Sting - Songs from the Labyrinth (2006)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Deutsche Grammophon, 06025 374 1453 | ~ 424 or 191 Mb | Scans(jpg) -> 298 Mb
Classical Crossover / Renaissance Music / Folk | 32 Tracks
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
Deutsche Grammophon, 06025 374 1453 | ~ 424 or 191 Mb | Scans(jpg) -> 298 Mb
Classical Crossover / Renaissance Music / Folk | 32 Tracks
Casual pronouncements are made every so often that the lute songs (the lute is a plucked stringed instrument, an early cousin to the guitar) and madrigals of Elizabethan and Jacobean England were the popular music of their day. And Sting, who alludes to the likes of Vladimir Nabokov in his lyrics, is hardly uneducated in the legacy of fine arts, and he has a certain cerebral, inward sadness that matches the dominant mood of English music around 1600 well enough. Thus some might easily have thought it would be a short leap from Sting's own music to the lute songs of John Dowland (1563-1626). But the leap is anything but short, and Sting gets credit for having thought out fully the problems in making it. It is not just the issue of what pianist Katia Labèque, one of the classical musicians who introduced Sting to Dowland's music, called his "unschooled tenor" – Dowland's songs are not really difficult. It is the great divide between rock (and other traditions ultimately rooted in Africa) and the European tradition: speaking in generalities, the former prizes "noise" – sound extraneous to the pitch and to the intended timbre of an instrument or voice – as a structural element, whereas in the latter it is strenuously eliminated. Sting's voice has plenty of "noise." The listener oriented toward classical music will object to its being there; the rock listener, noting that Sting is singing very quietly, may wonder why there isn't more of it.
Why, then, does this album work well on the whole? The short answer is that Sting took 20 years to think about how to interpret the refined melancholy of Dowland songs like Come, heavy sleep. His booklet notes tell the long story of how he happened to make this album, and it's quite an interesting one, involving a "labyrinth" of encounters with Labèque, with the Bosnian lutenist Edin Karamazov who performs on this album, with a friend who gave Sting a lute inlaid with a labyrinth design based on a pattern in the floor of Chartres Cathedral in France (Sting later reproduced the maze in his garden at home), and finally with a Swiss voice teacher who schooled him in pitch precision and the occasional octave run. Sting constructs two crossover points between this temporally remote music and his popular audience. First, he intersperses the songs with selections from Dowland's letters. This has surely been done before, at Elizabethan dinners and the like, and for modern listeners it has the beneficial effect of situating Dowland's music at the center of the social and political life of its time. Sting's second crossover point is more radical: he replaces the melody line in a few of Dowland's verses with multitracked harmonies, apparently consisting entirely of his own voice. These sections appear rather randomly, but they do break up the texture in a way that suggests an additional dimension of modern perspective.
