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    Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}

    Posted By: luckburz
    Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}

    Heinrich Ignaz Franz von Biber - The Rosary Sonatas
    Andrew Manze (violin) / Richard Egarr (organ & harpsichord)
    EAC+LOG+CUE | FLAC: 690 MB (2x CD) | Full Artwork | 5% Recovery Info
    Label/Cat#: Harmonia Mundi USA # HMU 907321/22 | Country/Year: Europe 2002
    Genre: Classical | Style: Baroque

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [] not my rip [X]

    Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 23. January 2012, 23:29

    Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD1)

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    Null samples used in CRC calculations : Yes
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    ==== Log checksum F5C4BE1622141FB36F3AB1A3984A6C8D77299F9210DBC786FBA055EBF61A49A3 ====

    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 24. January 2012, 0:55

    Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD2)

    Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

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    ––––––––––––––––––––––––––––-
    1 | 0:00.32 | 1:22.43 | 32 | 6224
    2 | 1:23.00 | 3:56.20 | 6225 | 23944
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    Range status and errors

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    Filename Z:\NetLab\Biber - The Rosary Sonatas (Andrew Manze, Richard Egarr) (2004) {2CDs HM}\CD2\Biber - The Rosary Sonatas (CD2).wav

    Peak level 86.2 %
    Extraction speed 8.0 X
    Range quality 100.0 %
    Test CRC FFD7FA9A
    Copy CRC FFD7FA9A
    Copy OK

    No errors occurred


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    ==== Log checksum 47438A0C62C664170AE7AAB3E7FB99C246C5076E8D1BED6A561D011C9BCCA36A ====

    foobar2000 1.1.15 / Dynamic Range Meter 1.1.1
    log date: 2012-09-27 20:04:03

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD1)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -4.08 dB -22.01 dB 2:18 01-The Five Joyful Mysteries Sonata I (The Annuncation); I. Praeludium
    DR12 -7.90 dB -22.37 dB 2:25 02-II. Aria, Variatio
    DR12 -14.45 dB -30.51 dB 1:20 03-III. [Finale]
    DR11 -6.41 dB -23.01 dB 2:07 04-The Five Joyful Mysteries Sonata II (The Visitation); I. Sonata
    DR12 -9.76 dB -25.52 dB 3:42 05-II. Allamanda
    DR13 -4.32 dB -23.66 dB 1:00 06-III. [Finale]
    DR12 -6.72 dB -24.60 dB 1:41 07-The Five Joyful Mysteries Sonata III (The Nativity); I. Sonata
    DR13 -4.70 dB -21.76 dB 3:25 08-II. Courente, Double
    DR11 -9.72 dB -26.02 dB 2:17 09-III. [Finale]
    DR12 -4.87 dB -21.89 dB 9:02 10-The Five Joyful Mysteries Sonata IV (Presentation of Jesus in the Temple); I. Ciacona
    DR12 -8.37 dB -24.47 dB 1:09 11-The Five Joyful Mysteries Sonata V (Finding of Jesus in the Temple); I. Praeludium
    DR11 -7.60 dB -23.17 dB 1:23 12-II. Allamanda
    DR13 -7.55 dB -24.18 dB 1:16 13-III. Gigue
    DR12 -9.75 dB -25.64 dB 3:38 14-IV. Sarabanda, Double
    DR12 -5.81 dB -23.47 dB 9:22 15-The Five Sorrowful Mysteries VI (The Agony in the Garden); I. Lamento
    DR12 -6.37 dB -23.70 dB 5:15 16-The Five Sorrowful Mysteries VII (The Scourging at the Pillar); I. Allamanda, Variatio
    DR13 -5.57 dB -21.91 dB 5:37 17-II. Sarabanda, Variatio
    DR12 -5.20 dB -25.40 dB 2:28 18-The Five Sorrowful Mysteries VIII (The Crowning with Thorns); I. Sonata
    DR13 -4.53 dB -21.83 dB 3:45 19-II. Guigue, Doubles
    DR12 -7.27 dB -22.96 dB 2:33 20-The Five Sorrowful Mysteries IX (The Carrying of the Cross); I. Sonata
    DR12 -7.70 dB -22.65 dB 4:51 21-II. Courente, Double
    DR12 -6.93 dB -24.09 dB 2:01 22-III. Finale
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 22
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 656 kbps
    Codec: FLAC
    ================================================================================

