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    Anna Webber - Clockwise (2019)

    Posted By: delpotro
    Anna Webber - Clockwise (2019)

    Anna Webber - Clockwise (2019)
    EAC Rip | FLAC (tracks+log+.cue) - 299 Mb | MP3 CBR 320 kbps - 119 Mb | 00:50:50
    Jazz, Free Jazz | Label: Pi Recodings

    Pi Recordingsis pleased to welcome saxophonist/ flutist/ composer Anna Webber(b. 1984) as the latest addition to the label’sfamily. A 2018 Guggenheim Fellow, she has been an active performer and bandleader on the New York scene for the last decade, appearing with Matt Mitchell(A Pouting Grimace), Dan Weiss(Sixteen: Drummers Suite), and Jen Shyu(Song of Silver Geese), all on Pi, in addition to other significant releases including All Can Workfrom drummer John Hollenbeck’s Large Ensemble (a 2018 Grammy nominee) and Engage, upcoming from trumpeter Dave Douglas. Described by The New York Times as “unrelentingly inventive,” Webber’s own projects are clear expressions of her knotty compositional sense. She has released ten prior records as a leader or co-leader, with the most recent featuring her Simple Triowith Matt Mitchell and John Hollenbeck: Binary(2016) and SIMPLE(2014), which was hailed by The New York Times as “bracing, argumentative and engineered to show the range of the group members: fulminous, intense collective improvisation; rapid, chromatic steeplechases; research into long tones and textures.”

    Her new release, Clockwise, is an homage to some of her favorite 20th Century composers as seen through the lens of their works for percussion. For the project, Webber spent months researching and analyzing various percussion compositions by Iannis Xenakis, Morton Feldman, Edgard Varése, Karlheinz Stockhausen, Milton Babbitt, and John Cage, isolating particular moments that could be extracted and developed into new works. According to Webber, “The goal was not to re-contextualize the composers’ original intents or ideas, rather it was to find hidden sympathetic points of resonance within the primary compositions that I could abstractly develop into new works.” The music explores notions of density and indeterminacy, using timbre as an organizing principal, continuing Webber’s ongoing exploration of the interstice between creative improvisation and tightly-prescribed compositions. By foregrounding timbre — including the use of extended techniques to create novel sounds — Webber explored questions she had unearthed while researching percussion music: How can timbre be the main driving force of a piece of music? What is left when one subtracts pitch and harmony, or rather, how can a piece be built without those things and what makes such a piece coherent?

    “Korē I”and“Korē II,” inspired by the Xenakis masterpiece Persephassa, feels like the mechanical movements of an off-kiltered watch, with each gear rotation triggering another unexpected series of sounds. “King of Denmark I, II and III” take their title from Morton Feldman’s graphic composition of the same name, and all stem from short, directed improvisations, with II and III assembled by Webber using recordings of improvisations from Ches Smith and Chris Tordini. “Loper” is a distillation of certain formal elements of Edgard Varèse’s Ionisation, mixed in with explorations of highly-theoretical trombone split tones and saxophone multiphonics. “Clockwise,” informed by Stockhausen’s Zyklus, moves episodically through sections of varied density. Like its inspiration, the piece could hypothetically be performed in circular form, using any point in the piece as its starting and/or ending point. Milton Babbitt’s solo snare drum piece Homilyserved as the organizational stimulus behind “Array,” while “Hologram Best” takes its cue from Third Construction in Metalby John Cage. “Idiom II” is the one conceptual outlier on this album in that it is the one composition which Webber used codified and notated elements of her own improvisational language, rather than a specific percussion work, as the driving force. Despite the highly composed nature of the music, Webber leaves each musician – herself on tenor sax and flute, Jeremy Viner(tenor sax and clarinet), Jacob Garchik(trombone), Christopher Hoffman(cello), Matt Mitchell(piano), Chris Tordini(bass), and Ches Smith(drums, vibraphone, percussion) – plenty of room for solos as well as secondary opportunities for improvisation.

    With its idiosyncratic and specific focus on timbre, Clockwiseis a highly disciplined work that still breathes with powerhouse improvisation, losing none of its emotion intensity and groove in its unpredictable twists and turns. Matt Mitchell sums it up best: “With her music, Anna manages to exhibit many distinctive recurring traits with an unmistakable consistency of purpose while still allowing for a wide variety of characteristics and moods. Obsessive repetition, inexorable unfolding, comprehensive timbral considerations, rhythmic vitality, a sense of the uncanny and the previously unheard. They present the chance for musicians to stretch themselves and to feel free within new environments. Sonic treasures abound.”
    Tracklist:
    1. Kore II (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (03:51)
    2. Idiom II (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (08:38)
    3. King of Denmark I / Loper (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (10:15)
    4. King of Denmark II (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (01:55)
    5. Clockwise (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (06:56)
    6. Array (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (10:02)
    7. Hologram Best (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (01:39)
    8. King of Denmark III (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (01:08)
    9. Kore I (feat. Matt Mitchell, Jeremy Viner, Jacob Garchik, Christopher Hoffman, Chris Tordini & Ches Smith) (06:24)

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 30. December 2019, 11:22

    Anna Webber / Clockwise

    Used drive : HL-DT-STDVDRAM GP65NB60 Adapter: 1 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:51.00 | 0 | 17324
    2 | 3:51.00 | 8:38.12 | 17325 | 56186
    3 | 12:29.12 | 10:15.30 | 56187 | 102341
    4 | 22:44.42 | 1:55.10 | 102342 | 110976
    5 | 24:39.52 | 6:56.45 | 110977 | 142221
    6 | 31:36.22 | 10:02.37 | 142222 | 187408
    7 | 41:38.59 | 1:39.28 | 187409 | 194861
    8 | 43:18.12 | 1:08.32 | 194862 | 199993
    9 | 44:26.44 | 6:24.13 | 199994 | 228806


    Track 1

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    Track 2

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    Track 3

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    Track 4

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    Track 5

    Filename C:\Users\Setup\Music\EAC Rips\Anna Webber - Clockwise (2019) [CD FLAC] {PI79}\05 - Clockwise.wav

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    Track 6

    Filename C:\Users\Setup\Music\EAC Rips\Anna Webber - Clockwise (2019) [CD FLAC] {PI79}\06 - Array.wav

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    Track 7

    Filename C:\Users\Setup\Music\EAC Rips\Anna Webber - Clockwise (2019) [CD FLAC] {PI79}\07 - Hologram Best.wav

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    Track not present in AccurateRip database
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    Track 8

    Filename C:\Users\Setup\Music\EAC Rips\Anna Webber - Clockwise (2019) [CD FLAC] {PI79}\08 - King Of Denmark III.wav

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    Track 9

    Filename C:\Users\Setup\Music\EAC Rips\Anna Webber - Clockwise (2019) [CD FLAC] {PI79}\09 - Korē I.wav

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    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: 7epH0N2_fZKzt8pM9ztcvq8M7t0-] found
    Submit result: 7epH0N2_fZKzt8pM9ztcvq8M7t0- has been confirmed
    Track | CTDB Status
    1 | (5/5) Accurately ripped
    2 | (5/5) Accurately ripped
    3 | (5/5) Accurately ripped
    4 | (5/5) Accurately ripped
    5 | (5/5) Accurately ripped
    6 | (5/5) Accurately ripped
    7 | (5/5) Accurately ripped
    8 | (5/5) Accurately ripped
    9 | (5/5) Accurately ripped


    ==== Log checksum 3A4D9FDDCC3EA32A473DEF61668E77EE44F9CC6021C7F0747610CFEEF4621202 ====

    Thanks to the Original ripper !