The Ventures - In The Vaults, Vol.4 (2007)
The Ventures - In The Vaults, Vol.4 (2007)
Surf-Rock/Instrumental | EAC Rip | APE(Image) + Cue + Log | MP3 CBR 320Kbps | 26 Tracks
Scans Included | ACE Records | CDCHD 1176 | ~389 + 182 Mb | FSonic, FServe, Uploaded
Surf-Rock/Instrumental | EAC Rip | APE(Image) + Cue + Log | MP3 CBR 320Kbps | 26 Tracks
Scans Included | ACE Records | CDCHD 1176 | ~389 + 182 Mb | FSonic, FServe, Uploaded
Ace ventures back to the 60s for an amazing treasure trove of exciting rare and unissued tracks from the world's best-selling instrumental group. This is our fourth volume in the series, the other three proving to be among the label's top-sellers. It includes many previously unreleased tracks, alternative versions and impossible to find rarities. Most of the tracks are drawn from the classic 60s period and are of very high quality.
Yep folks, Vaults 4 is definitely the best in the Vaults series and includes very informative liner notes. Ace records always does a nice
booklet and I was very pleased to see that all photos are in color.
What a great service Dave Burke and Alan Taylor have done with their
keen ear on what us stalwart Ventures fans have been clamering for
all these years. This collection answers many questions about
session players and unheard tracks.
"Journey to the Stars"…Holy frickin' cow!!! The sound quality and the
performance on this studio live version of "Journey to the Stars" is
among their very greatest performances. It even has Don's vocal intro.
Delicado - About a gazillion times better than the Latin Album
version (and I like that version). Another tune that I suspect they
heard first from Chet Atkins (he did it on his fantastic "The Other
Chet Atkins" album) as there version is similar to his. The liner
notes ask why this was never released and I have to agree to that
question.
Night Run and Scratch (mono) - amazing quality direct from the
master. Not stereo, but still wonderful.
Station Breaks - Great alternate version of Orange Fire.
Driving Guitars - Probably the best cleanest recorded example of a
naturally overdriven Mosrite in the '60's. But this ain't just a
guitar feature, Mel's drums are very powerful on this cut.
Don't Avoid Me - Great finger style guitar intro. A great
mid '60's country rock with the verse reminding me very very much of
the Monkees' "Aunty Grizelda".
Echo - great spy-surf type track. What an amazing find from the vaults!
Actual session sheet in the liner notes!!! Doesn't say who played
what on what track but does list the names for who played on House
Rising Sun, Blue Coral (early title for Diamond Head), Peach Fuzz, Night Walk,
Slaughter. All the Ventures are listed with Mel paid double as
leader of the session. Stewart Kreisman and (Leon) Russell Bridges
are the only non-Ventures on the session.
Delta Lady - Very '70's country pop instro. Nice cut.
Heart on My Sleeve (mono) - One of my favorite early Ventures
singles direct from the master - spectacular.
Like You've Never Known Before - Strange one though not bad. Very
catchy vocal with a Western Union type verse.
Original Number One - Mel counts in an early rocker. Not a
spectacular tune, easily understood why it didn't make an album as
its just another 3-chord tune. But it is still the Ventures doing it
better than anyone else.
Black Tarantella - Oh boy is this a great one. I think it is the
same track that we've heard on bootlegs and as a bonus cut on one of
the One Way CD's BUT this is true stereo and has horn and shout
overdubs. A great production.
The Twonp (mono) - Don's early masterpiece direct from the master
for wonderful sound.
Beautiful Obsession - Very '70's pop, similar to what they
recorded for the Japanese albums at that time.
Bumble Bee - ANother great driving Mosrite cut from the "live"
album.
Son of a Preacher Man - Gerry McGee at his best.
Runaway - out of tune guitar in the intro is my guess why this
stayed in the can. Otherwise it's a great production. The Vaults
producers feel this is Hal Blaine on drums - no two ways about it to
my ears. That's Hal all the way.
Downtown - Love it!!! This would have been such a contribution to
10th Anniversary album. Its hard to believe it was left off.
Pedal Pusher - Don Wilson is so clearly heard playing heavy
Mosrite single note back-up and then amazing Don Wilson style rhythm
during Nokie's face melting solo break. So great to hear it without
the audience.
