Bach - Alison Balsom - Works for Trumpet (2005)
Johann Sebastian Bach - Alison Balsom - Works For Trumpet
C. Carey / A. Ibragimova / A. Ross / M. Caudle
EAC+LOG+CUE | FLAC: 330 MB | Part. Artwork: 21 MB | 5% Recovery Info
Label/Cat#: EMI Classics # 7243 5 58047 2 3 | Country/Year: Europe 2005
Genre: Classical | Style: Baroque, Trumpet
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
my rip [X] not my rip []
Bach - Alison Balsom - Works for Trumpet (2005)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 5. August 2013, 14:51
Alison Balsom / Bach: Works for Trumpet
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
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Quality : High
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Peak level 99.7 %
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Range quality 99.9 %
Copy CRC 3EEA2E56
Copy OK
No errors occurred
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[CTDB TOCID: ZyMPHudPU38poI64GlngeJ5fKhg-] found, Submit result: ZyMPHudPU38poI64GlngeJ5fKhg- has been confirmed
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[e791e839] (01/14) No match
==== Log checksum 232EB246923E0FF9FFB6595BE49C6EA96D34F08AFADDB64BD940F1E696194C1D ====
EAC extraction logfile from 5. August 2013, 14:51
Alison Balsom / Bach: Works for Trumpet
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:05.01 | 0 | 9375
2 | 2:05.01 | 3:50.32 | 9376 | 26657
3 | 5:55.33 | 2:09.69 | 26658 | 36401
4 | 8:05.27 | 2:41.31 | 36402 | 48507
5 | 10:46.58 | 2:38.03 | 48508 | 60360
6 | 13:24.61 | 9:23.67 | 60361 | 102652
7 | 22:48.53 | 2:06.37 | 102653 | 112139
8 | 24:55.15 | 4:54.74 | 112140 | 134263
9 | 29:50.14 | 5:16.17 | 134264 | 157980
10 | 35:06.31 | 3:31.22 | 157981 | 173827
11 | 38:37.53 | 3:12.45 | 173828 | 188272
12 | 41:50.23 | 3:41.05 | 188273 | 204852
13 | 45:31.28 | 3:11.44 | 204853 | 219221
14 | 48:42.72 | 2:41.55 | 219222 | 231351
15 | 51:24.52 | 4:07.64 | 231352 | 249940
16 | 55:32.41 | 5:01.66 | 249941 | 272581
17 | 60:34.32 | 4:24.05 | 272582 | 292386
18 | 64:58.37 | 1:30.68 | 292387 | 299204
19 | 66:29.30 | 5:01.60 | 299205 | 321839
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Bach- Alison Balsom - Works for Trumpet.wav
Peak level 99.7 %
Extraction speed 2.0 X
Range quality 99.9 %
Copy CRC 3EEA2E56
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 18) [802BAC4D] (AR v2)
Track 2 accurately ripped (confidence 19) [488F06A1] (AR v2)
Track 3 accurately ripped (confidence 18) [30B6ECBA] (AR v2)
Track 4 accurately ripped (confidence 19) [B9F72B55] (AR v2)
Track 5 accurately ripped (confidence 19) [8DDAEFE2] (AR v2)
Track 6 accurately ripped (confidence 18) [DF8E1427] (AR v2)
Track 7 accurately ripped (confidence 19) [BE06F070] (AR v2)
Track 8 accurately ripped (confidence 18) [0E4027B6] (AR v2)
Track 9 accurately ripped (confidence 19) [D6EE6139] (AR v2)
Track 10 accurately ripped (confidence 19) [77124281] (AR v2)
Track 11 accurately ripped (confidence 19) [15F7E063] (AR v2)
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Track 19 accurately ripped (confidence 19) [03B322A5] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: ZyMPHudPU38poI64GlngeJ5fKhg-] found, Submit result: ZyMPHudPU38poI64GlngeJ5fKhg- has been confirmed
[6363f797] (13/14) Accurately ripped
[e791e839] (01/14) No match
==== Log checksum 232EB246923E0FF9FFB6595BE49C6EA96D34F08AFADDB64BD940F1E696194C1D ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-05 20:54:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alison Balsom / Bach: Works for Trumpet
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.07 dB -17.09 dB 2:05 01-Bach: Concerto in D (after Vivaldi) BWV 972 - I. Allegro
DR11 -5.43 dB -20.57 dB 3:50 02-Bach: Concerto in D (after Vivaldi) BWV 972 - II. Adagio
DR11 -0.02 dB -16.45 dB 2:10 03-Bach: Concerto in D (after Vivaldi) BWV 972 - III. Allegro assai
DR11 -2.73 dB -19.31 dB 2:41 04-Bach: From Cello Suite No.2 BWV 1008 - I. Sarabande
