Tags
Language
Tags
<<
May 2025
Su Mo Tu We Th Fr Sa
27 28 29 30 1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz
    1. Home
    2. Music
    3. Andrea Dieci - English Guitar Music of the 20th Century: Berkeley, Britten, Scott & Walton (2021)

    Andrea Dieci - English Guitar Music of the 20th Century: Berkeley, Britten, Scott & Walton (2021)

    Posted By: delpotro
    Date: 26 Mar 2021 12:40:25
    Andrea Dieci - English Guitar Music of the 20th Century: Berkeley, Britten, Scott & Walton (2021)

    Andrea Dieci - English Guitar Music of the 20th Century: Berkeley, Britten, Scott & Walton (2021)
    WEB FLAC (tracks) - 312 Mb | MP3 CBR 320 kbps - 177 Mb | 01:17:12
    Classical | Label: Brilliant Classics

    It’s easy to identify the classical guitar with Spanish repertoire. After all, Andrés Segovia, who revived the fortunes of the instrument in the early decades of the 20th century after long neglect, was a Spaniard. This does not do justice, however, to the major contribution made to 20th-century guitar repertoire by a number of national schools, among which the United Kingdom’s is particularly outstanding for the quantity and quality of the pieces. This album offers a significant sample of music for solo guitar by four important composers: Cyril Scott, Lennox Berkeley, Benjamin Britten and William Walton.

    Despite being relatively unfamiliar to the wider public, the figure of Cyril Scott (1879–1970) is one of real interest. Having trained in England and in Germany, Scott was a truly gifted pianist and enjoyed the friendship and esteem of composers such as Ravel and Debussy. Though it was written in 1927, Scott’s Sonatina has only entered the repertoire of today’s guitarists in recent years. Its solid compositional mastery gives rise to a beauty at once enigmatic and captivating.

    Lennox Berkeley’s (1903–1989) compositions for the guitar span almost half a century and are a faithful record of his stylistic evolution. Between 1927 and 1932 Berkeley studied in Paris with Nadia Boulanger, and these were triumphant years for Segovia, who had made his debut in the French capital in 1924, inspiring widespread and lasting admiration. Berkeley was captivated and dedicated his 4 Pièces pour la guitare to him, a sparkling collection in spirit very close to the style of composers such as Albert Roussel and Francis Poulenc. It would be some 30 years before the composer returned to the guitar in 1957, thanks to the interest of the young British virtuoso Julian Bream. Berkeley’s Sonatina Op.52/1 is a work of captivating freshness. The Theme and Variations Op.77, commissioned in 1970 by Angelo Gilardino and composed during a period of loosening ties to tonality, is incisive, epigrammatic and aphoristic throughout, reflecting Berkeley’s interest in traditional Chinese poetry.

    The Nocturnal after John Dowland Op.70 (1963) by Benjamin Britten (1913–1976) is also a theme and variations, but rather than present the theme and develop it with variations, Britten inverts the form, revealing the theme only at the very end of the piece after it is gradually unveiled in fragments of a musical mosaic cleverly scattered across the preceding variations.

    The irreverent japes of William Walton’s (1902–1983) Façade for speaker and instrumental sextet, which in 1922/3 marked the composer’s’s debut as an enfant terrible, soon gave way to a late-Romantic style closer to Bax and Vaughan Williams, yet Walton’s irony did not disappear. Rather it was transmuted into an urbane wit, traces of which are found, for example, in the cycle Anon in Love for tenor and guitar, written in 1959 for the duo of Peter Pears and Bream. When Bream asked Walton to try his hand at writing for solo guitar, the composer responded from his retreat on the island of Ischia with the celebrated Five Bagatelles (1970/1), a very strong and imaginative example of compositional craftsmanship.