Feel So Fine (mono) - Great sound from the original master tape.
Medly WDR - Perfidia - Lullaby - I love the stereo spread on
these un-dubbed studio live cuts.
The Jam - Oh wait a minute.did I say that "Sone of a Preacher man"
was Gerry McGee at his best, this track has me rethinking that
one.
Caravan - The thin tom tone at the beginning is a bit
disappointing. But the rest of the drum sound is great as is the
rest of this recording.
~ Stereo Fan "Stereo Fan", Amazon Customer Review
booklet and I was very pleased to see that all photos are in color.
What a great service Dave Burke and Alan Taylor have done with their
keen ear on what us stalwart Ventures fans have been clamering for
all these years. This collection answers many questions about
session players and unheard tracks.
"Journey to the Stars"…Holy frickin' cow!!! The sound quality and the
performance on this studio live version of "Journey to the Stars" is
among their very greatest performances. It even has Don's vocal intro.
Delicado - About a gazillion times better than the Latin Album
version (and I like that version). Another tune that I suspect they
heard first from Chet Atkins (he did it on his fantastic "The Other
Chet Atkins" album) as there version is similar to his. The liner
notes ask why this was never released and I have to agree to that
question.
Night Run and Scratch (mono) - amazing quality direct from the
master. Not stereo, but still wonderful.
Station Breaks - Great alternate version of Orange Fire.
Driving Guitars - Probably the best cleanest recorded example of a
naturally overdriven Mosrite in the '60's. But this ain't just a
guitar feature, Mel's drums are very powerful on this cut.
Don't Avoid Me - Great finger style guitar intro. A great
mid '60's country rock with the verse reminding me very very much of
the Monkees' "Aunty Grizelda".
Echo - great spy-surf type track. What an amazing find from the vaults!
Actual session sheet in the liner notes!!! Doesn't say who played
what on what track but does list the names for who played on House
Rising Sun, Blue Coral (early title for Diamond Head), Peach Fuzz, Night Walk,
Slaughter. All the Ventures are listed with Mel paid double as
leader of the session. Stewart Kreisman and (Leon) Russell Bridges
are the only non-Ventures on the session.
Delta Lady - Very '70's country pop instro. Nice cut.
Heart on My Sleeve (mono) - One of my favorite early Ventures
singles direct from the master - spectacular.
Like You've Never Known Before - Strange one though not bad. Very
catchy vocal with a Western Union type verse.
Original Number One - Mel counts in an early rocker. Not a
spectacular tune, easily understood why it didn't make an album as
its just another 3-chord tune. But it is still the Ventures doing it
better than anyone else.
Black Tarantella - Oh boy is this a great one. I think it is the
same track that we've heard on bootlegs and as a bonus cut on one of
the One Way CD's BUT this is true stereo and has horn and shout
overdubs. A great production.
The Twonp (mono) - Don's early masterpiece direct from the master
for wonderful sound.
Beautiful Obsession - Very '70's pop, similar to what they
recorded for the Japanese albums at that time.
Bumble Bee - ANother great driving Mosrite cut from the "live"
album.
Son of a Preacher Man - Gerry McGee at his best.
Runaway - out of tune guitar in the intro is my guess why this
stayed in the can. Otherwise it's a great production. The Vaults
producers feel this is Hal Blaine on drums - no two ways about it to
my ears. That's Hal all the way.
Downtown - Love it!!! This would have been such a contribution to
10th Anniversary album. Its hard to believe it was left off.
Pedal Pusher - Don Wilson is so clearly heard playing heavy
Mosrite single note back-up and then amazing Don Wilson style rhythm
during Nokie's face melting solo break. So great to hear it without
the audience.
Feel So Fine (mono) - Great sound from the original master tape.
Medly WDR - Perfidia - Lullaby - I love the stereo spread on
these un-dubbed studio live cuts.
The Jam - Oh wait a minute.did I say that "Sone of a Preacher man"
was Gerry McGee at his best, this track has me rethinking that
one.
Caravan - The thin tom tone at the beginning is a bit
disappointing. But the rest of the drum sound is great as is the
rest of this recording.
