The Ventures - In The Vaults, Vol. 2 (1999)
The Ventures - In The Vaults, Vol. 2 (1999)
Surf Rock/Instrumental | EAC Rip | APE(Image) + Cue + Log | MP3 CBR 320Kbps | 26 Tracks
Scans Included | ACE Records | CDCHD 716 | ~342 + 158 Mb | FSonic, FServe
Surf Rock/Instrumental | EAC Rip | APE(Image) + Cue + Log | MP3 CBR 320Kbps | 26 Tracks
Scans Included | ACE Records | CDCHD 716 | ~342 + 158 Mb | FSonic, FServe
Not a single one of these 26 titles was released before the appearance of this compact disc, though most of the material is of such marginal worth that it could only be recommended to collectors of the band. That considerable constituency will be pleased, though, that the tracks date from the group's prime, approximately 1960 to 1965. Approximately, we say, since exact session dates are unavailable for some of the tunes, though many can be dated with near-approximate certainty because they sound so much like other Ventures early-'60s recordings. Lots of these are routine covers of rock and pop standards like "Travelin' Man," "Greensleeves," "True Love," "Teen Beat," "Forty Miles of Bad Road," "Bongo Rock," "What'd I Say," and so on. Sometimes these sound quite thin even in relation to other Ventures recordings from the same era, let alone the originals, and the musicians prove that slow ballads are definitely not their forte. Things heat up on several tunes cut in 1965 that have a tougher, more aggressive sound than the rest of the set (and also encompass some of the few originals included on the disc); "Spanish Armada," for instance, would have made quite a respectable spy/adventure soundtrack theme.~ Richie Unterberger, All Music Guide
The Ventures - In The Vaults, Vol. 2 (1999)
The Ventures:
Formed: 1959, Tacoma, WA
Genres: Rock
Representative Albums: "Walk Don't Run : The Best of the Ventures", "The Ventures on Stage", "The Ventures' Christmas Album"
Representative Songs: "Hawaii Five-O", "Walk, Don't Run", "Perfidia"
Not the first but definitely the most popular rock instrumental combo, the Ventures scored several hit singles during the 1960s – most notably "Walk-Don't Run" and "Hawaii Five-O" – but made their name in the growing album market, covering hits of the day and organizing thematically linked LPs. Almost 40 Ventures' albums charted, and 17 hit the Top 40. And though the group's popularity in America virtually disappeared by the 1970s, their enormous contribution to pop culture was far from over; the Ventures soon became one of the most popular world-wide groups, with dozens of albums recorded especially for the Japanese and European markets. They toured continually throughout the 1970s and '80s – influencing Japanese pop music of the time more than they had American music during the '60s.
The Ventures' origins lie in a Tacoma, Washington group called the Impacts. Around 1959, construction workers and hobby guitarists Bob Bogle and Don Wilson formed the group, gigging around Washington state and Idaho with various rhythm sections as backup. They recorded a demo tape, but after it was rejected by the Liberty Records subsidiary Dolton, the duo founded their own label, Blue Horizon. They released one vocal single ("Cookies and Coke"), then recruited bassist Nokie Edwards and drummer Skip Moore and decided to instead become an instrumental group.
The Ventures went into the studio in 1959 with an idea for a new single they had first heard on Chet Atkins' Hi Fi in Focus LP. Released on Blue Horizon in 1960, the single "Walk-Don't Run" became a big local hit after being aired as a news lead-in on a Seattle radio station (thanks to a friend with connections). In an ironic twist, Dolton Records came calling and licensed the single for national distribution; by summer 1960, it had risen to number two in the charts, behind only "It's Now or Never" by Elvis Presley. After Howie Johnson replaced Moore on drums, the Ventures began recording their debut album, unsurprisingly titled after their hit single.