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Andrew Manze, Richard Egarr / Biber - The Rosary Sonatas (CD2)
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -1.95 dB -21.12 dB 1:23 01-The Five Sorrowful Mysteries Sonata X (The Crucifixion and Death of Jesus); I. Praeludium
    DR15 -2.89 dB -24.82 dB 3:56 02-II. Aria
    DR14 -6.58 dB -25.66 dB 4:24 03-III. Variatio, cont.
    DR11 -4.00 dB -20.22 dB 2:27 04-The Five Glorious Mysteries Sonata XI (The Resurrection); I. Sonata
    DR13 -4.82 dB -20.48 dB 3:51 05-II. Surexit Christus hodie
    DR12 -6.04 dB -22.06 dB 1:12 06-III. Adagio
    DR11 -4.97 dB -19.14 dB 0:52 07-The Five Glorious Mysteries Sonata XII (The Ascension); I. Intrada
    DR13 -1.28 dB -18.24 dB 1:24 08-II. Aria Tubicinum
    DR13 -6.40 dB -26.01 dB 3:17 09-III. Allamanda
    DR13 -3.64 dB -21.08 dB 3:06 10-IV. Courente, Double
    DR13 -1.61 dB -19.63 dB 3:20 11-The Five Glorious Mysteries Sonata XIII (The Descent of the Holy Spirit); I. Sonata
    DR11 -6.00 dB -20.87 dB 1:33 12-II. Gavotta
    DR11 -3.04 dB -20.26 dB 1:49 13-III. Guigue
    DR11 -8.27 dB -23.11 dB 1:33 14-IV. Sarabanda
    DR11 -5.87 dB -21.22 dB 2:28 15-The Five Glorious Mysteries Sonata XIV (The Assumption of Mary into Heaven); I. (Sonata)
    DR14 -4.70 dB -21.92 dB 7:09 16-II. Aria
    DR12 -4.04 dB -19.35 dB 1:54 17-The Five Glorious Mysteries Sonata XV (The Coronation of Mary); I. Sonata
    DR13 -4.19 dB -21.38 dB 5:53 18-II. Aria, (Variatio)
    DR11 -3.62 dB -19.39 dB 1:55 19-III. Canzona
    DR10 -6.36 dB -23.25 dB 2:25 20-IV. Sarabanda, (Double)
    DR15 -3.84 dB -24.79 dB 9:21 21-Passagalia for unaccompanied violin
    DR13 -12.92 dB -31.32 dB 3:45 22-Scordatura briefly explained
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 22
    Official DR value: DR12

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 653 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Heinrich Ignaz Franz von Biber (1644-1704) - Andrew Manze / Richard Egarr - The Rosary Sonatas

    Label: Harmonia Mundi
    Catalog#: HMU 907321/22
    Format: 2xCD, Album
    Country: Europe
    Released: 2002
    Genre: Classical
    Style: Baroque

    Tracklist:

    CD 1:

    01] The Five Joyful Mysteries Sonata I (The Annuncation); I. Praeludium
    02] II. Aria, Variatio
    03] III. [Finale]
    04] The Five Joyful Mysteries Sonata II (The Visitation); I. Sonata
    05] II. Allamanda
    06] III. [Finale]
    07] The Five Joyful Mysteries Sonata III (The Nativity); I. Sonata
    08] II. Courente, Double
    09] III. [Finale]
    10] The Five Joyful Mysteries Sonata IV (Presentation of Jesus in the Temple); I. Ciacona
    11] The Five Joyful Mysteries Sonata V (Finding of Jesus in the Temple); I. Praeludium
    12] II. Allamanda
    13] III. Gigue
    14] IV. Sarabanda, Double
    15] The Five Sorrowful Mysteries VI (The Agony in the Garden); I. Lamento
    16] The Five Sorrowful Mysteries VII (The Scourging at the Pillar); I. Allamanda, Variatio
    17] II. Sarabanda, Variatio
    18] The Five Sorrowful Mysteries VIII (The Crowning with Thorns); I. Sonata
    19] II. Guigue, Doubles
    20] The Five Sorrowful Mysteries IX (The Carrying of the Cross); I. Sonata
    21] II. Courente, Double
    22] III. Finale

    CD 2:

