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Orchestre des Concerts Lamoureux, Yutaka Sado - L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)

Posted By: Designol
Orchestre des Concerts Lamoureux, Yutaka Sado - L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)

L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)
Orchestre des Concerts Lamoureux; Yutaka Sado, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 279 Mb | Mp3 (CBR320) ~ 150 Mb | Scans ~ 43 Mb
Classical | Label: Erato | # 8573-85827-2 | Time: 01:05:27

After the compulsory Gymnopédies, this turns out to be an above average Satie collection. Parade is performed with relish and a healthy dose of anarchy, with no attempt being made to blend the pistol shots into the texture of the orchestra. Rather than the more usual companion pieces of Mercure and Relâche, Yutaka Sado builds the remaining programme around La belle excentrique and Le piège de Méduse, opting for some of the music - hall - inspired works in between. Pieces like Je te veux and Poudre d ’ or are familiar in their piano or vocal versions, but rarely get outings in the arrangements for brasserie orchestra, making this a most desirable disc for Satie devotees.

Review by Christopher Dingle, BBC Music Magazine

Satie’s humour is too deep to be taken frivolously and I’m happy to say that Yutaka Sado approaches this music with the respect and care it deserves. Phrasing and articulation are scrupulously accurate and the result‚ supported by excellent insert­notes from the great Satie authority Ornella Volta‚ should have been an important disc in every respect.
I say ‘should’ because there has been‚ in my view‚ one crucial misjudgement which impairs the whole enterprise. The idea of a disc containing a wide variety of Satie’s orchestral music seems initially to be an excellent one. The problem is to find a venue suitable for this wide variety. I am no great lover of the acoustics of the Salle Wagram‚ but it does no lasting harm to Parade (which Sado bravely takes at a more or less uniform tempo as the composer wanted‚ even if the pulse is not quite the 76­to­the­minute that’s specified) nor to the atmospheric orchestrations of the two outer Gymnopédies by Debussy and of two Preludes and a Gnossienne by Poulenc. But the cavernous acoustics are far more menacing to the health of those works scored either for petit orchestre or for orchestre de brasserie. In many cases‚ too‚ the string band in these sounds too large to me‚ and altogether the intimacy they need is destroyed. I would also question Sado’s fast tempos in several places. In La belle excentrique his waltz tempo is decidedly brisk and in the ‘Cancan Grand­mondain’ there is surely no time for the dancers’ legs to do a shake as well as a lift?
On the positive side though‚ it’s good to have some of the more unfamiliar Satie on disc‚ such as the waltz suite Poudre d’or of 1902 and the two extracts from Musique d’ameublement of 1920‚ the first with its hilarious Saint­Saëns quotation. Was Saint­Saëns’ death the following year the delayed effect of rage‚ I wonder?

Review by Gramophone

Orchestre des Concerts Lamoureux, Yutaka Sado - L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)



Orchestre des Concerts Lamoureux, Yutaka Sado - L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)



Orchestre des Concerts Lamoureux
Yutaka Sado, conductor

Recording: Salle Wagram, Paris, 11-14 September 2000

Tracklist:

Erik SATIE (1866-1925)

Deux Gymnopédies (1888)
orchestrées par Claude Debussy (1896)
01. Première Gymnopédie 3:23
02. Troisième Gymnopédie 2:26

Parade (1917-1919)
Ballet réaliste sur un thème de Jean Cocteau
03. Choral 0:51
04. Prélude du Rideau rouge / Entrée des Managers 0:49
05. I. Prestidigitateurs chinois 3:53
06. II. Petite fille américaine / Ragtime du Paquebot 4:13
07. III. Acrobates / Suprême Effort des Managers 3:32
08. Finale 2:22
09. Suite au 'Prélude du Rideau Rouge' 0:32