DR12 -2.97 dB -20.03 dB 2:38 05-Bach: From Cello Suite No.2 BWV 1008 - II. Gigue
DR14 -2.04 dB -21.14 dB 9:24 06-Bach: Aria variata in A minor (Italian Variations) BWV 989
DR12 -1.79 dB -18.75 dB 2:06 07-Bach: Gigue from Violin Partita No.3 BWV 1006
DR13 -1.15 dB -18.20 dB 4:55 08-Bach: Trio Sonata in C BWV 529 - I. Allegro
DR11 -4.51 dB -19.79 dB 5:16 09-Bach: Trio Sonata in C BWV 529 - II. Largo
DR13 -2.71 dB -18.61 dB 3:31 10-Bach: Trio Sonata in C BWV 529 - III. Allegro
DR12 -2.17 dB -19.07 dB 3:13 11-Bach: Concerto in C minor (after Marcello) BWV 974 - I. Allegro
DR11 -5.31 dB -19.59 dB 3:41 12-Bach: Concerto in C minor (after Marcello) BWV 974 - II. Largo
DR12 -0.20 dB -16.98 dB 3:12 13-Bach: Concerto in C minor (after Marcello) BWV 974 - III. Presto
DR11 -6.05 dB -20.03 dB 2:42 14-Bach: Bist du bei mir from the Anna Magdalena Notebook BWV 508
DR13 -0.14 dB -17.29 dB 4:08 15-Bach: Concerto in C BWV 1055 - I. Allegro
DR12 -4.79 dB -21.17 dB 5:02 16-Bach: Concerto in C BWV 1055 - II. Larghetto
DR12 -0.17 dB -15.22 dB 4:24 17-Bach: Concerto in C BWV 1055 - III. Allegro ma non tanto
DR13 -1.28 dB -17.64 dB 1:31 18-Bach: Badinerie from Orchestral Suite No.2 BWV 1067
DR12 -4.78 dB -20.89 dB 5:02 19-Bach: Agnus Dei from Mass in B minor BWV 232
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 613 kbps
Codec: FLAC
================================================================================
log date: 2013-08-05 20:54:47
––––––––––––––––––––––––––––––––––––––––
Analyzed: Alison Balsom / Bach: Works for Trumpet
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.07 dB -17.09 dB 2:05 01-Bach: Concerto in D (after Vivaldi) BWV 972 - I. Allegro
DR11 -5.43 dB -20.57 dB 3:50 02-Bach: Concerto in D (after Vivaldi) BWV 972 - II. Adagio
DR11 -0.02 dB -16.45 dB 2:10 03-Bach: Concerto in D (after Vivaldi) BWV 972 - III. Allegro assai
DR11 -2.73 dB -19.31 dB 2:41 04-Bach: From Cello Suite No.2 BWV 1008 - I. Sarabande
DR12 -2.97 dB -20.03 dB 2:38 05-Bach: From Cello Suite No.2 BWV 1008 - II. Gigue
DR14 -2.04 dB -21.14 dB 9:24 06-Bach: Aria variata in A minor (Italian Variations) BWV 989
DR12 -1.79 dB -18.75 dB 2:06 07-Bach: Gigue from Violin Partita No.3 BWV 1006
DR13 -1.15 dB -18.20 dB 4:55 08-Bach: Trio Sonata in C BWV 529 - I. Allegro
DR11 -4.51 dB -19.79 dB 5:16 09-Bach: Trio Sonata in C BWV 529 - II. Largo
DR13 -2.71 dB -18.61 dB 3:31 10-Bach: Trio Sonata in C BWV 529 - III. Allegro
DR12 -2.17 dB -19.07 dB 3:13 11-Bach: Concerto in C minor (after Marcello) BWV 974 - I. Allegro
DR11 -5.31 dB -19.59 dB 3:41 12-Bach: Concerto in C minor (after Marcello) BWV 974 - II. Largo
DR12 -0.20 dB -16.98 dB 3:12 13-Bach: Concerto in C minor (after Marcello) BWV 974 - III. Presto
DR11 -6.05 dB -20.03 dB 2:42 14-Bach: Bist du bei mir from the Anna Magdalena Notebook BWV 508
DR13 -0.14 dB -17.29 dB 4:08 15-Bach: Concerto in C BWV 1055 - I. Allegro
DR12 -4.79 dB -21.17 dB 5:02 16-Bach: Concerto in C BWV 1055 - II. Larghetto
DR12 -0.17 dB -15.22 dB 4:24 17-Bach: Concerto in C BWV 1055 - III. Allegro ma non tanto
DR13 -1.28 dB -17.64 dB 1:31 18-Bach: Badinerie from Orchestral Suite No.2 BWV 1067
DR12 -4.78 dB -20.89 dB 5:02 19-Bach: Agnus Dei from Mass in B minor BWV 232
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 613 kbps
Codec: FLAC
================================================================================
CD Info:
Johann Sebastian Bach - Works For Trumpet
Alison Balsom / C. Carey / A. Ibragimova / A. Ross / M. Caudle
Label: EMI Classics
Catalog#: 7243 5 58047 2 3
Format: CD, Album
Country: Europe
Released: 2005
Genre: Classical
Style: Baroque, Trumpet
Tracklist:
1|Bach: Concerto in D (after Vivaldi) BWV 972 - I. Allegro|2:05
2|Bach: Concerto in D (after Vivaldi) BWV 972 - II. Adagio|3:50
3|Bach: Concerto in D (after Vivaldi) BWV 972 - III. Allegro assai|2:10
4|Bach: From Cello Suite No.2 BWV 1008 - I. Sarabande|2:41
5|Bach: From Cello Suite No.2 BWV 1008 - II. Gigue|2:38
