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    Baku : Symphony of Sirens

    Posted By: philomene
    Baku : Symphony of Sirens

    Baku: Symphony of Sirens. Sound Experiments in the Soviet Avant-Garde 1908-1942 (2008)
    Leopoldo Amigo; Miguel Molina Alarcón; Various interprets
    XLD Rip | lossless | FLAC (Tracks)+LOG+CUE+Scans (600dpi) | 77:30 min + 75:56 min | 812MB
    Label: ReR RAG (Recommended Records) | Genre: Classical / style: Avant-Garde

    The Symphony of Sirens. In 1922 Arseni Avraamov composed and conducted a visionary public sound event, activating the entire port city of Baku: its factory sirens, the ships horns of the entire Caspian flotilla, two batteries of artillery, several full infantry regiments, trucks, seaplanes, 25 steam locomotives, an array of pitched whistles and several massive choirs. Constantly referenced but forever lost, this extraordinary event is here painstakingly reconstructed and spatialised to approximate the original experience.
    (Booklet Extract)

    Why do so many musicians strain to attach themselves to the assault units of modernist art? Maybe some cachet can be had simply by aligning yourself publicly with these 'icons of iconoclasm' (now that they're dead and can be taken as a thrilling tonic or pick-me-up), or do the musicians concerned really try somehow to extend the same traditions?

    From Cabaret Voltaire (named for the original Zurich Dada club that kept Lenin awake at night) to Merzbau (the name lifted from Kurt Schwitters' art-spaces) and even the lame ZTT Records (from Marinetti's poem 'Zang Tumb Tumb') musicians have chosen to salute the heroes of the avant-garde. Nurse With Wound launched themselves with an album that took its title from proto-Surrealist Comte de Lautréamont's description of a young boy as being "as beautiful as the chance meeting on a dissecting table of a sewing-machine and an umbrella", though the music is closer to Art Brut than Surrealism. Since then they have repeatedly raided the images and ideas of the avant-garde to label and illustrate their work. Many of their fans, on the other hand, see no irony at all in talking of them as a 'serious' Art (capital 'A') band for sophisticates such as themselves, thus projecting onto the group the same dull-witted, quasi-religious aura that the Dadaists hoped to snuff out forever. Have they never heard of Picabia's claim that "Art is a pharmaceutical product for imbeciles"? When musicians align themselves with the modernists perhaps they are not as cutting-edge as they suppose, since even academies and art galleries can now safely dabble with high-modernist art now that its social content has been repressed: they tack the corpses to the wall. The Museum of Modern Art is nothing more or less than a modern temple. So, are we dealing with the content of the art or just juggling with fancy labels?

    To navigate your way through this puzzle requires seeing the modernists in context, treating them not as technical innovators with 'interesting personalities' but as people who wanted to change the way we live - not merely adjusting the colour balance of your senses but upturning the relationships art is bound up in. The modern movement of the late 19th/early 20th century was framed by three great social facts - the collapse of the old world (empire and ancien régime), the accelerating pace of technical change and, crucially, the sense that everything was about to change forever, for the better (the immanence of social revolution). Nothing expresses this conjuncture better than the co-mingling and interpenetration of the political and artistic avant-gardes during the insurrectionary phase of the the Russian Revolution (the years leading up to the October 1917 uprising through to the point at which Stalin drowned the revolution in blood some ten years later.) The lightning shock of revolution turned the tinder of pre-revolutionary modernist experimentation into the flame of revolutionary art, focussed not at changing the 'How?' of artistic representation (formal innovation), but responding to the question 'Why?!' (art and its relation to life.)

    It's appropriate that Chris Cutler's Recommended Records should be behind the release of these reconstructions and original documents relating to the period, as the members of Henry Cow were always at pains to make connections between art and wider issues of politics. The theme here is the Russian avant-garde considered in the widest sense - in politics, in music and the arts, and in social life - with (quite rightly) no attempt to shove each member back into its specialised compartment.

