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Beoga - Live At Stockfisch Studio (2010, Stockfisch # SFR 357.4053.2) {Hybrid-SACD // EAC Rip} [RE-UP]

Posted By: luckburz

Date: 25 Feb 2017 08:46:34

Beoga - Live At Stockfisch Studio (2010, Stockfisch # SFR 357.4053.2) {Hybrid-SACD // EAC Rip} [RE-UP]

Beoga - Live At Stockfisch Studio
EAC+LOG+CUE | FLAC: 282 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Stockfisch Records # SFR 357.4053.2 | Country/Year: Germany 2010
Genre: Rock, Folk, Jazz | Style: Irish Folk, Contemporary Acoustic

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 22. March 2012, 20:09

Beoga / Live at Stockfisch studio

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:20.22 | 0 | 15021
2 | 3:20.22 | 3:17.63 | 15022 | 29859
3 | 6:38.10 | 3:41.37 | 29860 | 46471
4 | 10:19.47 | 4:04.00 | 46472 | 64771
5 | 14:23.47 | 2:32.40 | 64772 | 76211
6 | 16:56.12 | 2:57.05 | 76212 | 89491
7 | 19:53.17 | 4:23.48 | 89492 | 109264
8 | 24:16.65 | 4:27.57 | 109265 | 129346
9 | 28:44.47 | 5:25.62 | 129347 | 153783
10 | 34:10.34 | 4:34.61 | 153784 | 174394
11 | 38:45.20 | 4:30.40 | 174395 | 194684
12 | 43:15.60 | 3:34.67 | 194685 | 210801
13 | 46:50.52 | 3:02.05 | 210802 | 224456

Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Beoga - Live at Stockfisch studio.wav

Peak level 94.4 %
Extraction speed 7.7 X
Range quality 100.0 %
Test CRC 200FEB3F
Copy CRC 200FEB3F
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 5) [E1B6A7C6] (AR v2)
Track 2 accurately ripped (confidence 5) [0FEF26EC] (AR v2)
Track 3 accurately ripped (confidence 5) [707EEB4F] (AR v2)
Track 4 accurately ripped (confidence 5) [633D24A4] (AR v2)
Track 5 accurately ripped (confidence 5) [459F0D64] (AR v2)
Track 6 accurately ripped (confidence 5) [921E097C] (AR v2)
Track 7 accurately ripped (confidence 5) [D3133AEE] (AR v2)
Track 8 accurately ripped (confidence 5) [3A3A8F8E] (AR v2)
Track 9 accurately ripped (confidence 5) [C77840D1] (AR v2)
Track 10 accurately ripped (confidence 5) [2AC3187F] (AR v2)
Track 11 accurately ripped (confidence 5) [FE5BD240] (AR v2)
Track 12 accurately ripped (confidence 5) [A7CE3381] (AR v2)
Track 13 accurately ripped (confidence 5) [676947F4] (AR v2)

All tracks accurately ripped

End of status report

==== Log checksum 2705C18DEEFCF515FFE5A8840755B2413138D7847F42BC6E8D8535D2734362A5 ====

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-03-23 15:49:26

––––––––––––––––––––––––––––––––––––––––
Analyzed: Beoga / Live At Stockfisch Studio
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -1.20 dB -13.13 dB 3:22 01-Trolleyed
DR10 -1.25 dB -13.07 dB 3:18 02-Factory Girl
DR11 -1.21 dB -14.17 dB 3:41 03-Jazzy Wilbur
DR9 -0.01 dB -13.44 dB 4:04 04-Mickey The Pipes
DR10 -1.24 dB -12.65 dB 2:33 05-Please Don't Talk
DR14 -1.03 dB -16.86 dB 2:57 06-Boxy Set
DR9 -1.32 dB -12.73 dB 4:24 07-Both Sides The Tweed
DR11 -1.24 dB -14.67 dB 4:28 08-A Lovely Madness
DR8 -2.21 dB -12.50 dB 5:26 09-A Delicate Thing
DR10 -1.28 dB -14.46 dB 4:35 10-Soggy's
DR10 -1.25 dB -13.50 dB 4:31 11-Prelude Polkas
DR10 -1.35 dB -13.91 dB 3:35 12-The Solid Man
DR9 -1.25 dB -12.11 dB 3:02 13-Dirty Work
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 13
Official DR value: DR10

