The Rolling Stones - Bridges To Bremen (2019)
BD | MPEG-4 AVC Video, 1080i (16:9), 27985 kbps, 29,970 fps
LPCM 2.0, 48 kHz/24-bit, 2304 kbps | DTS-HD Master Audio 5.1, 48 kHz/24-bit, 4995 kbps
02:48:54 | ~ 44,9 Gb | RAR 5% Recovery
Rock | Eagle Rock Entertainment #EVSBD05391
BD | MPEG-4 AVC Video, 1080i (16:9), 27985 kbps, 29,970 fps
LPCM 2.0, 48 kHz/24-bit, 2304 kbps | DTS-HD Master Audio 5.1, 48 kHz/24-bit, 4995 kbps
02:48:54 | ~ 44,9 Gb | RAR 5% Recovery
Rock | Eagle Rock Entertainment #EVSBD05391
Bridges To Bremen is the full-length show performed by The Stones on the fifth and final leg of the Bridges To Babylon Tour. Filmed at the German city’s Weserstadion on September 2, 1998, the band had by then completed four legs in the stadiums and arenas of North America (twice), Asia and South America before finally landing in Europe early that summer. Ever the innovators, Bridges To Babylon was a tour of firsts - thp first time the band went on the road with a permanent В-stage, and also the first time where fans could vote on the band's website for a track they wanted to hear on the setlist - Memory Motel in the case of the Bremen fans.
There are many bridges to cross in a lifetime as the greatest rock'n'roll band in the world. But those that The Rolling Stones traversed on their worldwide tour of the 1997-98 season helped them make the crossing towards a new century and to reach even greater heights as the live entertainers that their peers could only dream of being.
The live phenomenon of the band’s latter 20th century iteration was the sum of all the parts they had played on stage for decades. This was a group breaking its own records for fun. The Bridges To Babylon tour started in September 1997, six days before the release of the album that inspired it, and finished four days short of a year later. By then, it had played nearly 100 shows across four continents and become the second-highest-grossing tour in history to that point. The only one in front of it? Their own Voodoo Lounge extravaganza of 1994-95.
The Bridges To Babylon set was focused on a giant circular central screen, which opened and closed with fireworks and documented Mick’s every move, Keith and Ronnie’s licks and Charlie’s rock steady beat in stunning close-up. But the other premise of this year-long excursion was even more brilliantly and outlandishly ambitious: to take the title of the new album quite literally and create a huge cantilever bridge to stretch 150 feet to a "B” stage in the centre of the stadium field.
The team led by the Stones’ longtime visual overlord Mark Fisher made it reality, in close collaboration with lighting designer Patrick Woodroffe and with Mick Jagger and Charlie Watts. The device allowed the band to make an even closer connection with their fans and, in the bijou setting, to reconnect to their early club days that helped build their legend in the first place. But, as Jagger confessed to this writer some years later, such a massive technical challenge brought its own concerns.
“It was a very large set,” he said, “and this was the first one where we used a ‘B’ stage, where we went into the middle of the stadium by this bridge. It was a really great gimmick, except every night” — Mick was breaking into his trademark grin by now — “I was really worried that it wasn’t going to work. But it was a really good tour, that one.” Woodroffe later reflected: “Mick is really into giving people their money’s worth and putting on a great show. They just have to put their mark down and say ‘We’re still a great band.’”
When the tour arrived at the Weserstadion in Bremen in northwestern Germany on September 2, 1998, the itinerary was just half a dozen dates from its conclusion. The Stones were honed by the road, professional to the nth degree and exhilarating beyond measure. But never, ever, too slick for their own good. This remains a band who almost pride themselves on the thought that, as Keith Richards will say, any stage number could fall apart at any minute.
They never do, of course, and thus the Human Riff himself came exploding out of that screen, in full-length leopard skin coat and shades, with the deathless clarion of ‘(I Can’t Get No) Satisfaction.’ There was Mick in yellow silk scarf, Ronnie Wood in dark glasses and wine red scarf, Charlie dressed classy casual. By the ensuring ‘Let's Spend The Night Together,’ Keith’s coat was off and it was clear that the Stones were there to work, and in doing so, to provide 150 minutes of unmatched entertainment. “Willkommen in Bremen” indeed.