    There are two halves to this release, each with its own CD. The first consists of reconstructions of some of the most notorious works of Russian avant-art, meticulously reconstructed by Miguel Molina and Leopoldo Amigo from original scores and other relevant documents for Valencia's Faculty of Fine Arts (see what I mean?), the works are expanded upon here. The centrepiece is their reconstruction of Arseny Avraamov's astonishing 1922 'Symphony of Sirens', in which the entire city of Baku - its people, alarms, factory sirens, locomotives, two artillery batteries, infantry regiments and the foghorns of the local fleet - is used for the performance of his great work of proletkult art, and the city itself is made to sing. There's no escaping the fact that listening to this most careful of recapitulations can never substitute for the experience of the symphony itself as originally performed, which we can only imagine: the Faculty of Fine Arts simply can't replace the streets of Baku. So, here too we are inevitably dealing with a corpse (the Baku City Council presumably being less amenable these days to such performances). But there's enough of a trace here for the listener to sense something of the event. Along with Avraamov's symphony there are reconstructions of works by Prokofiev, El Lissitsky ('About Two Squares - A Suprematist's Story'), Stepanova, David Burlik, Khlebnikov, Kasimir Malevich and similar iconoclasts and dreamers, including representatives of such exotic futurist-constructivist groupings as The Ego Futurist Group, H2SO4, the Nothingists and the Psycho-Futurists.

    Disc Two carries original recordings from a similar array of wayward talents (which, in the context of this box, is a perfectly good way to describe the likes of Vladimir Ulyanov and Lev Bronstein… 'Lenin' and 'Trotsky' to you.) Transfers from ageing wax and shellac mean that the sound quality sometimes evokes the bleeding edge of politico-cultural insurrection only through the gauze filter of hiss and crackle, with the result that the urgent futurism of the original performances is accompanied by a nagging awareness that you are listening in to a bygone age and observing a lost world (fittingly, the bonus disc for subscribers consists of a version of Vasilisk Gnedov's 'Poem of the End' - originally a work in which the announcement of the title is followed a few minutes by complete silence, long before John Cage got in on the act - but here the silence is replaced with the sound of a wax cylinder turning.) All the same there are recordings that still have the power to thrill (Dziga Vertov's 'The Dombass Symphony' and Mossolov's 1928 'Symphony of Machines - Steel Foundry' in particular), as well as speeches from the Bolsheviks (Lenin and Trotsky, already mentioned, and Worker's Oppositionist and 'feminist', Alexandra Kollontai), radio art, sound poetry from Lili Brik and - the original 'cloud in trousers' - Mayakovsky, as well as (relatively) traditional fare from Akhmatova, Ilya Ehrenburg, Sergei Esennin ('Confessions of a Hooligan'), Pasternak and more.

    There's too much work here, on too broad a scale, to neatly summarise. And anyway the point of the release isn't to encapsulate but to allow a peak into an extraordinary ferment of experimentation and debate, from the most radical constructivism through to the neo-classicism of, eg., Osip Mandelstam. The various works here, from different parts of life, and different political and artistic philosophies, are allowed to jostle one another, pregnant with potential resolutions and conflicts, just as they did in real life. The accompanying notes provide brief information on each of the works and contributors - enough to set the tone and to intrigue but not trying to tie everything together, which is as it should be. The questions raised by the long-dead contributors (many of them murdered by the Stalinist regime as it placed its stranglehold on art along with the rest of society: 'suffering for your art' took on a whole new meaning under Stalin) remain unresolved. Even if you believe that the idea of the avant-garde is itself now anachronistic there's no doubting that the underlying question of how how art might bear upon and mix with an expanded sense of living remains relevant. If nothing else it is worth being reminded that today's sonic 'radicals' have ancestors who, many years before, set a kind of high watermark of cultural ambition against which everything since should be measured.
    (Andy Wilson)

