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    Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}

    Posted By: ruskaval
    Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}

    Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 145 Mb
    Full Artwork @ 300 dpi (png) -> 71 Mb | 5% repair rar
    © 2014 Deutsche Grammophon | 00289 479 1033
    Classical / Viennese School / Concerto / Piano

    The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.
    Recorded live in Lucerne, Switzerland, in 2013, shortly before the death of conductor Claudio Abbado (who must have been quite ill at the time), this pair of Mozart piano concertos stands as a fitting valediction to his legacy. The liquid playing of star pianist Martha Argerich is a major contributor to the success of the performances, it's true. But really this is a Mozart performance shaped by the conductor, and Abbado's subtlety in his old age is remarkable to hear. In the Piano Concerto No. 20 in D minor, K. 466, he generates a great deal of tension without resorting to the Beethovenian mode of expression that is the norm for this concerto these days. The turn to D major at the end of the finale is utterly delightful in the hands of Abbado and Argerich, not a Romantic conceit like sunlight breaking through storm clouds but a quintessentially ingenious Mozartian ornament. The Piano Concerto No. 25 in C major, K. 503, Mozart's longest concerto, offers a lot to chew on, with the framework of the vast first movement and its almost neutral thematic material developed in large motions. The live sound is impressively clear, and in general this is a marvelous statement from the last months of a great conductor's life.
    Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}


    DG INFO

    Personnel:
    Martha Argerich, Piano
    Orchestra Mozart
    Claudio Abbado
    , Conductor

    Works on This Recording
    Wolfgang Amadeus Mozart (1756-1791)


    Piano Concertos
    No.25 In C, K.503 (Cadenza : Friedrich Gulda)
    No.20 In D Minor, K.466 (Cadenza: Ludwig van Beethoven)

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

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    Argerich, Abbado, Orchestra Mozart / Piano Concertos K 503 & K 466

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    ==== Log checksum 05F405F00969BFED7CD51B5C52CFC1B6E0FCE550DB71FAAD0A8EF34BA9B4EA76 ====


    Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}

    Mozart - Piano Concertos K 503 & K 466 - Martha Argerich, Claudio Abbado, Orchestra Mozart (2014) {Deutsche Grammophon}



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