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    Tavener: Sacred Music - Robinson, St. George's Chapel Choir (2013)

    Posted By: peotuvave
    Tavener: Sacred Music - Robinson, St. George's Chapel Choir (2013)

    Tavener: Sacred Music - Robinson, St. George's Chapel Choir (2013)
    EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 206 MB
    Genre: Classical | Label: Helios | Catalog Number: 55414

    This glorious recording from the choir of St George’s Chapel, Windsor Castle includes The Lamb, perhaps one of the best-known choral works of the late twentieth century.

    Composer: John Tavener
    Performer: James Oxley, Roger Judd, Matthew Brook
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir

    Reviews: This is something rare—a composer with a voice all his own. These choral works, mostly a cappella, exist in a strange and haunting musical landscape hovering between the Anglican and the Orthodox. The result is, in a phrase from Ivan Moody's well-written liner notes, “as spiritually transparent as an ikon.“ (I usually dislike liner-note press agentry, but in this case it seems like a fair, almost objective description of the music.) My favorite pieces are Tavener's settings of Blake's The Lamb and The Tiger, both of an unearthly simplicity and lyricism. The two hymns to the Mother of God, written in memory of the composer's mother, are almost as moving. The language bears some resemblance to some of the chant-based music of Peter Maxwell Davies, especially in a couple of Davies's smaller choral works. In general, Tavener's music is not as closely argued as the works of the Maxwell Davies, or of Alexander Goehr, but it is rather more substantial than the similar liturgical works of Arvo Part.

    The earlier works of Tavener, who was born in 1944, were influenced by the rather hieratic music of late Stravinsky. This aesthetic stance was confirmed and strengthened when Tavener joined the Orthodox Church in 1977. According to Moody's liner notes, Tavener has “attempted to discard the heritage of humanist art (homocentric in origin and aim) and to absorb the precepts of the liturgical music of the Orthodox Tradition—that is to say, music which is theocentric.“ That is, this is stern stuff, far from the church-choir charm of Vaughan Williams or John Rutter.

    The sternest, and longest (19:40), work on this collection is the Ode of St. Andrew of Crete. This ode, a repentant plea for mercy, is drawn from the Great Canon of St. Andrew, part of the Lenten readings in the Orthodox Church. Tavener's setting alternates chanting verses for solo baritone with choral repetitions of “Lord have mercy.“ The rigors are more than Lenten, both for the listener and for the performers. Any a cappella choral group trying to find these chromatic pitches for nearly twenty minutes might well cry for mercy. Impressive though it is, this piece has more to do with worship than with music.

    I wouldn't make that complaint about any of the other pieces on this disc, nor would I fault any of the other performances here. I'm generally a fan of English choirs, and the Choir of St. George's Chapel, Windsor Chapel, under Christopher Robinson's direction, is no exception. They sing with impressive purity, accuracy, and flexibility. The recorded sound is spacious without sending the diction and detail into the cathedral ceiling.

    The Lamb alone is worth the price of this disc. Tavener's is severe music, with the kind of severity that can soften our hearts.

    Tracklisting:

    1. Love bade me welcome by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1985; England
    Language: English

    2. Magnificat and Nunc Dimittis "Collegium Regale" by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1986; England

    3. The Lamb "Little Lamb, who made thee?" by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1982; England
    Language: English

    4. The Tiger by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1987; England
    Language: English

    5. Hymns (2) to the Mother of God: no 1, Hymn to the Mother of God by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: Contemporary
    Written: 1985; United Kingdom

    6. Hymns (2) to the Mother of God: no 2, Hymn for the Dormition of the Mother of God by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir

    7. Today the Virgin by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1989; England
    Language: English

    8. God is with us by John Tavener
    Performer: James Oxley (Tenor), Roger Judd (Organ)
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1987; England

    9. The Uncreated Eros by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1988; England

    10. Ode of Saint Andrew of Crete by John Tavener
    Performer: Matthew Brook (Baritone)
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1981; England

    11. Eonia by John Tavener
    Conductor: Christopher Robinson
    Orchestra/Ensemble: Windsor Castle St. George's Chapel Choir
    Period: 20th Century
    Written: 1989; England

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 26. November 2013, 20:38

    St George's Chapel Choir Windsor / John Tavener - Sacred Music

    Used drive : SlimtypeDVD A DS8A8SH Adapter: 1 ID: 0

    Read mode : Secure
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    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 512 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
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    1 | 0:00.00 | 4:25.15 | 0 | 19889
    2 | 4:25.15 | 7:08.02 | 19890 | 51991
    3 | 11:33.17 | 3:09.45 | 51992 | 66211
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    11 | 56:32.52 | 4:32.33 | 254452 | 274884
    12 | 61:05.10 | 3:36.15 | 274885 | 291099


    Track 1

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    Track 2

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    Track 3

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    Track 4

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    Track 5

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    Track 6

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    Track 7

    Filename I:\MY RIPS\John Tavener - Sacred Music (2013) [FLAC] {Hyperion CDH55414}\07 - Today the Virgin 'A Christmas carol'.wav

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    Track 8

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    Track 9

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    Track 10

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    Track 11

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    Track 12

    Filename I:\MY RIPS\John Tavener - Sacred Music (2013) [FLAC] {Hyperion CDH55414}\12 - Eonia.wav

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    No tracks could be verified as accurate
    You may have a different pressing from the one(s) in the database

    No errors occurred

    End of status report

    ==== Log checksum 2AF0C48FEB59869475285E7CE689142432EE72572C1585E41EDC1CC9E579EE8E ====



    Thanks to the original releaser