The show, the tour’s tenth in Germany alone, was beamed to a multi-million audience via a TV special across Europe and beyond. As ever, they took it all in their stride. “Like the Eurovision [expletive deleted] Song Contest,” observed Mick, greeting each country in turn.
That gigantic viewership witnessed then-new songs such as ‘Flip The Switch,’ ‘Anybody Seen My Baby?,’ ‘Saint Of Me’ and ‘Out Of Control,’ the latter continuing to emphasise its crowdpleasing credentials all the way into the 2010s and the No Filter tour. In no time, Mick already needed a towel, and “Gimme Shelter’ saw Lisa Fischer brilliantly reinhabiting its glowering vocal motif, her visual chemistry with Jagger growing ever steamier in keeping with the song’s heightening tension.
The team ethic now bonding the extended group was reflected in further stellar cameos by Bernard Fowler, Chuck Leavell and the talismanic Bobby Keys. Another feature ol the show, and the tour, was the video cybercast vote in which ticket-holders made their requests for deeper cuts to adorn the set. Bremen went for ‘Memory Motel,’ featuring some pleasing interplay between the Glimmer Twins.
Keith’s own feature spot, too, mined some lesser-explored territory, with his Bridges track ‘Thief In The Night’, while ‘Wanna Hold You’ came out of the shadows from the Undercover album. Then to the pure science fiction of that vast concertina walkway, extending into the crowd like a mechanical beast in what surely remains one of the great spectacles of any rock concert in history.
Recast on this second stage, the Stones rolled back the years to Richmond in a dream-like transfusion of energy, all four visibly energised by the intimacy of the moment, “The biggest reward is going over the bridge and playing to the people on that very small stage that thought they had really rotten seats,” Ronnie told me at the time. “Suddenly, you’re in there among them. It’s a nice little edge to the show and we get to rock out.”
Indeed they did. Mick played killer harmonica on ‘Like A Rolling Stone’ and Keith cut shapes, and his trademark Chuck Berry nods, on ‘It's Only Rock'n'Roll.’ Amid the glad-handing clamour, it was a wonder they made it black to the main platform at all. They did so for a masterful home run that included a typically magisterial ‘Sympathy For The Devil,’ Keith’s one-handed intro riff on ‘Honky Tonk Women’ and perhaps the hugest stadium anthem of them all, ‘Start Me Up.’
Finally, a crossfire hurricane of smoke bombs and fireworks and, two and a half hours in, the undimmed animal energy of ‘Brown Sugar.’ You should have heard them just before midnight, and now you can.
The live phenomenon of the band’s latter 20th century iteration was the sum of all the parts they had played on stage for decades. This was a group breaking its own records for fun. The Bridges To Babylon tour started in September 1997, six days before the release of the album that inspired it, and finished four days short of a year later. By then, it had played nearly 100 shows across four continents and become the second-highest-grossing tour in history to that point. The only one in front of it? Their own Voodoo Lounge extravaganza of 1994-95.
The Bridges To Babylon set was focused on a giant circular central screen, which opened and closed with fireworks and documented Mick’s every move, Keith and Ronnie’s licks and Charlie’s rock steady beat in stunning close-up. But the other premise of this year-long excursion was even more brilliantly and outlandishly ambitious: to take the title of the new album quite literally and create a huge cantilever bridge to stretch 150 feet to a "B” stage in the centre of the stadium field.
The team led by the Stones’ longtime visual overlord Mark Fisher made it reality, in close collaboration with lighting designer Patrick Woodroffe and with Mick Jagger and Charlie Watts. The device allowed the band to make an even closer connection with their fans and, in the bijou setting, to reconnect to their early club days that helped build their legend in the first place. But, as Jagger confessed to this writer some years later, such a massive technical challenge brought its own concerns.
