Stephan Oliva, Bruno Chevillon, Paul Motian - Fantasm / Phantasme: The Music of Paul Motian (2000)
Stéphan Oliva, Bruno Chevillon, Paul Motian
Fantasm / Phantasme: The Music of Paul Motian (2000)
EAC | FLAC | Tracks (Cue&Log) ~ 310 Mb | Mp3 (CBR320) ~ 128 Mb | Scans ~ 101 Mb
Label: BMG France, RCA Victor | # 74321739252 | Time: 00:55:41
Contemporary Jazz, Post-Bop, Avant-Garde Jazz, Free Improvisation
Fantasm / Phantasme: The Music of Paul Motian (2000)
EAC | FLAC | Tracks (Cue&Log) ~ 310 Mb | Mp3 (CBR320) ~ 128 Mb | Scans ~ 101 Mb
Label: BMG France, RCA Victor | # 74321739252 | Time: 00:55:41
Contemporary Jazz, Post-Bop, Avant-Garde Jazz, Free Improvisation
Pianist Stéphan Oliva started making a name for himself in the jazz world in the early 90s through his work in trio based on his own compositions. He’s been playing with American drummer Paul Motian and Bruno Chevillon since 1997. Two records, “Fantasm” and “Intérieur nuit”, were released as a result of the trio’s work honouring Paul Motian’s compositions.
Pianist Stéphan Oliva started making a name for himself in the jazz world in the early 90s through his work in trio based on his own compositions. With Claude Tchamitchian (b) and Jean-Pierre Jullian (dr), he recorded “Novembre” on OWL Records and was awarded the Django d’or [Golden Django] as “Most promising artist of the year 1992”.
After the solo recording “Clair obscur”, he made “Jade Visions” in trio with Bruno Chevillon (b) and François Merville (dr), as a personal tribute to pianist Bill Evans.
In 1997 he was behind one of the CDs in the “Jazz ‘n (e)motion” collection, a set of improvisations by piano soloists based on film music.
He also proposed lectures on the film music composer Bernard Herrmann, (Hitchcock, Welles, Scorsese), illustrating them on the piano.
He and pianist François Raulin formed a duo to explore the music of the great American pianist Lennie Tristano; the resulting free interpretation is like a playful conversation between them.
The duo was enlarged to include five more artists, and a new work and ultimately a record, “Sept Variations sur Lennie Tristano”, grew out of the whole experiment. The additional artists were Laurent Dehors (cl), Christophe Monniot (s), Marc Ducret (g), Paul Rodgers and Bruno Chevillon (b).
He’s been playing with American drummer Paul Motian and Bruno Chevillon since 1997. Two new records, “Fantasm” and “Intérieur nuit”, were released as a result of the trio’s work honouring Paul Motian’s compositions.
In 2001 he returned to his own compositions, this time in quartet with Matthieu Donarier (s), Guillaume Séguron (b) and Jean-Pierre Jullian (dr). They toured in Finland and Estonia in 2002.
In 2003 the quartet became a quintet with a new line-up: Matthieu Donarier (s), Jean-Marc Foltz (cl), Bruno Chevillon (b), Nicolas Larmignat (dr). (“Itinéraire imaginaire”).
Since 2003, he’s been playing in a trio with the singer Linda Sharrock and Claude Tchamitchian on double bass.
In duo with singer Susanne Abbuehl, they offer some new versions of their favourite standards.
In 2004 he took part in the “Soffio di Scelsi” project, together with Jean-Marc Foltz (cl) (with whom he also plays in duo) and Bruno Chevillon (b).
He composed and played the music for a film by Jacques Maillot, “Froid comme l’été”, which won the Prix Italia. He has also composed music and improvised directly with the screening of George W. Pabst’s silent film “Lulu”.
He plays in trio with guitarist Rémi Charmasson and Claude Tchamitchian (b).
His meeting with drummer Joey Baron led to a series of duo concerts at the Théâtre du Châtelet in June 2005.
He’s taken part in some of the projects (“Res Futurae”, Le Roman Entrechoqué”) conceived and realised by artist-composer-percussionist Alain Joule.
He is a sideman in the following bands or groups: Claude Tchamitichian’s Grand Lousadzak and Acoustic Lousadzak, J.P. Jullian’s Aghia Triada and Opus Incertum, Pierre Michel’s project on jazz and contemporary classical music, and now and then with Bernard Struber’s Orja.
After the solo recording “Clair obscur”, he made “Jade Visions” in trio with Bruno Chevillon (b) and François Merville (dr), as a personal tribute to pianist Bill Evans.
In 1997 he was behind one of the CDs in the “Jazz ‘n (e)motion” collection, a set of improvisations by piano soloists based on film music.
He also proposed lectures on the film music composer Bernard Herrmann, (Hitchcock, Welles, Scorsese), illustrating them on the piano.
He and pianist François Raulin formed a duo to explore the music of the great American pianist Lennie Tristano; the resulting free interpretation is like a playful conversation between them.
The duo was enlarged to include five more artists, and a new work and ultimately a record, “Sept Variations sur Lennie Tristano”, grew out of the whole experiment. The additional artists were Laurent Dehors (cl), Christophe Monniot (s), Marc Ducret (g), Paul Rodgers and Bruno Chevillon (b).
He’s been playing with American drummer Paul Motian and Bruno Chevillon since 1997. Two new records, “Fantasm” and “Intérieur nuit”, were released as a result of the trio’s work honouring Paul Motian’s compositions.
In 2001 he returned to his own compositions, this time in quartet with Matthieu Donarier (s), Guillaume Séguron (b) and Jean-Pierre Jullian (dr). They toured in Finland and Estonia in 2002.
