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Albinoni - Ensemble 415, Banchini - Sinfonie a Cinque op.2 (2009) [Repost]

Posted By: luckburz

Date: 24 May 2013 08:37:18

Albinoni - Ensemble 415, Banchini - Sinfonie a Cinque op.2 (2009) [Repost]

Tomaso Albinoni - Sinfonie a Cinque op.2
Ensemble 415 / Chiara Banchini
EAC+LOG+CUE | WV: 286 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Zig-Zag # ZZT 090202 | Country/Year: France 2009
Genre: Classical | Style: Baroque

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [] not my rip [X]

EAC

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 1. July 2010, 19:10

Ensemble 415, Chiara Banchini / Albinoni-Sinfonie a Cinque op.2

Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:31.15 | 0 | 15839
2 | 3:31.15 | 2:41.53 | 15840 | 27967
3 | 6:12.68 | 2:26.37 | 27968 | 38954
4 | 8:39.30 | 2:12.54 | 38955 | 48908
5 | 10:52.09 | 1:57.68 | 48909 | 57751
6 | 12:50.02 | 2:32.60 | 57752 | 69211
7 | 15:22.62 | 2:07.59 | 69212 | 78795
8 | 17:30.46 | 2:05.32 | 78796 | 88202
9 | 19:36.03 | 2:14.24 | 88203 | 98276
10 | 21:50.27 | 2:05.59 | 98277 | 107710
11 | 23:56.11 | 2:02.01 | 107711 | 116861
12 | 25:58.12 | 2:06.07 | 116862 | 126318
13 | 28:04.19 | 2:38.44 | 126319 | 138212
14 | 30:42.63 | 2:15.16 | 138213 | 148353
15 | 32:58.04 | 1:49.22 | 148354 | 156550
16 | 34:47.26 | 1:49.48 | 156551 | 164773
17 | 36:36.74 | 1:26.22 | 164774 | 171245
18 | 38:03.21 | 2:33.07 | 171246 | 182727
19 | 40:36.28 | 2:17.14 | 182728 | 193016
20 | 42:53.42 | 1:58.68 | 193017 | 201934
21 | 44:52.35 | 2:31.05 | 201935 | 213264
22 | 47:23.40 | 2:13.21 | 213265 | 223260
23 | 49:36.61 | 1:49.65 | 223261 | 231500
24 | 51:26.51 | 2:44.60 | 231501 | 243860

Range status and errors

Selected range

Filename Z:\NetLab\Ensemble 415, Chiara Banchini - Albinoni-Sinfonie a Cinque op.2 (2008)\Ensemble 415, Chiara Banchini - Albinoni-Sinfonie a Cinque op.2.wav

Peak level 95.8 %
Range quality 100.0 %
Test CRC 8B7DD232
Copy CRC 8B7DD232
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 12) [A8C1EEFC]
Track 2 accurately ripped (confidence 12) [2514E1CF]
Track 3 accurately ripped (confidence 12) [8B80DA2A]
Track 4 accurately ripped (confidence 12) [78E46536]
Track 5 accurately ripped (confidence 12) [1CA69329]
Track 6 accurately ripped (confidence 12) [2513E82C]
Track 7 accurately ripped (confidence 12) [81DAF4D9]
Track 8 accurately ripped (confidence 12) [8656A46F]
Track 9 accurately ripped (confidence 12) [189BE58F]
Track 10 accurately ripped (confidence 12) [E3EC2EDF]
Track 11 accurately ripped (confidence 12) [86969157]
Track 12 accurately ripped (confidence 12) [50C1A51E]
Track 13 accurately ripped (confidence 12) [377A2C25]
Track 14 accurately ripped (confidence 12) [AC3C5C0A]
Track 15 accurately ripped (confidence 12) [7D099995]
Track 16 accurately ripped (confidence 12) [41C25B7D]
Track 17 accurately ripped (confidence 12) [3907DA84]
Track 18 accurately ripped (confidence 12) [DAF328E7]
Track 19 accurately ripped (confidence 12) [EFD7E4D4]
Track 20 accurately ripped (confidence 12) [78331751]
Track 21 accurately ripped (confidence 12) [E3823243]
Track 22 accurately ripped (confidence 12) [F4BCCBE9]
Track 23 accurately ripped (confidence 12) [BEF23FDB]
Track 24 accurately ripped (confidence 12) [FAF6F348]

All tracks accurately ripped

End of status report

auCDtect

auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.