“It was a very large set,” he said, “and this was the first one where we used a ‘B’ stage, where we went into the middle of the stadium by this bridge. It was a really great gimmick, except every night” — Mick was breaking into his trademark grin by now — “I was really worried that it wasn’t going to work. But it was a really good tour, that one.” Woodroffe later reflected: “Mick is really into giving people their money’s worth and putting on a great show. They just have to put their mark down and say ‘We’re still a great band.’”
When the tour arrived at the Weserstadion in Bremen in northwestern Germany on September 2, 1998, the itinerary was just half a dozen dates from its conclusion. The Stones were honed by the road, professional to the nth degree and exhilarating beyond measure. But never, ever, too slick for their own good. This remains a band who almost pride themselves on the thought that, as Keith Richards will say, any stage number could fall apart at any minute.
They never do, of course, and thus the Human Riff himself came exploding out of that screen, in full-length leopard skin coat and shades, with the deathless clarion of ‘(I Can’t Get No) Satisfaction.’ There was Mick in yellow silk scarf, Ronnie Wood in dark glasses and wine red scarf, Charlie dressed classy casual. By the ensuring ‘Let's Spend The Night Together,’ Keith’s coat was off and it was clear that the Stones were there to work, and in doing so, to provide 150 minutes of unmatched entertainment. “Willkommen in Bremen” indeed.
The show, the tour’s tenth in Germany alone, was beamed to a multi-million audience via a TV special across Europe and beyond. As ever, they took it all in their stride. “Like the Eurovision [expletive deleted] Song Contest,” observed Mick, greeting each country in turn.
That gigantic viewership witnessed then-new songs such as ‘Flip The Switch,’ ‘Anybody Seen My Baby?,’ ‘Saint Of Me’ and ‘Out Of Control,’ the latter continuing to emphasise its crowdpleasing credentials all the way into the 2010s and the No Filter tour. In no time, Mick already needed a towel, and “Gimme Shelter’ saw Lisa Fischer brilliantly reinhabiting its glowering vocal motif, her visual chemistry with Jagger growing ever steamier in keeping with the song’s heightening tension.
The team ethic now bonding the extended group was reflected in further stellar cameos by Bernard Fowler, Chuck Leavell and the talismanic Bobby Keys. Another feature ol the show, and the tour, was the video cybercast vote in which ticket-holders made their requests for deeper cuts to adorn the set. Bremen went for ‘Memory Motel,’ featuring some pleasing interplay between the Glimmer Twins.
Keith’s own feature spot, too, mined some lesser-explored territory, with his Bridges track ‘Thief In The Night’, while ‘Wanna Hold You’ came out of the shadows from the Undercover album. Then to the pure science fiction of that vast concertina walkway, extending into the crowd like a mechanical beast in what surely remains one of the great spectacles of any rock concert in history.
Recast on this second stage, the Stones rolled back the years to Richmond in a dream-like transfusion of energy, all four visibly energised by the intimacy of the moment, “The biggest reward is going over the bridge and playing to the people on that very small stage that thought they had really rotten seats,” Ronnie told me at the time. “Suddenly, you’re in there among them. It’s a nice little edge to the show and we get to rock out.”
Indeed they did. Mick played killer harmonica on ‘Like A Rolling Stone’ and Keith cut shapes, and his trademark Chuck Berry nods, on ‘It's Only Rock'n'Roll.’ Amid the glad-handing clamour, it was a wonder they made it black to the main platform at all. They did so for a masterful home run that included a typically magisterial ‘Sympathy For The Devil,’ Keith’s one-handed intro riff on ‘Honky Tonk Women’ and perhaps the hugest stadium anthem of them all, ‘Start Me Up.’
Finally, a crossfire hurricane of smoke bombs and fireworks and, two and a half hours in, the undimmed animal energy of ‘Brown Sugar.’ You should have heard them just before midnight, and now you can.
