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    Stravinsky: Petrouchka; Le Sacre du printemps; L'Oisseou de feu suite; Riccardo Chailly

    Posted By: waldstein
    Stravinsky: Petrouchka; Le Sacre du printemps; L'Oisseou de feu suite; Riccardo Chailly

    Igor Stravinsky: Ballets – Petrouchka; Le Sacre du printemps; L'Oisseou de feu suite; Jeu de cartes; Apollon musagete; etc –
    The Cleveland Orchestra; Royal Concertgebouw Orchestra; Riccardo Chailly

    Classical | 2 CD | EAC Rip | 644 MB (3% recovery) | FLAC+LOG+M3U+Cue | Complete scans | FP & RS links
    Publisher: Decca | Recorded: 1985; 1993; 1995; 1996 | Published: 2003

    As digital Petrushkas go, this is definitely one of the best. Chailly has his players characterize even the smallest detail (instrumental doublings are remarkably clear) and the savage attack of brass and big drums in "The Shrove-Tide Fair" has astonishing impact. Note, too, the tongue-incheek lead-in to the "Russian Dance" and the carefree 'squeeze-box' character of the dance itself (with dynamic crossfire between wind and brass and some excellent piano playing). "Petrushka" (third tableau) is played con atnore, with much humanity and not entirely without malice: perhaps the anger and frustration aren't as blatant as, say, Bernstein's; but the pain and humiliation certainly are. Then there is the chirpy flute atop the "WetNurses' Dance" (0143" into track 7) and the finely tensed "Dance of Petrushka". It's a performance that breathes, that sings and neither rushes its fences nor loses sight of the score's very specific rhythmic profile. As for the recording, given topranking engineers and the helpful acoustic of the Concertgebouw's Grotezaal - who could rightly expect anything less than exceptional'? - Gramophone, June 1995
    ***
    With speeds faster than usual—markedly so in Part 2—Chailly's taut and urgent reading of The Rite adds another to the list of spectacular versions of this work that Decca have given us in the digital age. Even on LP—and I look forward eagerly to the CD—the bass drum, so important in this work, leaps out with a power, precision and resonance to outdo even the dazzling recordings given to its Decca rivals, Dutoit and Dorati. At times it almost sounds like a bass drum concerto, which is marvellous as a hi-fl demonstration but has me questioning the balance. I find both Dorati and Dutoit just a degree more comfortable and just as brilliant but in every way the sound on the new issue, with its keen sense of presence, is of demonstration quality. If anyone fancies the unpretentious little set of folk-based pieces provided as fill-up, then Chailly can be warmly recommended, for as usual the Cleveland Orchestra's playing is spectacularly good to match the sound.
    My own preference for The Rite would be for a reading with speeds not quite so fast as Chailly's. I readily accept his "Danses des adolescentes" in Part 1, with its chugging rhythms (set in Disney's Fantasia to volcanos popping) made lighter than usual. The tautness throughout is admirable, but in Part 2 Chailly's speeds provide less contrast than usual, less release before the onslaught of the Sacrificial dance. It is a marginal point, which strikes one the more in direct comparisons. Anticipating the CD options, I still warmly recommend the Karajan/DG version, when so strikingly he answered the composer back over the serious strictures he had made about Karajan's earlier DG version. There is nothing tame about this beast in Karajan's 1977 version, and the CD transfer is outstandingly good (414 979-2GH, 9/ 86—available on CD only), bringing with it the sumptuous 1973 Berlin version of Apollo. I think highly too of the Dutoit version—more so than RL did in his original review—for quite apart from the best-balanced sound of all and the aptest coupling (the Symphonies of wind instruments) the reading relates the piece more clearly than usual to the other early Diaghilev ballets. Only the "Danse de la terre" at the end of Part 1 disappoints me, when tension rises too little. Chailly's reading remains at white heat all through, and is not likely to disappoint anyone. E.G. - Gramophone, February 1985
    Exact Audio Copy V1.0 beta 1 from 15. November 2010

    EAC extraction logfile from 16. May 2012, 21:43

    Stravinsky - Riccardo Chailly, Royal Concertgebouw, Cleveland SO / Stravinsky - Ballets - Chailly, RCO (DECCA 2003)

    Used drive : HL-DT-STDVDRAM GH24NS70 Adapter: 3 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

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    6 | 20:51.25 | 1:12.50 | 93850 | 99299
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    23 | 50:44.53 | 4:01.09 | 228353 | 246436
    24 | 54:45.62 | 2:55.67 | 246437 | 259628
    25 | 57:41.54 | 1:30.52 | 259629 | 266430
    26 | 59:12.31 | 0:39.27 | 266431 | 269382
    27 | 59:51.58 | 3:20.48 | 269383 | 284430
    28 | 63:12.31 | 4:26.47 | 284431 | 304427


    Range status and errors

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    Filename G:\MUSIC COPIES\Stravinsky - Chailly\Disc 1\Stravinsky - Riccardo Chailly, Royal Concertgebouw, Cleveland SO - Stravinsky - Ballets - Chailly, RCO (DECCA 2003).wav

    Peak level 100.0 %
    Extraction speed 1.8 X
    Range quality 99.9 %
    Test CRC CD773A29
    Copy CRC CD773A29
    Copy OK

    No errors occurred


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    ==== Log checksum 90C1BA087723BD19898038A9F034E6E479C9F5D06D4FCE2D7EC1970BD60FF9D7 ====

    Exact Audio Copy V1.0 beta 1 from 15. November 2010

    EAC extraction logfile from 17. May 2012, 12:19

    Stravinsky / Stravinsky - Riccardo Chailly, Royal Concertgebouw, Cleveland SO (Disc 2)

    Used drive : HL-DT-STDVDRAM GH24NS70 Adapter: 3 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 0
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


    TOC of the extracted CD

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    22 | 70:04.01 | 3:56.62 | 315301 | 333062
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    Range status and errors

    Selected range

    Filename G:\MUSIC COPIES\Stravinsky - Chailly\Disc 2\Stravinsky - Stravinsky - Riccardo Chailly, Royal Concertgebouw, Cleveland SO (Disc 2).wav

    Peak level 100.0 %
    Extraction speed 3.4 X
    Range quality 100.0 %
    Test CRC 43A64C86
    Copy CRC 43A64C86
    Copy OK

    No errors occurred

    End of status report

    ==== Log checksum 60519577CE4A573E775ED7143166D9C8207B35F4EE512B7C93DF97D94CCEA14D ====

    Works on Compact Disc 1:
    1-15 Petrouchka (1947 version)
    16-28 Le Sacre du printemps (1947 version)

    Works on Compact Disc 2:
    L'Oisseou de feu – Suite (1945 version)
    Jeu de cartes
    Apollon musagete (1947 version)