Two singles, "Perfidia" and "Ram-Bunk-Shush," hit the Top 40 during 1960-61, but the Ventures soon began capitalizing on what became a trademark: releasing LPs which featured songs very loosely arranged around a theme implied in the title. The group's fourth LP, The Colorful Ventures, included "Yellow Jacket," "Red Top," "Orange Fire" and no less than three tracks featuring the word "blue" in the title. The Ventures put their indelible stamp on each style of '60s music they covered, and they covered many – twist, country, pop, spy music, psychedelic, swamp, garage, TV themes. (In the '70s, the band moved on to funk, disco, reggae, soft rock and Latin music.) The Ventures' lineup changed slightly during 1962. Howie Johnson left the band, to be replaced by session man Mel Taylor; also, Nokie Edwards took over lead guitar with Bob Bogle switching to bass.
One of the few LPs not arranged around a theme became their best-selling; 1963's The Ventures Play Telstar, The Lonely Bull featured a cover of the number one instrumental hit by the British studio band the Tornadoes and produced by Joe Meek. Though their cover of "Telstar" didn't even chart, the album hit the Top Ten and became the group's first of three gold records. A re-write of their signature song – entitled "Walk-Don't Run '64" – reached number eight that year. By the mid-'60s however, the Ventures appeared to be losing their touch. Considering the volatility of popular music during the time, it was quite forgivable that the group would lose their heads-up knowledge of current trends in the music industry to forecast which songs should be covered. The television theme "Hawaii Five-O" hit number four in 1969, but the Ventures slipped off the American charts for good in 1972. Instead, the band began looking abroad for attention and – in Japan especially – they found it with gusto. After leaving Dolton/Liberty and founding their own Tridex Records label, the Ventures began recording albums specifically for the Japanese market. The group eventually sold over 40 million records in that country alone, becoming one of the biggest American influences on Japanese pop music ever.
Nokie Edwards left the Ventures in 1968 to pursue his interest in horse racing for a time, and was replaced by Gerry McGee; though he returned by 1972, Mel Taylor left the group that year for a solo career, to be replaced by Joe Barile. (Taylor returned also, in 1979.) By the early '80s, the Ventures' core quartet of Wilson, Bogle, Edwards and Taylor could boast of playing together for over 20 years. Though Edwards left the band for good in 1984 (replaced again by Gerry McGee) and Mel Taylor died mid-way through a Japanese tour in 1996 (replaced by his son Leon), the Ventures continued to pack venues around the world.
~ John Bush, Rovi
Formed: 1959, Tacoma, WA
Genres: Rock
Representative Albums: "Walk Don't Run : The Best of the Ventures", "The Ventures on Stage", "The Ventures' Christmas Album"
Representative Songs: "Hawaii Five-O", "Walk, Don't Run", "Perfidia"
Not the first but definitely the most popular rock instrumental combo, the Ventures scored several hit singles during the 1960s – most notably "Walk-Don't Run" and "Hawaii Five-O" – but made their name in the growing album market, covering hits of the day and organizing thematically linked LPs. Almost 40 Ventures' albums charted, and 17 hit the Top 40. And though the group's popularity in America virtually disappeared by the 1970s, their enormous contribution to pop culture was far from over; the Ventures soon became one of the most popular world-wide groups, with dozens of albums recorded especially for the Japanese and European markets. They toured continually throughout the 1970s and '80s – influencing Japanese pop music of the time more than they had American music during the '60s.
The Ventures' origins lie in a Tacoma, Washington group called the Impacts. Around 1959, construction workers and hobby guitarists Bob Bogle and Don Wilson formed the group, gigging around Washington state and Idaho with various rhythm sections as backup. They recorded a demo tape, but after it was rejected by the Liberty Records subsidiary Dolton, the duo founded their own label, Blue Horizon. They released one vocal single ("Cookies and Coke"), then recruited bassist Nokie Edwards and drummer Skip Moore and decided to instead become an instrumental group.
The Ventures went into the studio in 1959 with an idea for a new single they had first heard on Chet Atkins' Hi Fi in Focus LP. Released on Blue Horizon in 1960, the single "Walk-Don't Run" became a big local hit after being aired as a news lead-in on a Seattle radio station (thanks to a friend with connections). In an ironic twist, Dolton Records came calling and licensed the single for national distribution; by summer 1960, it had risen to number two in the charts, behind only "It's Now or Never" by Elvis Presley. After Howie Johnson replaced Moore on drums, the Ventures began recording their debut album, unsurprisingly titled after their hit single.