~ Paul Sexton
***************
Track List:
Bridges To Bremen
01. (I Can’t Get No) Satisfaction
02. Let’s Spend The Night Together
03. Flip The Switch
04. Gimme Shelter
05. Anybody Seen My Baby?
06. Paint It Black
07. Saint Of Me
08. Out Of Control
09. Memory Motel
10. Miss You
11. Thief In The Night
12. Wanna Hold You
13. It’s Only Rock‘n'Roll (But I Like It)
14. You Got Me Rocking
15. Like A Rolling Stone
16. Sympathy For The Devil
17. Tumbling Dice
18. Honky Tonk Women
19. Start Me Up
20. Jumpin’ Jack Flash
21. You Can’t Always Get What You Want
22. Brown Sugar
Bridges To Chicago (Bonus)
01. Rock And A Hard Place
02. Under My Thumb
03. All About You
04. Let It Bleed
Personnel:
Mick Jagger - Vocals, Guitar, Harmonica
Keith Richards - Guitar, Vocals
Charlie Watts - Drums
Ronnie Wood - Guitar
Darryl Jones - Bass Guitar, Backing Vocals
Chuck Leavell - Keyboards, Backing Vocals
Bobby Keys - Saxophone
Andy Snitzer - Saxophone, Keyboards
Michael Davis - Trombone
Kent Smith - Trumpet
Lisa Fischer - Backing Vocals
Bernard Fowler - Backing Vocals
Blondie Chaplin - Backing Vocals, Percussion
Leah Wood - Backing Vocals (Thief In The Night)
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
Notes:
BDINFO HOME:
Cinema Squid
http://www.cinemasquid.com/blu-ray/tools/bdinfo
INCLUDES FORUMS REPORT FOR:
AVS Forum Blu-ray Audio and Video Specifications Thread
http://www.avsforum.com/avs-vb/showthread.php?t=1155731
********************
PLAYLIST: 00000.MPLS
********************
<–- BEGIN FORUMS PASTE –->
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DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00000.MPLS
Length: 2:29:59.590 (h:m:s.ms)
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<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00000.MPLS
Size: 41 848 780 800 bytes
Length: 2:29:59.590
Total Bitrate: 37,20 Mbps
Video: MPEG-4 AVC Video / 27985 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 4995 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
********************
PLAYLIST: 00001.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
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00001.MPLS AVC 0:18:55 3 613 403 136 45 934 230 992 25,46 21,97 LPCM 2.0 2304Kbps (48kHz/24-bit)
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00001.MPLS
Length: 0:18:55.501 (h:m:s.ms)
Size: 3 613 403 136 bytes
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<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00001.MPLS
Size: 3 613 403 136 bytes
Length: 0:18:55.501
Total Bitrate: 25,46 Mbps
Video: MPEG-4 AVC Video / 21969 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
********************
PLAYLIST: 00003.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
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00003.MPLS AVC 0:00:20 61 734 912 45 934 230 992 24,63 22,00 DTS-HD Master 5.1 1408Kbps (48kHz/16-bit)
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00003.MPLS
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Size: 61 734 912 bytes
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AUDIO:
Codec Language Bitrate Description
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CHAPTERS:
Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:00:20.053 22 000 kbps 33 171 kbps 00:00:14.314 24 241 kbps 00:00:10.310 22 817 kbps 00:00:05.271 91 759 bytes 465 736 bytes 00:00:00.967
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00007.M2TS 4113 (0x1011) 0x1B AVC 19,920 22 148 55 147 083 300 012
00007.M2TS 4352 (0x1100) 0x86 DTS-HD MA eng (English) 19,920 1 417 3 528 144 20 848
<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00003.MPLS
Size: 61 734 912 bytes
Length: 0:00:20.053
Total Bitrate: 24,63 Mbps
Video: MPEG-4 AVC Video / 22000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 1408 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 16-bit)
********************
PLAYLIST: 00004.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track
––- ––– –––- ––––––– ––––––– –––- –––- ––––––––– ––––––––––-
00004.MPLS AVC 0:00:20 21 086 208 45 934 230 992 8,43 8,00
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00004.MPLS
Length: 0:00:20.019 (h:m:s.ms)
Size: 21 086 208 bytes
Total Bitrate: 8,43 Mbps
VIDEO:
Codec Bitrate Description
––- –––- –––––-
MPEG-4 AVC Video 8002 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1
FILES:
Name Time In Length Size Total Bitrate
–– –––- ––– –– ––––––-
00009.M2TS 0:00:00.000 0:00:10.009 10 543 104 8 426
00008.M2TS 0:00:10.009 0:00:10.009 10 543 104 8 426
CHAPTERS:
Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:00:20.019 8 002 kbps 10 483 kbps 00:00:07.257 10 096 kbps 00:00:03.253 8 002 kbps 00:00:02.419 41 718 bytes 112 575 bytes 00:00:08.258
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00009.M2TS 4113 (0x1011) 0x1B AVC 9,885 8 103 10 012 397 54 570
00008.M2TS 4113 (0x1011) 0x1B AVC 9,885 8 103 10 012 397 54 566
<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00004.MPLS
Size: 21 086 208 bytes
Length: 0:00:20.019
Total Bitrate: 8,43 Mbps
Video: MPEG-4 AVC Video / 8002 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
Notes:
BDINFO HOME:
Cinema Squid
http://www.cinemasquid.com/blu-ray/tools/bdinfo
INCLUDES FORUMS REPORT FOR:
AVS Forum Blu-ray Audio and Video Specifications Thread
http://www.avsforum.com/avs-vb/showthread.php?t=1155731
********************
PLAYLIST: 00000.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track
––- ––– –––- ––––––– ––––––– –––- –––- ––––––––– ––––––––––-
00000.MPLS AVC 2:29:59 41 848 780 800 45 934 230 992 37,20 27,98 LPCM 2.0 2304Kbps (48kHz/24-bit) DTS-HD Master 5.1 4995Kbps (48kHz/24-bit)
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00000.MPLS
Length: 2:29:59.590 (h:m:s.ms)
Size: 41 848 780 800 bytes
Total Bitrate: 37,20 Mbps
VIDEO:
Codec Bitrate Description
––- –––- –––––-
MPEG-4 AVC Video 27985 kbps 1080i / 29,970 fps / 16:9 / High Profile 4.1
AUDIO:
Codec Language Bitrate Description
––- –––– –––- –––––-
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
DTS-HD Master Audio English 4995 kbps 5.1 / 48 kHz / 4995 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
FILES:
Name Time In Length Size Total Bitrate
–– –––- ––– –– ––––––-
00000.M2TS 0:00:00.000 2:29:58.589 41 848 750 080 37 205
00006.M2TS 2:29:58.589 0:00:01.000 30 720 246
CHAPTERS:
Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:01:11.538 24 533 kbps 36 552 kbps 00:00:42.475 33 505 kbps 00:00:40.540 30 390 kbps 00:00:40.340 102 274 bytes 278 754 bytes 00:00:06.006
