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    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000) [Spitfire, 5171-2]

    Posted By: v3122
    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000) [Spitfire, 5171-2]

    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000) [Spitfire, 5171-2]
    Neo-Classical Metal | EAC Rip | Flac (Image) + Cue + Log | MP3 CBR 320Kbps | 14 Tracks
    Scans Included | Spitfire | 5171-2 | ~484 + 175 Mb | 3% Recovery | HF + FileSonic

    No, War to End All Wars isn't a Molly Hatchet album, the Frank Frazetta cover painting notwithstanding. It's Yngwie J. Malmsteen's Rising Force's 2000 album on Spitfire, which also finally gave Malmsteen's '90s output a proper U.S. reissue release at about the same time. The fleet-fingered Swedish guitar god plays all the electric and acoustic guitar parts on War to End All Wars, of course, and he also plays bass and sitar. And, for better or worse, he writes all the lyrics. His supporting players include vocalist Mark Boals, keyboardist Mats Olausson, and drummer John Macaluso. War to End All Wars is packed with Malmsteen's jaw-dropping, neo-classical, light-speed guitar shredding, and the three instrumentals are arguably the best tracks. (Face it, nobody listens to a Malmsteen album for the vocals, and Boals' operatic wailing wears thin after awhile.) "Molto Arpeggiosa" is the highlight and the track's foundation, oddly enough, is the rigidly spry bass riff; never fear, for Malmsteen quickly unleashes the rockets in his fingertips. His impossibly fast soloing on "Preludium" and "Instrumental Institution" is supported by the keyboards and drums. "Prophet of Doom" comes complete with Queen-like harmonies. The mid-tempo hard rocker "Bad Reputation" includes Malmsteen's self-defensive lyrics. "Masquerade" has a sleeker '80s-like feel and Malmsteen does as much riffing as soloing. The acoustic guitar-tinged "Miracle of Life," which seems inspired by his new life as a husband and father, has the broadest range of musical dynamics on the album. "Wild One" is rooted in speed metal and the lyrics cleverly weave past Malmsteen song titles. Given Malmsteen's love of Ritchie Blackmore, you'd think the U.S. bonus track "Black Sheep of the Family" is a Rainbow cover, but it's not. It's a playful, reggae-based studio jam.

    ~ Bret Adams, All Music Guide
    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000) [Spitfire, 5171-2]

    Yngwie Malmsteen Biography:

    Born: 1963, Stockholm, Sweden
    Active: '80s, '90s
    Genres: Rock
    Instrument: Guitar
    Representative Albums: "Trilogy", "Rising Force", "Perpetual Flame"
    Representative Songs: "Far Beyond the Sun", "Rising Force", "Heaven Tonight"

    Yngwie Malmsteen is arguably the most technically accomplished hard rock guitarist to emerge during the '80s. Combining a dazzling technique honed over years of obsessive practice with a love for such classical composers as Bach, Beethoven, and Paganini, Malmsteen's distinctively Baroque, gothic compositional style and lightning-fast arpeggiated solos rewrote the book on heavy metal guitar. His largely instrumental debut album, Rising Force, immediately upped the ante for aspiring hard rock guitarists and provided the major catalyst for the '80s guitar phenomenon known as "shredding," in which the music's main focus was on impossibly fast, demanding licks rather than songwriting. Malmsteen released a series of albums over the course of the '80s that, aside from slight differences in approach and execution, were strongly similar to Rising Force, and critics charged him with showing little artistic progression. He was also reviled as an egotist whose emphasis on blazing technique ultimately made for boring, mechanical, masturbatory music with no room for subtlety or emotion. Malmsteen responded by insisting that since he was already playing music he loved, he had no desire to develop any further, and that his love did come through in his playing. He also vehemently insisted that it was his imitators, not him, who reduced songwriting and composition to merely generic vehicles to show off the guitar player's amazing technique. Toward the end of the decade, Malmsteen fell out of favor with metal audiences, and even some of his musician fan base seemed to tire of him and the incredible amount of practice it would take for them to emulate him. Following a series of personal setbacks, tragedies, and even injuries, Malmsteen eventually resurfaced on small, independent labels and then recorded at a prolific, rapid pace, continuing to play the music he loved in his patented neo-classical style.