Sting passes a key test for vocal music of any kind: he understands and means what he is singing. The real gloomfests among Dowland's songs – like Flow my tears and the final In darkness let me dwell – lose none of their power in Sting's performances. And he brings something of his own sense of humor to the lighter ones; a certain smirk in his reading of Come again suggests that he is aware an audience of Dowland's time would have heard the line "To see, to hear, to touch, to kiss, to die with thee again" as a sexual allusion. He sounds like himself, even while purging rock's blues-based treatment of pitch from his singing; he also takes a few turns on the large archlute. And Karamazov proves an ideal collaborator, creating a sharp, edgy tone that stands up to Sting's rough voice. In making Dowland's songs his own, Sting has accomplished something that really has never been done before, and perhaps he'll show some of his own fans that Renaissance music is more than an accompaniment for silly jousting competitions – it is a labyrinth that leads us toward the roots of our own culture.by James Manheim, AMG
Sting at Wiki | Sting at Discogs | Sting at Allmusic | Sting HomePage
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Sting - Songs from the Labyrinth at Discogs | Sting - Songs from the Labyrinth at Wiki
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Sting - Songs from the Labyrinth at Discogs | Sting - Songs from the Labyrinth at Wiki
Sting - Songs from the Labyrinth (2006):
Tracklist:
01. Walsingham
02. Can she excuse my wrongs
03. "Ryght honorable: as I have bin most bounde unto your honor…"
04. Flow my tears (Lachrimae)
05. Have you seen the bright lily grow (R. Johnson)
06. "…Then in time passing on Mr. Johnson died…"
07. The Most High and Mighty Christianus the Fourth, King of Denmark, His G
08. The lowest trees have tops
09. "…And accordinge as I desired ther cam a letter to me out of Germany"
10. Fine knacks for ladies
11. "…From thence I went to the Landgrave of Hessen…"
12. Fantasy
13. Come, heavy sleep
14. Forlorn Hope Fancy
15. "…And from thence I had great desire to see Italy…"
16. Come again
17. Wilt thou unkind thus reave me
18. "…After my departure I called to mynde our conference…"
19. Weep you no more, sad fountains
20. My Lord Willoughby's Welcome Home
21. Clear or cloudy
22. "…men say that the Kinge of Spain is making gret preparation…"
23. In darkness let me dwell
From St. Luke's Concerette:
24. Flow my tears (Lachrimae) (live)
25. The lowest trees have tops (live)
26. Fantasy (live)
27. Come again (live)
28. Have you seen the bright lily grow (live)
29. In darkness let me dwell (live)
30. Hellhound On My Trail (live)
31. Message In A Bottle (live)
32. Fields Of Gold (live)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 22. May 2016, 11:39
Sting / Songs from the Labyrinth (CD1)
Used drive : ATAPI iHAS124 D Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
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Range status and errors
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Filename C:\mm\Sting\Songs From The Labyrinth {Special CD & DVD Edition} [06025 374 1453]\Sting - Songs from the Labyrinth (CD1).wav
Peak level 100.0 %
Extraction speed 10.0 X
Range quality 99.9 %
Test CRC 5B7CDA5A
Copy CRC 5B7CDA5A
Copy OK
No errors occurred
AccurateRip summary
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End of status report
EAC extraction logfile from 22. May 2016, 11:39
Sting / Songs from the Labyrinth (CD1)
