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    J.S. Bach - Murray Perahia - Goldberg Variationen (2000, Sony Classical # SK 892432)

    Posted By: luckburz
    Date: 17 May 2016 19:50:49
    J.S. Bach - Murray Perahia - Goldberg Variationen (2000, Sony Classical # SK 892432)

    Johann Sebastian Bach - Murray Perahia - Goldberg Variationen
    EAC+LOG+CUE | WV: 240 MB | Full Artwork: 122 MB | 5% Recovery Info
    Label/Cat#: Sony Classical # SK 892432 | Country/Year: Europe 2000
    Genre: Classical | Style: Baroque, Piano

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [ ] not my rip [X]

    J.S. Bach - Murray Perahia - Goldberg Variationen (2000, Sony Classical # SK 892432)


    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 19. January 2012, 21:01

    Murray Perahia / J.S. Bach - Goldberg Variationen

    Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

    Read mode : Secure
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    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

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    29 | 65:04.67 | 2:10.58 | 292867 | 302674
    30 | 67:15.50 | 2:09.55 | 302675 | 312404
    31 | 69:25.30 | 1:43.42 | 312405 | 320171
    32 | 71:08.72 | 2:20.03 | 320172 | 330674


    Range status and errors

    Selected range

    Filename Z:\NetLab\J.S. Bach - Goldberg Variationen (Murray Perahia) (2000) {Sony SK 892432}\J.S. Bach - Goldberg Variationen.wav

    Peak level 96.6 %
    Extraction speed 8.1 X
    Range quality 99.9 %
    Test CRC 4D9FBAC7
    Copy CRC 4D9FBAC7
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 23) [42919197] (AR v2)
    Track 2 accurately ripped (confidence 23) [820168F5] (AR v2)
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    All tracks accurately ripped

    End of status report

    ==== Log checksum 5C264FB295F1BC351F9547AF2DE02FA244B2718A78A2AB450D02A0EC8AEBE9E0 ====

    foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
    log date: 2015-08-05 17:39:10

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Murray Perahia / J.S. Bach - Goldberg Variationen
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -8.88 dB -25.65 dB 3:59 01-Aria
    DR11 -2.84 dB -17.47 dB 1:51 02-Variation 1 a 1 Clav.
    DR10 -4.08 dB -19.43 dB 1:36 03-Variation 2 a 1 Clav.
    DR10 -6.82 dB -20.49 dB 1:57 04-Variation 3 a 1 Clav. Canone all' Unisuono
    DR12 -2.03 dB -16.24 dB 1:07 05-Variation 4 a 1 Clav.
    DR11 -4.79 dB -19.04 dB 1:25 06-Variation 5 a 1 ovvero 2 Clav.
    DR10 -8.06 dB -21.56 dB 1:25 07-Variation 6 a 1 Clav. Canone all Seconda
    DR12 -5.48 dB -21.41 dB 1:47 08-Variation 7 a 1 ovvero 2 Clav. All tempo di Giga
    DR12 -1.42 dB -17.78 dB 1:52 09-Variation 8 a 2 Clav.
    DR13 -5.19 dB -22.74 dB 2:12 10-Variation 9 a 1 Clav. Canone alla Terza
    DR11 -3.30 dB -17.44 dB 1:33 11-Variation 10 a 1 Clav. Fughetta
    DR11 -6.39 dB -20.49 dB 1:47 12-Variation 11 a 2 Clav.
    DR11 -3.79 dB -18.46 dB 2:17 13-Variation 12 Canone alla Quarta
    DR12 -7.74 dB -23.99 dB 5:00 14-Variation 13 13 a 2 Clav.
    DR12 -1.73 dB -17.52 dB 2:06 15-Variation 14 a 2 Clav.
    DR12 -7.14 dB -23.97 dB 4:19 16-Variation 15 a 1 Clav. Canone alla Quinta in moto contrario.
    DR12 -1.84 dB -16.72 dB 2:44 17-Variation 16 Ouverture a 1 Clav.
    DR11 -6.51 dB -20.47 dB 1:41 18-Variation 17 a 2 Clav.
    DR11 -4.27 dB -20.84 dB 1:24 19-Variation 18 a 1 Clav. Canone alla Sesta
    DR11 -7.20 dB -23.44 dB 1:29 20-Variation 19 a 1 Clav.
    DR12 -3.66 dB -18.03 dB 1:52 21-Variation 20 a 2 Clav.
    DR11 -5.19 dB -20.44 dB 2:45 22-Variation 21 Canone alla Settima
    DR11 -2.73 dB -17.82 dB 1:29 23-Variation 22 Alla breve a 1 Clav.
    DR12 -0.30 dB -15.91 dB 1:56 24-Variation 23 a 2 Clav.
    DR11 -6.07 dB -20.90 dB 2:32 25-Variation 24 Canone all' Ottava a 1 Clav.
    DR12 -7.35 dB -24.97 dB 7:24 26-Variation 25 a 2 Clav.
    DR11 -3.23 dB -17.90 dB 1:58 27-Variation 26 a 2 Clav.
    DR11 -1.02 dB -16.23 dB 1:39 28-Variation 27 Canone alla Nona
    DR12 -1.49 dB -18.42 dB 2:11 29-Variation 28 a 2 Clav.
    DR11 -0.30 dB -13.52 dB 2:10 30-Variation 29 a 1 ovvero 2 Clav.
    DR12 -0.30 dB -14.08 dB 1:44 31-Variation 30 a 1 Clav. Quodlibet
    DR11 -9.03 dB -24.75 dB 2:20 32-Aria Da Capo
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 32
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 456 kbps
    Codec: WavPack
    ================================================================================