~ Stereo Fan "Stereo Fan", Amazon Customer Review
The Ventures - In The Vaults, Vol.4 (2007)
The Ventures:
Formed: 1959, Tacoma, WA
Genres: Rock
Representative Albums: "Walk Don't Run : The Best of the Ventures", "The Ventures on Stage", "The Ventures' Christmas Album"
Representative Songs: "Hawaii Five-O", "Walk, Don't Run", "Perfidia"
Not the first but definitely the most popular rock instrumental combo, the Ventures scored several hit singles during the 1960s – most notably "Walk-Don't Run" and "Hawaii Five-O" – but made their name in the growing album market, covering hits of the day and organizing thematically linked LPs. Almost 40 Ventures' albums charted, and 17 hit the Top 40. And though the group's popularity in America virtually disappeared by the 1970s, their enormous contribution to pop culture was far from over; the Ventures soon became one of the most popular world-wide groups, with dozens of albums recorded especially for the Japanese and European markets. They toured continually throughout the 1970s and '80s – influencing Japanese pop music of the time more than they had American music during the '60s.
The Ventures' origins lie in a Tacoma, Washington group called the Impacts. Around 1959, construction workers and hobby guitarists Bob Bogle and Don Wilson formed the group, gigging around Washington state and Idaho with various rhythm sections as backup. They recorded a demo tape, but after it was rejected by the Liberty Records subsidiary Dolton, the duo founded their own label, Blue Horizon. They released one vocal single ("Cookies and Coke"), then recruited bassist Nokie Edwards and drummer Skip Moore and decided to instead become an instrumental group.
The Ventures went into the studio in 1959 with an idea for a new single they had first heard on Chet Atkins' Hi Fi in Focus LP. Released on Blue Horizon in 1960, the single "Walk-Don't Run" became a big local hit after being aired as a news lead-in on a Seattle radio station (thanks to a friend with connections). In an ironic twist, Dolton Records came calling and licensed the single for national distribution; by summer 1960, it had risen to number two in the charts, behind only "It's Now or Never" by Elvis Presley. After Howie Johnson replaced Moore on drums, the Ventures began recording their debut album, unsurprisingly titled after their hit single.
Two singles, "Perfidia" and "Ram-Bunk-Shush," hit the Top 40 during 1960-61, but the Ventures soon began capitalizing on what became a trademark: releasing LPs which featured songs very loosely arranged around a theme implied in the title. The group's fourth LP, The Colorful Ventures, included "Yellow Jacket," "Red Top," "Orange Fire" and no less than three tracks featuring the word "blue" in the title. The Ventures put their indelible stamp on each style of '60s music they covered, and they covered many – twist, country, pop, spy music, psychedelic, swamp, garage, TV themes. (In the '70s, the band moved on to funk, disco, reggae, soft rock and Latin music.) The Ventures' lineup changed slightly during 1962. Howie Johnson left the band, to be replaced by session man Mel Taylor; also, Nokie Edwards took over lead guitar with Bob Bogle switching to bass.
One of the few LPs not arranged around a theme became their best-selling; 1963's The Ventures Play Telstar, The Lonely Bull featured a cover of the number one instrumental hit by the British studio band the Tornadoes and produced by Joe Meek. Though their cover of "Telstar" didn't even chart, the album hit the Top Ten and became the group's first of three gold records. A re-write of their signature song – entitled "Walk-Don't Run '64" – reached number eight that year. By the mid-'60s however, the Ventures appeared to be losing their touch. Considering the volatility of popular music during the time, it was quite forgivable that the group would lose their heads-up knowledge of current trends in the music industry to forecast which songs should be covered. The television theme "Hawaii Five-O" hit number four in 1969, but the Ventures slipped off the American charts for good in 1972. Instead, the band began looking abroad for attention and – in Japan especially – they found it with gusto. After leaving Dolton/Liberty and founding their own Tridex Records label, the Ventures began recording albums specifically for the Japanese market. The group eventually sold over 40 million records in that country alone, becoming one of the biggest American influences on Japanese pop music ever.
