Whitesnake - Good To Be Bad (2008)
EAC Rip | 2 CDs | FLAC Image + Cue + Log | 548 MB | Complete Scans | 18.4 MB
MP3 CBR @320 kbps (LAME 3.99) | Joint Stereo | 181 MB
Steamhammer / SPV GmbH | SPV 98130 2CD-E Ltd. | Hard Rock | RAR 3% Recovery
EAC Rip | 2 CDs | FLAC Image + Cue + Log | 548 MB | Complete Scans | 18.4 MB
MP3 CBR @320 kbps (LAME 3.99) | Joint Stereo | 181 MB
Steamhammer / SPV GmbH | SPV 98130 2CD-E Ltd. | Hard Rock | RAR 3% Recovery
Good to Be Bad is the tenth studio album by Whitesnake released in April 2008. This is the first album of new studio material in a decade, since 1997's Restless Heart, not including the four new tracks recorded for the 2006 live album Live: In the Shadow of the Blues. The album charted at number 8 on the Top Independent albums, number 23 on the Top Canadian albums, number 62 on The Billboard 200 and number 7 on the UK Albums Chart.
Good to Be Bad marks Whitesnake's 30th anniversary as a band – though frontman David Coverdale is the only original member. It's their first studio album since 1998's Restless Heart, which was never released in the United States. The current incarnation of Whitesnake is Coverdale, guitarists Doug Aldrich and Reb Beach, bassist Uriah Duffy, keyboardist Timothy Drury, and drummer Chris Frazier. Frazier is the band's newest member; the others appeared on 2006's Live…In the Shadow of the Blues. This is a seasoned road group, but it remained to be heard if they could pull it off in the studio. The answer is hell yes! Listening to this wondrous racket, it seems strange that such a timeless sound has vanished from mainstream rock – guitars just don't sound like this on records anymore. What's really weird is that this sound, as seemingly "retro" as it is in recalling the 1980s, is actually a real alternative to what's on corporate radio in the 21st century. There are some outstanding cuts here. "All for Love," the album's centerpiece, contains a majestic power chord intro. It evolves into the big bad four-note riff that the tune hinges on. It's got a killer rough-and-rowdy hook in the refrain that's trademark Whitesnake. Another killer arrives with the wild unhinged blues licks that open "Best Years." The tune's riff is an inversion of the Allman Brothers' "Whipping Post," and the verse is based on the same changes. This tune is one of the hardest rockers to come swaggering down the stadium rock alley in a dog's age. "Can You Hear the Wind Blow" features enormous guitars and shimmering keyboards that contrast with the blues wail in Coverdale's voice. There is déjà vu here, too: the hook is reminiscent of "Rock You Like a Hurricane" by the Scorpions. Aldrich's guitar playing is a huge boon to the Whitesnake sound. He's obviously listened to Jimmy Page, and the slippery, knotty, and funky blues licks in tracks like "Call on Me" reflect that, but his sound with its effects pedals is more overdriven and bigger than life, offering the base for Whitesnake's core sound – straight-out festival rock, y'all. This wouldn't be a Whitesnake recording without a power ballad, and "Summer Rain" is a beauty. Coverdale sings a country-tinged melody; he's all vulnerable singing above a washed-out meld of acoustic guitars and a gently but insistently swelling organ, kissed by cymbals and a bass drum. Of course, there's an enormous electric guitar solo near the end to bring it home. Coverdale's voice is lower in the 21st century, but just as effective in Whitesnake's brand of hard rock. "A Fool in Love" begins with the sound of a crackling vinyl record; it gives way to pure balls-out blues-rocker, with slide guitar in Brit metal overdrive. The closer, "'Til the End of Time," starts as an acoustic blues, but by the time the big tom-toms roll in and the keys weave through those guitars, it feels like something off Led Zeppelin III. Coverdale has always stuck very close to his blues-rock roots and continues to mine them; his brand of ROCK with chugging outsized guitars is palatable because of his reliance on crafting excellent choruses and hooks. It's a hell of a comeback and ranks right near the top of the Whitesnake catalog.Disc 1:by Thom Jurek, Allmusic
01. Best Years - 5:16
02. Can You Hear The Wind Blow - 5:04
03. Call On Me - 5:02
04. All I Want All I Need - 5:42
05. Good To Be Bad - 5:14
06. All For Love - 5:14
07. Summer Rain - 6:11
08. Lay Down Your Love - 6:02
09. A Fool In Love - 5:51
10. Got What You Need - 4:16
11. 'Til The End Of Time - 5:32
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 21. August 2011, 21:43
Whitesnake / Good To Be Bad
Used drive : _NEC DVD_RW ND-3540A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %source%
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11 | 53:51.27 | 5:35.03 | 242352 | 267479
Range status and errors
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Filename D:\Good To Be Bad\Whitesnake - Good To Be Bad.wav
Peak level 100.0 %
Extraction speed 7.4 X
Range quality 100.0 %
Test CRC 6B738DD0
Copy CRC 6B738DD0
Copy OK
No errors occurred
AccurateRip summary
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[CUETools log; Date: 22/08/2012 13:27:50; Version: 2.1.4]
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Disc 2:
01. Summer Rain (acoustic version) - 5:12
02. All I Want All I Need (radio edit) - 3:58
03. Take Me With You (Live) - 7:51
04. Ready To Rock (enhanced video) - 4:27
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 21. August 2011, 21:56
Whitesnake / Whitesnake Bonus CD
Used drive : _NEC DVD_RW ND-3540A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:22.48 | 0 | 24197
2 | 5:22.48 | 3:59.72 | 24198 | 42194
3 | 9:22.45 | 7:51.51 | 42195 | 77570
4 | 19:46.21 | 6:20.35 | 88971 | 117505
Range status and errors
Selected range
Filename D:\Good To be bad Bonus CD\Whitesnake - Whitesnake Bonus CD.wav
Peak level 100.0 %
Extraction speed 5.7 X
Range quality 100.0 %
Test CRC 9AE7F103
Copy CRC 9AE7F103
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [7F419105] (AR v2)
Track 2 accurately ripped (confidence 4) [8EE983C1] (AR v2)
Track 3 accurately ripped (confidence 4) [86196609] (AR v2)
All tracks accurately ripped
End of status report
[CUETools log; Date: 22/08/2012 22:34:13; Version: 2.1.4]
CD-Extra data track length 06:20:35.
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Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
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Personnel
- David Coverdale - vocals
- Doug Aldrich - guitars
- Reb Beach - guitars
- Timothy Drury - keyboards
- Uriah Duffy - bass
- Chris Frazier - drums
Additional information
- Recorded at Casa DALA, Los Angeles & Snakebyte Studios, Lake Tahoe, Nevada
- Mixed at Hook City, Lake Tahoe, Nevada
- Mastered at DNA, Los Angeles by David Donnelly
- Produced, Engineered & Mixed by The Brutal Brothers
Released Date: April 21, 2008
Recorded Date: 2007
Format: 2 x CD, Album
Length: 87:12
Producer: David Coverdale, Doug Aldrich, Michael McIntyre
Made in Germany
––––––––––––––––––––––––––––––––––––––––
Thanks to torrenter987
The files are interchangeable!
The files are interchangeable!