Detect mode (0..40 with 0 = most accurate): 8 (default)

––––––––––––––––––––––––––––––
[Ensemble 415, Chiara Banchini - Albinoni-Sinfonie a Cinque op.2.wav]
Detected average hi-boundary frequency: 2.042295e+004 Hz
Detected average lo-boundary frequency: 1.353401e+004 Hz
Detected average hi-cut frequency: 2.035643e+004 Hz
Detected average lo-cut frequency: 1.445550e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.147594e+000
First order smothness: 3.205656e-001
Second order smothness: 8.411311e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 94%.

––––––––––––––––––––––––––––––
[Ensemble 415, Chiara Banchini - Albinoni-Sinfonie a Cinque op.2.wav]
Detected average hi-boundary frequency: 2.042295e+004 Hz
Detected average lo-boundary frequency: 1.353401e+004 Hz
Detected average hi-cut frequency: 2.035643e+004 Hz
Detected average lo-cut frequency: 1.445550e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 2.147594e+000
First order smothness: 3.205656e-001
Second order smothness: 8.411311e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 94%.

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-23 19:23:57

––––––––––––––––––––––––––––––––––––––––
Analyzed: Ensemble 415, Chiara Banchini / Albinoni-Sinfonie a Cinque op.2
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.40 dB -16.92 dB 3:31 01-Sonata n.2 C-dur I. Largo
DR11 -1.92 dB -16.35 dB 2:42 02-Sonata n.2 C-dur II. Allegro
DR11 -3.99 dB -19.11 dB 2:26 03-Sonata n.2 C-dur III. Grave
DR12 -2.80 dB -17.83 dB 2:13 04-Sonata n.2 C-dur IV. Allegro
DR13 -1.88 dB -18.05 dB 1:58 05-Sonata n.6 g-moll I. Adagio
DR12 -1.99 dB -17.43 dB 2:33 06-Sonata n.6 g-moll II. Allegro
DR11 -3.98 dB -19.59 dB 2:08 07-Sonata n.6 g-moll III. Grave
DR12 -2.95 dB -18.25 dB 2:05 08-Sonata n.6 g-moll IV. Allegro
DR12 -0.61 dB -16.95 dB 2:14 09-Sonata n.4 c-moll I. Grave
DR11 -0.37 dB -16.62 dB 2:06 10-Sonata n.4 c-moll II. Allegro assai
DR10 -3.34 dB -18.14 dB 2:02 11-Sonata n.4 c-moll III. Adagio
DR12 -2.90 dB -18.66 dB 2:06 12-Sonata n.4 c-moll IV. Allegro
DR11 -4.55 dB -19.31 dB 2:39 13-Sonata n.5 B-dur I. Largo
DR12 -1.19 dB -17.05 dB 2:15 14-Sonata n.5 B-dur II. Allegro assai
DR11 -2.69 dB -18.26 dB 1:49 15-Sonata n.5 B-dur III. Grave
DR12 -2.53 dB -17.89 dB 1:50 16-Sonata n.5 B-dur IV. Allegro
DR10 -4.65 dB -18.43 dB 1:26 17-Sonata n.1 G-dur I. Grave-Adagio
DR11 -2.08 dB -15.73 dB 2:33 18-Sonata n.1 G-dur II. Allegro
DR11 -3.60 dB -18.66 dB 2:17 19-Sonata n.1 G-dur III. Adagio
DR13 -1.80 dB -17.72 dB 1:59 20-Sonata n.1 G-dur IV. Allegro
DR12 -4.13 dB -20.71 dB 2:31 21-Sonata n.3 A-dur I. Grave
DR12 -3.21 dB -18.76 dB 2:13 22-Sonata n.3 A-dur II. Allegro
DR11 -3.95 dB -20.53 dB 1:50 23-Sonata n.3 A-dur III. Adagio
DR12 -1.27 dB -18.42 dB 2:45 24-Sonata n.3 A-dur IV. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 739 kbps
Codec: WavPack
================================================================================

CD Info:

Tomaso Albinoni - Sinfonie a Cinque op.2

Ensemble 415 / Chiara Banchini

Label: Zig-Zag Territoires
Catalog#: ZZT 090202
Format: CD, Album
Country: France
Released: 2009
Genre: Classical
Style: Baroque