Used drive : ATAPI iHAS124 D Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 0:38.63 | 0 | 2912
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3 | 3:14.13 | 0:40.38 | 14563 | 17600
4 | 3:54.51 | 4:42.12 | 17601 | 38762
5 | 8:36.63 | 2:35.40 | 38763 | 50427
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9 | 17:02.01 | 0:55.35 | 76651 | 80810
10 | 17:57.36 | 1:50.70 | 80811 | 89130
11 | 19:48.31 | 0:24.55 | 89131 | 90985
12 | 20:13.11 | 2:42.60 | 90986 | 103195
13 | 22:55.71 | 3:45.70 | 103196 | 120140
14 | 26:41.66 | 3:07.73 | 120141 | 134238
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16 | 30:18.53 | 2:56.13 | 136403 | 149615
17 | 33:14.66 | 2:40.31 | 149616 | 161646
18 | 35:55.22 | 0:29.46 | 161647 | 163867
19 | 36:24.68 | 2:38.63 | 163868 | 175780
20 | 39:03.56 | 1:34.43 | 175781 | 182873
21 | 40:38.24 | 2:47.47 | 182874 | 195445
22 | 43:25.71 | 1:01.23 | 195446 | 200043
23 | 44:27.19 | 4:12.00 | 200044 | 218943
24 | 48:39.19 | 4:41.45 | 218944 | 240063
25 | 53:20.64 | 2:25.38 | 240064 | 250976
26 | 55:46.27 | 2:45.21 | 250977 | 263372
27 | 58:31.48 | 2:52.47 | 263373 | 276319
28 | 61:24.20 | 2:38.01 | 276320 | 288170
29 | 64:02.21 | 4:05.19 | 288171 | 306564
30 | 68:07.40 | 3:15.26 | 306565 | 321215
31 | 71:22.66 | 6:00.19 | 321216 | 348234
32 | 77:23.10 | 3:31.54 | 348235 | 364113
Range status and errors
Selected range
Filename C:\mm\Sting\Songs From The Labyrinth {Special CD & DVD Edition} [06025 374 1453]\Sting - Songs from the Labyrinth (CD1).wav
Peak level 100.0 %
Extraction speed 10.0 X
Range quality 99.9 %
Test CRC 5B7CDA5A
Copy CRC 5B7CDA5A
Copy OK
No errors occurred
AccurateRip summary
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Track 2 accurately ripped (confidence 4) [2B77048E] (AR v2)
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End of status report
foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2016-05-30 15:34:54
––––––––––––––––––––––––––––––––––––––––
Analyzed: Sting / Songs from the Labyrinth (CD1)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.83 dB -22.48 dB 0:39 01-Walsingham
DR10 -3.83 dB -15.69 dB 2:35 02-Can she excuse my wrongs
DR17 -4.89 dB -27.61 dB 0:41 03-'Ryght honorable: as I have bin most bounde unto your honor…'
DR9 -3.83 dB -14.87 dB 4:42 04-Flow my tears (Lachrimae)
DR12 -5.11 dB -21.13 dB 2:36 05-Have you seen the bright lily grow (R. Johnson)
DR20 -3.83 dB -29.20 dB 0:32 06-'…Then in time passing on Mr. Johnson died…'
DR12 -3.83 dB -18.42 dB 3:01 07-The Most High and Mighty Christianus the Fourth, King of Denmark, His G
DR11 -3.83 dB -15.96 dB 2:16 08-The lowest trees have tops
DR14 -7.48 dB -24.78 dB 0:55 09-'…And accordinge as I desired ther cam a letter to me out of Germany'
DR10 -3.83 dB -15.52 dB 1:51 10-Fine knacks for ladies
DR17 -6.66 dB -26.92 dB 0:25 11-'…From thence I went to the Landgrave of Hessen…'
DR12 -3.83 dB -18.93 dB 2:43 12-Fantasy
DR9 -3.83 dB -14.45 dB 3:46 13-Come, heavy sleep
DR10 -3.83 dB -17.54 dB 3:08 14-Forlorn Hope Fancy
DR18 -8.21 dB -31.14 dB 0:29 15-'…And from thence I had great desire to see Italy…'
DR11 -3.83 dB -16.70 dB 2:56 16-Come again
DR11 -3.83 dB -16.17 dB 2:40 17-Wilt thou unkind thus reave me
DR18 -8.17 dB -28.13 dB 0:30 18-'…After my departure I called to mynde our conference…'
DR11 -3.83 dB -17.01 dB 2:39 19-Weep you no more, sad fountains
DR14 -4.15 dB -20.60 dB 1:35 20-My Lord Willoughby's Welcome Home
DR10 -3.83 dB -14.83 dB 2:48 21-Clear or cloudy