2 0:01:11.538 0:05:14.213 31 621 kbps 40 930 kbps 00:04:27.166 38 490 kbps 00:04:23.162 36 643 kbps 00:05:43.876 131 885 bytes 339 712 bytes 00:01:13.339
3 0:06:25.752 0:04:37.744 27 401 kbps 43 080 kbps 00:10:17.416 35 218 kbps 00:09:59.165 33 533 kbps 00:09:53.960 114 286 bytes 303 793 bytes 00:07:51.270
4 0:11:03.496 0:04:32.472 31 088 kbps 43 047 kbps 00:14:17.489 37 890 kbps 00:14:17.590 36 722 kbps 00:11:50.710 129 662 bytes 322 917 bytes 00:14:43.816
5 0:15:35.968 0:07:27.547 28 325 kbps 41 224 kbps 00:16:01.327 37 839 kbps 00:15:52.484 37 417 kbps 00:15:52.284 118 137 bytes 318 945 bytes 00:17:29.148
6 0:23:03.515 0:05:27.060 27 745 kbps 42 038 kbps 00:24:17.722 36 003 kbps 00:24:27.332 35 380 kbps 00:24:28.433 115 721 bytes 386 309 bytes 00:24:18.256
7 0:28:30.575 0:05:44.610 27 462 kbps 39 624 kbps 00:30:51.983 35 872 kbps 00:28:55.300 33 405 kbps 00:28:56.401 114 538 bytes 275 633 bytes 00:29:00.105
8 0:34:15.186 0:06:50.843 26 986 kbps 39 558 kbps 00:37:36.120 36 175 kbps 00:39:03.407 33 889 kbps 00:38:58.369 112 556 bytes 322 438 bytes 00:37:37.021
9 0:41:06.030 0:08:57.103 29 253 kbps 42 344 kbps 00:46:25.749 38 398 kbps 00:46:21.745 37 622 kbps 00:45:37.468 122 011 bytes 297 218 bytes 00:46:26.383
10 0:50:03.133 0:06:45.772 24 656 kbps 39 909 kbps 00:54:24.361 34 504 kbps 00:50:11.608 32 352 kbps 00:53:07.317 102 838 bytes 299 888 bytes 00:52:08.358
11 0:56:48.905 0:17:12.598 27 581 kbps 40 589 kbps 01:07:07.390 36 683 kbps 01:07:03.986 34 614 kbps 01:08:16.525 115 035 bytes 338 411 bytes 01:07:08.190
12 1:14:01.503 0:06:44.337 27 905 kbps 39 435 kbps 01:18:33.508 37 004 kbps 01:15:02.531 35 042 kbps 01:14:59.428 116 388 bytes 279 584 bytes 01:17:51.033
13 1:20:45.841 0:05:02.702 30 308 kbps 39 113 kbps 01:25:18.613 35 618 kbps 01:24:47.449 34 669 kbps 01:24:03.004 126 408 bytes 291 709 bytes 01:21:32.220
14 1:25:48.543 0:03:45.091 25 814 kbps 40 495 kbps 01:28:40.114 37 841 kbps 01:28:19.527 36 684 kbps 01:27:38.686 107 665 bytes 302 677 bytes 01:28:40.515
15 1:29:33.634 0:04:36.909 27 939 kbps 38 260 kbps 01:30:59.987 36 960 kbps 01:31:21.209 35 441 kbps 01:31:17.605 116 529 bytes 291 404 bytes 01:31:05.259
16 1:34:10.544 0:03:47.160 26 967 kbps 38 410 kbps 01:35:49.376 34 452 kbps 01:37:22.269 32 851 kbps 01:37:22.169 112 474 bytes 268 484 bytes 01:35:23.217
17 1:37:57.705 0:06:04.230 27 278 kbps 42 309 kbps 01:43:19.359 37 993 kbps 01:43:28.669 36 468 kbps 01:43:28.435 113 772 bytes 328 052 bytes 01:43:19.793
18 1:44:01.935 0:08:31.477 25 634 kbps 42 522 kbps 01:47:03.517 37 497 kbps 01:45:19.446 32 898 kbps 01:45:19.146 106 916 bytes 318 046 bytes 01:47:03.950
19 1:52:33.413 0:05:38.137 24 214 kbps 38 985 kbps 01:53:21.761 31 810 kbps 01:57:30.076 30 015 kbps 01:55:21.915 100 994 bytes 293 796 bytes 01:53:22.362
20 1:58:11.551 0:04:42.415 26 672 kbps 38 872 kbps 01:59:48.381 34 926 kbps 02:01:53.939 32 996 kbps 02:01:48.668 111 245 bytes 329 872 bytes 01:58:58.498
21 2:02:53.966 0:04:47.186 27 262 kbps 40 026 kbps 02:07:19.231 37 898 kbps 02:07:22.167 37 086 kbps 02:07:16.161 113 704 bytes 322 147 bytes 02:03:19.058
22 2:07:41.153 0:07:10.830 31 709 kbps 41 091 kbps 02:13:39.845 38 301 kbps 02:13:35.907 37 915 kbps 02:13:30.902 132 253 bytes 326 908 bytes 02:10:18.744