Tracklist:

1 Sonata n.2 C-dur I. Largo 3:31
2 Sonata n.2 C-dur II. Allegro 2:42
3 Sonata n.2 C-dur III. Grave 2:26
4 Sonata n.2 C-dur IV. Allegro 2:13
5 Sonata n.6 g-moll I. Adagio 1:58
6 Sonata n.6 g-moll II. Allegro 2:33
7 Sonata n.6 g-moll III. Grave 2:08
8 Sonata n.6 g-moll IV. Allegro 2:05
9 Sonata n.4 c-moll I. Grave 2:14
10 Sonata n.4 c-moll II. Allegro assai 2:06
11 Sonata n.4 c-moll III. Adagio 2:02
12 Sonata n.4 c-moll IV. Allegro 2:06
13 Sonata n.5 B-dur I. Largo 2:39
14 Sonata n.5 B-dur II. Allegro assai 2:15
15 Sonata n.5 B-dur III. Grave 1:49
16 Sonata n.5 B-dur IV. Allegro 1:50
17 Sonata n.1 G-dur I. Grave-Adagio 1:26
18 Sonata n.1 G-dur II. Allegro 2:33
19 Sonata n.1 G-dur III. Adagio 2:17
20 Sonata n.1 G-dur IV. Allegro 1:59
21 Sonata n.3 A-dur I. Grave 2:31
22 Sonata n.3 A-dur II. Allegro 2:13
23 Sonata n.3 A-dur III. Adagio 1:50
24 Sonata n.3 A-dur IV. Allegro 2:45

Chiara Banchini - violin and direction

Ensemble 415:
Eva Borhi - violin
Peter Barczi & Patricia Gagnon - violas
Gaetano Nasillo - cello
Michael Chanu - double bass
Michele Barchi - harpsichord organ
Evangelina Mascardi - teorbo

review by Uncle Dave Lewis

One of the darkest corners of Tomaso Albinoni's worklist is his chamber music. Albinoni's Opus 2, published in 1700, is particularly problematical, as half of its 12 numbers are chamber sonatas and the other half consists of concertos, chamber concertos to be sure, but the very word concerto is often taken automatically to mean orchestral music. There is a longstanding tradition of playing this music, even the sonatas, as though it were orchestral music, and at least two recorded editions of all 12 pieces – by Claudio Scimone and I Solisti Veneti in the 1970s and the Insieme strumentale di Roma in the 1990s – that make no major distinction between what is a concerto and what is a sonata. Chiara Banchini and her Ensemble 415 will have none of that; on the Zig Zag Territories recording Albinoni: Sinfonie a Cinque, Op. 2, Banchini decides to isolate the sonatas only from the published set and perform them in an unmistakably chamber-oriented setting, and the result is the best Albinoni recording since the Locatelli Trio recorded works taken from Opp. 4 and 6 for Hyperion back in the early '90s.

Albinoni's Op. 2 is a critically important publication; it was a major building block of Venetian Baroque style and was well known to Antonio Vivaldi and Johann Sebastian Bach; it represents, in many ways, the next step forward from the work of Arcangelo Corelli. While Albinoni's effort is essentially popularly oriented, he fashions these pieces out of technical resources more commonly associated with serious composition; internal canons, fugal procedures, imitation (a favorite technique of Albinoni's even in concertos), and so forth. The music is harmonically lush, rhythmically dynamic, and compositionally solid as rock, and the ensemble dimensions of Ensemble 415 are just the right fit for it. The performances are emotionally responsive and strive for a beautiful ensemble blend; they are exquisite overall, although careful ears might detect some confusion in the theorbo part in the Largo of the Sonata No. 5 in B flat. Nevertheless, if you've ever wondered where J.S. Bach got the idea for the second Allegro in the Third Brandenburg Concerto, you need look no further than the one that concludes Sonata No. 5 in this set. If that's not enticement enough, suffice it is to say Zig Zag Territories' Albinoni: Sinfonie a Cinque, Op. 2, is urgently recommended for those afflicted with a taste of high-quality Baroque music and will happily appeal to less specialized musical interests who just want to hear something pleasing, yet substantial. allmusicguide

Albinoni - Ensemble 415, Banchini - Sinfonie a Cinque op.2 (2009) [Repost]

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