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Nova Schola Gregoriana / Alberto Turco - Adorate Deum: Gregorian Chant from the Proper of the Mass (1993)

Posted By: luckburz

Date: 2 Nov 2012 17:23:55

Nova Schola Gregoriana / Alberto Turco - Adorate Deum: Gregorian Chant from the Proper of the Mass (1993)

Adorate Deum: Gregorian Chant from the Proper of the Mass
Nova Schola Gregoriana / Alberto Turco
EAC+LOG+CUE | FLAC: 305 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Naxos "Early Music" # 8.550711| Country/Year: Europe 1993
Genre: Classical, Sacred | Style: Medieval, Gregorian Chant

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

selfrip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 27. June 2012, 20:37

Nova Schola Gregoriana / Adorate Deum

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

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21 | 71:56.50 | 3:29.15 | 323750 | 339439

Range status and errors

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Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Nova Schola Gregoriana - Adorate Deum.wav

Peak level 97.5 %
Extraction speed 1.4 X
Range quality 99.9 %
Test CRC 052238A9
Copy CRC 052238A9
Copy OK

No errors occurred

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–– CUETools DB Plugin V2.1.3

[CTDB TOCID: 7IJzOXlAWm0JN5xS2xYIMUrkRaQ-] found, Submit result: 7IJzOXlAWm0JN5xS2xYIMUrkRaQ- has been confirmed
[c262d973] (7/7) Accurately ripped

==== Log checksum DA211C56094E1197D5A0D7CB6BFF29A06F75A85E5151242D719DA8EDC72E945E ====

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-07-10 13:26:53

––––––––––––––––––––––––––––––––––––––––
Analyzed: Nova Schola Gregoriana / Adorate Deum
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.33 dB -20.74 dB 4:06 01-Adorate Deum (Introitus)
DR13 -2.80 dB -20.55 dB 4:37 02-Da Pacem (Introitus)
DR12 -5.86 dB -22.69 dB 5:49 03-Dominus Illuminatio Mea (Introitus)
DR12 -6.06 dB -21.80 dB 4:08 04-Lætetur Cor (Introitus)
DR11 -5.08 dB -21.53 dB 3:13 05-Dirigatur (Graduale)
DR12 -4.60 dB -21.48 dB 3:26 06-Domine, Dominus Noster (Graduale)
DR11 -2.56 dB -19.92 dB 3:57 07-Iacta Cogitatum TuumGradualia:
DR11 -5.49 dB -21.55 dB 3:18 08-Lætatus SumGradualia:
DR12 -3.04 dB -22.16 dB 2:21 09-Adorabo (Versus Alleluiatici)
DR12 -0.61 dB -18.80 dB 3:20 10-De Profundis (Versus Alleluiatici)
DR13 -1.10 dB -19.75 dB 2:54 11-Deus, Iudex Iustus (Versus Alleluiatici)
DR12 -1.60 dB -20.05 dB 1:53 12-Laudate Deum (Versus Alleluiatici)
DR12 -7.92 dB -24.96 dB 3:32 13-De Profundis (Offertorium)
DR11 -8.09 dB -23.51 dB 2:22 14-Domine, Convertere (Offertorium)
DR13 -3.30 dB -20.79 dB 7:50 15-Iubilate Deo Universa Terra (Offertorium)
DR12 -2.48 dB -20.22 dB 4:18 16-Iustitiæ Domini (Offertorium)
DR11 -1.07 dB -20.41 dB 2:09 17-Circuibo (Communio)
DR12 -1.93 dB -19.56 dB 3:56 18-Dicit Dominus: Implete Hydrias (Offertorium)
DR14 -0.21 dB -19.10 dB 2:28 19-Dominus Firmamentum Meum (Offertorium)
DR11 -3.12 dB -19.07 dB 2:19 20-Qui Manducat (Offertorium)
DR10 -5.06 dB -20.49 dB 3:29 21-Gustate et Videte (Ps 33) (Offertorium)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 21
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 567 kbps
Codec: FLAC
================================================================================

CD Info:

Nova Schola Gregoriana / Alberto Turco - Adorate Deum: Gregorian Chant from the Proper of the Mass