DR22 -5.46 dB -31.47 dB 1:01 22-'…men say that the Kinge of Spain is making gret preparation…'
DR11 -3.83 dB -17.86 dB 4:12 23-In darkness let me dwell
DR14 0.00 dB -16.76 dB 4:42 24-Flow my tears (Lachrimae) [Live]
DR14 0.00 dB -17.28 dB 2:26 25-The lowest trees have tops [Live]
DR16 -0.77 dB -22.20 dB 2:45 26-Fantasy [Live]
DR13 -0.31 dB -16.98 dB 2:53 27-Come again [Live]
DR13 -0.52 dB -18.04 dB 2:38 28-Have you seen the bright lily grow [Live]
DR15 -0.08 dB -18.01 dB 4:05 29-In darkness let me dwell [Live]
DR14 -0.08 dB -15.86 dB 3:15 30-Hellhound On My Trail [Live]
DR13 -1.06 dB -18.65 dB 6:00 31-Message In A Bottle [Live]
DR12 -3.11 dB -17.52 dB 3:32 32-Fields of Gold [Live]
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 32
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 711 kbps
Codec: FLAC
log date: 2016-05-30 15:34:54
––––––––––––––––––––––––––––––––––––––––
Analyzed: Sting / Songs from the Labyrinth (CD1)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.83 dB -22.48 dB 0:39 01-Walsingham
DR10 -3.83 dB -15.69 dB 2:35 02-Can she excuse my wrongs
DR17 -4.89 dB -27.61 dB 0:41 03-'Ryght honorable: as I have bin most bounde unto your honor…'
DR9 -3.83 dB -14.87 dB 4:42 04-Flow my tears (Lachrimae)
DR12 -5.11 dB -21.13 dB 2:36 05-Have you seen the bright lily grow (R. Johnson)
DR20 -3.83 dB -29.20 dB 0:32 06-'…Then in time passing on Mr. Johnson died…'
DR12 -3.83 dB -18.42 dB 3:01 07-The Most High and Mighty Christianus the Fourth, King of Denmark, His G
DR11 -3.83 dB -15.96 dB 2:16 08-The lowest trees have tops
DR14 -7.48 dB -24.78 dB 0:55 09-'…And accordinge as I desired ther cam a letter to me out of Germany'
DR10 -3.83 dB -15.52 dB 1:51 10-Fine knacks for ladies
DR17 -6.66 dB -26.92 dB 0:25 11-'…From thence I went to the Landgrave of Hessen…'
DR12 -3.83 dB -18.93 dB 2:43 12-Fantasy
DR9 -3.83 dB -14.45 dB 3:46 13-Come, heavy sleep
DR10 -3.83 dB -17.54 dB 3:08 14-Forlorn Hope Fancy
DR18 -8.21 dB -31.14 dB 0:29 15-'…And from thence I had great desire to see Italy…'
DR11 -3.83 dB -16.70 dB 2:56 16-Come again
DR11 -3.83 dB -16.17 dB 2:40 17-Wilt thou unkind thus reave me
DR18 -8.17 dB -28.13 dB 0:30 18-'…After my departure I called to mynde our conference…'
DR11 -3.83 dB -17.01 dB 2:39 19-Weep you no more, sad fountains
DR14 -4.15 dB -20.60 dB 1:35 20-My Lord Willoughby's Welcome Home
DR10 -3.83 dB -14.83 dB 2:48 21-Clear or cloudy
DR22 -5.46 dB -31.47 dB 1:01 22-'…men say that the Kinge of Spain is making gret preparation…'
DR11 -3.83 dB -17.86 dB 4:12 23-In darkness let me dwell
DR14 0.00 dB -16.76 dB 4:42 24-Flow my tears (Lachrimae) [Live]
DR14 0.00 dB -17.28 dB 2:26 25-The lowest trees have tops [Live]
DR16 -0.77 dB -22.20 dB 2:45 26-Fantasy [Live]
DR13 -0.31 dB -16.98 dB 2:53 27-Come again [Live]
DR13 -0.52 dB -18.04 dB 2:38 28-Have you seen the bright lily grow [Live]
DR15 -0.08 dB -18.01 dB 4:05 29-In darkness let me dwell [Live]
DR14 -0.08 dB -15.86 dB 3:15 30-Hellhound On My Trail [Live]
DR13 -1.06 dB -18.65 dB 6:00 31-Message In A Bottle [Live]
DR12 -3.11 dB -17.52 dB 3:32 32-Fields of Gold [Live]
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 32
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 711 kbps
Codec: FLAC
[CUETools log; Date: 30.05.2016 12:14:43; Version: 2.1.4]
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03 [b6c9ca4d|250e37af] (0+4/4) Accurately ripped
04 [16ea0b4c|b88dfc4d] (0+4/4) Accurately ripped