Two singles, "Perfidia" and "Ram-Bunk-Shush," hit the Top 40 during 1960-61, but the Ventures soon began capitalizing on what became a trademark: releasing LPs which featured songs very loosely arranged around a theme implied in the title. The group's fourth LP, The Colorful Ventures, included "Yellow Jacket," "Red Top," "Orange Fire" and no less than three tracks featuring the word "blue" in the title. The Ventures put their indelible stamp on each style of '60s music they covered, and they covered many – twist, country, pop, spy music, psychedelic, swamp, garage, TV themes. (In the '70s, the band moved on to funk, disco, reggae, soft rock and Latin music.) The Ventures' lineup changed slightly during 1962. Howie Johnson left the band, to be replaced by session man Mel Taylor; also, Nokie Edwards took over lead guitar with Bob Bogle switching to bass.
One of the few LPs not arranged around a theme became their best-selling; 1963's The Ventures Play Telstar, The Lonely Bull featured a cover of the number one instrumental hit by the British studio band the Tornadoes and produced by Joe Meek. Though their cover of "Telstar" didn't even chart, the album hit the Top Ten and became the group's first of three gold records. A re-write of their signature song – entitled "Walk-Don't Run '64" – reached number eight that year. By the mid-'60s however, the Ventures appeared to be losing their touch. Considering the volatility of popular music during the time, it was quite forgivable that the group would lose their heads-up knowledge of current trends in the music industry to forecast which songs should be covered. The television theme "Hawaii Five-O" hit number four in 1969, but the Ventures slipped off the American charts for good in 1972. Instead, the band began looking abroad for attention and – in Japan especially – they found it with gusto. After leaving Dolton/Liberty and founding their own Tridex Records label, the Ventures began recording albums specifically for the Japanese market. The group eventually sold over 40 million records in that country alone, becoming one of the biggest American influences on Japanese pop music ever.
Nokie Edwards left the Ventures in 1968 to pursue his interest in horse racing for a time, and was replaced by Gerry McGee; though he returned by 1972, Mel Taylor left the group that year for a solo career, to be replaced by Joe Barile. (Taylor returned also, in 1979.) By the early '80s, the Ventures' core quartet of Wilson, Bogle, Edwards and Taylor could boast of playing together for over 20 years. Though Edwards left the band for good in 1984 (replaced again by Gerry McGee) and Mel Taylor died mid-way through a Japanese tour in 1996 (replaced by his son Leon), the Ventures continued to pack venues around the world.
~ John Bush, Rovi
The Ventures - In The Vaults, Vol. 2 (1999)
The Ventures - In The Vaults, Vol. 2 (1999)
Tracklist:
01. Golden Earings
02. Stick Shift
03. Forty Miles Of Bad Road
04. True Love
05. Teen Beat
06. Venture's Stomp
07. Deep Purple
08. Walkin' With My Angel
09. Travelin' Man
10. Greensleeves
11. Bongo Rock
12. Tossin' And Turnin'
13. Sugaree
