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    The Sixteen, Harry Christophers - Poetry in Music (2015)

    Posted By: Designol
    The Sixteen, Harry Christophers - Poetry in Music (2015)

    The Sixteen, Harry Christophers - Poetry in Music (2015)
    William Harris, Michael Tippett, Thomas Weelkes, James MacMillan, Ivor Gurney, Robert Ramsey
    Benjamin Britten, Edmund Rubbra, Michael East, Herbert Howells, Robert Pearsall, Thomas Tomkins

    EAC | FLAC | Image (Cue&Log) ~ 297 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
    Genre: Classical, Choral | Label: CORO | # COR16134 | Time: 01:10:50

    Does music add substance to words or is music inspired by them? Songs of departure and farewell are deeply rooted in the great tradition of British choral music, nourished by ancient myths of testing journeys, wayside transformations and homecomings. The transcendent nature of music and the power of poetry to challenge and alter perceptions of reality – harnessed by English composers over many centuries – flow through a programme that invites contemplation of life and death, of love and loss, creation and eternity. In a journey covering six centuries of musical history, The Sixteen performs a cappella anthems with powerful texts by writers as varied as Edmund Spenser, Christopher Fry and W.H. Auden.

    The Sixteen, Harry Christophers - Poetry in Music (2015)

    The Sixteen, Harry Christophers - Poetry in Music (2015)

    The glowing textures of Harris’s classic anthem Faire is the heaven give way to an exuberant and rhythmically incisive account of Tippett’s 'Dance, clarion air', while the direct, heartfelt expression of Weelkes’s When David Heard is beautifully countered by the luminous, angelic wafting of high sopranos in MacMillan’s The Gallant Weaver. Four tracks and less than 20 minutes into this disc it is clear that this is something really special.

    That specialness comes not just from the fact that The Sixteen elevate everything they perform through their opulent musicality and supreme clarity of tone, but from Harry Christophers’s intuitive grasp of the marriage of music and words in all 14 of these powerfully perceptive musical responses to beautifully crafted English texts. Many of these anthems will be familiar to those with a grounding in the great Anglican choral tradition, but none sounds familiar here. Rather, these performances reveal a depth of expression and artistic intensity in music we thought we knew but now realise we only partially comprehended. These performances are, in every sense of the word, revelatory.

    Of the less familiar items, Ivor Gurney’s setting of Robert Bridge’s reimagining of the Creed, Since I believe in God, is a deeply intense work, written while the composer was incarcerated in a mental hospital in Dartford (a doubly grim location for such a sublime creation), while Rubbra’s free-flowing There is a spirit provides a lovely vehicle for the exquisite soprano of Julie Cooper. It is also good to be reminded that Robert Pearsall contributed far more to the repertory of English choirs than his famous version of In dulci jubilo, echoes of which are, however, never far from the surface in The Sixteen’s warmly expressive account of Lay a Garland.

    Review by Marc Rochester, Gramophone

    The Sixteen, Harry Christophers - Poetry in Music (2015)



    The Sixteen, Harry Christophers - Poetry in Music (2015)



    Tracklist:

    Sir William Harris (1883-1973)
    01. Faire is the heaven

    Sir Michael Tippett (1905-1998)
    02. Dance, clarion air

    Thomas Weelkes (1576-1623)
    03. When David heard

    James MacMillan (b.1959)
    04. The Gallant Weaver

    Ivor Gurney (1890-1937)
    05. Since I believe in God the Father Almighty

    Robert Ramsey (c.1590-1644)
    06. When David heard

    Benjamin Britten (1913-1976)
    07. Hymn to Saint Cecilia

    Edmund Rubbra (1901-1986)
    08. There is a spirit

    Michael East (1580-1648)
    09. When David heard

    Herbert Howells (1892 -1983)
    10. Take him, earth, for cherishing

    Robert Pearsall (1795-1856)
    11. Lay a Garland

    Edmund Rubbra
    12. Eternitie

    Thomas Tomkins (1572-1656)
    13. When David heard

    Sir William Harris
    14. Bring us, O Lord God


    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 3. March 2016, 8:54

    The Sixteen, Harry Christophers / Poetry in Music

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    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2017-02-22 00:49:19

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Sixteen, Harry Christophers / Poetry in Music
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -0.58 dB -21.72 dB 5:26 01-Harris: Faire is the heaven
    DR13 -1.92 dB -20.15 dB 4:03 02-Tippett: Dance, clarion air
    DR12 -5.49 dB -24.12 dB 3:38 03-Weelkes: When David heard
    DR12 -7.33 dB -25.94 dB 5:49 04-MacMillan: The Gallant Weaver
    DR14 -4.59 dB -25.06 dB 5:54 05-Gurney: Since I believe in God the Father Almighty
    DR11 -2.89 dB -21.81 dB 2:38 06-Ramsey: When David heard
    DR14 -3.89 dB -24.31 dB 10:59 07-Britten: Hymn to Saint Cecilia
    DR14 -4.20 dB -24.75 dB 5:36 08-Rubbra: There is a spirit
    DR14 -4.98 dB -24.15 dB 4:19 09-East: When David heard
    DR15 -1.05 dB -23.15 dB 8:18 10-Howells: Take him, earth, for cherishing
    DR11 -4.26 dB -22.94 dB 3:14 11-Pearsall: Lay a garland
    DR12 -3.45 dB -22.23 dB 2:48 12-Rubbra: Eternitie
    DR14 -4.89 dB -24.33 dB 4:18 13-Tomkins: When David heard
    DR15 -0.83 dB -21.31 dB 3:50 14-Harris: Bring us, O Lord God
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 14
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 544 kbps
    Codec: FLAC
    ================================================================================

    The Sixteen, Harry Christophers - Poetry in Music (2015)

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