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    Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

    Posted By: luckburz
    Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

    Johann Sebastian Bach - Andreas Staier - Goldberg Variations, BWV 988
    EAC+LOG+CUE | FLAC: 512 MB | DVD (untouched): 1,10 GB | Full Artwork | 5% Recovery Info
    Label/Cat#: Harmonia Mundi # HMC 902058 | Country/Year: Europe 2010
    Genre: Classical | Style: Baroque

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [X] not my rip []

    Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 20. September 2012, 13:18

    Andreas Staier / Bach: Goldberg Variations, BWV 988

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    Null samples used in CRC calculations : Yes
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    Range status and errors

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    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Andreas Staier - Goldberg Variations, BWV 988.wav

    Peak level 98.8 %
    Extraction speed 8.3 X
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    Copy CRC DA95065D
    Copy OK

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    [CTDB TOCID: UofFJA3EVv1Dx9q_ZRSpVdhx0p4-] found, Submit result: UofFJA3EVv1Dx9q_ZRSpVdhx0p4- has been confirmed
    [88154167] (7/7) Accurately ripped


    ==== Log checksum B81BF9AB26F4366CA8D6482EEADE4204E1291CB91D0A3E135502EC35E108059C ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2012-11-05 21:19:28

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Andreas Staier / Bach: Goldberg Variations, BWV 988
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -9.60 dB -23.82 dB 4:06 01-Aria
    DR12 -3.91 dB -17.27 dB 1:59 02-Variation 1 - a 1 clavier
    DR11 -7.18 dB -20.12 dB 1:42 03-Variation 2 - a 1 clavier
    DR11 -9.08 dB -22.69 dB 2:33 04-Variation 3 - canone all' unisono a 1 clavier
    DR11 -2.18 dB -15.75 dB 0:59 05-Variation 4 - a 1 clavier
    DR11 -4.15 dB -18.32 dB 1:32 06-Variation 5 - a 1 ovvero 2 claviere
    DR11 -2.90 dB -16.06 dB 1:10 07-Variation 6 - canone alla seconda a 1 clavier
    DR13 -7.17 dB -21.30 dB 1:49 08-Variation 7 - a 1 ovvero 2 claviere
    DR11 -7.00 dB -20.31 dB 2:17 09-Variation 8 - a 2 claviere
    DR12 -7.91 dB -22.00 dB 2:35 10-Variation 9 - canone alla terza a 1 clavier
    DR12 -1.85 dB -15.72 dB 1:34 11-Variation 10 - fughetta a 1 clavier
    DR11 -7.68 dB -20.31 dB 2:16 12-Variation 11 - a 2 claviere
    DR11 -3.39 dB -16.24 dB 2:27 13-Variation 12 - canone alla quarta
    DR12 -7.85 dB -22.29 dB 4:19 14-Variation 13 - a 2 claviere
    DR11 -4.22 dB -18.62 dB 2:27 15-Variation 14 - a 2 claviere
    DR13 -14.78 dB -30.82 dB 4:37 16-Variation 15 - canone alla quinta in moto contrario a 1 clavier
    DR12 -0.10 dB -14.18 dB 2:43 17-Variation 16 - ouverture a 1 clavier
    DR11 -4.82 dB -17.44 dB 1:43 18-Variation 17 - a 2 claviere
    DR12 -8.81 dB -22.44 dB 1:31 19-Variation 18 - canone alla sesta a 1 clavier
    DR11 -10.41 dB -23.14 dB 1:13 20-Variation 19 - a 1 clavier
    DR11 -8.59 dB -21.90 dB 2:29 21-Variation 20 - a 2 claviere
    DR12 -7.49 dB -20.55 dB 2:58 22-Variation 21 - canone alla settima
    DR11 -2.71 dB -15.98 dB 1:31 23-Variation 22 - alla breve a 1 clavier
    DR12 -4.70 dB -18.89 dB 2:18 24-Variation 23 - a 2 claviere
    DR12 -4.51 dB -18.79 dB 2:32 25-Variation 24 - canone all'ottava a 1 clavier
    DR12 -10.76 dB -26.51 dB 8:06 26-Variation 25 - a 2 claviere
    DR11 -3.36 dB -17.38 dB 2:03 27-Variation 26 - a 2 claviere
    DR11 -5.11 dB -18.50 dB 1:43 28-Variation 27 - canone alla nona
    DR11 -7.08 dB -20.10 dB 2:17 29-Variation 28 - a 2 claviere
    DR12 -0.30 dB -14.15 dB 2:24 30-Variation 29 - a 1 ovvero 2 claviere
    DR13 -3.25 dB -18.63 dB 2:13 31-Variation 30 - quodlibet a 1 clavier
    DR11 -10.09 dB -24.34 dB 4:38 32-Aria da capo
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 32
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 888 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    PlaJohann Sebastian Bach - Goldberg-Variationen BWV 988