    Yngwie (pronounced "ING-vay") Malmsteen was born Lars Johann Yngwie Lannerback in Stockholm, Sweden, in 1963, later adopting his mother's maiden name following his parents' divorce. He was an unruly child, and his mother tried without initial success to interest him in music as an outlet. However, when seven-year-old Yngwie saw a television special on the death of Jimi Hendrix featuring live performance footage of Hendrix setting his guitar on fire, he became obsessed with the guitar, learning to play the music of both Hendrix and favorites Deep Purple. Through Purple guitarist Ritchie Blackmore's use of diatonic minor scales over simple blues riffs, Malmsteen was led toward classical music, and his sister exposed him to composers like Bach, Beethoven, Vivaldi, and Mozart. He spent hours practicing obsessively until his fingers bled, and by age ten, his mother allowed him to stay home from school to develop his musical talents, particularly since he was considered a behavioral nightmare. Also at age ten, Malmsteen became enamored of the music of 19th century violinist/composer Niccolo Paganini, as well as Paganini's flamboyant style and wild-man image; this would provide the blueprint for Malmsteen's synthesis of classical music and rock. By the time he was 18, Malmsteen was playing around Sweden with various bands attempting to find an audience for his technically staggering instrumental explorations, but most listeners preferred more accessible pop music; frustrated, Malmsteen sent demo tapes to record companies overseas. When Mike Varney, president of Shrapnel Records – a label synonymous with the term "shredder" – heard Malmsteen's tape, he invited the guitarist to come to the United States and join the band Steeler in 1981.

    Steeler recorded one album with Malmsteen on guitar, but dissatisfied with the band's rather generic style, Malmsteen moved on to the group Alcatrazz, whose Deep Purple and Rainbow influences better suited the guitarist's style. Still not quite satisfied, Malmsteen formed his own band, Rising Force, with longtime friend and keyboardist Jens Johansson. The new band's first album, also called Rising Force, was released in 1984; it was a largely instrumental affair spotlighting Malmsteen's incendiary guitar work and Johansson's nearly equally developed technique. The album was an immediate sensation in guitar circles, winning countless reader's polls in guitar magazines, reaching number 60 on Billboard's album chart (no mean feat for an instrumental album), and receiving a Grammy nomination for Best Rock Instrumental Performance. Malmsteen's subsequent albums, Marching Out and Trilogy, also sold quite well and consolidated his reputation and influence as a composer as well as a soloist. However, on June 22, 1987, a speeding Malmsteen crashed his Jaguar into a tree; in breaking the steering wheel with his head, he received a blood clot in his brain that nearly killed him and extensively damaged the nerves leading to his picking hand. In the course of recovery, he learned that his mother had died and that his manager had swindled him out of his earnings. Undaunted, Malmsteen regained the use of his hand and recorded Odyssey, his most accessible, radio-friendly collection to date; the single "Heaven Tonight" widened his audience beyond a devoted core of guitar fans and helped push the album into Billboard's Top 40. Following a world tour including the then-Soviet Union, the Rising Force unit disbanded and Malmsteen formed a new band in his native Sweden for 1990's Eclipse. The album was a success in Europe and Japan, but stiffed in the U.S. without much promotion.

    An angry Malmsteen left PolyGram and, prior to the release of 1992's Fire and Ice, he was married to and divorced from a Swedish pop singer. Fire and Ice debuted at number one on the Japanese charts, and Malmsteen toured the world again. However, disaster struck frequently over the next two years. Hurricane Andrew destroyed Malmsteen's Miami property; his manager of four years died of a heart attack; Elektra dropped him from their roster; a freak accident left the guitarist with a broken hand, in addition to frequent bouts of tendinitis caused by his lightning technique; and in August 1993, Malmsteen's future mother-in-law, opposed to his engagement to her daughter, had him falsely arrested for holding the woman hostage with a gun. The charges were quickly dropped, and Malmsteen secured a deal with the Japanese label Pony Canyon after his hand had healed completely. He returned to recording with a vengeance, releasing The Seventh Sign in 1994, as well as two mini-albums (Power and Glory and I Can't Wait), and then Magnum Opus in 1995 and the all-covers album Inspiration in 1996.

