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    Tomas Luis De Victoria: Officium Defunctorum (2012)

    Posted By: peotuvave
    Tomas Luis De Victoria: Officium Defunctorum (2012)

    Tomas Luis De Victoria: Officium Defunctorum (2012)
    EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 282 MB
    Genre: Classical | Label: Phi | Catalog Number: 5

    Tomás Luis de Victoria is definitely one of the most important composers in the music history of Spain. His masterpiece is the ‘Officium Defunctorum’, published in Madrid in 1605. In this requiem – written for the funeral of Maria of Austria, daughter of Emperor Charles V – the composer reached a mystical intensity of expression.

    Philippe Herreweghe just loves composers “who know how to build entire worlds with sounds, recognizable from the first notes, profound and full of richness”. For him Tomás Luis de Victoria is one of them, “one of the greatest musical minds ever”.

    So it was an obvious choice for Philippe Herreweghe to make a recording of this heavenly ‘Officium Defunctorum’. And… of course Collegium Vocale Gent – with its cristal clear sound – is the perfect instrument to perform such music. Looking forward to the first renaissance project of Philippe Herreweghe and Collegium Vocale Gent for the label Phi!

    Composer: Tomás Luis de Victoria
    Conductor: Philippe Herreweghe

    Reviews: The anniversary of Tomás Luis de Victoria’s death has not been marked by new recordings to the extent that I anticipated, certainly not of the unrecorded works that might have been welcome. This is the third version of his last masterpiece to appear recently (see Fanfare 35:2 and 35:6), but strong competition goes back to Harry Christophers (29:3), David Hill (11:2; CD in 11:3), and Peter Phillips (11: 2). Philippe Herreweghe has the credentials to challenge the competition, using a vocal ensemble with two voices to a part (three on the bass line), placing him directly up against Christophers and Phillips. Although I do not have a single Victoria recording by Herreweghe, I did not doubt his sympathy for the music. The Lebanese church in Paris has been a suitable venue for this kind of sound for many decades. Herreweghe adds four motets to fill out the playing time. While three of them are readily available elsewhere, the Salve Regina for six voices is not; in fact, I cannot find it on records at all. It starts with the medieval solemn tone of the antiphon and expands to six voices in Victoria’s usual manner. Followed by the equally effective and more familiar Vadam et circuibo civitatem (recorded by Christophers, 26: 5), it fills out a satisfying program. This is fully competitive with the best Requiems in the catalog.


    Phi is a new label distributed by Outhere, the new outlet for Philippe Herreweghe’s recordings. The real name of the label is ?, but the Greek letter is also spelled out in roman as well to avoid confusion. The digipak presentation is elegant and the notes by that old master, Bruno Turner, are helpful. Herreweghe is in a position to record a broad repertoire, but I’d be happy if he concentrates on the early music that he knows so well.

    Tracklisting:

    1. Missa "Pro defunctis" no 2 à 6 by Tomás Luis de Victoria
    Conductor: Philippe Herreweghe
    Period: Renaissance
    Written: Spain
    Venue: Notre Dame du Liban, Paris
    Length: 38 Minutes 18 Secs.

    2. O Domine Jesu Christe by Tomás Luis de Victoria
    Conductor: Philippe Herreweghe
    Period: Renaissance
    Venue: Notre Dame du Liban, Paris
    Length: 2 Minutes 36 Secs.

    3. Domine, non sum dignus by Tomás Luis de Victoria
    Conductor: Philippe Herreweghe
    Period: Renaissance
    Written: 1583; Spain
    Venue: Notre Dame du Liban, Paris
    Length: 2 Minutes 51 Secs.

    4. Salve regina à 6 by Tomás Luis de Victoria
    Conductor: Philippe Herreweghe
    Period: Renaissance
    Written: 1572; Spain
    Venue: Notre Dame du Liban, Paris
    Length: 7 Minutes 22 Secs.

    5. Vadam, et circumibo civitatem by Tomás Luis de Victoria
    Conductor: Philippe Herreweghe
    Written: pub 1572
    Venue: Notre Dame du Liban, Paris
    Length: 7 Minutes 5 Secs.

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 24. June 2013, 17:12

    Collegium Vocale Gent, Philippe Herreweghe / Victoria - Officium Defunctorum

    Used drive : HL-DT-STDVDRRW GWA-4164B Adapter: 5 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 102
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -8 %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:25.25 | 0 | 15399
    2 | 3:25.25 | 5:04.19 | 15400 | 38218
    3 | 8:29.44 | 2:05.06 | 38219 | 47599
    4 | 10:34.50 | 2:57.20 | 47600 | 60894
    5 | 13:31.70 | 6:10.43 | 60895 | 88687
    6 | 19:42.38 | 2:43.02 | 88688 | 100914
    7 | 22:25.40 | 2:35.02 | 100915 | 112541
    8 | 25:00.42 | 3:24.67 | 112542 | 127908
    9 | 28:25.34 | 3:17.31 | 127909 | 142714
    10 | 31:42.65 | 7:58.10 | 142715 | 178574
    11 | 39:41.00 | 2:36.74 | 178575 | 190348
    12 | 42:17.74 | 2:52.00 | 190349 | 203248
    13 | 45:09.74 | 7:23.00 | 203249 | 236473
    14 | 52:32.74 | 7:05.01 | 236474 | 268349


    Range status and errors

    Selected range

    Filename D:\temp\Music\Victoria - Officium Defunctorum - Collegium Vocale Gent, Herreweghe\Victoria - Officium Defunctorum.wav

    Peak level 99.6 %
    Extraction speed 2.5 X
    Range quality 99.9 %
    Test CRC 3C96DEB0
    Copy CRC 3C96DEB0
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 4) [53E4B690] (AR v2)
    Track 2 accurately ripped (confidence 4) [494633D7] (AR v2)
    Track 3 accurately ripped (confidence 4) [2A774D40] (AR v2)
    Track 4 accurately ripped (confidence 4) [7F165781] (AR v2)
    Track 5 accurately ripped (confidence 4) [C2F2F260] (AR v2)
    Track 6 accurately ripped (confidence 4) [AAA7F5FA] (AR v2)
    Track 7 accurately ripped (confidence 4) [AC3A7942] (AR v2)
    Track 8 accurately ripped (confidence 4) [46644182] (AR v2)
    Track 9 accurately ripped (confidence 4) [88D3C5CF] (AR v2)
    Track 10 accurately ripped (confidence 4) [3929F5B4] (AR v2)
    Track 11 accurately ripped (confidence 4) [27ECF472] (AR v2)
    Track 12 accurately ripped (confidence 4) [71F01F80] (AR v2)
    Track 13 accurately ripped (confidence 4) [C216CBF4] (AR v2)
    Track 14 accurately ripped (confidence 4) [0B628730] (AR v2)

    All tracks accurately ripped

    End of status report

    ==== Log checksum B5942EF3419D4C5B61A5D9589B8270CDAFB3E16350F02511AB53930CF0AA5CE7 ====



    Thanks to the original releaser