10. La Diva de 'L'Empire' (1904) 2:25
intermezzo américain, marche
Orchestre de brasserie

La Belle Excentrique (1920)
fantaisie sérieuse
Petit orchestre
11. I. Marche franco-lunaire 1:46
12. Grande Ritournelle 1:52
13. II. Valse du 'Mystérieux Baiser dans L'Œil' 2:32
14. Grande Ritournelle 1:52
15. III. Cancan Grand-mondain 1:59

16. Poudre D'Or (1902) 4:58
suite de valses
Orchestre de brasserie

17. Un Salon (1920) 1:49
musique d'ameublement
Petit orchestre

Trois Petites Pièces Montées (1920)
Petit orchestre
18. I. De l'enfance de Pantagruel · rêverie 1:56
19. II. Marche de Cocagne · démarche 1:24
20. III. Jeux de Gargantua · coin de polka 1:44

21. Je te veux (1897) 3:35
valse
Orchestre de brasserie

22. Les Pantins dansent (1913) 2:03
poème dansé
Petit orchestre

23. Chez un 'bistrot' (1920) 1:03
musique d'ameublement
Petit orchestre

Deux Préludes posthumes et une Gnossienne
orchestrées par Francis Poulenc (1939)
24. I. Fête donnée par des Chevaliers normands en l'honneur d'une jeune Demoiselle (XIᵉ siècle) (ca 1890) 2:52
25. II. Premier Prélude du Nazaréen d'Henri Mazel (1892) 3:29
26. III. Troisième Gnossienne (1890) 2:03

Sept Toutes Petites Danses pour Le Piège de Méduse (1913-1921)
Petit orchestre
27. I. Quadrille 0:34
28. II. Valse 0:48
29. III. Gigue 0:38
30. IV. Mazurka 0:38
31. V. Danse-ballet 0:32
32. VI. Polka 0:26
33. VII. Quadrille 0:21


Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 16. March 2018, 20:54

Satie, Erik / L'orchestre de Satie - Orchestre des Concerts Lamoureux, Yutaka Sado

Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 5 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
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Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "PERFORMER=%albuminterpret%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC V1.3, Secure Mode, Test & Copy, AccurateRip, FLAC 1.3.2 Level 6" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:26.35 | 0 | 15484
2 | 3:26.35 | 2:31.00 | 15485 | 26809
3 | 5:57.35 | 0:51.42 | 26810 | 30676
4 | 6:49.02 | 0:48.38 | 30677 | 34314
5 | 7:37.40 | 3:53.57 | 34315 | 51846
6 | 11:31.22 | 4:12.20 | 51847 | 70766
7 | 15:43.42 | 3:31.65 | 70767 | 86656
8 | 19:15.32 | 2:22.23 | 86657 | 97329
9 | 21:37.55 | 0:34.42 | 97330 | 99921
10 | 22:12.22 | 2:26.55 | 99922 | 110926
11 | 24:39.02 | 1:27.03 | 110927 | 117454
12 | 26:06.05 | 1:52.22 | 117455 | 125876
13 | 27:58.27 | 2:31.45 | 125877 | 137246
14 | 30:29.72 | 1:51.68 | 137247 | 145639
15 | 32:21.65 | 2:00.27 | 145640 | 154666
16 | 34:22.17 | 4:58.63 | 154667 | 177079
17 | 39:21.05 | 1:49.30 | 177080 | 185284
18 | 41:10.35 | 1:58.45 | 185285 | 194179
19 | 43:09.05 | 1:25.00 | 194180 | 200554
20 | 44:34.05 | 1:46.05 | 200555 | 208509
21 | 46:20.10 | 3:35.57 | 208510 | 224691
22 | 49:55.67 | 2:05.70 | 224692 | 234136
23 | 52:01.62 | 1:03.38 | 234137 | 238899
24 | 53:05.25 | 2:52.07 | 238900 | 251806
25 | 55:57.32 | 3:28.38 | 251807 | 267444
26 | 59:25.70 | 2:04.30 | 267445 | 276774
27 | 61:30.25 | 0:33.57 | 276775 | 279306
28 | 62:04.07 | 0:48.28 | 279307 | 282934
29 | 62:52.35 | 0:38.12 | 282935 | 285796
30 | 63:30.47 | 0:37.28 | 285797 | 288599
31 | 64:08.00 | 0:33.05 | 288600 | 291079
32 | 64:41.05 | 0:25.22 | 291080 | 292976
33 | 65:06.27 | 0:21.03 | 292977 | 294554