    Baku : Symphony of Sirens


    X Lossless Decoder version 20121013 (142.0)

    XLD extraction logfile from 2012-10-17 21:45:58 +0200

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    Filename : /Users/Desktop/Baku/CD1/23 - 23. El Lissitzky - About Two Squares - A Suprematist Story (children's book, 1920-22).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Jitter error (maybe fixed) : 0
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    Track 24
    Filename : /Users/Desktop/Baku/CD1/24 - 24. Olga Rozanova - [Spain] (sound poem, ca. 1916-18).flac
    Pre-gap length : 00:02:00

    CRC32 hash : 1913D489
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 25
    Filename : /Users/Desktop/Baku/CD1/25 - 25. H2SO4 Group - Dada (from journal H2SO4, 1924).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 26
    Filename : /Users/Desktop/Baku/CD1/26 - 26. Simon Chikovani - Tsira (sound poem, ca. 1920s).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 27
    Filename : /Users/Desktop/Baku/CD1/27 - 27. Nothingists ('Nichevoki') - Manifesto from Nothingism (manifesto fragment, 1920).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 28
    Filename : /Users/Desktop/Baku/CD1/28 - 28. Nothingists ('Nichevoki') - Decree about the Nothingness of Poetry (fragment, decree no. 6, 1920).flac
    Pre-gap length : 00:02:00

    CRC32 hash : 6F4F0C88
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 29
    Filename : /Users/Desktop/Baku/CD1/29 - 29. Vasily Kandinsky - To See (sound poem, 1912).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 30
    Filename : /Users/Desktop/Baku/CD1/30 - 30. Kasimir Malevich - Poem (sound poem from article 'O poezii', 1919).flac
    Pre-gap length : 00:02:00

    CRC32 hash : BC218AF6
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 31
    Filename : /Users/Desktop/Baku/CD1/31 - 31. Olga Rozanova - Poem without title (sound poem, 1916).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 32
    Filename : /Users/Desktop/Baku/CD1/32 - 32. Daniil Harms - Lapa-Paw (fragment of the work 'Lapa' or 'Paw', 1930).flac
    Pre-gap length : 00:02:00

    CRC32 hash : FDBEE66C
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Jitter error (maybe fixed) : 0
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    Track 33
    Filename : /Users/Desktop/Baku/CD1/33 - 33. Igor' Terent'ev - Endless toast in honor of Sofia Georgievna (sound poem from the book 'To Sofia Georgievna Melnikova - The.flac
    Pre-gap length : 00:02:00

    CRC32 hash : A942990A
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 34
    Filename : /Users/Desktop/Baku/CD1/34 - 34. Mikhail Larionov - Ozz… (sound transcription of the illustration for 'World Backwards', 1912).flac
    Pre-gap length : 00:02:00

    CRC32 hash : 6E86FA56
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Jitter error (maybe fixed) : 0
    Retry sector count : 0
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    Track 35
    Filename : /Users/Desktop/Baku/CD1/35 - 35. Psycho-Futurists Group - Zatirlikali lirlyuki (poem from almanac 'Me - Futuro-Miscellany of Universal Selfhood', 1914).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    Track 36
    Filename : /Users/Desktop/Baku/CD1/36 - 36. Vasily Kaminsky - Poem to letter 'K' (poem from the album '1918', 1917).flac
    Pre-gap length : 00:02:00

    CRC32 hash : 418D1019
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Jitter error (maybe fixed) : 0
    Retry sector count : 0
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    Track 37
    Filename : /Users/Desktop/Baku/CD1/37 - 37. Varvara Stepanova - Rtny Khomle (4 sound-paintings from the book 'Rtny Khomle', 1918).flac
    Pre-gap length : 00:02:00