    Andreas Staier (Anthony Sidey harpsichord after Hass)

    Label: Harmonia Mundi S.A.
    Catalog#: HMC 902058
    Format: CD, Album, Bonus DVD
    Country: Europe
    Released: 2010
    Genre: Classical
    Style: Baroque

    Tracklist:

    01. Aria 4:06
    02. Variation 1 - a 1 clavier 1:58
    03. Variation 2 - a 1 clavier 1:42
    04. Variation 3 - canone all' unisono a 1 clavier 2:32
    05. Variation 4 - a 1 clavier 0:59
    06. Variation 5 - a 1 ovvero 2 claviere 1:32
    07. Variation 6 - canone alla seconda a 1 clavier 1:10
    08. Variation 7 - a 1 ovvero 2 claviere 1:48
    09. Variation 8 - a 2 claviere 2:16
    10. Variation 9 - canone alla terza a 1 clavier 2:35
    11. Variation 10 - fughetta a 1 clavier 1:34
    12. Variation 11 - a 2 claviere 2:16
    13. Variation 12 - canone alla quarta 2:27
    14. Variation 13 - a 2 claviere 4:19
    15. Variation 14 - a 2 claviere 2:27
    16. Variation 15 - canone alla quinta in moto contrario a 1 clavier 4:37
    17. Variation 16 - ouverture a 1 clavier 2:43
    18. Variation 17 - a 2 claviere 1:42
    19. Variation 18 - canone alla sesta a 1 clavier 1:31
    20. Variation 19 - a 1 clavier 1:12
    21. Variation 20 - a 2 claviere 2:28
    22. Variation 21 - canone alla settima 2:57
    23. Variation 22 - alla breve a 1 clavier 1:31
    24. Variation 23 - a 2 claviere 2:17
    25. Variation 24 - canone all'ottava a 1 clavier 2:32
    26. Variation 25 - a 2 claviere 8:05
    27. Variation 26 - a 2 claviere 2:02
    28. Variation 27 - canone alla nona 1:42
    29. Variation 28 - a 2 claviere 2:16
    30. Variation 29 - a 1 ovvero 2 claviere 2:24
    31. Variation 30 - quodlibet a 1 clavier 2:13
    32. Aria da capo 4:38

    Andreas Staier, a name that has become synonymous with period-performance practice, has waited a very long time to play and record this monument of the literature. He explains, in his introduction, that the harpsichord builder Hieronymus Albrecht Hass (1689–1752) built his instruments in hopes of creating the same variety of timbre that the organs of his time could produce. This is, perhaps, one of the most interesting qualities of this particular recording. Staier is never afraid to use these registrations to his full advantage, which would be a great thing if the harpsichord hadn’t been so very closely positioned to the microphones. Even with this, there are moments of brilliance in this recording. Every time I listen to the fourth variation, it still surprises me. The quirky, bouncy way that Staier plays, using a brisk tempo, along with his simple but highly effective ornamentation, truly makes one want to physically get up and move. His performance of Variation 11 is also a lovely example of how to use a persuasive rubato, while also retaining a sprightly character and sense of meter. There are times, however, when the harpsichord on which he plays, along with his choices of registration, produces an unattractive sound; Variation 6, the canon at the second, is an example. There is so much emphasis put on the bass part that not only is it hard to hear what’s going on in the upper voices, but it feels bogged down. Variation 15, the slow G-Minor canon at the fifth, suffers similarly by an odd choice of registration alone; though the reasoning is obvious—the stark timbre that he chooses to use for this variation—the results are not as aurally successful as one might hope. The bass runs of the following variation, No. 16, the French overture, similarly sound muffled. A 20-some-odd-minute DVD accompanies this recording, basically explaining in further detail the performer’s view on the piece and showing him performing selections—something really of minor interest. Overall, Staier is persuasive in his choice of tempi, ornamentation, mechanical proficiency, and his basic characterization—one of the most important aspects to a successful performance of this piece. He has a way of treating these variations individually, much as Gould did in his first recording of the Goldbergs. Most importantly, he has…energy and life.
    ~Scott Noriega Fanfare
    Bach - Andreas Staier - Goldberg Variations BWV 988 [CD + DVD] {2010} (Repost)

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