14. Blue Hawaii
15. What'd I Say
16. Hawaiian Surfing
17. Tammy
18. Stagger Lee
19. Hawaiian Wedding Song
20. Taboo
21. Danny Boy
22. Lights Out
23. High Tide
24. Spanish Armada
25. Saigon
26. Harlem Nocturne
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 25. сентября 2009, 22:23
The Ventures / In The Vaults, Vol 2
Дисковод: _NEC DVD_RW ND-4570A Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Нет
Использование указателей C2 : Да
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:31.22 | 0 | 11346
2 | 2:31.22 | 2:51.38 | 11347 | 24209
3 | 5:22.60 | 2:32.65 | 24210 | 35674
4 | 7:55.50 | 2:16.30 | 35675 | 45904
5 | 10:12.05 | 3:07.02 | 45905 | 59931
6 | 13:19.07 | 1:58.25 | 59932 | 68806
7 | 15:17.32 | 1:47.15 | 68807 | 76846
8 | 17:04.47 | 2:12.23 | 76847 | 86769
9 | 19:16.70 | 1:51.30 | 86770 | 95124
10 | 21:08.25 | 3:05.07 | 95125 | 109006
11 | 24:13.32 | 2:23.43 | 109007 | 119774
12 | 26:37.00 | 2:36.05 | 119775 | 131479
13 | 29:13.05 | 2:03.72 | 131480 | 140776
14 | 31:17.02 | 3:06.00 | 140777 | 154726
15 | 34:23.02 | 2:41.53 | 154727 | 166854
16 | 37:04.55 | 2:33.45 | 166855 | 178374
17 | 39:38.25 | 2:06.27 | 178375 | 187851
18 | 41:44.52 | 2:12.50 | 187852 | 197801
19 | 43:57.27 | 2:16.35 | 197802 | 208036
20 | 46:13.62 | 2:51.28 | 208037 | 220889
21 | 49:05.15 | 1:33.67 | 220890 | 227931
22 | 50:39.07 | 2:17.70 | 227932 | 238276
23 | 52:57.02 | 2:07.35 | 238277 | 247836
24 | 55:04.37 | 2:02.68 | 247837 | 257054
25 | 57:07.30 | 2:09.30 | 257055 | 266759
26 | 59:16.60 | 2:03.27 | 266760 | 276011
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла G:\Раздача\Рапида\The Ventures\1999-In The Vaults, Vol 2\The Ventures - In The Vaults, Vol 2.wav
Пиковый уровень 99.9 %
Качество диапазона 100.0 %
CRC копии F585CEBA
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точность не определена (достоверность 1) [8A6EC49E], AccurateRip вернул [44209DDE]
Трек 2 точность не определена (достоверность 1) [701D40CB], AccurateRip вернул [EAA1AE87]
Трек 3 точность не определена (достоверность 1) [052F364B], AccurateRip вернул [0A7BB166]
Трек 4 точность не определена (достоверность 1) [4769EF1E], AccurateRip вернул [30C5CAD2]
Трек 5 точность не определена (достоверность 1) [C017BF54], AccurateRip вернул [958E28F7]
Трек 6 точность не определена (достоверность 1) [0FB56572], AccurateRip вернул [2360071B]
Трек 7 точность не определена (достоверность 1) [64E3946D], AccurateRip вернул [DD53EEAE]
Трек 8 точность не определена (достоверность 1) [A9A3AAFF], AccurateRip вернул [011B3CE8]
Трек 9 точность не определена (достоверность 1) [40222AA4], AccurateRip вернул [CA9B7D95]
Трек 10 точность не определена (достоверность 1) [0BBA8F38], AccurateRip вернул [42C37882]
Трек 11 точность не определена (достоверность 1) [C1DE56E5], AccurateRip вернул [F30CECB2]
Трек 12 точность не определена (достоверность 1) [F9989BA6], AccurateRip вернул [5B2B5A68]
Трек 13 точность не определена (достоверность 1) [28189BD4], AccurateRip вернул [D1006FFB]
Трек 14 точность не определена (достоверность 1) [8B917AF2], AccurateRip вернул [D59BE32F]
Трек 15 точность не определена (достоверность 1) [8F8F8CEC], AccurateRip вернул [B9E31C92]