Nokie Edwards left the Ventures in 1968 to pursue his interest in horse racing for a time, and was replaced by Gerry McGee; though he returned by 1972, Mel Taylor left the group that year for a solo career, to be replaced by Joe Barile. (Taylor returned also, in 1979.) By the early '80s, the Ventures' core quartet of Wilson, Bogle, Edwards and Taylor could boast of playing together for over 20 years. Though Edwards left the band for good in 1984 (replaced again by Gerry McGee) and Mel Taylor died mid-way through a Japanese tour in 1996 (replaced by his son Leon), the Ventures continued to pack venues around the world.
~ John Bush, Rovi
Formed: 1959, Tacoma, WA
Genres: Rock
Representative Albums: "Walk Don't Run : The Best of the Ventures", "The Ventures on Stage", "The Ventures' Christmas Album"
Representative Songs: "Hawaii Five-O", "Walk, Don't Run", "Perfidia"
Not the first but definitely the most popular rock instrumental combo, the Ventures scored several hit singles during the 1960s – most notably "Walk-Don't Run" and "Hawaii Five-O" – but made their name in the growing album market, covering hits of the day and organizing thematically linked LPs. Almost 40 Ventures' albums charted, and 17 hit the Top 40. And though the group's popularity in America virtually disappeared by the 1970s, their enormous contribution to pop culture was far from over; the Ventures soon became one of the most popular world-wide groups, with dozens of albums recorded especially for the Japanese and European markets. They toured continually throughout the 1970s and '80s – influencing Japanese pop music of the time more than they had American music during the '60s.
The Ventures' origins lie in a Tacoma, Washington group called the Impacts. Around 1959, construction workers and hobby guitarists Bob Bogle and Don Wilson formed the group, gigging around Washington state and Idaho with various rhythm sections as backup. They recorded a demo tape, but after it was rejected by the Liberty Records subsidiary Dolton, the duo founded their own label, Blue Horizon. They released one vocal single ("Cookies and Coke"), then recruited bassist Nokie Edwards and drummer Skip Moore and decided to instead become an instrumental group.
The Ventures went into the studio in 1959 with an idea for a new single they had first heard on Chet Atkins' Hi Fi in Focus LP. Released on Blue Horizon in 1960, the single "Walk-Don't Run" became a big local hit after being aired as a news lead-in on a Seattle radio station (thanks to a friend with connections). In an ironic twist, Dolton Records came calling and licensed the single for national distribution; by summer 1960, it had risen to number two in the charts, behind only "It's Now or Never" by Elvis Presley. After Howie Johnson replaced Moore on drums, the Ventures began recording their debut album, unsurprisingly titled after their hit single.
Two singles, "Perfidia" and "Ram-Bunk-Shush," hit the Top 40 during 1960-61, but the Ventures soon began capitalizing on what became a trademark: releasing LPs which featured songs very loosely arranged around a theme implied in the title. The group's fourth LP, The Colorful Ventures, included "Yellow Jacket," "Red Top," "Orange Fire" and no less than three tracks featuring the word "blue" in the title. The Ventures put their indelible stamp on each style of '60s music they covered, and they covered many – twist, country, pop, spy music, psychedelic, swamp, garage, TV themes. (In the '70s, the band moved on to funk, disco, reggae, soft rock and Latin music.) The Ventures' lineup changed slightly during 1962. Howie Johnson left the band, to be replaced by session man Mel Taylor; also, Nokie Edwards took over lead guitar with Bob Bogle switching to bass.
One of the few LPs not arranged around a theme became their best-selling; 1963's The Ventures Play Telstar, The Lonely Bull featured a cover of the number one instrumental hit by the British studio band the Tornadoes and produced by Joe Meek. Though their cover of "Telstar" didn't even chart, the album hit the Top Ten and became the group's first of three gold records. A re-write of their signature song – entitled "Walk-Don't Run '64" – reached number eight that year. By the mid-'60s however, the Ventures appeared to be losing their touch. Considering the volatility of popular music during the time, it was quite forgivable that the group would lose their heads-up knowledge of current trends in the music industry to forecast which songs should be covered. The television theme "Hawaii Five-O" hit number four in 1969, but the Ventures slipped off the American charts for good in 1972. Instead, the band began looking abroad for attention and – in Japan especially – they found it with gusto. After leaving Dolton/Liberty and founding their own Tridex Records label, the Ventures began recording albums specifically for the Japanese market. The group eventually sold over 40 million records in that country alone, becoming one of the biggest American influences on Japanese pop music ever.