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2500 kbps
Codec: FLAC
================================================================================

CD Info:

Beoga - Live At Stockfisch Studio

Label: Stockfisch Records
Catalog#: SFR 357.4053.2
Format: Hybrid-SACD, Album, Stereo DSD
Country: Germany
Released: 2010
Genre: Folk, Jazz

Tracklist:

1 Trolleyed 03:22.29
2 Factory Girl 03:17.84
3 Jazzy Wilbur 03:41.49
4 Mickey The Pipes 04:04.00
5 Please Don¦t Talk 02:32.53
6 Boxy Set 02:57.07
7 Both Sides The Tweed 04:23.64
8 A Lovely Madness 04:27.76
9 A Delicate Thing 05:25.83
10 Soggy's 04:34.81
11 Prelude Polkas 04:30.53
12 The Solid Man 03:34.89
13 Dirty Work 03:02.07

Credits:

Liam Bradley - Piano, Keys
Niamb Dunne - Lead Vocal, Fiddle
Eamon Murray - Bodhran
Damian McKee - Button Accordion
Sean Og Graham - Button Accordion, Guitar, Backing Vocals

Notes:

Produced & Recorded by Günther Pauler
SACD-Mastering by Hans-Jörg Maucksch at Pauler Acoustics
Mastering Monitors: Bowers & Wilkins 801D

Beoga – Live At Stockfisch Studio – Stockfisch Records stereo-only SACD SFR 357.4053.2, 49:56 *****:

(Liam Bradley – piano, keys; Niamh Dunne – Lead Vocal, fiddle; Eamon Murray – bodhran; Damian McKee – button accordion; Sean Og Graham – button accordion, guitar, backing vocals)

When Beoga (Irish word for lively) formed their ensemble in 2002, traditional Irish music was rocked onto its heels. Combining Celtic based contexts with furious infusions of jazz, folk and vigorous swing, the band assimilated into the world music culture with bravado. The release of their debut album, A Lovely Place, garnered both critical and popular acclaim. The core group of Liam Bradley, Eammon Murray, Damian McKee and Sean Og Graham, was expanded in 2005 with the addition of Niamh Dunne. A second album, Mischief, catapulted the group to stardom. Television and radio concerts globalized their fame. Their youthful exuberance and incendiary nature of their music have created a devoted fan base and worldwide respect.

Live At Stockfish Studio is a riveting, eloquent, thirteen song performance. While steeped in traditional music, this group shatters any preconceived notions. The set opens with “Trolleyed”, as a fast paced accordion opening leads into a jazzy swing romp. Piano (Liam Bradley), guitar and fiddle join in unison with tempo accents and stops. The utilization of dual button accordions (Damian McKee, Sean Og Graham) is scintillating on “Boxy Set”, unleashing a rhythmic tempest against the steady bodhran percussion. The band is extremely cohesive. On “The Prelude Polkas” they soar through an assortment of tempos and jazzy nuances. A change of pace like “The Solid Man” shows a layered, acoustic resonance, highlighted by lyrical entwinement of guitar and violin.

The aesthetics are enhanced by the ethereal vocals of Niamh Dunne. “Factory Girl”, a traditional American piece, is set in motion with a nimble introduction by Graham’s guitar, seamlessly meshing with Eamon Murray’s bodhran. The poignant voice of Dunne is emotive, reflecting the despair of industrial labor. Graham backing vocals complement the lead voice. Sentimental narrative underscores “A Delicate Thing”, as the working class protagonists are redeemed by love. “Both Sides The Tweed” gives the band a traditional format, emphasizing their Celtic roots.

Two engaging covers provide a different template for the group. Steely Dan’s “Dirty Work” receives a faithful adaptation. Dunne’s singing is a deft vehicle for the weary refrain of tenuous romance. The band sparkles on the jazz standard, “Please Don’t Talk About Me When I’m Gone”. A spirited “jug” arrangement frames the breezy vocals in a relaxed setting, spurred on by McKee’s bouncy runs.

Stockfisch has reproduced the live feel of this extraordinary group with great precision. The separation of the instrumentation (especially between guitar and violin, and accordions) eliminates the occasional dint of live recording. The balance of the sound seems proportionate. Vocals never impinge on the music, and vice versa.

Live At Stockfisch Studio is a towering achievement. audiophile audition

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