    CRC32 hash : 68FBA8FD
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 38
    Filename : /Users/Desktop/Baku/CD1/38 - 38. Roman Jakobson 'Aliagrov' - mglybzhvuo (zaum poem from the book 'Trans-rational Book', 1916).flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 39
    Filename : /Users/Desktop/Baku/CD1/39 - 39. Roman Jokobson 'Aliagrov' - Distraction (zaum poem from the book 'Trans-rational Boog', 1916.flac
    Pre-gap length : 00:02:00

    CRC32 hash : 8D1694EE
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    Track 40
    Filename : /Users/Desktop/Baku/CD1/40 - 40. Vasilisk Gnedov - Poem of the End (poem of the collection 'Death to Art', 1913).flac
    Pre-gap length : 00:02:00

    CRC32 hash : 30928199
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    ->Accurately ripped (v1, confidence 1/1)
    Statistics
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    No errors occurred

    End of status report



    X Lossless Decoder version 20121013 (142.0)

    XLD extraction logfile from 2012-10-17 22:16:09 +0200

    Various Artists / Enthusiasm! The Dombass Symphony

    Used drive : HL-DT-ST DVDRW GA11N (revision KA19)

    Ripper mode : XLD Secure Ripper
    Disable audio cache : OK for the drive with a cache less than 1375KiB
    Make use of C2 pointers : NO
    Read offset correction : 667
    Max retry count : 20
    Gap status : Analyzed, Appended

    TOC of the extracted CD
    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 00:00:00 | 03:48:52 | 0 | 17151
    2 | 03:48:52 | 00:50:64 | 17152 | 20965
    3 | 04:39:41 | 01:04:15 | 20966 | 25780
    4 | 05:43:56 | 02:19:69 | 25781 | 36274
    5 | 08:03:50 | 01:16:67 | 36275 | 42041
    6 | 09:20:42 | 02:54:25 | 42042 | 55116
    7 | 12:14:67 | 00:34:73 | 55117 | 57739
    8 | 12:49:65 | 04:22:62 | 57740 | 77451
    9 | 17:12:52 | 05:34:23 | 77452 | 102524
    10 | 22:47:00 | 04:06:69 | 102525 | 121043
    11 | 26:53:69 | 02:58:74 | 121044 | 134467
    12 | 29:52:68 | 02:29:29 | 134468 | 145671
    13 | 32:22:22 | 00:20:00 | 145672 | 147171
    14 | 32:42:22 | 00:50:57 | 147172 | 150978
    15 | 33:33:04 | 02:32:15 | 150979 | 162393
    16 | 36:05:19 | 00:59:57 | 162394 | 166875
    17 | 37:05:01 | 01:09:27 | 166876 | 172077
    18 | 38:14:28 | 00:28:28 | 172078 | 174205
    19 | 38:42:56 | 01:30:26 | 174206 | 180981
    20 | 40:13:07 | 06:07:23 | 180982 | 208529
    21 | 46:20:30 | 00:43:51 | 208530 | 211805
    22 | 47:04:06 | 02:33:16 | 211806 | 223296
    23 | 49:37:22 | 03:03:46 | 223297 | 237067
    24 | 52:40:68 | 02:40:15 | 237068 | 249082
    25 | 55:21:08 | 03:40:35 | 249083 | 265617
    26 | 59:01:43 | 02:12:49 | 265618 | 275566
    27 | 61:14:17 | 00:43:28 | 275567 | 278819
    28 | 61:57:45 | 01:42:42 | 278820 | 286511
    29 | 63:40:12 | 01:53:07 | 286512 | 294993
    30 | 65:33:19 | 08:08:29 | 294994 | 331622
    31 | 73:41:48 | 00:51:55 | 331623 | 335502
    32 | 74:33:28 | 01:20:63 | 335503 | 341565

