appetite for more of the same. The newest performance did not entirely disappoint me, although I have to admit that the conductor's approach has mellowed with age. It's no less thoughtful or intense; it just sounds slower.

    Anyway, the Fourth Symphony was Bruckner's first really successful big-scale work, and it didn't come easy. The public greeted his first three symphonies with a lukewarm response, and it took the composer over half a dozen years to write and revise the Fourth. Fortunately, when he did finally premiere it 1881, the public loved it, as listeners have loved it ever since. Bruckner himself nicknamed it "Romantic," and it became Bruckner's only program symphony. His final revision came in 1886, the Nowak edition, which Haitink plays here. The composer tells us what each movement represents, from knights riding out of a medieval castle through the mists of dawn to the sounds of the forest and birds, to a hunt, complete with horn calls, finally culminating in a brilliant summation. The symphony easily communicates a grandeur and nobility of spirit, as Bruckner was, above all, a profoundly spiritual man, his music clearly illustrating his piety.

    Haitink opens this Fourth more quietly than usual, even for him, the morning haze finally opening up and letting the horn calls of the knights burst forth. However, Haitink eschews much glamor or theatrics here, preferring a more unhurried approach; yet I'm not really sure I like the "Romantic" Symphony without all of the romance. Don't expect as much robust vigor in Haitink's approach as in the readings of many of his rivals. Nevertheless, Haitink handles the softer, gentler passages with great care, making them seem more otherworldly than ever.

    The LSO play with their customary precision and refinement, which goes a long way in music that can often be so ethereal and uplifting as Bruckner's. And when the orchestra get a chance to come into full bloom in the biggest crescendos and fortissimos, they sound wonderful, especially with Haitink guiding them so evenhandedly.

    Indeed, Haitink walks a fine line here between offering up simple programmatic themes and darker, more introspective reflections, with the conductor often taking the latter course. In the tradition of Beethoven, Bruckner makes his slow movement almost a funeral march, yet Haitink doesn't exactly see it that way, creating instead a more-elegant flow to the music.

    Again, we hear the hunting calls of the horns in the Scherzo, and Haitink seems to enjoy the playfulness as well as the seriousness of their strains. Then, typical of a Bruckner symphony, the finale is monumental, climaxing and surpassing everything that went before it. Needless to say, Haitink lets what little hair down he has left and presents a radiantly exciting conclusion.

    In all, this is an agreeable Fourth, even if it's not for me quite on the level emotionally as the recordings of Jochum (DG), Klemperer (EMI), Bohm (Decca), Blomstedt (Denon), Wand (RCA), Walter (Sony), or Haitink's own earlier efforts. However, this newer performance should not disappoint fans of Haitink or the LSO.

    Recorded live in June, 2011 at the Barbican, London, the output of the SACD seemed relatively low at first, requiring some adjustment of the volume higher than usual. But, then, there is a very wide dynamic range involved, starting with an especially soft opening passage, and when the loudest notes come through, they do so with authority. And there are blasts that may force one to turn the volume back down. A modest disappointment is that the midrange is not as transparent as it might be, with some upper-bass resonance to contend with. The upper strings can also be a tad steely at times. Still, the sonics make for a thrilling experience, the orchestra sounding big, warm, full, and basically resplendent.

    About the only other minor issue I noticed was that the stage depth seemed slightly limited in the two-channel format to which I listened. If you have the SACD playback equipment for multichannel, which I don't, this hybrid SACD would probably provide more depth in the surround mode. Besides, I don't want to overemphasize this trivial lack of dimensionality at times because it's really no different from most other modern recordings. Moreover, the recording's strong dynamic impact and taut bass go a long way toward dispelling any misgivings one may have about small imaging concerns.

    Finally, I'm happy to report that despite this being a live recording, the engineers have apparently filtered out most audience noise and thankfully edited out any closing applause. John J. Puccio


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