05 [7a3be3cb|9a6a90b5] (0+4/4) Accurately ripped
06 [7a6e5036|f04a4368] (0+4/4) Accurately ripped
07 [86c599ee|e4e6ffbf] (0+4/4) Accurately ripped
08 [facd275c|a9d7f03e] (0+4/4) Accurately ripped
09 [ffe30ba9|b9fe9445] (0+4/4) Accurately ripped
10 [3114b5f4|eb7e6bb2] (0+4/4) Accurately ripped
11 [c0386ee7|8768f26a] (0+4/4) Accurately ripped
12 [1f76b1ba|c6a79bda] (0+4/4) Accurately ripped
13 [e9426a2b|0907bc3b] (0+4/4) Accurately ripped
14 [1b436916|5fa36b29] (0+4/4) Accurately ripped
15 [3af5b35e|10d66116] (0+4/4) Accurately ripped
16 [00983981|b4aa26a7] (0+4/4) Accurately ripped
17 [bf4749d0|0f2c84c8] (0+4/4) Accurately ripped
18 [d668bfcc|2bfa26be] (0+4/4) Accurately ripped
19 [68f69278|f8970998] (0+4/4) Accurately ripped
20 [c1c24602|d13aa635] (0+4/4) Accurately ripped
21 [bd357ad5|ad003383] (0+4/4) Accurately ripped
22 [1c345cdb|6605ae86] (0+4/4) Accurately ripped
23 [0416f2a6|99f821af] (0+4/4) Accurately ripped
24 [3082b59d|8e2f71f9] (0+4/4) Accurately ripped
25 [875195fe|882fcf77] (0+4/4) Accurately ripped
26 [742f6215|78fc120d] (0+4/4) Accurately ripped
27 [3cc43301|b659a6ee] (0+4/4) Accurately ripped
28 [32b37b61|9c824b2e] (0+4/4) Accurately ripped
29 [fd7c0f1f|d2b747f9] (0+4/4) Accurately ripped
30 [bccb3f2e|3d603280] (0+4/4) Accurately ripped
31 [0f02331e|9c98568e] (0+4/4) Accurately ripped
32 [ca5b5494|09d5b3ca] (0+4/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [5B7CDA5A] [F18EBCDC] CRC32
01 64,3 [6AAF6ED2] [E818FE58]
02 64,3 [B59B52D0] [B338C625]
03 56,9 [5F8F1491] [27891D40]
04 64,3 [3542FEBA] [B3595B2B]
05 55,5 [9C9F868C] [5FED94E9]
06 64,3 [96F12CFE] [29AAFD49]
07 64,3 [AC7A577F] [1FDEA3F3]
08 64,3 [97F87414] [7E6CB53B]
09 42,2 [BFC14237] [E9A7ACEA]
10 64,3 [5C8A8485] [4B03C4D9]
11 46,4 [2EC2CF62] [F7944CCB]
12 64,3 [CDE632E0] [E7190F0A]
13 64,3 [298E6470] [43E2EB25]
14 64,3 [013D6D6A] [804A1D34]
15 38,8 [0FF12F3B] [54B361C9]
16 64,3 [03BFBC20] [CEFD4455]
17 64,3 [F8619BD6] [D0E81065]
18 39,0 [78CFC150] [92599DD3]
19 64,3 [D29EC464] [4E1AF38E]
20 62,0 [4EF33B63] [551D15B4]
21 64,3 [60002C9D] [9F43FA9D]
22 53,3 [0FD0BB91] [1F325ABC]
23 64,3 [E5BCA64C] [88E12DDB]
24 100,0 [109EECE3] [FD4AD7C9]
25 100,0 [1D2B271E] [881F45CE]
26 91,5 [4DEE69FB] [C497F8CA]
27 96,5 [D88FCBDF] [077657DF]
28 94,2 [7A417B4A] [96CE1E76]
29 99,0 [8A9903AC] [E40EFC2E]
30 99,0 [AE09B425] [A7CB04E1]
31 88,5 [27EF48D2] [98551BAE]
32 69,9 [F846ADEB] [CF2458B0]
[CTDB TOCID: asq74xFZc7waBVERaUOG.8HqVc4-] found.
Track | CTDB Status
1 | (6/6) Accurately ripped
2 | (6/6) Accurately ripped
3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
6 | (6/6) Accurately ripped
7 | (6/6) Accurately ripped
8 | (6/6) Accurately ripped
9 | (6/6) Accurately ripped
10 | (6/6) Accurately ripped
11 | (6/6) Accurately ripped
12 | (6/6) Accurately ripped
13 | (6/6) Accurately ripped
14 | (6/6) Accurately ripped
15 | (6/6) Accurately ripped
16 | (6/6) Accurately ripped
17 | (6/6) Accurately ripped
18 | (6/6) Accurately ripped
19 | (6/6) Accurately ripped
20 | (6/6) Accurately ripped
21 | (6/6) Accurately ripped
22 | (6/6) Accurately ripped
23 | (6/6) Accurately ripped
24 | (6/6) Accurately ripped
25 | (6/6) Accurately ripped
26 | (6/6) Accurately ripped
27 | (6/6) Accurately ripped
28 | (6/6) Accurately ripped
29 | (6/6) Accurately ripped
30 | (6/6) Accurately ripped
31 | (5/6) Accurately ripped
32 | (6/6) Accurately ripped
[AccurateRip ID: 004f1390-072da331-d812f620] found.