Nokie Edwards left the Ventures in 1968 to pursue his interest in horse racing for a time, and was replaced by Gerry McGee; though he returned by 1972, Mel Taylor left the group that year for a solo career, to be replaced by Joe Barile. (Taylor returned also, in 1979.) By the early '80s, the Ventures' core quartet of Wilson, Bogle, Edwards and Taylor could boast of playing together for over 20 years. Though Edwards left the band for good in 1984 (replaced again by Gerry McGee) and Mel Taylor died mid-way through a Japanese tour in 1996 (replaced by his son Leon), the Ventures continued to pack venues around the world.
~ John Bush, Rovi
The Ventures - In The Vaults, Vol.4 (2007):
The Ventures - In The Vaults, Vol.4 (2007)
Tracklist:
01. Journey To The Stars [0:02:13.20]
02. Delicado [0:02:28.14]
03. Night Run (The Marksmen) [0:02:22.35]
04. Station Breaks [0:01:35.45]
05. Driving Guitars [0:01:48.48]
06. Don't Avoid Me (Don Lee Wilson) [0:02:21.39]
07. Echo [0:02:42.29]
08. Yellow Jacket [0:02:40.10]
09. Delta Lady [0:02:35.52]
10. Heart On My Sleeve (Don Lee Wilson) [0:02:27.57]
11. Scratch (The Marksmen) [0:02:10.32]
12. Memphis [0:02:33.14]
13. Like You've Never Known Before (Don Lee Wilson) [0:02:07.00]
14. Black Tarantella [0:02:20.18]
15. Original Number One [0:02:11.21]
16. The Twomp (Don Wilson) [0:02:05.10]
17. Beautiful Obsession [0:02:34.13]
18. Bumble Bee [0:02:33.56]
19. Son Of A Preacher Man [0:02:15.72]
20. Runaway (Don Lee Wilson) [0:02:25.50]
21. Downtown [0:02:46.02]
22. Pedal Pusher [0:02:22.32]
23. Feel So Fine (Don Wilson) [0:01:56.51]
24. Medley-Walk Don't Run-Perfidia-Lullaby Of The Leaves [0:03:11.17]
25. The Jam [0:03:19.54]
26. Caravan [0:05:43.16]
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
Отчёт EAC об извлечении, выполненном 19. октября 2009, 23:24
The Ventures / In The Vaults, Vol.4
Дисковод: _NEC DVD_RW ND-4570A Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Нет
Использование указателей C2 : Да
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:13.20 | 0 | 9994
2 | 2:13.20 | 2:28.14 | 9995 | 21108
3 | 4:41.34 | 2:22.35 | 21109 | 31793
4 | 7:03.69 | 1:35.45 | 31794 | 38963
5 | 8:39.39 | 1:48.48 | 38964 | 47111
6 | 10:28.12 | 2:21.39 | 47112 | 57725
7 | 12:49.51 | 2:42.29 | 57726 | 69904
8 | 15:32.05 | 2:40.10 | 69905 | 81914
9 | 18:12.15 | 2:35.52 | 81915 | 93591
10 | 20:47.67 | 2:27.57 | 93592 | 104673
11 | 23:15.49 | 2:10.32 | 104674 | 114455
12 | 25:26.06 | 2:33.14 | 114456 | 125944
13 | 27:59.20 | 2:07.00 | 125945 | 135469
14 | 30:06.20 | 2:20.18 | 135470 | 145987
15 | 32:26.38 | 2:11.21 | 145988 | 155833
16 | 34:37.59 | 2:05.10 | 155834 | 165218
17 | 36:42.69 | 2:34.13 | 165219 | 176781
18 | 39:17.07 | 2:33.56 | 176782 | 188312
19 | 41:50.63 | 2:15.72 | 188313 | 198509
20 | 44:06.60 | 2:25.50 | 198510 | 209434
21 | 46:32.35 | 2:46.02 | 209435 | 221886
22 | 49:18.37 | 2:22.32 | 221887 | 232568
23 | 51:40.69 | 1:56.51 | 232569 | 241319