23 2:14:51.983 0:05:45.978 28 347 kbps 39 377 kbps 02:17:18.430 36 485 kbps 02:18:48.486 35 064 kbps 02:19:54.686 118 229 bytes 317 914 bytes 02:15:18.543
24 2:20:37.962 0:09:20.626 31 013 kbps 45 011 kbps 02:20:48.506 37 951 kbps 02:27:29.173 37 374 kbps 02:27:24.368 129 351 bytes 331 326 bytes 02:22:56.801
25 2:29:58.589 0:00:01.001 111 kbps 0 kbps 00:00:00.000 0 kbps 00:00:00.000 0 kbps 00:00:00.000 478 bytes 2 439 bytes 02:29:59.190
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00000.M2TS 4113 (0x1011) 0x1B AVC 8998,456 27 988 31 481 522 249 171 252 491
00000.M2TS 4352 (0x1100) 0x80 LPCM eng (English) 8998,456 2 310 2 598 792 792 14 397 744
00000.M2TS 4353 (0x1101) 0x86 DTS-HD MA eng (English) 8998,456 4 996 5 619 481 168 32 010 516
00006.M2TS 4113 (0x1011) 0x1B AVC 0,901 145 16 302 112
<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00000.MPLS
Size: 41 848 780 800 bytes
Length: 2:29:59.590
Total Bitrate: 37,20 Mbps
Video: MPEG-4 AVC Video / 27985 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 4995 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
********************
PLAYLIST: 00001.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track
––- ––– –––- ––––––– ––––––– –––- –––- ––––––––– ––––––––––-
00001.MPLS AVC 0:18:55 3 613 403 136 45 934 230 992 25,46 21,97 LPCM 2.0 2304Kbps (48kHz/24-bit)
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00001.MPLS
Length: 0:18:55.501 (h:m:s.ms)
Size: 3 613 403 136 bytes
Total Bitrate: 25,46 Mbps
VIDEO:
Codec Bitrate Description
––- –––- –––––-
MPEG-4 AVC Video 21969 kbps 1080i / 29,970 fps / 16:9 / High Profile 4.1
AUDIO:
Codec Language Bitrate Description
––- –––– –––- –––––-
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
FILES:
Name Time In Length Size Total Bitrate
–– –––- ––– –– ––––––-
00001.M2TS 0:00:00.000 0:18:54.500 3 613 372 416 25 480
00006.M2TS 0:18:54.500 0:00:01.000 30 720 246
CHAPTERS:
Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:04:49.856 22 674 kbps 35 440 kbps 00:04:45.018 33 188 kbps 00:04:38.044 31 860 kbps 00:04:36.175 94 558 bytes 225 639 bytes 00:04:42.348
2 0:04:49.856 0:04:23.029 21 627 kbps 34 598 kbps 00:08:52.031 32 588 kbps 00:08:49.629 28 823 kbps 00:08:49.629 90 202 bytes 233 022 bytes 00:09:12.418
3 0:09:12.885 0:04:36.109 22 793 kbps 37 344 kbps 00:13:16.829 30 931 kbps 00:13:16.362 28 705 kbps 00:13:14.026 95 066 bytes 254 384 bytes 00:13:17.363
4 0:13:48.994 0:05:05.505 20 922 kbps 30 194 kbps 00:16:28.787 27 865 kbps 00:16:25.851 27 253 kbps 00:15:58.924 87 264 bytes 199 251 bytes 00:18:47.926
5 0:18:54.500 0:00:01.000 111 kbps 0 kbps 00:00:00.000 0 kbps 00:00:00.000 0 kbps 00:00:00.000 478 bytes 2 439 bytes 00:18:55.100
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00001.M2TS 4113 (0x1011) 0x1B AVC 1134,367 21 991 3 118 235 971 16 966 692
00001.M2TS 4352 (0x1100) 0x80 LPCM eng (English) 1134,367 2 310 327 597 392 1 814 944
00006.M2TS 4113 (0x1011) 0x1B AVC 0,901 145 16 302 112
<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00001.MPLS
Size: 3 613 403 136 bytes
Length: 0:18:55.501
Total Bitrate: 25,46 Mbps
Video: MPEG-4 AVC Video / 21969 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / LPCM Audio / 2.0 / 48 kHz / 2304 kbps / 24-bit
********************
PLAYLIST: 00003.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track