Label: Naxos
Series: Early Music
Catalog#: 8.550711
Format: CD, Album
Country: Europe
Released: 1993
Genre: Classical, Old Music
Style: Gregorian Chant

Tracklist:

01. Adorate Deum (Introitus) 4:05
02. Da Pacem (Introitus) 4:37
03. Dominus Illuminatio Mea (Introitus) 5:48
04. Lætetur Cor (Introitus) 4:08
05. Dirigatur (Graduale) 3:13
06. Domine, Dominus Noster (Graduale) 3:25
07. Iacta Cogitatum TuumGradualia: 3:57
08. Lætatus SumGradualia: 3:18
09. Adorabo (Versus Alleluiatici) 2:20
10. De Profundis (Versus Alleluiatici) 3:20
11. Deus, Iudex Iustus (Versus Alleluiatici) 2:53
12. Laudate Deum (Versus Alleluiatici) 1:53
13. De Profundis (Offertorium) 3:31
14. Domine, Convertere (Offertorium) 2:22
15. Iubilate Deo Universa Terra (Offertorium) 7:50
16. Iustitiæ Domini (Offertorium) 4:18
17. Circuibo (Communio) 2:08
18. Dicit Dominus: Implete Hydrias (Offertorium) 3:55
19. Dominus Firmamentum Meum (Offertorium) 2:28
20. Qui Manducat (Offertorium) 2:19
21. Gustate et Videte (Ps 33) (Offertorium) 3:29

After listening closely to more than 500 CDs of chant in less than a year, many of them very worthy, others burdened with a variety of faults, one of them might seem to be worthy of a special recommendation. This disc stood out for several reasons. The very full program offers 20 Mass Propers, four each of introits, graduals, alleluia verses, offertories, and communions. Mass Propers are generally regarded as the cream of the early crop of chants, brought north from Rome in the eighth century and edited by Frankish cantors to form what became known as Gregorian chant. Noteworthy in this selection are the offertories, for each of these four includes one verse. These verses are widely regarded as the peak of virtuosity for solo cantors, although they have not been used liturgically since the 12th century. They were edited by Carl Ott in 1935 and again last year by Rebecca Maloy in Inside the Offertory for Oxford University Press.

The performances, too, are special, for Alberto Turco is one of the leading scholars among the pupils of Eugène Cardine, who defined the semiological interpretation of neumes. These scholars have been busy for more than 25 years editing the Mass Propers, and the result has just been published in Regensburg as Graduale Novum—Editio Magis Critica Iuxta SC 117. Tomus I: De Dominicis et Festis. That means a more critical edition of the Gradual according to the explicit directive of the Constitution on the Liturgy of the Second Vatican Council, with the first volume including the Sundays and major feast days. The Graduale, of course, is the collection of Mass chants, currently known in the official 1974 edition annotated in 1979 as the Graduale Triplex. This new edition is not official in the same sense, just as the Nocturnale Romanum (Cologne, 2002) edited by the late Holger Peter Sandhofe was not, but these books both serve a purpose. On the Naxos disc, the soloist in the verses of all the chants is Alessio Randon, who has also directed his own schola (between them, Turco and Randon made a group of six discs for Naxos, of which this one was the first). Easily the best aspect of the program is Randon’s singing of two verses for each introit, the verse of each gradual (with the respond repeated), the verse of each alleluia, the verse of each offertory, and a verse for each communion. In the old days most church choirs sang chants straight through and no one got a solo turn, despite the formal requirements of the piece.

In addition to these 20 chants, the 21st and last selection is another communion. In the one glitch on this package, the notes identify the piece as the Gregorian communion for the eighth Sunday after Pentecost, but in fact this is an entirely different chant, a communion chant (the term is ad accedentes) from the Hispanic repertoire that is one of the most familiar of the small number of such chants on records. Hispanic chant is gaining new attention lately with a forthcoming study by Rebecca Maloy and Emma Hornby and the publication this spring of a lavish color facsimile of the oldest and most important Hispanic source, the 10th-century antiphonal, Leon MS 8, a complete neumed collection of chants for both Mass and Office. This disc is equally appropriate for the chant specialist and for someone who wants as little as a single disc to fill an empty space in his collection.
FANFARE: J. F. Weber arkivmusic.com

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