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    Heinrich Ignaz Franz Biber & Georg Muffat - Freiburger Barockorchester - Sonatas (2002) {Repost}

    Posted By: luckburz
    Heinrich Ignaz Franz Biber & Georg Muffat - Freiburger Barockorchester - Sonatas (2002) {Repost}

    Heinrich Ignaz Franz Biber & Georg Muffat - Sonatas
    Freiburger Barockorchester Consort / Petra Müllejans
    EAC+LOG+CUE | FLAC: 307 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: Deutsche Harmonia Mundi # 05472778442 | Country/Year: Germany 2002
    Genre: Classical | Style: Baroque

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [] not my rip [X]

    Heinrich Ignaz Franz Biber & Georg Muffat - Freiburger Barockorchester - Sonatas (2002) {Repost}


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 22. January 2012, 18:34

    Freiburger Barockorchester / Biber, Muffat - Sonatas

    Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.32 | 4:12.48 | 32 | 18979
    2 | 4:13.05 | 5:44.20 | 18980 | 44799
    3 | 9:57.25 | 8:10.67 | 44800 | 81616
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    5 | 20:52.05 | 4:10.47 | 93905 | 112701
    6 | 25:02.52 | 1:06.45 | 112702 | 117696
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    10 | 40:27.62 | 2:46.35 | 182087 | 194571
    11 | 43:14.22 | 1:17.30 | 194572 | 200376
    12 | 44:31.52 | 1:37.35 | 200377 | 207686
    13 | 46:09.12 | 2:54.70 | 207687 | 220806
    14 | 49:04.07 | 9:55.63 | 220807 | 265494


    Range status and errors

    Selected range

    Filename Z:\NetLab\Biber, Muffat - Sonatas (Freiburger Barockorchester) (2002)\Biber, Muffat - Sonatas.wav

    Peak level 78.5 %
    Extraction speed 6.6 X
    Range quality 100.0 %
    Test CRC 6234D57E
    Copy CRC 6234D57E
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 cannot be verified as accurate (confidence 4) [B5480CC6], AccurateRip returned [16E4C595] (AR v2)
    Track 2 cannot be verified as accurate (confidence 4) [AD183407], AccurateRip returned [2841C8FF] (AR v2)
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    Track 6 cannot be verified as accurate (confidence 5) [4C0362D2], AccurateRip returned [061B2314] (AR v2)
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    Track 14 cannot be verified as accurate (confidence 5) [A91AB711], AccurateRip returned [79D8961A] (AR v2)

    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    End of status report

    ==== Log checksum 68BDE5B9C34536A8059D811F4B4EE37C9B31AD9E141E03F6FA921536F6DA0807 ====

    auCDtect: CD records authenticity detector, version 0.8.2
    Copyright © 2004 Oleg Berngardt. All rights reserved.
    Copyright © 2004 Alexander Djourik. All rights reserved.

    Detect mode (0..40 with 0 = most accurate): 8 (default)


    ––––––––––––––––––––––––––––––
    [Biber, Muffat - Sonatas.wav]
    Detected average hi-boundary frequency: 2.034110e+004 Hz
    Detected average lo-boundary frequency: 1.453579e+004 Hz
    Detected average hi-cut frequency: 2.094156e+004 Hz
    Detected average lo-cut frequency: 1.452545e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 1.829257e+000
    First order smothness: 2.703214e-001
    Second order smothness: 8.339239e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
    log date: 2012-10-08 12:47:24

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Freiburger Barockorchester / Biber, Muffat - Sonatas
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -5.59 dB -23.37 dB 4:13 01-Biber: Sonata No. 11 in A major
    DR14 -4.72 dB -22.42 dB 5:44 02-Biber: Sonata No. 5 in E minor
    DR15 -2.10 dB -24.02 dB 8:11 03-Muffat: Sonata No. 2 in G minor; I. Sonata
    DR12 -6.64 dB -23.76 dB 2:44 04-II. Aria
    DR13 -5.67 dB -25.50 dB 4:11 05-III. Sarabande
    DR12 -6.69 dB -23.02 dB 1:07 06-IV. Borea
    DR13 -3.42 dB -22.51 dB 4:53 07-Biber: Sonata No. 9 in B flat major
    DR14 -4.74 dB -24.06 dB 5:33 08-Biber: Sonata No. 3 in G minor
    DR13 -4.08 dB -21.54 dB 3:53 09-Biber: Sonata No. 2 in D major
    DR12 -8.16 dB -24.01 dB 2:46 10-Muffat: Sonata No. 5 in G major; I. Allemanda
    DR11 -6.63 dB -23.95 dB 1:17 11-II. Adagio
    DR12 -8.33 dB -24.42 dB 1:37 12-III. Fuga
    DR15 -4.99 dB -25.13 dB 2:55 13-IV. Adagio
    DR15 -4.54 dB -24.15 dB 9:56 14-V. Passacoglia
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 14
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 728 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Heinrich Ignaz Franz von Biber / Georg Muffat - Freiburger Barockorchester - Sonatas