––- ––– –––- ––––––– ––––––– –––- –––- ––––––––– ––––––––––-
00003.MPLS AVC 0:00:20 61 734 912 45 934 230 992 24,63 22,00 DTS-HD Master 5.1 1408Kbps (48kHz/16-bit)
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00003.MPLS
Length: 0:00:20.053 (h:m:s.ms)
Size: 61 734 912 bytes
Total Bitrate: 24,63 Mbps
VIDEO:
Codec Bitrate Description
––- –––- –––––-
MPEG-4 AVC Video 22000 kbps 1080i / 29,970 fps / 16:9 / High Profile 4.1
AUDIO:
Codec Language Bitrate Description
––- –––– –––- –––––-
DTS-HD Master Audio English 1408 kbps 5.1 / 48 kHz / 1408 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 16-bit)
FILES:
Name Time In Length Size Total Bitrate
–– –––- ––– –– ––––––-
00007.M2TS 0:00:00.000 0:00:20.053 61 734 912 24 628
CHAPTERS:
Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:00:20.053 22 000 kbps 33 171 kbps 00:00:14.314 24 241 kbps 00:00:10.310 22 817 kbps 00:00:05.271 91 759 bytes 465 736 bytes 00:00:00.967
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00007.M2TS 4113 (0x1011) 0x1B AVC 19,920 22 148 55 147 083 300 012
00007.M2TS 4352 (0x1100) 0x86 DTS-HD MA eng (English) 19,920 1 417 3 528 144 20 848
<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00003.MPLS
Size: 61 734 912 bytes
Length: 0:00:20.053
Total Bitrate: 24,63 Mbps
Video: MPEG-4 AVC Video / 22000 kbps / 1080i / 29,970 fps / 16:9 / High Profile 4.1
Audio: English / DTS-HD Master Audio / 5.1 / 48 kHz / 1408 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 16-bit)
********************
PLAYLIST: 00004.MPLS
********************
<–- BEGIN FORUMS PASTE –->
Total Video
Title Codec Length Movie Size Disc Size Bitrate Bitrate Main Audio Track Secondary Audio Track
––- ––– –––- ––––––– ––––––– –––- –––- ––––––––– ––––––––––-
00004.MPLS AVC 0:00:20 21 086 208 45 934 230 992 8,43 8,00
DISC INFO:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
BDInfo: 0.5.8
PLAYLIST REPORT:
Name: 00004.MPLS
Length: 0:00:20.019 (h:m:s.ms)
Size: 21 086 208 bytes
Total Bitrate: 8,43 Mbps
VIDEO:
Codec Bitrate Description
––- –––- –––––-
MPEG-4 AVC Video 8002 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1
FILES:
Name Time In Length Size Total Bitrate
–– –––- ––– –– ––––––-
00009.M2TS 0:00:00.000 0:00:10.009 10 543 104 8 426
00008.M2TS 0:00:10.009 0:00:10.009 10 543 104 8 426
CHAPTERS:
Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
––– –––- ––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– ––––––– –––––––
1 0:00:00.000 0:00:20.019 8 002 kbps 10 483 kbps 00:00:07.257 10 096 kbps 00:00:03.253 8 002 kbps 00:00:02.419 41 718 bytes 112 575 bytes 00:00:08.258
STREAM DIAGNOSTICS:
File PID Type Codec Language Seconds Bitrate Bytes Packets
–– –- –– ––- –––– ––––––– ––––––– ––––––- ––-
00009.M2TS 4113 (0x1011) 0x1B AVC 9,885 8 103 10 012 397 54 570
00008.M2TS 4113 (0x1011) 0x1B AVC 9,885 8 103 10 012 397 54 566
<–– END FORUMS PASTE ––>
QUICK SUMMARY:
Disc Title: The Rolling Stones - Bridges To Bremen BD (2019)
Disc Size: 45 934 230 992 bytes
Protection: AACS
BD-Java: No
Playlist: 00004.MPLS
Size: 21 086 208 bytes
Length: 0:00:20.019
Total Bitrate: 8,43 Mbps
Video: MPEG-4 AVC Video / 8002 kbps / 1080p / 23,976 fps / 16:9 / High Profile 4.1
See also:
CDs & Scans For This Release –> The Rolling Stones - Bridges To Bremen (2019)