24 | 53:37.45 | 3:11.17 | 241320 | 255661
25 | 56:48.62 | 3:19.54 | 255662 | 270640
26 | 60:08.41 | 5:43.16 | 270641 | 296381
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
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Пиковый уровень 96.6 %
Качество диапазона 100.0 %
CRC копии 99C77DA3
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
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Все треки извлечены точно
Конец отчёта
Отчёт EAC об извлечении, выполненном 19. октября 2009, 23:24
The Ventures / In The Vaults, Vol.4
Дисковод: _NEC DVD_RW ND-4570A Adapter: 0 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Нет
Использование указателей C2 : Да
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:13.20 | 0 | 9994
2 | 2:13.20 | 2:28.14 | 9995 | 21108
3 | 4:41.34 | 2:22.35 | 21109 | 31793
4 | 7:03.69 | 1:35.45 | 31794 | 38963
5 | 8:39.39 | 1:48.48 | 38964 | 47111
6 | 10:28.12 | 2:21.39 | 47112 | 57725
7 | 12:49.51 | 2:42.29 | 57726 | 69904
8 | 15:32.05 | 2:40.10 | 69905 | 81914
9 | 18:12.15 | 2:35.52 | 81915 | 93591
10 | 20:47.67 | 2:27.57 | 93592 | 104673
11 | 23:15.49 | 2:10.32 | 104674 | 114455
12 | 25:26.06 | 2:33.14 | 114456 | 125944
13 | 27:59.20 | 2:07.00 | 125945 | 135469
14 | 30:06.20 | 2:20.18 | 135470 | 145987
15 | 32:26.38 | 2:11.21 | 145988 | 155833
16 | 34:37.59 | 2:05.10 | 155834 | 165218
17 | 36:42.69 | 2:34.13 | 165219 | 176781
18 | 39:17.07 | 2:33.56 | 176782 | 188312
19 | 41:50.63 | 2:15.72 | 188313 | 198509
20 | 44:06.60 | 2:25.50 | 198510 | 209434
21 | 46:32.35 | 2:46.02 | 209435 | 221886
22 | 49:18.37 | 2:22.32 | 221887 | 232568
23 | 51:40.69 | 1:56.51 | 232569 | 241319
24 | 53:37.45 | 3:11.17 | 241320 | 255661
25 | 56:48.62 | 3:19.54 | 255662 | 270640
26 | 60:08.41 | 5:43.16 | 270641 | 296381
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла G:\Запись\The Ventures\2007-In The Vaults, Vol. 4\The Ventures - In The Vaults, Vol.4.wav
Пиковый уровень 96.6 %
Качество диапазона 100.0 %
CRC копии 99C77DA3
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 точное извлечение (доверие 1) [531091F5]
Трек 2 точное извлечение (доверие 1) [FBF9E6E9]
Трек 3 точное извлечение (доверие 1) [FDDB36F1]
Трек 4 точное извлечение (доверие 1) [60118E1D]
Трек 5 точное извлечение (доверие 1) [B3AA0BAF]
Трек 6 точное извлечение (доверие 1) [9FB92DF7]
Трек 7 точное извлечение (доверие 1) [4296A4BA]
Трек 8 точное извлечение (доверие 1) [A7ABDB4D]
Трек 9 точное извлечение (доверие 1) [5FA8D52A]
Трек 10 точное извлечение (доверие 1) [79C927A5]
Трек 11 точное извлечение (доверие 1) [4FD79E1F]
Трек 12 точное извлечение (доверие 1) [E902AFEA]
Трек 13 точное извлечение (доверие 1) [49A3E86F]
Трек 14 точное извлечение (доверие 1) [9B0765AF]
Трек 15 точное извлечение (доверие 1) [A81BF4B9]
Трек 16 точное извлечение (доверие 1) [480B4FE2]
Трек 17 точное извлечение (доверие 1) [103AEA6C]
Трек 18 точное извлечение (доверие 1) [C2AF9A86]