Трек 16 точность не определена (достоверность 1) [861EDFD4], AccurateRip вернул [0BB71A00]
Трек 17 точность не определена (достоверность 1) [F96B8AA4], AccurateRip вернул [AA7448F3]
Трек 18 точность не определена (достоверность 1) [34D17C04], AccurateRip вернул [03E9C87A]
Трек 19 точность не определена (достоверность 1) [1F083C08], AccurateRip вернул [3F8859DF]
Трек 20 точность не определена (достоверность 1) [8D0F4644], AccurateRip вернул [1C3AF6C9]
Трек 21 точность не определена (достоверность 1) [C8642977], AccurateRip вернул [E6329BBF]
Трек 22 точность не определена (достоверность 1) [2C5B173D], AccurateRip вернул [178A5917]
Трек 23 точность не определена (достоверность 1) [388BCD3B], AccurateRip вернул [26553725]
Трек 24 точность не определена (достоверность 1) [1FBD546B], AccurateRip вернул [E6614D36]
Трек 25 точность не определена (достоверность 1) [23AF5362], AccurateRip вернул [C32E248D]
Трек 26 точность не определена (достоверность 1) [879ABC57], AccurateRip вернул [DBB60C6E]
Ни один трек не прошёл проверки на точность
В вашей базе может быть иной вариант штамповки диска
Конец отчёта
Отчёт EAC об извлечении, выполненном 25. сентября 2009, 22:23
The Ventures / In The Vaults, Vol 2
Дисковод: _NEC DVD_RW ND-4570A Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Нет
Использование указателей C2 : Да
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:31.22 | 0 | 11346
2 | 2:31.22 | 2:51.38 | 11347 | 24209
3 | 5:22.60 | 2:32.65 | 24210 | 35674
4 | 7:55.50 | 2:16.30 | 35675 | 45904
5 | 10:12.05 | 3:07.02 | 45905 | 59931
6 | 13:19.07 | 1:58.25 | 59932 | 68806
7 | 15:17.32 | 1:47.15 | 68807 | 76846
8 | 17:04.47 | 2:12.23 | 76847 | 86769
9 | 19:16.70 | 1:51.30 | 86770 | 95124
10 | 21:08.25 | 3:05.07 | 95125 | 109006
11 | 24:13.32 | 2:23.43 | 109007 | 119774
12 | 26:37.00 | 2:36.05 | 119775 | 131479
13 | 29:13.05 | 2:03.72 | 131480 | 140776
14 | 31:17.02 | 3:06.00 | 140777 | 154726
15 | 34:23.02 | 2:41.53 | 154727 | 166854
16 | 37:04.55 | 2:33.45 | 166855 | 178374
17 | 39:38.25 | 2:06.27 | 178375 | 187851
18 | 41:44.52 | 2:12.50 | 187852 | 197801
19 | 43:57.27 | 2:16.35 | 197802 | 208036
20 | 46:13.62 | 2:51.28 | 208037 | 220889
21 | 49:05.15 | 1:33.67 | 220890 | 227931
22 | 50:39.07 | 2:17.70 | 227932 | 238276
23 | 52:57.02 | 2:07.35 | 238277 | 247836
24 | 55:04.37 | 2:02.68 | 247837 | 257054
25 | 57:07.30 | 2:09.30 | 257055 | 266759
26 | 59:16.60 | 2:03.27 | 266760 | 276011
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла G:\Раздача\Рапида\The Ventures\1999-In The Vaults, Vol 2\The Ventures - In The Vaults, Vol 2.wav
Пиковый уровень 99.9 %
Качество диапазона 100.0 %
CRC копии F585CEBA
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точность не определена (достоверность 1) [8A6EC49E], AccurateRip вернул [44209DDE]
Трек 2 точность не определена (достоверность 1) [701D40CB], AccurateRip вернул [EAA1AE87]
Трек 3 точность не определена (достоверность 1) [052F364B], AccurateRip вернул [0A7BB166]
Трек 4 точность не определена (достоверность 1) [4769EF1E], AccurateRip вернул [30C5CAD2]
Трек 5 точность не определена (достоверность 1) [C017BF54], AccurateRip вернул [958E28F7]
