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Sviatoslav Richter - J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)

Posted By: Designol

Date: 30 May 2023 10:33:33

Sviatoslav Richter - J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)

J.S. Bach: English Suite No. 3; Piano Concerto BWV 1052; Concerto for 2 Pianos BWV 1061 (2003)
Sviatoslav Richter, piano; Anatoly Vedernikov, piano (BWV 1061)
USSR State Symphony Orchestra, conductor Kurt Sanderling
Moscow Chamber Orchestra, conductor Rudolf Barshai
EAC | FLAC | Image (Cue&Log) ~ 249 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 00731 | Time: 01:01:33

From the irresitably forceful opening bars of the English Suite's prelude to the throbbing repeated octaves of the D minor concerto, Richter shows why many of Bach's works are ideally suited to the piano. The Bach concerto is often regarded as a student piece, or relegated to refined performances on the harpsichord. Not here – the bookend movements are as maniacal, pulsing and driving as the best of John Coltrane or Prokofiev. The CD is worth it just for those movements, but Richter's treatment of the English Suite is equally enlightening, especially the Prelude and Gavotte.

This is not Bach for an afternoon tea party – it's for cranking up the volume in your car while driving through a thunderstorm on the Interstate.

Review by James S. Plank

Having learned the fundamentals of music from his father, Sviatoslav Teofilovich Richter taught himself the piano and had already given public concerts before entering the Moscow Conservatory in 1937. While still a student, Richter won first prize at the All-Union Contest of Performers of 1945. His playing earned him considerable renown, and by the time of his graduation in 1947 he had devoted fans. In 1949 he garnered the coveted Stalin Prize.

Richter gave the 1942 premiere of Sergei Prokofiev's Piano Sonata No. 6 – the composer's first work in that form for years, and the first one he did not premiere himself. This resulted in wild acclaim for both performer and composer. Thereafter, Richter was a great proponent of Prokofiev's music, premiering also the Seventh and the Ninth Sonatas, the latter of which is dedicated to him.

Though word of Richter's excellence (and occasional poor-quality recordings) had spread outside of Russia, his foreign engagements were limited to Eastern Bloc countries (and, in one case, China) where Soviet officials felt there was reduced risk of defection. However, his 1958 performance of Prokofiev's Fifth Piano Concerto with the Philadelphia Orchestra (on tour in Leningrad) generated such excitement that he was finally permitted to tour the United States, further bolstering his reputation as a virtuoso. Engagements in all of world's musical centers followed. Richter was known as a pianist of transcendent abilities, particularly adept at highlighting the nuances of different styles. Though his interests focused primarily on music of Beethoven, and Prokofiev, he was also highly regarded for his Schubert, Schumann, Bach, Debussy, and Ravel; and in the early 1960s he made a memorable recording of Benjamin Britten's Piano Concerto with the composer conducting.

Richter did not favor studio recordings; therefore, most of his recordings are from live performances. Many of them, particularly those from Soviet concerts, suffer from indifferent sound quality and excessive audience noise, but his playing had an electric quality that transcended these handicaps.

The pianist earned a reputation for being difficult and aloof. He was notoriously apt to cancel performances on whims, or arrive late without explanation or apology. However, those who heard him were rarely disappointed. He preferred intimate concert settings over big auditoriums, and thus returned many times to the Aldeburgh and Spoleto Festivals. He was the centerpiece of the Fêtes Musicales, held annually beginning in 1964 at Grange de Meslay, near Tours.

Among his greatest recordings are his Schubert sonatas, Rachmaninov and Prokofiev concertos, Liszt concertos (these have the benefits of first-rate sound), and his Schumann. He has also served as a chamber musician and accompanist, playing piano duets with Britten, and accompanying Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau, among others.

Allmusic.com

Johann Sebastian Bach at Allmusic
Johann Sebastian Bach at Wiki

Sviatoslav Richter at Allmusic
Sviatoslav Richter at Wiki

Tracklist:

Johann Sebastian Bach (1685-1750)

English Suite No.3 in G minor, BWV 808
01. 1. Prelude (03:08)
02. 2. Allemande (02:54)
03. 3. Courante (02:12)
04. 4. Sarabande (03:51)
05. 5. Gavotte I - Gavotte II ou la Musette (02:49)
06. 6. Gigue (02:33)
- Recorded in Moscow, 1948

Concerto for Piano and Orchestra in D minor, BWV 1052
07. 1. Allegro (08:29)
08. 2. Adagio (09:36)
09. 3. Allegro (08:29)
- Recorded in Moscow, 1959