Трек 19 точное извлечение (доверие 1) [981D0C44]
Трек 20 точное извлечение (доверие 1) [BF4A9263]
Трек 21 точное извлечение (доверие 1) [3BF6D12B]
Трек 22 точное извлечение (доверие 1) [7A32926E]
Трек 23 точное извлечение (доверие 1) [3017BA35]
Трек 24 точное извлечение (доверие 1) [206526FD]
Трек 25 точное извлечение (доверие 1) [D0BC0188]
Трек 26 точное извлечение (доверие 1) [7A943FAE]
Все треки извлечены точно
Конец отчёта
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\The Ventures - In The Vaults, Vol.4
1 -=- The Ventures - In The Vaults, Vol.4.ape -=- CDDA (100%)
34484116
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== DO NOT EDIT THIS FILE! ===-
Path: …\The Ventures - In The Vaults, Vol.4
1 -=- The Ventures - In The Vaults, Vol.4.ape -=- CDDA (100%)
34484116
[Verification date: 22.11.2010 7:00:04]
[Disc ID: 003852bf-0423d18e-660f6f1a]
Track [ CRC ] Status
01 [531091f5] (02/02) Accurately ripped as in pressing(s) #1
02 [fbf9e6e9] (02/02) Accurately ripped as in pressing(s) #1
03 [fddb36f1] (02/02) Accurately ripped as in pressing(s) #1
04 [60118e1d] (02/02) Accurately ripped as in pressing(s) #1
05 [b3aa0baf] (02/02) Accurately ripped as in pressing(s) #1
06 [9fb92df7] (02/02) Accurately ripped as in pressing(s) #1
07 [4296a4ba] (02/02) Accurately ripped as in pressing(s) #1
08 [a7abdb4d] (02/02) Accurately ripped as in pressing(s) #1
09 [5fa8d52a] (02/02) Accurately ripped as in pressing(s) #1
10 [79c927a5] (02/02) Accurately ripped as in pressing(s) #1
11 [4fd79e1f] (02/02) Accurately ripped as in pressing(s) #1
12 [e902afea] (02/02) Accurately ripped as in pressing(s) #1
13 [49a3e86f] (02/02) Accurately ripped as in pressing(s) #1
14 [9b0765af] (02/02) Accurately ripped as in pressing(s) #1
15 [a81bf4b9] (02/02) Accurately ripped as in pressing(s) #1
16 [480b4fe2] (02/02) Accurately ripped as in pressing(s) #1
17 [103aea6c] (02/02) Accurately ripped as in pressing(s) #1
18 [c2af9a86] (02/02) Accurately ripped as in pressing(s) #1
19 [981d0c44] (02/02) Accurately ripped as in pressing(s) #1
20 [bf4a9263] (02/02) Accurately ripped as in pressing(s) #1
21 [3bf6d12b] (02/02) Accurately ripped as in pressing(s) #1
22 [7a32926e] (02/02) Accurately ripped as in pressing(s) #1
23 [3017ba35] (02/02) Accurately ripped as in pressing(s) #1
24 [206526fd] (02/02) Accurately ripped as in pressing(s) #1
25 [d0bc0188] (02/02) Accurately ripped as in pressing(s) #1
26 [7a943fae] (02/02) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [99C77DA3] [246F5235] CRC32
01 [E464A90E] [D0BFABFA]
02 [88D21A51] [70EB2F71]
03 [9982DC71] [798027E2]
04 [2E89FC07] [F706ED63]
05 [EAC7616D] [E4CEE587]
06 [6448B67D] [27609A98]
07 [CD3AED40] [1486B401]
08 [3E4897B5] [E26091B0]
09 [010B19C7] [D0BCFFCB]
10 [3F36B6AC] [3BDE9526]
11 [88FBDB3C] [3DBFE1CC]
12 [5A777F5D] [13B01BFE]
13 [D69723BA] [8A8D6177]
14 [231B59A2] [4C7250E6]
15 [3459A3C8] [6F201E2A]
16 [7AB72323] [A300D173]
