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    3. Johann Sebastian Bach - Gustav Leonhardt - Weltliche Kantaten BWV 208, 215 (1998)

    Johann Sebastian Bach - Gustav Leonhardt - Weltliche Kantaten BWV 208, 215 (1998)

    Posted By: luckburz
    Date: 21 Jul 2014 06:07:14
    Johann Sebastian Bach - Gustav Leonhardt - Weltliche Kantaten BWV 208, 215 (1998)

    Johann Sebastian Bach - Weltliche Kantaten BWV 208, 215
    Monika Frimmer, Lynne Dawson / Orchestra and Choir of the Age of Enlightenment - Gustav Leonhardt
    EAC+LOG+CUE | FLAC: 330 MB | Artwork | 5% Recovery Info
    Label/Cat#: Philips # 454 467-2 | Country/Year: Germany 1998
    Genre: Classical | Style: Baroque, Vocal, Secular

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [] not my rip [X]

    Johann Sebastian Bach - Gustav Leonhardt - Weltliche Kantaten BWV 208, 215 (1998)


    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 19. January 2012, 16:10

    Johann Sebastian Bach / Weltliche Kantaten BWV 208 & 215

    Used drive : Optiarc DVD RW AD-7243S Adapter: 6 ID: 0

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    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.32 | 8:05.15 | 32 | 36421
    2 | 8:05.47 | 1:12.08 | 36422 | 41829
    3 | 9:17.55 | 7:59.15 | 41830 | 77769
    4 | 17:16.70 | 1:35.40 | 77770 | 84934
    5 | 18:52.35 | 3:51.45 | 84935 | 102304
    6 | 22:44.05 | 1:16.05 | 102305 | 108009
    7 | 24:00.10 | 4:14.62 | 108010 | 127121
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    9 | 30:46.35 | 3:00.72 | 138485 | 152056
    10 | 33:47.32 | 0:42.58 | 152057 | 155264
    11 | 34:30.15 | 2:03.02 | 155265 | 164491
    12 | 36:33.17 | 1:07.23 | 164492 | 169539
    13 | 37:40.40 | 4:23.30 | 169540 | 189294
    14 | 42:03.70 | 2:23.22 | 189295 | 200041
    15 | 44:27.17 | 0:31.25 | 200042 | 202391
    16 | 44:58.42 | 3:14.45 | 202392 | 216986
    17 | 48:13.12 | 0:37.55 | 216987 | 219816
    18 | 48:50.67 | 4:00.65 | 219817 | 237881
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    23 | 61:02.27 | 2:32.70 | 274677 | 286146
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    Range status and errors

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    Filename E:\CDImage.wav

    Peak level 100.0 %
    Range quality 100.0 %
    Test CRC 108D2295
    Copy CRC 108D2295
    Copy OK

    No errors occurred


    AccurateRip summary

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    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
    Track 8 not present in database
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    Track 11 not present in database
    Track 12 not present in database
    Track 13 not present in database
    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database
    Track 17 not present in database
    Track 18 not present in database
    Track 19 not present in database
    Track 20 not present in database
    Track 21 not present in database
    Track 22 not present in database
    Track 23 not present in database
    Track 24 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2014-04-21 14:18:06