    Label: Deutsche Harmonia Mundi
    Series: Baroque Esprit
    Catalog#: 05472778442
    Format: CD, Album
    Country: Germany
    Released: 2002
    Genre: Classical
    Style: Baroque

    Tracklist:

    Heinrich Ignaz Franz Biber (1644-1704)
    01 Sonata No. 11 A Major (from Sonatae tam Aris, quam Aulis servientes, Salzburg, 1676)
    02 Sonata No. 5 E Major (from Sonatae tam Aris, quam Aulis servientes, Salzburg, 1676)

    Georg Muffat (1653-1704)
    03-06 Sonata No. 2 G Minor (from Armonico tributo cioè sonate di camera, Salzburg, 1682)

    Heinrich Ignaz Franz Biber
    07 Sonata No. 9 B flat major (from Sonatae tam Aris, quam Aulis servientes, Salzburg, 1676)
    08 Sonata No. 3 G minor (from Sonatae tam Aris, quam Aulis servientes, Salzburg, 1676)
    09 Sonata No. 2 D major (from Sonatae tam Aris, quam Aulis servientes, Salzburg, 1676)

    Georg Muffat
    10-14 Sonata No. 5 G major (from Armonico tributo cioè sonate di camera, Salzburg, 1682)


    Heinrich Ignaz Franz Biber & Georg Muffat - Freiburger Barockorchester - Sonatas (2002) {Repost}


    Disc reviews Robert Hugill "MusicWeb"
    Both Muffatt and Biber were attracted to the service of the ruling Archbishop of Salzburg in the late 17th Century. Archbishop Max Gandolph was a generous patron and they both dedicated many of their compositions to him. Both were very fond of the sonata as an instrumental form and those on this recording were drawn from publications dedicated to the Archbishop.

    During the Baroque era there was a gradual move away from the trio sonata (sonatas in 3 or more parts) towards the sonata for one solo instrument with continuo accompaniment. However during the whole of this period the string sonata with basso continuo remained popular. However there was a gradual blurring of the distinction between church sonatas (sonata da chiesa, with their alternation of slow and fast movements) and secular sonatas (sonata da camera, which often consisted of a sequence of dance movements).

    Biber's sonatas in his "Sonatae tam Aris, quam Aulis servientes" (Sonatas intended for both use at the altar and at court) display just such a blurring. And it is from this publication that the Sonatas by Biber on this disc are taken. Written in 1670 before he left for Salzburg, it was published in 1676 in Salzburg. There are no actual dance movements are quoted by name - in fact the sonatas are not split up into movements at all. Each sonata consists of a continuous sequence of short sections, each having its own characteristics. The frequent tempo and metrical changes make the dance origins clear.

    The two Muffatt sonatas are much longer. Muffatt's five-part sonata cycle "Armonico tributo" (Harmonic tribute) was dedicated to the Archbishop on the occasion of the 1100th anniversary of the foundation of the Archbishopric of Salzburg. The dedication includes thanks to the Archbishop for letting Muffatt go to Italy to study concerto grosso technique with Corelli and the sonatas in this publication are all based on the concerto grosso. In fact "Armonico tributo" was composed whilst Muffatt was still in Italy. These sonatas in the form of a concerto grosso were actually called symphonies by Muffatt - a reminder of how flexible these terms were in the late 17th century. But the parts are clearly marked with solo and tutti sections and Muffatt re-worked the sonatas and published them as concerti grossi in 1701.

    This is wonderful music and the Freiburger Barockorchester Consort play it with a rhythmic vitality and elasticity that is at times toe-tappingly infectious. Their performances of the Biber sonatas have a verve and energy and combined with an admirable rhythmic flexibility, so that each of the varied short sections moves naturally into the next. Part of their secret is to give each little section its full due, irrespective of length. This makes for a lively but coherent performance of each sonata. And in the slower sections they are able to thin their tone down to a wonderful transparency. The Muffatt sonatas are rather more robust but here also, the group shines.

    The group makes a lean sound, but this matches their lively and lithe approach to the music, though one could also imagine a different, rather more well upholstered approach. (And I did have a slightly guilty wish that the group could have employed more of a shading of vibrato on some of the exposed longer notes.) On a technical level the group are never in doubt, throwing off the more florid, virtuoso passages with admirable ease without making too much of a feature of it. Technique is always put at the service of the music.

    This record is a must for all lovers of this music. Sensibly, the Freiburger Barockorchester Consort do not give us all the Biber sonatas, mixing them with the 2 Muffatt ones. Some purists might prefer a disc which includes all the Biber sonatas, but with such lovely performances here I just hope that we get the rest of the sonatas on another disk.

    Thanks to pr3ss!
    Heinrich Ignaz Franz Biber & Georg Muffat - Freiburger Barockorchester - Sonatas (2002) {Repost}

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