    AccurateRip Summary (DiscID: 0054651c-077b4eb2-e211ca20)
    Track 01 : OK (v1, confidence 2/2)
    Track 02 : OK (v1, confidence 2/2)
    Track 03 : OK (v1, confidence 2/2)
    Track 04 : OK (v1, confidence 2/2)
    Track 05 : OK (v1, confidence 2/2)
    Track 06 : OK (v1, confidence 2/2)
    Track 07 : Not Found
    Track 08 : Not Found
    Track 09 : OK (v1, confidence 2/2)
    Track 10 : OK (v1, confidence 2/2)
    Track 11 : OK (v1, confidence 2/2)
    Track 12 : OK (v1, confidence 2/2)
    Track 13 : Not Found
    Track 14 : OK (v1, confidence 2/2)
    Track 15 : OK (v1, confidence 2/2)
    Track 16 : OK (v1, confidence 2/2)
    Track 17 : OK (v1, confidence 2/2)
    Track 18 : OK (v1, confidence 2/2)
    Track 19 : OK (v1, confidence 2/2)
    Track 20 : OK (v1, confidence 2/2)
    Track 21 : OK (v1, confidence 2/2)
    Track 22 : OK (v1, confidence 2/2)
    Track 23 : OK (v1, confidence 2/2)
    Track 24 : OK (v1, confidence 2/2)
    Track 25 : OK (v1, confidence 2/2)
    Track 26 : OK (v1, confidence 2/2)
    Track 27 : OK (v1, confidence 2/2)
    Track 28 : OK (v1, confidence 2/2)
    Track 29 : OK (v1, confidence 2/2)
    Track 30 : OK (v1, confidence 2/2)
    Track 31 : OK (v1, confidence 2/2)
    Track 32 : OK (v1, confidence 2/2)
    ->29 tracks accurately ripped, 3 tracks not found

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    Statistics
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    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    Track 01
    Filename : /Users/Desktop/Baku/CD2/01 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
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    Track 02
    Filename : /Users/Desktop/Baku/CD2/02 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
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    Track 03
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    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
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    Track 04
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    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
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    Track 05
    Filename : /Users/Desktop/Baku/CD2/05 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
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    Track 06
    Filename : /Users/Desktop/Baku/CD2/06 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Track 07
    Filename : /Users/Desktop/Baku/CD2/07 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Track not present in AccurateRip database.
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    Track 08
    Filename : /Users/Desktop/Baku/CD2/08 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Track not present in AccurateRip database.
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    Track 09
    Filename : /Users/Desktop/Baku/CD2/09 - No Title.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Damaged sector count : 0

    Track 10
    Filename : /Users/Desktop/Baku/CD2/10 - No Title.flac
    Pre-gap length : 00:02:00

    CRC32 hash : 856807BB
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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Retry sector count : 0
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    Track 11
    Filename : /Users/Desktop/Baku/CD2/11 - Zavod, Symphony Of Machines .flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Retry sector count : 0
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    Track 12
    Filename : /Users/Desktop/Baku/CD2/12 - Dneiprostroi, Dneiper Hydro-Electric Power Station.flac
    Pre-gap length : 00:02:00

    CRC32 hash : B504453A
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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Retry sector count : 0
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    Track 13
    Filename : /Users/Desktop/Baku/CD2/13 - Pause .flac
    Pre-gap length : 00:02:00

    CRC32 hash (test run) : DDBA2BE3
    CRC32 hash : DDBA2BE3
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    ->Track not present in AccurateRip database.
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    Track 14
    Filename : /Users/Desktop/Baku/CD2/14 - Incantation By Laughter .flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Track 15
    Filename : /Users/Desktop/Baku/CD2/15 - Winter .flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
    Read error : 0
    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    Track 16
    Filename : /Users/Desktop/Baku/CD2/16 - Naval Romance .flac
    Pre-gap length : 00:02:00

    CRC32 hash : 7CD6F897
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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Retry sector count : 0
    Damaged sector count : 0

    Track 17
    Filename : /Users/Desktop/Baku/CD2/17 - From Street To Street.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Retry sector count : 0
    Damaged sector count : 0