6|Bach: Aria variata in A minor (Italian Variations) BWV 989|9:24
7|Bach: Gigue from Violin Partita No.3 BWV 1006|2:06
8|Bach: Trio Sonata in C BWV 529 - I. Allegro|4:55
9|Bach: Trio Sonata in C BWV 529 - II. Largo|5:16
10|Bach: Trio Sonata in C BWV 529 - III. Allegro|3:31
11|Bach: Concerto in C minor (after Marcello) BWV 974 - I. Allegro|3:13
12|Bach: Concerto in C minor (after Marcello) BWV 974 - II. Largo|3:41
13|Bach: Concerto in C minor (after Marcello) BWV 974 - III. Presto|3:12
14|Bach: Bist du bei mir from the Anna Magdalena Notebook BWV 508|2:42
15|Bach: Concerto in C BWV 1055 - I. Allegro|4:08
16|Bach: Concerto in C BWV 1055 - II. Larghetto|5:02
17|Bach: Concerto in C BWV 1055 - III. Allegro ma non tanto|4:24
18|Bach: Badinerie from Orchestral Suite No.2 BWV 1067|1:31
19|Bach: Agnus Dei from Mass in B minor BWV 232|5:02
Recording: IV.2005, Chapel of St. Augustine, Tonbridge School, Tonbridge, Kent
Bach is not the first Baroque composer who comes to mind when one thinks of the trumpet; Telemann and Vivaldi, for example, wrote several concertos for this instrument, while Bach wrote none at all, apart from the Brandenburg Concerto #2. To title this CD "Works for Trumpet," then, is not quite accurate, because it consists entirely of arrangements. Nevertheless, Bach's music is famously adaptable, so there's no reason not to let this young trumpeter make a splash in it.
It is most interesting to hear Alison Balsom play two movements from the Cello Suite #2 (the Sarabande and the Gigue) and one from the Violin Partita #3 (the Gigue) as trumpet solos, as well as the Badinerie from the Orchestral Suite #2 – usually a vehicle for flute! They work well in this guise, although the legato playing easily achieved on a the violin or the cello is harder to carry out on a trumpet. Bist du bei mir (probably not even a work by Bach!) is predictably gorgeous as a duet for trumpet and chamber organ. The "Agnus Dei" from the Mass in B minor, played by the same combination of instruments, is a little less convincing because the trumpet can't match the comforting tones of the contralto soloist in Bach's original. The BWV 529 Trio Sonata finds the trumpet sharing the spotlight with the violin, rather than taking over completely. Another feat is to have trumpet and harpsichord take the place of a solo harpsichord in the Aria variata in A minor, BWV 989, and to turn the BWV 1055 Keyboard Concerto into a chamber concerto for trumpet and organ. The two remaining works on this CD are arrangements of arrangements. Bach's BWV 972 Concerto in D is based on a concerto from Vivaldi's L'Estro Armonico, and his Concerto in C minor, BWV 972, is based on Alessandro Marcello's most famous oboe concerto. Balsom plays both of these with organ accompaniment. On the last page of the booklet, we read that the arrangements/ transcriptions are by Balsom and organist Colm Carey, with the exception of the Aria variata, which was arranged by Tim Jackson.
I just finished reviewing an EMI Classics Encore CD of Baroque music for trumpet organ – again, comprised almost entirely of arrangements. The star of that CD was Maurice André, a man in whose shadow every young trumpeter must walk. Alison Balsom needn't worry too much, though. André was more an institution than a mere musician, and everything he played tended to bear his personality, for better or for worse. Balsom's tone is tighter and darker than André's, and she excels at legato playing, while remaining within an appropriate style. She is not as "punchy" as André often can be. Given her age and her educational background – she was a pupil of Håkan Hardenberger and John Wallace – she is likely to be a versatile and stylistically informed player no matter what she does. This is an impressive CD, and while it touches no deep emotional wells, it invites the listener to stay tuned! Balsom's fellow musicians give her fine support.
Copyright © 2006, Raymond Tuttle classical.net