    CD Info:

    Johann Sebastian Bach - Murray Perahia - Goldberg Variationen

    Label: Sony Classical
    Catalog#: SK 892432
    Format: CD, Album
    Country: Europe
    Released: 2000
    Genre: Classical
    Style: Baroque, Piano

    Tracklist:

    1 Aria 3:59
    2 Variation 1 a 1 Clav. 1:51
    3 Variation 2 a 1 Clav. 1:36
    4 Variation 3 a 1 Clav. Canone all' Unisuono 1:57
    5 Variation 4 a 1 Clav. 1:07
    6 Variation 5 a 1 ovvero 2 Clav. 1:25
    7 Variation 6 a 1 Clav. Canone all Seconda 1:25
    8 Variation 7 a 1 ovvero 2 Clav. All tempo di Giga 1:47
    9 Variation 8 a 2 Clav. 1:52
    10 Variation 9 a 1 Clav. Canone alla Terza 2:12
    11 Variation 10 a 1 Clav. Fughetta 1:33
    12 Variation 11 a 2 Clav. 1:47
    13 Variation 12 Canone alla Quarta 2:17
    14 Variation 13 13 a 2 Clav. 5:00
    15 Variation 14 a 2 Clav. 2:06
    16 Variation 15 a 1 Clav. Canone alla Quinta in moto contrario. 4:19
    17 Variation 16 Ouverture a 1 Clav. 2:44
    18 Variation 17 a 2 Clav. 1:41
    19 Variation 18 a 1 Clav. Canone alla Sesta 1:24
    20 Variation 19 a 1 Clav. 1:29
    21 Variation 20 a 2 Clav. 1:52
    22 Variation 21 Canone alla Settima 2:45
    23 Variation 22 Alla breve a 1 Clav. 1:29
    24 Variation 23 a 2 Clav. 1:56
    25 Variation 24 Canone all' Ottava a 1 Clav. 2:32
    26 Variation 25 a 2 Clav. 7:24
    27 Variation 26 a 2 Clav. 1:58
    28 Variation 27 Canone alla Nona 1:39
    29 Variation 28 a 2 Clav. 2:11
    30 Variation 29 a 1 ovvero 2 Clav. 2:10
    31 Variation 30 a 1 Clav. Quodlibet 1:44
    32 Aria Da Capo 2:20

    I have no hesitation at all in acclaiming Murray Perahia’s recording of the Goldberg Variations as the finest on piano since Glenn Gould’s pioneering version of the 1950s. Both in its broad conception and individual details, it offers incontestable evidence of Perahia’s penetrating musical intellect, sensitivity to emotional nuance, and exceptional technical gifts. A performance this rich and varied in expression deserves to be considered at much greater length than that of a simple record review, but perhaps a few general observations will suffice to indicate what an extraordinary listening experience this release represents.