    After several years in near obscurity, Malmsteen returned to the headlines in 2002, after a fellow airline passenger threw water on him after he allegedly made a slanderous comment about homosexuals. This incensed Malmsteen, who had to be escorted away by security, all the while screaming to the passenger that she had "unleashed the f*cking fury." This stint proved to be so popular in revitalizing his career that his comeback album in 2005 appropriated the phrases as its title. While his popularity has largely faded in the U.S. due to a backlash against the excesses of '80s shredders, Malmsteen still finds audiences in Europe and is more popular in Japan and Asia than ever. Instru-Mental was released in February 2007.

    ~ Steve Huey, All Music Guide


    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000):

    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000) [Spitfire, 5171-2]

    Tracklist:

    01. Prophet Of Doom (5:31)
    02. Crucify (6:44)
    03. Bad Reputation (4:52)
    04. Catch 22 (4:12)
    05. Masquerade (4:54)
    06. Molto Arpeggiosa (4:13)
    07. Miracle Of Life (5:39)
    08. The Wizard (5:18)
    09. Preludium (2:26)
    10. Wild One (5:45)
    11. Tarot (5:38)
    12. Instrumental Institution (3:55)
    13. War To End All Wars 4:15)
    14. Black Sheep Of The Family (bonus track) (2:16)

    Personnel:

    Yngwie J. Malmsteen - Guitar (Acoustic), Guitar, Arranger, Gong, Guitar (Bass), Guitar (Rhythm), Sitar, Vocals, Producer, Mixing
    Mats Olausson - Keyboards
    Mark Boals - Vocals
    John Macaluso - Drums
    Brian Fitzpatrick - Engineer, Mixing
    Michael Fuller - Mastering
    Michael Johansson - Photography
    Rich DiSilvio - Artwork
    Frank Frazetta - Cover Art

    Exact Audio Copy V0.99 prebeta 3 from 28. July 2007

    EAC extraction logfile from 25. September 2007, 4:25

    Yngwie J. Malmsteen's Rising Force / War To End All Wars

    Used drive : SONY CD-RW CRX300E Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 5:31.47 | 0 | 24871
    2 | 5:31.47 | 6:44.25 | 24872 | 55196
    3 | 12:15.72 | 4:52.25 | 55197 | 77121
    4 | 17:08.22 | 4:12.60 | 77122 | 96081
    5 | 21:21.07 | 4:54.60 | 96082 | 118191
    6 | 26:15.67 | 4:13.70 | 118192 | 137236
    7 | 30:29.62 | 5:39.10 | 137237 | 162671
    8 | 36:08.72 | 5:18.03 | 162672 | 186524
    9 | 41:27.00 | 2:26.50 | 186525 | 197524
    10 | 43:53.50 | 5:45.55 | 197525 | 223454
    11 | 49:39.30 | 5:38.37 | 223455 | 248841
    12 | 55:17.67 | 3:55.65 | 248842 | 266531
    13 | 59:13.57 | 4:15.05 | 266532 | 285661
    14 | 63:28.62 | 2:16.15 | 285662 | 295876


    Range status and errors

    Selected range

    Filename P:\Новая папка\Yngwie J. Malmsteen's Rising Force - War To End All Wars.wav

    Peak level 98.8 %
    Range quality 100.0 %
    Copy CRC E566C5D3
    Copy OK

    No errors occurred

    End of status report


    AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    -=== DO NOT EDIT THIS FILE! ===-

    Path: …\2000 - War To End All Wars [Spitfire 5171-2]

    01 -=- Yngwie Malmsteen - War To End All Wars.flac -=- CDDA (100%)

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    Yngwie J. Malmsteen's Rising Force - War To End All Wars (2000) [Spitfire, 5171-2]


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