    Track 18
    Filename : /Users/Desktop/Baku/CD2/18 - House-Painter.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Track 19
    Filename : /Users/Desktop/Baku/CD2/19 - Confessions Of A Hooligan.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Track 20
    Filename : /Users/Desktop/Baku/CD2/20 - The Way I Live.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
    Statistics
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    Track 21
    Filename : /Users/Desktop/Baku/CD2/21 - Not To Panel!.flac
    Pre-gap length : 00:02:00

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    ->Accurately ripped (v1, confidence 2/2)
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    Tracklist CD1
    1. Symphony Of Sirens (Arsenij Avraamov (Arseny Avraamov) ) Leopoldo Amigo; Miguel Molina Alarcón 28:13
    2. The Radio Of The Future (Velimir Hlebnikov (Velimir Khlebnikov) ) Pilar Abad; Ernest Peshkov; Leopoldo Amigo; Miguel Molina Alarcón 3:48
    3. The First Spring Concert Of Universal Futurism (Ivan Ignat′ev & Ego-Futurists Group) Gema Hoyas Frontera; Miguel Molina Alarcón 1:48
    Victory Over The Sun
    4. I. Introduction (Kazimir Malevič & Aleksej KručenychMikhail Matiushin & ) Leopoldo Amigo; Miguel Molina Alarcón 0:27
    5. II. Act 1: Bully's Song (Kazimir Malevič & Aleksej KručenychMikhail Matiushin & ) Igor Verov; Julia Dmitriukova; Olga Sirina; Dmitrij Nikolaev; Alexandr Tereshko; Andrej Zachesov; Ludmila Shuyskaya 0:36
    6. III. Acte 2: Petite Bourgeoisie (Kazimir Malevič & Aleksej KručenychMikhail Matiushin & ) Igor Verov; Julia Dmitriukova; Olga Sirina; Dmitrij Nikolaev; Alexandr Tereshko; Andrej Zachesov; Ludmila Shuyskaya 1:36
    7. IV. Other Excerpts And Final Opera With "Military Song" (Kazimir Malevič & Aleksej KručenychMikhail Matiushin &Igor Verov; Julia Dmitriukova; Olga Sirina; Dmitrij Nikolaev; Alexandr Tereshko; Andrej Zachesov; Ludmila Shuyskaya 2:00
    8. Laboratory Of Hearing (Dziga Vertov) Miguel Molina Alarcón (Miguel Molina) [ Voice, Technician [Phonograms Reelaboration] ] 0:34
    9. Laboratory Of Hearing (Dziga Vertov) Miguel Molina Alarcón (Miguel Molina) [ Voice, Technician [Phonograms Reelaboration] ] 1:18
    10. The March Of The Worker's Funeral (Arsenij Avraamov (Arseny Avraamov) ) Leopoldo Amigo; Miguel Molina Alarcón 4:17
    11. Mechanical Dances (Nikolai Foregger (Nikolai Foregger & His Orchestra Of Noises) ) Leopoldo Amigo; Miguel Molina Alarcón 3:15
    12. Factory (Sergej S. Prokofiew & Georgi Yakoulov) Gennadij Rozdestvenskij; Gosudarstvennyj Simfoničeskij Orkestr Ministerstva Kultury SSSR 2:18