Track 1

Filename D:\EAC extraction\01 - Premiere Gymnopedie.wav

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Track quality 99.9 %
Test CRC FB7615B7
Copy CRC FB7615B7
Accurately ripped (confidence 8) [B69F1EEB] (AR v2)
Copy OK

Track 2

Filename D:\EAC extraction\02 - Troisieme Gymnopedie.wav

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Test CRC 8A99ECE6
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Accurately ripped (confidence 8) [6E289CDB] (AR v2)
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Track 3

Filename D:\EAC extraction\03 - Parade - Choral.wav

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Track 4

Filename D:\EAC extraction\04 - Parade - Prelude du Rideau rouge - Entree des Managers.wav

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Track 5

Filename D:\EAC extraction\05 - Parade - I. Prestidigitateurs chinois.wav

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Accurately ripped (confidence 8) [D1A81150] (AR v2)
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Track 6

Filename D:\EAC extraction\06 - Parade - II. Petite fille americaine - Ragtime du Paquebot.wav

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Accurately ripped (confidence 8) [57683426] (AR v2)
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Track 7

Filename D:\EAC extraction\07 - Parade - III. Acrobates - Supreme Effort des Managers.wav

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Accurately ripped (confidence 8) [A4F21A01] (AR v2)
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Track 8

Filename D:\EAC extraction\08 - Parade - Finale.wav

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Accurately ripped (confidence 8) [AEA86F1A] (AR v2)
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Track 9

Filename D:\EAC extraction\09 - Parade - Suite au 'Prelude du Rideau Rouge'.wav

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Accurately ripped (confidence 8) [77D1F6D2] (AR v2)
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Track 10

Filename D:\EAC extraction\10 - La Diva de 'L'Empire'.wav

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Track 11

Filename D:\EAC extraction\11 - La Belle Excentrique - I. Marche franco-lunaire.wav

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Accurately ripped (confidence 8) [1BA54479] (AR v2)
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Track 12

Filename D:\EAC extraction\12 - La Belle Excentrique - Grande Ritournelle.wav

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Accurately ripped (confidence 8) [364F63BD] (AR v2)
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Track 13

Filename D:\EAC extraction\13 - La Belle Excentrique - II. Valse du 'Mysterieux Baiser dans L'Oeil'.wav

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Accurately ripped (confidence 8) [520E89B1] (AR v2)
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Track 14

Filename D:\EAC extraction\14 - La Belle Excentrique - Grande Ritournelle.wav

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Track 15

Filename D:\EAC extraction\15 - La Belle Excentrique - III. Cancan Grand-mondain.wav

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Accurately ripped (confidence 8) [13014CBE] (AR v2)
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Track 16

Filename D:\EAC extraction\16 - Poudre D'Or.wav

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Accurately ripped (confidence 8) [EFD3AC19] (AR v2)
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Track 17

Filename D:\EAC extraction\17 - Un Salon.wav

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Accurately ripped (confidence 7) [589512E5] (AR v2)
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Track 18

Filename D:\EAC extraction\18 - Trois Petites Pieces Montees - I. De l'enfance de Pantagruel.wav

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Accurately ripped (confidence 7) [0B738130] (AR v2)
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Track 19

Filename D:\EAC extraction\19 - Trois Petites Pieces Montees - II. Marche de Cocagne.wav

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Accurately ripped (confidence 8) [F265B807] (AR v2)
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Track 20