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Трек 8 точность не определена (достоверность 1) [A9A3AAFF], AccurateRip вернул [011B3CE8]
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Трек 26 точность не определена (достоверность 1) [879ABC57], AccurateRip вернул [DBB60C6E]
Ни один трек не прошёл проверки на точность
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AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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-=== DO NOT EDIT THIS FILE! ===-
Path: …\The Ventures - In The Vaults, Vol 2
01 -=- The Ventures - In The Vaults, Vol 2.ape -=- CDDA (100%)
33772948
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\The Ventures - In The Vaults, Vol 2
01 -=- The Ventures - In The Vaults, Vol 2.ape -=- CDDA (100%)
33772948
[Verification date: 16.10.2010 16:27:01]
[Disc ID: 003a80d4-043e4c4c-830e601a]
Track [ CRC ] Status
01 [8a6ec49e] (02/04) Accurately ripped as in pressing(s) #2
02 [701d40cb] (02/04) Accurately ripped as in pressing(s) #2
03 [052f364b] (02/04) Accurately ripped as in pressing(s) #2
04 [4769ef1e] (02/04) Accurately ripped as in pressing(s) #2
05 [c017bf54] (02/04) Accurately ripped as in pressing(s) #2
06 [0fb56572] (02/04) Accurately ripped as in pressing(s) #2
07 [64e3946d] (02/04) Accurately ripped as in pressing(s) #2
08 [a9a3aaff] (02/04) Accurately ripped as in pressing(s) #2
09 [40222aa4] (02/04) Accurately ripped as in pressing(s) #2
10 [0bba8f38] (02/04) Accurately ripped as in pressing(s) #2
11 [c1de56e5] (02/04) Accurately ripped as in pressing(s) #2
12 [f9989ba6] (02/04) Accurately ripped as in pressing(s) #2
13 [28189bd4] (02/04) Accurately ripped as in pressing(s) #2
14 [8b917af2] (02/04) Accurately ripped as in pressing(s) #2
15 [8f8f8cec] (02/04) Accurately ripped as in pressing(s) #2
16 [861edfd4] (02/04) Accurately ripped as in pressing(s) #2
17 [f96b8aa4] (02/04) Accurately ripped as in pressing(s) #2
18 [34d17c04] (02/04) Accurately ripped as in pressing(s) #2
19 [1f083c08] (02/04) Accurately ripped as in pressing(s) #2
20 [8d0f4644] (02/04) Accurately ripped as in pressing(s) #2
21 [c8642977] (02/04) Accurately ripped as in pressing(s) #2
22 [2c5b173d] (02/04) Accurately ripped as in pressing(s) #2
23 [388bcd3b] (02/04) Accurately ripped as in pressing(s) #2
24 [1fbd546b] (02/04) Accurately ripped as in pressing(s) #2
25 [23af5362] (02/04) Accurately ripped as in pressing(s) #2
26 [879abc57] (02/04) Accurately ripped as in pressing(s) #2
Offsetted by -12:
01 [44209dde] (02/04) Accurately ripped as in pressing(s) #1
02 [eaa1ae87] (02/04) Accurately ripped as in pressing(s) #1
03 [0a7bb166] (02/04) Accurately ripped as in pressing(s) #1
04 [30c5cad2] (02/04) Accurately ripped as in pressing(s) #1
05 [958e28f7] (02/04) Accurately ripped as in pressing(s) #1
06 [2360071b] (02/04) Accurately ripped as in pressing(s) #1
07 [dd53eeae] (02/04) Accurately ripped as in pressing(s) #1
08 [011b3ce8] (02/04) Accurately ripped as in pressing(s) #1
09 [ca9b7d95] (02/04) Accurately ripped as in pressing(s) #1
10 [42c37882] (02/04) Accurately ripped as in pressing(s) #1
11 [f30cecb2] (02/04) Accurately ripped as in pressing(s) #1
