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Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}

Posted By: ruskaval

Date: 30 Sep 2017 07:16:10

Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 145 Mb
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© 2014 Deutsche Grammophon | 00289 479 1033
Classical / Viennese School / Concerto / Piano

The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.

Recorded live in Lucerne, Switzerland, in 2013, shortly before the death of conductor Claudio Abbado (who must have been quite ill at the time), this pair of Mozart piano concertos stands as a fitting valediction to his legacy. The liquid playing of star pianist Martha Argerich is a major contributor to the success of the performances, it's true. But really this is a Mozart performance shaped by the conductor, and Abbado's subtlety in his old age is remarkable to hear. In the Piano Concerto No. 20 in D minor, K. 466, he generates a great deal of tension without resorting to the Beethovenian mode of expression that is the norm for this concerto these days. The turn to D major at the end of the finale is utterly delightful in the hands of Abbado and Argerich, not a Romantic conceit like sunlight breaking through storm clouds but a quintessentially ingenious Mozartian ornament. The Piano Concerto No. 25 in C major, K. 503, Mozart's longest concerto, offers a lot to chew on, with the framework of the vast first movement and its almost neutral thematic material developed in large motions. The live sound is impressively clear, and in general this is a marvelous statement from the last months of a great conductor's life.

DG INFO

Personnel:
Martha Argerich, Piano
Orchestra Mozart
Claudio Abbado, Conductor

Works on This Recording
Wolfgang Amadeus Mozart (1756-1791)

Piano Concertos
No.25 In C, K.503 (Cadenza : Friedrich Gulda)
No.20 In D Minor, K.466 (Cadenza: Ludwig van Beethoven)

EAC log

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 28. November 2014, 15:20

Argerich, Abbado, Orchestra Mozart / Piano Concertos K 503 & K 466

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