    01] The Five Sorrowful Mysteries Sonata X (The Crucifixion and Death of Jesus); I. Praeludium
    02] II. Aria
    03] III. Variatio, cont.
    04] The Five Glorious Mysteries Sonata XI (The Resurrection); I. Sonata
    05] II. Surexit Christus hodie
    06] III. Adagio
    07] The Five Glorious Mysteries Sonata XII (The Ascension); I. Intrada
    08] II. Aria Tubicinum
    09] III. Allamanda
    10] IV. Courente, Double
    11] The Five Glorious Mysteries Sonata XIII (The Descent of the Holy Spirit); I. Sonata
    12] II. Gavotta
    13] III. Guigue
    14] IV. Sarabanda
    15] The Five Glorious Mysteries Sonata XIV (The Assumption of Mary into Heaven); I. (Sonata)
    16] II. Aria
    17] The Five Glorious Mysteries Sonata XV (The Coronation of Mary); I. Sonata
    18] II. Aria, (Variatio)
    19] III. Canzona
    20] IV. Sarabanda, (Double)
    21] Passagalia for unaccompanied violin
    22] Scordatura briefly explained

    Andrew Manze (violin)
    Richard Egarr (harpsichord & organ)
    Alison McGillivray (cello Sonata XII)

    Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}


    review by James Manheim

    Heinrich Ignaz Franz Biber's Rosary Sonatas were written in Salzburg in the 1670s or 1680s, and they're really unlike anything else in the violin literature. Scordatura, or unconventional tuning of an instrument's strings, was common enough during the Baroque era, but Biber's cycle of 15 pieces for violin and continuo explores the technique exhaustively: each of the 15 sonatas uses a different tuning. The result is music of fearsome difficulty for the player, and, as with Bach's best music, technical complexity generates spiritual intensity. Each sonata represents one of the Mysteries of the Catholic Rosary, which are divided into five Joyful Mysteries (the Annunciation, for example), five Sorrowful Mysteries (concluding with Christ's crucifixion), and five Glorious Mysteries (centered on the Resurrection and on Mary's Assumption). Some of the sonatas have three movements, often with two slow, quasi-improvisatory movements surrounding a central "Aria" or piece in dance rhythm. Others are series of dances, and a few are long single movements approaching the elaborate architecture of the Chaconne from Bach's Partita No. 2 for solo violin. Some of the tunings are downright outlandish; as the music reaches its spiritual climax in the "Resurrection" sonata, Biber specifies that the violin be played with its two central strings crossed, perhaps to symbolize the meeting of heaven and earth. A helpful short commentary by Andrew Manze included at the end of disc two explains the scordatura technique for those who would rather listen than read.

    Manze, a British Baroque violinist who has led the English Concert and the Academy of Ancient Music, brings these pieces alive. Performing on a 1700 violin with sheep gut strings, he retunes the instrument for each sonata rather than playing on a set of pre-tuned instruments. This allows the listener to hear the radical changes in tone the violin undergoes as the levels of pressure on its strings are altered. Manze puts it this way in his notes: "As it is pulled into different tunings, the violin undergoes experiences, some pleasant (as in the Visitation and Coronation), some traumatic (the Agony and Crowning with Thorns, for example)." The sequence of tunings matches the events of Christ's life, with the Sorrowful Mysteries rendered in harsh, tense tones. This hasn't always been clear in earlier performances of the work, and observers have tried with dubious success to find more overt pictorialism. Biber shifts mood rather than painting pictures, and the scordatura technique plays a primary role.

    There are a few problems with this recording. The break between the two discs is unfortunate; the "Crucifixion and Death of Jesus" sonata is orphaned at the beginning of disc two, and the listener, changing CDs, will miss the highly dramatic transition from the carrying of the cross to the crucifixion. And the continuo accompaniment by Richard Egarr can be questioned. He shifts between organ and harpsichord, bringing out the more improvisatory flights of the violin nicely but creating some contrasts that Baroque audiences might or might not have found idiomatic. Neither of these complaints, however, detracts from Manze's impressive achievement here.
    Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}
    allmusicguide

    Thanks to pr3ss!
    Heinrich Ignaz Franz von Biber - Andrew Manze / Richard Egarr - The Rosary Sonatas (2002) {Repost}

    More Biber on Harmonia Mundi:
    Heinrich Ignaz Franz von Biber - Violin Sonatas (Salzburg 1681)

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