12 [5b2b5a68] (02/04) Accurately ripped as in pressing(s) #1
13 [d1006ffb] (02/04) Accurately ripped as in pressing(s) #1
14 [d59be32f] (02/04) Accurately ripped as in pressing(s) #1
15 [b9e31c92] (02/04) Accurately ripped as in pressing(s) #1
16 [0bb71a00] (02/04) Accurately ripped as in pressing(s) #1
17 [aa7448f3] (02/04) Accurately ripped as in pressing(s) #1
18 [03e9c87a] (02/04) Accurately ripped as in pressing(s) #1
19 [3f8859df] (02/04) Accurately ripped as in pressing(s) #1
20 [1c3af6c9] (02/04) Accurately ripped as in pressing(s) #1
21 [e6329bbf] (02/04) Accurately ripped as in pressing(s) #1
22 [178a5917] (02/04) Accurately ripped as in pressing(s) #1
23 [26553725] (02/04) Accurately ripped as in pressing(s) #1
24 [e6614d36] (02/04) Accurately ripped as in pressing(s) #1
25 [c32e248d] (02/04) Accurately ripped as in pressing(s) #1
26 [dbb60c6e] (02/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [F585CEBA] [A427378E] CRC32
01 [79DE1D11] [97CEFC5A]
02 [DCBBCA2F] [DA4CDE8E]
03 [4BB3E9E4] [07F327DA]
04 [43895722] [25ED5619]
05 [04263EEA] [34C319D3]
06 [78891EE9] [8377EBFE]
07 [D789A4D2] [E9A55DBF]
08 [4AECD7EA] [663A96B9]
09 [E3D07828] [EE21D41B]
10 [E1F516ED] [7DF12111]
11 [46FBDD07] [4B6EF6B2]
12 [0396B521] [06521263]
13 [77A56AB8] [D047A30E]
14 [3A7FCA7F] [67EAB53B]
15 [E7E7B132] [583D0BB6]
16 [617D6590] [75FDC9F7]
17 [C2847BDD] [30D42E1B]
18 [F1166480] [12B55628]
19 [C105A8F8] [B49E4BA7]
20 [B286B630] [F8782A34]
21 [516B6092] [8C0DE0AE]
22 [DAFC4E64] [778F36BC]
23 [17048208] [5FD13866]
24 [33155275] [57C38484]
25 [C069DFD4] [9D0CB7FE]
26 [7312F920] [AB2699E4]
[Disc ID: 003a80d4-043e4c4c-830e601a]
Track [ CRC ] Status
01 [8a6ec49e] (02/04) Accurately ripped as in pressing(s) #2
02 [701d40cb] (02/04) Accurately ripped as in pressing(s) #2
03 [052f364b] (02/04) Accurately ripped as in pressing(s) #2
04 [4769ef1e] (02/04) Accurately ripped as in pressing(s) #2
05 [c017bf54] (02/04) Accurately ripped as in pressing(s) #2
06 [0fb56572] (02/04) Accurately ripped as in pressing(s) #2
07 [64e3946d] (02/04) Accurately ripped as in pressing(s) #2
08 [a9a3aaff] (02/04) Accurately ripped as in pressing(s) #2
09 [40222aa4] (02/04) Accurately ripped as in pressing(s) #2
10 [0bba8f38] (02/04) Accurately ripped as in pressing(s) #2
11 [c1de56e5] (02/04) Accurately ripped as in pressing(s) #2
12 [f9989ba6] (02/04) Accurately ripped as in pressing(s) #2
13 [28189bd4] (02/04) Accurately ripped as in pressing(s) #2
14 [8b917af2] (02/04) Accurately ripped as in pressing(s) #2
15 [8f8f8cec] (02/04) Accurately ripped as in pressing(s) #2
16 [861edfd4] (02/04) Accurately ripped as in pressing(s) #2
17 [f96b8aa4] (02/04) Accurately ripped as in pressing(s) #2
18 [34d17c04] (02/04) Accurately ripped as in pressing(s) #2
19 [1f083c08] (02/04) Accurately ripped as in pressing(s) #2
20 [8d0f4644] (02/04) Accurately ripped as in pressing(s) #2
21 [c8642977] (02/04) Accurately ripped as in pressing(s) #2
22 [2c5b173d] (02/04) Accurately ripped as in pressing(s) #2
23 [388bcd3b] (02/04) Accurately ripped as in pressing(s) #2
24 [1fbd546b] (02/04) Accurately ripped as in pressing(s) #2