Track [ CRC | V2 ] Status
01 [daba8030|1d191387] (0+4/4) Accurately ripped
02 [722a7b55|2b77048e] (0+4/4) Accurately ripped
03 [b6c9ca4d|250e37af] (0+4/4) Accurately ripped
04 [16ea0b4c|b88dfc4d] (0+4/4) Accurately ripped
05 [7a3be3cb|9a6a90b5] (0+4/4) Accurately ripped
06 [7a6e5036|f04a4368] (0+4/4) Accurately ripped
07 [86c599ee|e4e6ffbf] (0+4/4) Accurately ripped
08 [facd275c|a9d7f03e] (0+4/4) Accurately ripped
09 [ffe30ba9|b9fe9445] (0+4/4) Accurately ripped
10 [3114b5f4|eb7e6bb2] (0+4/4) Accurately ripped
11 [c0386ee7|8768f26a] (0+4/4) Accurately ripped
12 [1f76b1ba|c6a79bda] (0+4/4) Accurately ripped
13 [e9426a2b|0907bc3b] (0+4/4) Accurately ripped
14 [1b436916|5fa36b29] (0+4/4) Accurately ripped
15 [3af5b35e|10d66116] (0+4/4) Accurately ripped
16 [00983981|b4aa26a7] (0+4/4) Accurately ripped
17 [bf4749d0|0f2c84c8] (0+4/4) Accurately ripped
18 [d668bfcc|2bfa26be] (0+4/4) Accurately ripped
19 [68f69278|f8970998] (0+4/4) Accurately ripped
20 [c1c24602|d13aa635] (0+4/4) Accurately ripped
21 [bd357ad5|ad003383] (0+4/4) Accurately ripped
22 [1c345cdb|6605ae86] (0+4/4) Accurately ripped
23 [0416f2a6|99f821af] (0+4/4) Accurately ripped
24 [3082b59d|8e2f71f9] (0+4/4) Accurately ripped
25 [875195fe|882fcf77] (0+4/4) Accurately ripped
26 [742f6215|78fc120d] (0+4/4) Accurately ripped
27 [3cc43301|b659a6ee] (0+4/4) Accurately ripped
28 [32b37b61|9c824b2e] (0+4/4) Accurately ripped
29 [fd7c0f1f|d2b747f9] (0+4/4) Accurately ripped
30 [bccb3f2e|3d603280] (0+4/4) Accurately ripped
31 [0f02331e|9c98568e] (0+4/4) Accurately ripped
32 [ca5b5494|09d5b3ca] (0+4/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [5B7CDA5A] [F18EBCDC] CRC32
01 64,3 [6AAF6ED2] [E818FE58]
02 64,3 [B59B52D0] [B338C625]
03 56,9 [5F8F1491] [27891D40]
04 64,3 [3542FEBA] [B3595B2B]
05 55,5 [9C9F868C] [5FED94E9]
06 64,3 [96F12CFE] [29AAFD49]
07 64,3 [AC7A577F] [1FDEA3F3]
08 64,3 [97F87414] [7E6CB53B]
09 42,2 [BFC14237] [E9A7ACEA]
10 64,3 [5C8A8485] [4B03C4D9]
11 46,4 [2EC2CF62] [F7944CCB]
12 64,3 [CDE632E0] [E7190F0A]
13 64,3 [298E6470] [43E2EB25]
14 64,3 [013D6D6A] [804A1D34]
15 38,8 [0FF12F3B] [54B361C9]
16 64,3 [03BFBC20] [CEFD4455]
17 64,3 [F8619BD6] [D0E81065]
18 39,0 [78CFC150] [92599DD3]
19 64,3 [D29EC464] [4E1AF38E]
20 62,0 [4EF33B63] [551D15B4]
21 64,3 [60002C9D] [9F43FA9D]
22 53,3 [0FD0BB91] [1F325ABC]
23 64,3 [E5BCA64C] [88E12DDB]
24 100,0 [109EECE3] [FD4AD7C9]
25 100,0 [1D2B271E] [881F45CE]
26 91,5 [4DEE69FB] [C497F8CA]
27 96,5 [D88FCBDF] [077657DF]
28 94,2 [7A417B4A] [96CE1E76]
29 99,0 [8A9903AC] [E40EFC2E]
30 99,0 [AE09B425] [A7CB04E1]
31 88,5 [27EF48D2] [98551BAE]
32 69,9 [F846ADEB] [CF2458B0]
All thanks go to sergych