    13. Radio-Ear / Radio-Pravda (Dziga Vertov) Miguel Molina Alarcón (Miguel Molina) [ Directed By [Sound Re-creation] ] 2:59
    14. Sonata Of Sleep (Konstantin Melnikov) Anxo Invisibel; Miguel Molina Alarcón 2:10
    15. Pause-Sleep… (No Artist) 0:20
    16. Overture (Igor Severyanin) Leopoldo Amigo; Ernest Peškov; Miguel Molina Alarcón 1:32
    17. Echo (Igor Severyanin) Leopoldo Amigo; Ernest Peškov; Miguel Molina Alarcón 0:34
    18. Poem 14 (Vasilisk Gnedov) Ernest Peškov; Miguel Molina Alarcón 0:12
    19. Dyr Bul Shchyl (Aleksej Kručenych (Alexei Kruchenykh) ) Ernest Peškov; Miguel Molina Alarcón 0:21
    20. Drama In The Futurists' Cabaret (Futurist Circle, TheVladimir Kasʹânov & ) Leopoldo Amigo; Ernest Peškov; Miguel Molina Alarcón 3:32
    21. The Family Of Vowels, Laughingly (David Burliuk) Ernest Peškov; Miguel Molina Alarcón 0:57
    22. Finland (Elena Guro) Sofia Musijina-Nikiforova; Miguel Molina Alarcón 1:15
    23. About Two Squares - A Suprematist Story (Èlʹ Lisickij (El Lissitzky) ) Ernest Peškov; Miguel Molina Alarcón 0:57
    24. [Spain] (Olga Rozanova) Sofia Musijina-Nikiforova; Miguel Molina Alarcón 0:46
    25. Dada (H2so4 Group) Ernest Peškov; Miguel Molina Alarcón 0:24
    26. Tsira (Simon Chikovani) Ernest Peškov; Miguel Molina Alarcón 0:23
    27. Manifesto From Nothingism (Nichevoki (Nothingists) ) Ernest Peškov; Galina Peškova; Miguel Molina Alarcón 2:47
    28. Decree About The Nothingists Of The Poetry (Nichevoki (Nothingists) ) Ernest Peškov; Galina Peškova; Miguel Molina Alarcón 0:17
    29. To See (Wassily Kandinsky (Vasily Kandinsky) ) Ernest Peškov; Miguel Molina Alarcón 1:29
    30. Poem (Kazimir Malevič (Kazimir Malevich) ) Leopoldo Amigo; Ernest Peškov; Miguel Molina Alarcón 0:27
    31. Poem Without Title (Olga Rozanova) Karina Vagradova; Miguel Molina Alarcón 0:17
    32. Lapa/Paw (Daniil Harms) Ernest Peškov; Miguel Molina Alarcón 0:53
    33. Endless Toast In Honor Of Sofia Georgievna (Igorʹ Gerasimovič Terentʹev (Igor Terent'ev) ) Ernest Peškov; Miguel Molina Alarcón 0:32
    34. Ozz… (Mikhail Lorionov) Ernest Peškov; Miguel Molina Alarcón 0:48
    35. Zatirlikali Lirlyuki (Psycho-Futurists Group) Ernest Peškov; Miguel Molina Alarcón 0:13
    36. Poem To The Letter 'K' (Vasilij Kamenskij (Vasily Kamensky) ) Ernest Peškov; Miguel Molina Alarcón 0:32
    37. Rtny Khmole (Varvara Stepanova) Leopoldo Amigo; Karina Vagradova; Miguel Molina Alarcón 0:49
    38. Mglybzhvuo (Roman Jakobson) Ernest Peškov; Miguel Molina Alarcón 0:41
    39. Distraction (Roman Jakobson) Ernest Peškov; Miguel Molina Alarcón 1:03
    40. Poem Of The End (Vasilisk Gnedov) Ernest Peškov; Miguel Molina Alarcón 0:15