Concerto for Two Pianos and Orchestra in C major, BWV 1061
10. 1. Allegro (06:56)
11. 2. Adagio ouvero Largo (05:28)
12. 3. Fuga (05:03)
- Recorded in Moscow, 1959

EAC log

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Отчёт EAC об извлечении, выполненном 4. февраля 2012, 15:40

Sviatoslav Richter / J.S.Bach - English Suite No.3, Piano Concerto BWV 1052, Concerto for 2 Pianos BWV 1061

Дисковод: _NEC DVD_RW ND-3570A Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тэга : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:08.62 | 0 | 14161
2 | 3:08.62 | 2:54.43 | 14162 | 27254
3 | 6:03.30 | 2:11.72 | 27255 | 37151
4 | 8:15.27 | 3:50.70 | 37152 | 54471
5 | 12:06.22 | 2:49.50 | 54472 | 67196
6 | 14:55.72 | 2:33.43 | 67197 | 78714
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8 | 25:58.60 | 9:36.35 | 116910 | 160144
9 | 35:35.20 | 8:29.02 | 160145 | 198321
10 | 44:04.22 | 6:56.60 | 198322 | 229581
11 | 51:01.07 | 5:28.28 | 229582 | 254209
12 | 56:29.35 | 5:03.02 | 254210 | 276936

Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла F:\Exact Audio Copy\Bach - English Suite No.3, Piano Concerto BWV 1052, Concerto for 2 Pianos BWV 1061 - Richter, Sanderling, Barshai\Sviatoslav Richter - J.S.Bach - English Suite No.3, Piano Concerto BWV 1052, Concerto for 2 Pianos BWV 1061

Пиковый уровень 93.1 %
Качество диапазона 100.0 %
CRC теста F45D3E00
CRC копии F45D3E00
Копирование… OK

Ошибок не произошло

AccurateRip: сводка

Трек 1 точность не определена (достоверность 2) [E8E7EA89], AccurateRip вернул [D214797D]
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Трек 12 точность не определена (достоверность 2) [283B340B], AccurateRip вернул [AF788A03]

Ни один трек не прошёл проверки на точность
В вашей базе может быть иной вариант штамповки диска

Конец отчёта

AR log

[CUETools log; Date: 04.06.2015 15:40:36; Version: 2.1.5]
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10 | (14/14) Accurately ripped
11 | (14/14) Accurately ripped
12 | (12/14) Accurately ripped
[AccurateRip ID: 00171e33-00e53461-a50e6c0c] found.
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08 [84e69390] (04/20) Accurately ripped
09 [fae474ee] (04/19) Accurately ripped
10 [f8d99f83] (04/20) Accurately ripped
11 [b6dc3ce9] (04/20) Accurately ripped
12 [0c160046] (03/18) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
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DR log

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-06-04 15:49:52

––––––––––––––––––––––––––––––––––––––––
Analyzed: Sviatoslav Richter / J.S.Bach - English Suite No.3, Piano Concerto BWV 1052, Concerto for 2 Pianos, BWV 1061
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR10 -4.10 dB -17.30 dB 3:09 01-English Suite No.3 - 1. Prelude
DR11 -5.87 dB -21.31 dB 2:55 02-English Suite No.3 - 2. Allemande
DR12 -4.13 dB -18.13 dB 2:12 03-English Suite No.3 - 3. Courante
DR14 -9.74 dB -26.87 dB 3:51 04-English Suite No.3 - 4. Sarabande
DR10 -5.95 dB -19.20 dB 2:50 05-English Suite No.3 - 5. Gavotte I - Gavotte II ou la Musette
DR10 -7.83 dB -19.94 dB 2:34 06-English Suite No.3 - 6. Gigue
DR12 -1.06 dB -16.17 dB 8:29 07-Concerto for Piano and Orchestra, BWV 1052 - 1. Allegro
DR13 -6.43 dB -24.54 dB 9:36 08-Concerto for Piano and Orchestra, BWV 1052 - 2. Adagio
DR11 -2.24 dB -16.12 dB 8:29 09-Concerto for Piano and Orchestra, BWV 1052 - 3. Allegro
DR13 -2.04 dB -17.79 dB 6:57 10-Concerto for Two Pianos and Orchestra, BWV 1061 - 1. Allegro
DR13 -12.00 dB -28.79 dB 5:28 11-Concerto for Two Pianos and Orchestra, BWV 1061 - 2. Adagio ouvero Largo
DR11 -0.62 dB -16.27 dB 5:03 12-Concerto for Two Pianos and Orchestra, BWV 1061 - 3. Fuga
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 546 kbps
Codec: FLAC
================================================================================

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