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Johann Sebastian Bach / Weltliche Kantaten BWV 208 & 215
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 0.00 dB -19.17 dB 8:05 01-BWV 215 - Coro: Preise dein Glücke, gesegnetes Sachsen
    DR14 -2.01 dB -23.56 dB 1:12 02-BWV 215 - Recitativo (T): Wie können wir, großmächtigster August
    DR16 -0.76 dB -21.27 dB 7:59 03-BWV 215 - Aria (T): Freilich trotzt Augustus' Name
    DR15 -4.28 dB -24.40 dB 1:36 04-BWV 215 - Recitativo (B): Was hat dich sonst, Sarmatien, bewogen
    DR15 -1.34 dB -18.97 dB 3:52 05-BWV 215 - Aria (B): Rase nur, verwegner Schwarm
    DR13 -2.38 dB -20.71 dB 1:16 06-BWV 215 - Recitativo (S): Ja, ja! Gott ist uns noch mit seiner Hülfe nah
    DR14 0.00 dB -21.79 dB 4:15 07-BWV 215 - Aria (S): Durch die von Eifer entflammeten Waffen
    DR14 0.00 dB -20.14 dB 2:32 08-BWV 215 - Recitativo (S T B): Laß doch, o teurer Landesvater, zu
    DR14 0.00 dB -16.66 dB 3:01 09-BWV 215 - Coro: Stifter der Reiche, Beherrscher der Kronen
    DR14 -3.84 dB -22.79 dB 0:43 10-BWV 208 - Recitativo (Diana): Was mir behagt, ist nur die muntre Jagd!
    DR14 -0.63 dB -18.81 dB 2:03 11-BWV 208 - Aria (Diana): Jagen ist die Lust der Götter
    DR14 -5.49 dB -26.51 dB 1:07 12-BWV 208 - Recitativo (Endymion): Wie? Schönste Göttin? Wie?
    DR17 -2.25 dB -25.92 dB 4:23 13-BWV 208 - Aria (Endymion): Willst du dich nicht mehr ergötzen
    DR14 -3.13 dB -23.38 dB 2:23 14-BWV 208 - Recitativo (Diana, Endymion): Ich liebe dich zwar noch
    DR15 -7.29 dB -25.73 dB 0:31 15-BWV 208 - Recitativo (Pan): Ich, der ich sonst ein Gott
    DR14 -5.89 dB -23.69 dB 3:15 16-BWV 208 - Aria (Pan): Ein Fürst ist seines Landes Pan
    DR11 -3.45 dB -21.82 dB 0:38 17-BWV 208 - Recitativo (Paies): Soll denn der Paies Opfer hier das letzte sein?
    DR13 -1.35 dB -19.80 dB 4:01 18-BWV 208 - Aria (Paies): Schafe können sicher weiden
    DR14 -11.18 dB -26.40 dB 0:11 19-BWV 208 - Recitativo (Diana): So stimmt mit ein
    DR14 0.00 dB -19.65 dB 3:03 20-BWV 208 - Coro: Lebe, Sonne dieser Erden
    DR14 -0.89 dB -20.71 dB 2:04 21-BWV 208 - Aria Duetto (Diana, Endymion): Entzücket uns beide
    DR14 -1.47 dB -20.66 dB 2:52 22-BWV 208 - Aria (Paies): Weil die wollenreichen Herden
    DR16 -4.58 dB -24.70 dB 2:33 23-BWV 208 - Aria (Pan): Ihr Felder und Auen
    DR13 0.00 dB -17.89 dB 3:52 24-BWV 208 - Coro: Ihr lieblichste Blicke, ihr freudige Stunden
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 24
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 668 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Johann Sebastian Bach - Weltliche Kantaten BWV 208, 215

    Monika Frimmer, Lynne Dawson, John Elwes, David Wilson-Johnson / Orchestra and Choir of the Age of Enlightenment - Gustav Leonhardt

    Label: Philips
    Catalog#: 454 467-2
    Format: CD, Album, Reissue
    Country: Germany
    Released: 1998
    Genre: Classical, Secular
    Style: Baroque, Vocal

    Tracklist:

    Preise dein Glücke, gesegnetes Sachsen BWV 215
    Dramma per musica
    zum Jahrestag der Wahl Augusts III. zum polnischen König am 5. Oktober 1734
    Text: Johann Christoph Clauder 1734
    1. Coro: Preise dein Glücke, gesegnetes Sachsen
    2. Recitativo (T): Wie können wir, großmächtigster August
    3. Aria (T): Freilich trotzt Augustus' Name
    4. Recitativo (B): Was hat dich sonst, Sarmatien, bewogen
    5. Aria (B): Rase nur, verwegner Schwarm
    6. Recitativo (S): Ja, ja! Gott ist uns noch mit seiner Hülfe nah
    7. Aria (S): Durch die von Eifer entflammeten Waffen
    8. Recitativo (S T B): Laß doch, o teurer Landesvater, zu
    9. Coro: Stifter der Reiche, Beherrscher der Kronen
    Was mir behagt, ist nur die muntre Jagd! BWV 208
    Jagd-Kantate
    zum Geburtstag von Fürst Christian von Sachsen-Weißenfels
    1. Recitativo (Diana): Was mir behagt, ist nur die muntre Jagd!
    2. Aria (Diana): Jagen ist die Lust der Götter
    3 Recitativo (Endymion): Wie? Schönste Göttin? Wie?
    4. Aria (Endymion): Willst du dich nicht mehr ergötzen
    5. Recitativo (Diana, Endymion): Ich liebe dich zwar noch
    6. Recitativo (Pan): Ich, der ich sonst ein Gott
    7. Aria (Pan): Ein Fürst ist seines Landes Pan
    8. Recitativo (Paies): Soll denn der Paies Opfer hier das letzte sein?
    9. Aria (Paies): Schafe können sicher weiden
    10 Recitativo (Diana): So stimmt mit ein
    11. Coro: Lebe, Sonne dieser Erden
    12. Aria Duetto (Diana, Endymion): Entzücket uns beide
    13. Aria (Paies): Weil die wollenreichen Herden
    14. Aria (Pan): Ihr Felder und Auen
    15. Coro: Ihr lieblichste Blicke, ihr freudige Stunden

    Recording:

    11/1996

    Monika Frimmer Soprano I
    Lynne Dawson Soprano II (BWV 208)
    John Elwes Tenore
    David Wilson-Johnson Basso
    Orchestra and Choir of the Age of Enlightenment

    Gustav Leonhardt

    Artist Biography by Jeremy Grimshaw

    Though participants in the "authentic performance practice" movement might insist otherwise, the search for the old is really a search for the new. This statement certainly captures the spirit that Dutch keyboardist Gustav Leonhardt brought to his early music performances in the 1950s. His style was characterized not by a rigorous observance of rules, but by the intuitive, almost spiritual connection it tried to establish with the music – a kind of authenticity that sought validation not so much from a rigorously academic accuracy (though Leonhardt is by no means historically careless) as from its having an "authentic" effect on the listener.

    Born in Amsterdam in 1928, Leonhardt learned cello and piano before entering the Schola Cantorum in Basel to study organ and harpsichord with Eduard Müller. After graduating in 1950, he undertook a year of musicological studies before accepting a position at the Vienna Academy. Shortly thereafter, he returned to his home town, where he assumed a position at the Amsterdam Conservatory that he would keep for decades thereafter.

    His first public performance took place in 1950, when he performed J.S. Bach's The Art of the Fugue for a Viennese audience. This marked the beginning of a legendary and influential career that would take him to performance venues all over the world, setting stylistic and interpretive standards for keyboard music dating from the early 1500s to the late 1700s. His treatment of the works of Couperin, Froberger, and Frescobaldi were pivotal in affecting a shift in Baroque performance practice from the motoric to the malleable.

    Beginning in the 1950s, he also established the Leonhardt Consort, a group applying his same performance ideals to chamber works; during his career he also demonstrated great skill in conducting early choral and operatic works. Along the way, he tutored an entire generation of the most vibrant and stylistically varied early music figures, including Christopher Hogwood, Pierre Hantaï, and Ton Koopman.

    When Leonhardt spoke of "correct" style, certain parameters were clear, while others left much to be read between the lines. The use of the proper instrument, for example, was crucial to Leonhardt: one should not play a piece from a particular country and a particular time on an instrument from a different region and century (and of course it goes without saying what problems he might have had with playing 18th century music on a 20th century Steinway). His discussion of style, however, was quite flexible – or at least elusive: "I cannot say it's a secret, but it's almost impossible to describe in words….Essentially, it must be based on a dynamic wish." Though he did consult primary sources to justify his sound, which fell somewhere between the rubato sound of Landowska and the robotic sound of her immediate successors, he insisted that the truest "rules" about the music he played were to be discovered through the playing itself. allmusicguide

    Thanks to aqr!

    More Johann Sebastian Bach played by Gustav Leonhardt:

    Clavierübung I: Sechs Partiten BWV 825-830
    Cantatas: Oster-Oratorium BWV 249, Himmelfahrts-Oratorium BWV 11
    Weltliche Kantaten BWV 205, 214

    Johann Sebastian Bach - Gustav Leonhardt - Weltliche Kantaten BWV 208, 215 (1998)


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