    Tracklist CD1
    The Dombass Symphony
    1. 1 (Dziga Vertov) P. Shtro; Dziga Vertov 3:49
    2. 2 (Dziga Vertov) P. Shtro; Dziga Vertov 0:51
    3. 3 (Dziga Vertov) P. Shtro; Dziga Vertov 1:04
    4. 4 (Dziga Vertov) P. Shtro; Dziga Vertov 2:20
    5. 5 (Dziga Vertov) P. Shtro; Dziga Vertov 1:17
    6. 6 (Dziga Vertov) P. Shtro; Dziga Vertov 2:54
    7. 7 (Dziga Vertov) P. Shtro; Dziga Vertov 0:35
    8. 8 (Dziga Vertov) P. Shtro; Dziga Vertov 4:23
    9. 9 (Dziga Vertov) P. Shtro; Dziga Vertov 5:34
    10. 10 (Dziga Vertov) P. Shtro; Dziga Vertov 4:07
    11. Zavod, Symphony Of Machines (Aleksandr Mosolov (Alexander Mossolov) ) Orchestre Symphonique De Paris; Julius Ehrlich 2:59
    12. Dneiprostroi, Dneiper Hydro-Electric Power Station (Julius Meytuss) Orchestre Symphonique De Paris; Julius Ehrlich 2:29
    13. Pause (No Artist) 0:20
    14. Incantation By Laughter (Velimir HlebnikovRoman Jakobson reads ) Roman Jakobson [ Voice ] 0:51
    15. Winter (Aleksej Kručenych (Alexei Kruchenykh) ) Aleksej Kručenych (Aleksej Krutschenij) [ Voice ] 2:32
    16. Naval Romance (Vladimir Mayakovsky) Vladimir Mayakovsky [ Voice ] 1:00
    17. From Street To Street (Vladimir MayakovskyLili Brik reads ) Lili Brik [ Voice ] 1:09
    18. House-Painter (David Burliuk) David Burliuk [ Voice ] 0:28
    19. Confessions Of A Hooligan (Сергей Есенин (Sergei Esenin) ) Сергей Есенин (Sergei Esenin) [ Voice ] 1:30
    20. The Way I Live (Vasilij Kamenskij (Vasily Kamensky) ) Vasilij Kamenskij (Vasily Kamensky) [ Voice ] 6:07
    21. Not To Panel! (Velimir HlebnikovSemën Kirsanov reads ) Semën Kirsanov [ Voice ] 0:44
    22. What Is Soviet Power (Владимир Ильич Ленин (Lenin) ) Владимир Ильич Ленин (Lenin) [ Voice ] 2:33
    23. On People's Education (Anatolij Lunačarskij (Anatoli Lunacharki) ) Anatolij Lunačarskij (Anatoli Lunacharki) [ Voice ] 3:04
    24. To The Workers (Aleksandra Kollontaj (Alexandra Kollontay) ) Aleksandra Kollontaj (Alexandra Kollontay) [ Voice ] 2:40
    25. 10th Anniversary Of The Left Opposition (Lev Trockij (Leon Trotsky) ) Lev Trockij (Leon Trotsky) [ Voice ] 3:40
    26. Night (Boris Pasternak) Boris Pasternak [ Voice ] 2:13
    27. To The Muse (Anna Andreevna Ahmatova (Anna Akhmatova) ) Anna Andreevna Ahmatova (Anna Akhmatova) [ Voice ] 0:43
    28. Gypsy Girl (Osip Mandelʹštam (Osip Mandelstham) ) Osip Mandelʹštam (Osip Mandelstham) [ Voice ] 1:43
    29. You Walk, Resemblin Me (Marina CvetaevaIlʹâ Èrenburg reads ) Ilʹâ Èrenburg (Ilya Ehrenburg) [ Voice ] 1:53
    30. The Realistic Manifesto (Naum Gabo & Noton Pevsner) Naum Gabo [ Voice ] 8:08
    31. Radio Message (Dmitri Shostakovich) Dmitri Shostakovich [ Voice ] 0:52
    32. Radio Broadcast Of The Leningrad Symphony (Dmitri Shostakovich) Russian Philharmonic Orchestra; Dmitry Yablonsky; Miguel Molina Alarcón 1:21

    (use 7zip if you have troubles with the archive extraction!)

    Scan is incomplete : you just got the tracklist and the pages with the commentary on the composers (42/72 pages). Scan quality is also not that great. (Scanning these special booklet was not that easy!)