Filename D:\EAC extraction\20 - Trois Petites Pieces Montees - III. Jeux de Gargantua.wav

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Accurately ripped (confidence 8) [34B78E69] (AR v2)
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Track 21

Filename D:\EAC extraction\21 - Je te veux.wav

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Track 22

Filename D:\EAC extraction\22 - Les Pantins dansent.wav

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Accurately ripped (confidence 8) [868B7604] (AR v2)
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Track 23

Filename D:\EAC extraction\23 - Chez un 'bistrot'.wav

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Accurately ripped (confidence 8) [24D9FD38] (AR v2)
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Track 24

Filename D:\EAC extraction\24 - Fete donnee par des Chevaliers normands en l'honneur d'une jeune Demoiselle.wav

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Track 25

Filename D:\EAC extraction\25 - Premier Prelude du Nazareen d'Henri Mazel.wav

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Track 26

Filename D:\EAC extraction\26 - Troisieme Gnossienne.wav

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Track 27

Filename D:\EAC extraction\27 - Sept Toutes Petites Danses pour Le Piege de Meduse - I. Quadrille.wav

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Accurately ripped (confidence 8) [80565EB7] (AR v2)
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Track 28

Filename D:\EAC extraction\28 - Sept Toutes Petites Danses pour Le Piege de Meduse - II. Valse.wav

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Accurately ripped (confidence 7) [F0105793] (AR v2)
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Track 29

Filename D:\EAC extraction\29 - Sept Toutes Petites Danses pour Le Piege de Meduse - III. Gigue.wav

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Track 30

Filename D:\EAC extraction\30 - Sept Toutes Petites Danses pour Le Piege de Meduse - IV. Mazurka.wav

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Accurately ripped (confidence 7) [AB1EEC30] (AR v2)
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Track 31

Filename D:\EAC extraction\31 - Sept Toutes Petites Danses pour Le Piege de Meduse - V. Danse-ballet.wav

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Track 32

Filename D:\EAC extraction\32 - Sept Toutes Petites Danses pour Le Piege de Meduse - VI. Polka.wav

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Track 33

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All tracks accurately ripped

No errors occurred

End of status report

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14 | (15/16) Accurately ripped
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20 | (14/16) Accurately ripped
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23 | (15/16) Accurately ripped
24 | (16/16) Accurately ripped
25 | (15/16) Accurately ripped
26 | (16/16) Accurately ripped
27 | (16/16) Accurately ripped
28 | (16/16) Accurately ripped
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31 | (16/16) Accurately ripped
32 | (16/16) Accurately ripped
33 | (16/16) Accurately ripped


==== Log checksum C3DBDA3FB3108D984BCE0131E4CBA678E2B0A27757A8DDA3ABE4D4BB84941454 ====