25 [23af5362] (02/04) Accurately ripped as in pressing(s) #2
26 [879abc57] (02/04) Accurately ripped as in pressing(s) #2
Offsetted by -12:
01 [44209dde] (02/04) Accurately ripped as in pressing(s) #1
02 [eaa1ae87] (02/04) Accurately ripped as in pressing(s) #1
03 [0a7bb166] (02/04) Accurately ripped as in pressing(s) #1
04 [30c5cad2] (02/04) Accurately ripped as in pressing(s) #1
05 [958e28f7] (02/04) Accurately ripped as in pressing(s) #1
06 [2360071b] (02/04) Accurately ripped as in pressing(s) #1
07 [dd53eeae] (02/04) Accurately ripped as in pressing(s) #1
08 [011b3ce8] (02/04) Accurately ripped as in pressing(s) #1
09 [ca9b7d95] (02/04) Accurately ripped as in pressing(s) #1
10 [42c37882] (02/04) Accurately ripped as in pressing(s) #1
11 [f30cecb2] (02/04) Accurately ripped as in pressing(s) #1
12 [5b2b5a68] (02/04) Accurately ripped as in pressing(s) #1
13 [d1006ffb] (02/04) Accurately ripped as in pressing(s) #1
14 [d59be32f] (02/04) Accurately ripped as in pressing(s) #1
15 [b9e31c92] (02/04) Accurately ripped as in pressing(s) #1
16 [0bb71a00] (02/04) Accurately ripped as in pressing(s) #1
17 [aa7448f3] (02/04) Accurately ripped as in pressing(s) #1
18 [03e9c87a] (02/04) Accurately ripped as in pressing(s) #1
19 [3f8859df] (02/04) Accurately ripped as in pressing(s) #1
20 [1c3af6c9] (02/04) Accurately ripped as in pressing(s) #1
21 [e6329bbf] (02/04) Accurately ripped as in pressing(s) #1
22 [178a5917] (02/04) Accurately ripped as in pressing(s) #1
23 [26553725] (02/04) Accurately ripped as in pressing(s) #1
24 [e6614d36] (02/04) Accurately ripped as in pressing(s) #1
25 [c32e248d] (02/04) Accurately ripped as in pressing(s) #1
26 [dbb60c6e] (02/04) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [F585CEBA] [A427378E] CRC32
01 [79DE1D11] [97CEFC5A]
02 [DCBBCA2F] [DA4CDE8E]
03 [4BB3E9E4] [07F327DA]
04 [43895722] [25ED5619]
05 [04263EEA] [34C319D3]
06 [78891EE9] [8377EBFE]
07 [D789A4D2] [E9A55DBF]
08 [4AECD7EA] [663A96B9]
09 [E3D07828] [EE21D41B]
10 [E1F516ED] [7DF12111]
11 [46FBDD07] [4B6EF6B2]
12 [0396B521] [06521263]
13 [77A56AB8] [D047A30E]
14 [3A7FCA7F] [67EAB53B]
15 [E7E7B132] [583D0BB6]
16 [617D6590] [75FDC9F7]
17 [C2847BDD] [30D42E1B]
18 [F1166480] [12B55628]
19 [C105A8F8] [B49E4BA7]
20 [B286B630] [F8782A34]
21 [516B6092] [8C0DE0AE]
22 [DAFC4E64] [778F36BC]
23 [17048208] [5FD13866]
24 [33155275] [57C38484]
25 [C069DFD4] [9D0CB7FE]
26 [7312F920] [AB2699E4]
The Ventures - In The Vaults, Vol. 2 (1999)
Download The Ventures - In The Vaults, Vol. 2 (1999):
FileSonic - Lossless:
The Ventures - In The Vaults, Vol. 2 - part1
The Ventures - In The Vaults, Vol. 2 - part2
The Ventures - In The Vaults, Vol. 2 - part3
FileSonic - MP3 CBR320:
The Ventures - In The Vaults, Vol. 2 - part1
The Ventures - In The Vaults, Vol. 2 - part2
FileServe - Lossless:
The Ventures - In The Vaults, Vol. 2 - part1
The Ventures - In The Vaults, Vol. 2 - part2
The Ventures - In The Vaults, Vol. 2 - part3
FileServe - MP3 CBR 320:
The Ventures - In The Vaults, Vol. 2 - part1
The Ventures - In The Vaults, Vol. 2 - part2
In case you encounter dead links, please send me a private message.
All thanks go to psycho@