    These pieces for solo guitar by Scott, Berkeley, Britten and Walton have left a permanent mark on the guitaristic landscape, expanding it to territory then unfamiliar in the prevailing aesthetic canon of Segovia. If the 20th century was the golden age in which the guitar repertoire rose to the level of that of other instruments, much of that is due to these composers.
    Tracklist:
    01. Quatre pièces pour la guitare: I. Moderato ma con brio
    02. Quatre pièces pour la guitare: II. Andante con moto
    03. Quatre pièces pour la Guitare: III. Lento
    04. Quatre pièces pour la Guitare: IV. Allegro, Energico
    05. Sonatina for Guitar: I. Adagio, quasi introduzione - Molto Moderato
    06. Sonatina for Guitar: II. Allegretto Pensoso
    07. Sonatina for Guitar: III. Finale. Allegro
    08. Sonatina for Guitar, Op. 52/1: I. Allegretto
    09. Sonatina for Guitar, Op. 52/1: II. Lento
    10. Sonatina for Guitar, Op. 52/1: III. Rondo. Allegro non Troppo
    11. Nocturnal After John Dowland for Guitar, Op. 70: I. Musingly
    12. Nocturnal After John Dowland for Guitar, Op. 70: II. Very Agitated
    13. Nocturnal After John Dowland for Guitar, Op. 70: III. Restless
    14. Nocturnal After John Dowland for Guitar, Op. 70: IV. Uneasy
    15. Nocturnal After John Dowland for Guitar, Op. 70: V. March-Like
    16. Nocturnal After John Dowland for Guitar, Op. 70: VI. Dreaming
    17. Nocturnal After John Dowland for Guitar, Op. 70: VII. Gently Rocking
    18. Nocturnal After John Dowland for Guitar, Op. 70: VIII. Passacaglia
    19. Nocturnal After John Dowland for Guitar, Op. 70: Slow and Quiet
    20. Theme and Variations for Guitar, Op. 77: I. Theme. Moderato
    21. Theme and Variations for Guitar, Op. 77: II. Variazione I. Allegro
    22. Theme and Variations for Guitar, Op. 77: III. Variazione II. Allegretto
    23. Theme and Variations for Guitar, Op. 77: IV. Variazione III. Lento
    24. Theme and Variations for Guitar, Op. 77: V. Variazione IV. Andante
    25. Theme and Variations for Guitar, Op. 77: Vi. Variazione V. Allegro
    26. Theme and Variations for Guitar, Op. 77: VII. Variazione VI. (Epilogue). Lento
    27. 5 Bagatelles for Guitar: I. Allegro
    28. 5 Bagatelles for Guitar: II. Lento
    29. 5 Bagatelles for Guitar: III. Alla Cubana
    30. 5 Bagatelles for Guitar: IV. —
    31. 5 Bagatelles for Guitar: V. Con Slancio

    –––––––––––-

    DON'T MODIFY THIS FILE

    –––––––––––-

    PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1
    Copyright © 2008-2010 y-soft. All rights reserved

    ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2
    Copyright © 2004 Oleg Berngardt. All rights reserved.
    Copyright © 2004 Alexander Djourik. All rights reserved.