foobar2000 1.3.14 / Dynamic Range Meter 1.1.1
log date: 2018-03-16 20:59:24

––––––––––––––––––––––––––––––––––––––––
Analyzed: Satie, Erik / L'orchestre de Satie / Orchestre des Concerts Lamoureux, Yutaka Sado
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -10.49 dB -25.55 dB 3:26 01-Deux Gymnopédies (orchestrées par Claude Debussy): Première Gymnopédie
DR10 -11.48 dB -26.83 dB 2:31 02-Deux Gymnopédies (orchestrées par Claude Debussy): Troisième Gymnopédie
DR11 -1.74 dB -19.15 dB 0:52 03-Parade: Choral
DR14 -2.68 dB -26.40 dB 0:49 04-Parade: Prélude du Rideau rouge / Entrée des Managers
DR13 -0.18 dB -19.61 dB 3:54 05-Parade: I. Prestidigitateurs chinois
DR12 -0.18 dB -17.82 dB 4:12 06-Parade: II. Petite fille américaine / Ragtime du Paquebot
DR12 -0.18 dB -17.35 dB 3:32 07-Parade: III. Acrobates / Suprême Effort des Managers
DR11 -0.18 dB -14.92 dB 2:22 08-Parade: Finale
DR13 -1.73 dB -21.95 dB 0:35 09-Parade: Suite au 'Prélude du Rideau Rouge'
DR15 -5.49 dB -25.73 dB 2:27 10-La Diva de 'L'Empire'
DR13 -0.18 dB -18.37 dB 1:27 11-La Belle Excentrique: I. Marche franco-lunaire
DR15 -0.18 dB -20.46 dB 1:52 12-La Belle Excentrique: Grande Ritournelle
DR14 -2.03 dB -22.45 dB 2:32 13-La Belle Excentrique: II. Valse du 'Mystérieux Baiser dans L'Oeil'
DR15 -0.18 dB -20.46 dB 1:52 14-La Belle Excentrique: Grande Ritournelle
DR14 -0.49 dB -17.70 dB 2:00 15-La Belle Excentrique: III. Cancan Grand-mondain
DR13 -1.30 dB -18.90 dB 4:59 16-Poudre D'Or
DR13 -6.17 dB -23.64 dB 1:49 17-Un Salon
DR13 -15.62 dB -33.59 dB 1:59 18-Trois Petites Pièces Montées: I. De l'enfance de Pantagruel · rêverie
DR12 -4.78 dB -22.64 dB 1:25 19-Trois Petites Pièces Montées: II. Marche de Cocagne · démarche
DR15 -0.18 dB -21.59 dB 1:46 20-Trois Petites Pièces Montées: III. Jeux de Gargantua · coin de polka
DR12 -1.91 dB -19.32 dB 3:36 21-Je te veux
DR12 -15.90 dB -35.16 dB 2:06 22-Les Pantins dansent
DR13 -5.82 dB -23.49 dB 1:04 23-Chez un 'bistrot'
DR11 -9.48 dB -26.47 dB 2:52 24-Deux Préludes posthumes et une Gnossienne (orchestrées par Francis Poulenc): I. Fête donnée par des Chevaliers normands en l'honneur d'une jeune Demoiselle
DR14 -8.57 dB -27.61 dB 3:29 25-Deux Préludes posthumes et une Gnossienne (orchestrées par Francis Poulenc): II. Premier Prélude du Nazaréen d'Henri Mazel
DR14 -10.33 dB -28.74 dB 2:04 26-Deux Préludes posthumes et une Gnossienne (orchestrées par Francis Poulenc): III. Troisième Gnossienne
DR14 -9.96 dB -27.01 dB 0:34 27-Sept Toutes Petites Danses pour Le Piège de Méduse: I. Quadrille
DR14 -0.18 dB -21.52 dB 0:48 28-Sept Toutes Petites Danses pour Le Piège de Méduse: II. Valse
DR14 -0.93 dB -17.71 dB 0:38 29-Sept Toutes Petites Danses pour Le Piège de Méduse: III. Gigue
DR13 -7.67 dB -27.46 dB 0:37 30-Sept Toutes Petites Danses pour Le Piège de Méduse: IV. Mazurka
DR14 -3.62 dB -21.47 dB 0:33 31-Sept Toutes Petites Danses pour Le Piège de Méduse: V. Danse-ballet
DR15 -2.61 dB -21.73 dB 0:25 32-Sept Toutes Petites Danses pour Le Piège de Méduse: VI. Polka
DR13 -0.18 dB -16.66 dB 0:21 33-Sept Toutes Petites Danses pour Le Piège de Méduse: VII. Quadrille
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Number of tracks: 33
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 728 kbps
Codec: FLAC
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Orchestre des Concerts Lamoureux, Yutaka Sado - L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)

Orchestre des Concerts Lamoureux, Yutaka Sado - L'Orchestre de Satie (Erik Satie: Orchestral Works) (2001)

All thanks to original releaser

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