17 [4AA50EB4] [D07E7514]
18 [EB299D97] [BBF7E414]
19 [58F800D5] [CA5779FB]
20 [2DDD4477] [856819ED]
21 [2C0EC9C0] [4D69073A]
22 [3B06B66A] [CF6759EE]
23 [0919A681] [B59F10D8]
24 [5EF3282C] [444BB3F7]
25 [C5DC2119] [EE12235D]
26 [2108C5DD] [232A8FCF]
[Disc ID: 003852bf-0423d18e-660f6f1a]
Track [ CRC ] Status
01 [531091f5] (02/02) Accurately ripped as in pressing(s) #1
02 [fbf9e6e9] (02/02) Accurately ripped as in pressing(s) #1
03 [fddb36f1] (02/02) Accurately ripped as in pressing(s) #1
04 [60118e1d] (02/02) Accurately ripped as in pressing(s) #1
05 [b3aa0baf] (02/02) Accurately ripped as in pressing(s) #1
06 [9fb92df7] (02/02) Accurately ripped as in pressing(s) #1
07 [4296a4ba] (02/02) Accurately ripped as in pressing(s) #1
08 [a7abdb4d] (02/02) Accurately ripped as in pressing(s) #1
09 [5fa8d52a] (02/02) Accurately ripped as in pressing(s) #1
10 [79c927a5] (02/02) Accurately ripped as in pressing(s) #1
11 [4fd79e1f] (02/02) Accurately ripped as in pressing(s) #1
12 [e902afea] (02/02) Accurately ripped as in pressing(s) #1
13 [49a3e86f] (02/02) Accurately ripped as in pressing(s) #1
14 [9b0765af] (02/02) Accurately ripped as in pressing(s) #1
15 [a81bf4b9] (02/02) Accurately ripped as in pressing(s) #1
16 [480b4fe2] (02/02) Accurately ripped as in pressing(s) #1
17 [103aea6c] (02/02) Accurately ripped as in pressing(s) #1
18 [c2af9a86] (02/02) Accurately ripped as in pressing(s) #1
19 [981d0c44] (02/02) Accurately ripped as in pressing(s) #1
20 [bf4a9263] (02/02) Accurately ripped as in pressing(s) #1
21 [3bf6d12b] (02/02) Accurately ripped as in pressing(s) #1
22 [7a32926e] (02/02) Accurately ripped as in pressing(s) #1
23 [3017ba35] (02/02) Accurately ripped as in pressing(s) #1
24 [206526fd] (02/02) Accurately ripped as in pressing(s) #1
25 [d0bc0188] (02/02) Accurately ripped as in pressing(s) #1
26 [7a943fae] (02/02) Accurately ripped as in pressing(s) #1
Track [ CRC32 ] [W/O NULL] [ LOG ]
– [99C77DA3] [246F5235] CRC32
01 [E464A90E] [D0BFABFA]
02 [88D21A51] [70EB2F71]
03 [9982DC71] [798027E2]
04 [2E89FC07] [F706ED63]
05 [EAC7616D] [E4CEE587]
06 [6448B67D] [27609A98]
07 [CD3AED40] [1486B401]
08 [3E4897B5] [E26091B0]
09 [010B19C7] [D0BCFFCB]
10 [3F36B6AC] [3BDE9526]
11 [88FBDB3C] [3DBFE1CC]
12 [5A777F5D] [13B01BFE]
13 [D69723BA] [8A8D6177]
14 [231B59A2] [4C7250E6]
15 [3459A3C8] [6F201E2A]
16 [7AB72323] [A300D173]
17 [4AA50EB4] [D07E7514]
18 [EB299D97] [BBF7E414]
19 [58F800D5] [CA5779FB]
20 [2DDD4477] [856819ED]
21 [2C0EC9C0] [4D69073A]
22 [3B06B66A] [CF6759EE]
23 [0919A681] [B59F10D8]
24 [5EF3282C] [444BB3F7]
25 [C5DC2119] [EE12235D]
26 [2108C5DD] [232A8FCF]
The Ventures - In The Vaults, Vol.4 (2007)
Download The Ventures - In The Vaults, Vol.4 (2007):
FileSonic: APE - Part1 | APE - Part2 | MP3
FileServe: APE - Part1 | APE - Part2 | MP3
Uploaded: APE - Part1 | APE - Part2 | MP3
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All thanks go to Чарли Чинк