    FILE: 31 - Andrea Dieci - 5 Bagatelles for Guitar- V. Con Slancio.flac
    Size: 12486519 Hash: 1D9590AE311CD1292DB3789DB859FE17 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: F0DB5551329B334EB3B4F909825F46293A76E35F
    FILE: 30 - Andrea Dieci - 5 Bagatelles for Guitar- IV. —.flac
    Size: 7904851 Hash: 2D08065D46029643F7FA6B3B949770E5 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 0E37E33974404F6B3D2369A251C33CE202D7B2AD
    FILE: 29 - Andrea Dieci - 5 Bagatelles for Guitar- III. Alla Cubana.flac
    Size: 9615454 Hash: CBD82B320F80816184CB1AFC9D7D4CDD Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 1504FED189721A4E2EFDBE3E9DED0A1BB77E215A
    FILE: 28 - Andrea Dieci - 5 Bagatelles for Guitar- II. Lento.flac
    Size: 12069754 Hash: 38C404E4CA0687C61738115734E3CB98 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 78D7C288DA0A5B7007475485A1998A1B38F66AC9
    FILE: 27 - Andrea Dieci - 5 Bagatelles for Guitar- I. Allegro.flac
    Size: 19688519 Hash: 9F38F5DDE5D380731796A8F03809F40E Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 1768227CDBC9A40EB13C97FBA55C4799C4E5033A
    FILE: 26 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- VII. Variazione VI. (Epilogue). Lento.flac
    Size: 5230816 Hash: C714E683C3128A20F6FE19F5A656E4C2 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 2A6CCB9AB491AED1979200732BB940B492951E34
    FILE: 25 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- Vi. Variazione V. Allegro.flac
    Size: 3513214 Hash: 324D8B6B37DD98E21D3661761C622B40 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: B054477BA689E873449D346736F1CE863C07C9A0
    FILE: 24 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- V. Variazione IV. Andante.flac
    Size: 5701075 Hash: 88181DC92D2C73F77F3C2037E9822159 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 428B4A4587A6E5A46C4D5BB7D562BD8F3D7884E4
    FILE: 23 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- IV. Variazione III. Lento.flac
    Size: 5279788 Hash: 110520F0A832DAA950F1728C734731AE Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 7C9EEAEA8D7DF5AB173593E009668EE682153015
    FILE: 22 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- III. Variazione II. Allegretto.flac
    Size: 3664568 Hash: 8B8F826F11010DF6DDC53ADD4263BB5E Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: E0395C2C3DF5B64B1B5A538AEFCAC04A9CCC13A3
    FILE: 21 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- II. Variazione I. Allegro.flac
    Size: 4056137 Hash: 69544C48741C00C4C23ADC3259473A94 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: C76E574080788443664EC977B8B5365D1352A3D7
    FILE: 20 - Andrea Dieci - Theme and Variations for Guitar, Op. 77- I. Theme. Moderato.flac
    Size: 4765438 Hash: 8BACA4B638CEF595CEA542392AFB546B Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: CA80880B8318F6F4D98BCBA6ACA1D426B563EE16
    FILE: 19 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- Slow and Quiet.flac
    Size: 9264161 Hash: A7E99E6059C46A3E34F617E746ED53C7 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 7BEA0A79CAEBC337E636B5299DD3392697091007
    FILE: 18 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- VIII. Passacaglia.flac
    Size: 21903632 Hash: 6D0AF31A56C98B7115999D00509A2BBF Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 34F5609CF69051B10E410D2803039CFCEC4BC1D4
    FILE: 17 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- VII. Gently Rocking.flac
    Size: 5826578 Hash: 1458A50EC86C97BF52615604065493DC Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: AC986FAB07F848044C9FBEED926F0DC9D617D38B
    FILE: 16 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- VI. Dreaming.flac
    Size: 7003139 Hash: 94DC68281ACBEB0C9C9D0ED583E45765 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 983781753F73A7788008BBFF18D0FD59716693EF
    FILE: 15 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- V. March-Like.flac
    Size: 7410718 Hash: 88941340A0464A6E6CA00107322EA282 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 6F3FE04BD68F5E920F7B48C70EDA46E239EDD4A4
    FILE: 14 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- IV. Uneasy.flac
    Size: 6151751 Hash: 21AA31DF4169159DADD576FC9E0DC62D Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: 59BD21F1C0698F9C200CF99E1A62EEE459276857
    FILE: 13 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- III. Restless.flac
    Size: 6954780 Hash: AE4E00F6114884616C7AC4A94D620F5C Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: D7085F376B8B55D24264388D16C53DBAAB432163
    FILE: 12 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- II. Very Agitated.flac
    Size: 4051162 Hash: 51321EF7ED87F0514FC91002584D98BC Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 28AB1B8C2E8CB6DAC5032A7801F329DA987C2DA8
    FILE: 11 - Andrea Dieci - Nocturnal After John Dowland for Guitar, Op. 70- I. Musingly.flac
    Size: 9054868 Hash: 1F04492C72AA39DFAABF85C868EAF6C1 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 537BA6C03284824B2B22DC13FE1B8E10D0FDB2DB
    FILE: 10 - Andrea Dieci - Sonatina for Guitar, Op. 52-1- III. Rondo. Allegro non Troppo.flac
    Size: 16640448 Hash: B537B34CF4AC46F586F029EFAD373A69 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 9B0D7DB1E9CB00A30AA903666B256582C12BC735
    FILE: 09 - Andrea Dieci - Sonatina for Guitar, Op. 52-1- II. Lento.flac
    Size: 14218712 Hash: A9C4806494E61044A742FC7515AAA0F0 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 47EC4174A50095C91247D21C2905B5F67E4B1F07
    FILE: 08 - Andrea Dieci - Sonatina for Guitar, Op. 52-1- I. Allegretto.flac
    Size: 25396683 Hash: 5397B368F39F8157BB76120CCB73A387 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 3103D3C82B2D9E116B4783F9C6C9A4662EBC2287
    FILE: 07 - Andrea Dieci - Sonatina for Guitar- III. Finale. Allegro.flac
    Size: 14612512 Hash: 01B4B24E0FBE7CA60A6E5A1A732B54B9 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: C70F273A66C53797018372E32D7EC4BC274A9C90
    FILE: 06 - Andrea Dieci - Sonatina for Guitar- II. Allegretto Pensoso.flac
    Size: 9804058 Hash: 6467F0D6A9B0E9863F5243543372B515 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: A3D820AE47BFE357DB29CE3F72A9F11693B9FD85
    FILE: 05 - Andrea Dieci - Sonatina for Guitar- I. Adagio, quasi introduzione - Molto Moderato.flac
    Size: 29662918 Hash: 608A51752BDE8580D6CF7F1D47D0EBCD Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 4902F5FE58B9DD11B204DFDDEDE370DF24738A69
    FILE: 04 - Andrea Dieci - Quatre pièces pour la Guitare- IV. Allegro, Energico.flac
    Size: 9557735 Hash: C8E63C2CC91B769AECAA5C612482EDF9 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 690E9BFEE94CEF52F1B1345C50F1AD02BB58EEA1
    FILE: 03 - Andrea Dieci - Quatre pièces pour la Guitare- III. Lento.flac
    Size: 11092564 Hash: 2DDB78080FFAA357956A46BE1C526426 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 7ABAC9FFBCACEE0EFC7501E1929DD4CA69D22349
    FILE: 02 - Andrea Dieci - Quatre pièces pour la guitare- II. Andante con moto.flac
    Size: 13242455 Hash: 7FECDEA39916B2BA2AD6CA3FAA1C6250 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 848F921FDBE4863B6C00294F21558904256D1CA5
    FILE: 01 - Andrea Dieci - Quatre pièces pour la guitare- I. Moderato ma con brio.flac
    Size: 11333291 Hash: 223111B597F0103E0C35E32F0B7DB4BC Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: 2FDB3CD3BF1E562B083657EAA08F577C8BE21BAE
    UPWARDS