    First, the big picture: Perahia observes all the repeats, and his crisply detailed ornamentation the second time around is just one of many delights. The entire work takes a bit more than 73 minutes, which means that tempos run on the swift side. Indeed, if I had to choose one word to characterize this interpretation, it would be: “joyous”. It swings. Unlike Rosalyn Tureck, for example, Perahia doesn’t agonize over every note in a way that imposes on the work a portentous sameness from moment to moment, however fascinatingly considered the details. He’s extremely careful to shape groups of variations to form expressive arches. The most impressive of these explores the gradual increase in tension from Variations 26 through 30. Note how Perahia uses the piano’s dynamic range to give the 28th variation, with its long ornamental trills, an unusually quiet delicacy (on harpsichord this can sound like the sewing machine from hell), followed by a natural intensification through his bold treatment of the rapidly alternating chords of Variation 29, and culminating, with an effortless sense of climax, in the contrapuntal fullness of the ensuing Quodlibet. You might think this sort of thing obvious, but it’s amazing how in many performances the final variation comes as an anti-climax after the devastating brilliance of the two previous ones. Not here!

    The finer details fit naturally into this larger scheme. Perahia’s isn’t as obsessively linear a performance as Gould’s, and even though he isn’t quite as firmly focused on the bass line, he never sacrifices clarity for the sake of pianistic effect. On the other hand, he’s perfectly willing to employ pianistic effect for the sake of enhancing clarity, both expressively and contrapuntally. The 23rd variation, for example, seems to foreshadow Prokofiev, its witty scales running up and down the keyboard, tossed off as a humorous series of hiccups and parentheses. In the following canon at the octave–difficult to project clearly owing to the sameness of the parts–Perahia magically conveys not just the identity of the variation as a canon, but also its pastoral character and lilting rhythm. The melody, too, has never before sounded so similar to Bach’s “Jesu, Joy of Man’s Desiring”. Here’s one of those rare moments that, when you hear it, sounds exactly right, and the softer volume at the repeats only enhances the music’s intimacy and grace. Finally, when we reach the great 25th variation, one of the saddest pieces in all of Bach, the right hand takes center stage, singing this harmonically anguished, florid lament with a touchingly fluid legato. The left hand, in contrast, offers the most sensitive harmonic support, clearly subordinate in a manner all but impossible on the harpsichord.

    Any random selection of variations will reveal similar interpretive insights, though you should not get the impression from this paean of pianistic praise (excuse the alliteration: too many Batman reruns lately) that I dislike the sound of this music on the harpsichord. On the contrary, I tend to prefer the way the older instrument lends the work sharper contours and a unique, steely brilliance. What makes Perahia so special, though, is his masterful application of the piano’s tone colors and dynamic contrasts to Bach’s music in a way that is at once personal and totally convincing. Artists as individually outstanding as Gould, Tureck, Koroliov, and Schiff have all found solutions that are equally valid, but none, I think, have ever made the music sound so naturally, joyously at home on the modern piano as has Perahia. With gorgeously rich recorded sound fully worthy of the interpretation, this Goldberg Variations easily joins my short list of recommendations on any instrument. Perahia has given us a recording for the ages, no doubt about it. [10/20/2000] David Hurwitz ~classicstoday.com

    J.S. Bach - Murray Perahia - Goldberg Variationen (2000, Sony Classical # SK 892432)

    Thanks to Pr3ss!

    J.S. Bach - Murray Perahia - Goldberg Variationen (2000, Sony Classical # SK 892432)


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