In 2003 the quartet became a quintet with a new line-up: Matthieu Donarier (s), Jean-Marc Foltz (cl), Bruno Chevillon (b), Nicolas Larmignat (dr). (“Itinéraire imaginaire”).
Since 2003, he’s been playing in a trio with the singer Linda Sharrock and Claude Tchamitchian on double bass.
In duo with singer Susanne Abbuehl, they offer some new versions of their favourite standards.
In 2004 he took part in the “Soffio di Scelsi” project, together with Jean-Marc Foltz (cl) (with whom he also plays in duo) and Bruno Chevillon (b).
He composed and played the music for a film by Jacques Maillot, “Froid comme l’été”, which won the Prix Italia. He has also composed music and improvised directly with the screening of George W. Pabst’s silent film “Lulu”.
He plays in trio with guitarist Rémi Charmasson and Claude Tchamitchian (b).
His meeting with drummer Joey Baron led to a series of duo concerts at the Théâtre du Châtelet in June 2005.
He’s taken part in some of the projects (“Res Futurae”, Le Roman Entrechoqué”) conceived and realised by artist-composer-percussionist Alain Joule.
He is a sideman in the following bands or groups: Claude Tchamitichian’s Grand Lousadzak and Acoustic Lousadzak, J.P. Jullian’s Aghia Triada and Opus Incertum, Pierre Michel’s project on jazz and contemporary classical music, and now and then with Bernard Struber’s Orja.
Stephan Oliva, Bruno Chevillon, Paul Motian - Fantasm / Phantasme: The Music of Paul Motian (2000)
Stephan Oliva, piano
Bruno Chevillon, bass
Paul Motian, drums
Recorded on Oct. 18-19, 1999 and Mixed on Nov. 29-30, 1999 at Studio La Buissonne, Pernes les Fontaines, France
Tracklist:
01. Interieur Jour (3:39)
02. Five Miles to Wrentham (6:06)
03. Dance (5:17)
04. Sables (6:21)
05. Fantasm (5:09)
06. Blue Midnight (3:50)
07. Fiasco (5:11)
08. Impromede (2:44)
09. Etude (2:54)
10. 'M' (5:25)
11. Folk Song for Rosie (4:47)
12. It Should Have Happened a Long Time Ago (4:18)
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 28. October 2008, 17:17
Stephan OLIVA, Bruno CHEVILLON, Paul MOTIAN / Fantasm
Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:39.25 | 0 | 16449
2 | 3:39.25 | 6:06.05 | 16450 | 43904
3 | 9:45.30 | 5:16.70 | 43905 | 67674
4 | 15:02.25 | 6:21.00 | 67675 | 96249
5 | 21:23.25 | 5:09.00 | 96250 | 119424
6 | 26:32.25 | 3:49.45 | 119425 | 136644
7 | 30:21.70 | 5:10.55 | 136645 | 159949
8 | 35:32.50 | 2:44.15 | 159950 | 172264
9 | 38:16.65 | 2:54.35 | 172265 | 185349
10 | 41:11.25 | 5:24.60 | 185350 | 209709
11 | 46:36.10 | 4:46.65 | 209710 | 231224
12 | 51:23.00 | 4:17.65 | 231225 | 250564
Track 1
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\01 - Interieur Jour.wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Track quality 100.0 %
Test CRC BF82F4DA
Copy CRC BF82F4DA
Copy OK
Track 2
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\02 - Five Miles to Wrentham.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC BC398684
Copy CRC BC398684
Copy OK
Track 3
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\03 - Dance.wav
Peak level 99.2 %
Track quality 100.0 %
Test CRC 7FEA2FC3
Copy CRC 7FEA2FC3
Copy OK
Track 4
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\04 - Sables.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 2C1EEA44
Copy CRC 2C1EEA44
Copy OK
Track 5
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\05 - Fantasm.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 1A145339
Copy CRC 1A145339
Copy OK
Track 6
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\06 - Blue Midnight.wav
Peak level 79.4 %
Track quality 100.0 %
Test CRC D32693A2
Copy CRC D32693A2
Copy OK
Track 7
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\07 - Fiasco.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 6137107D
Copy CRC 6137107D
Copy OK
Track 8
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\08 - Impromede.wav
Peak level 63.0 %
Track quality 100.0 %
Test CRC 1226BE3E
Copy CRC 1226BE3E
Copy OK
Track 9
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\09 - Etude.wav
Peak level 70.7 %
Track quality 100.0 %
Test CRC CD7D723A
Copy CRC CD7D723A
Copy OK
Track 10
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\10 - 'M'.wav
Peak level 84.1 %
Track quality 100.0 %
Test CRC 557F1B44
Copy CRC 557F1B44
Copy OK
Track 11
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\11 - Folk Song for Rosie.wav
Peak level 99.9 %
Track quality 99.9 %
Test CRC 1C6DFA8B
Copy CRC 1C6DFA8B
Copy OK
Track 12
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\12 - It Should Have Happened a Long Time Ago.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 3BDAE14B
Copy CRC 3BDAE14B
Copy OK
No errors occurred
End of status report
EAC extraction logfile from 28. October 2008, 17:17
Stephan OLIVA, Bruno CHEVILLON, Paul MOTIAN / Fantasm
Used drive : _NEC DVD_RW ND-3500AG Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:39.25 | 0 | 16449
2 | 3:39.25 | 6:06.05 | 16450 | 43904
3 | 9:45.30 | 5:16.70 | 43905 | 67674
4 | 15:02.25 | 6:21.00 | 67675 | 96249
5 | 21:23.25 | 5:09.00 | 96250 | 119424
6 | 26:32.25 | 3:49.45 | 119425 | 136644
7 | 30:21.70 | 5:10.55 | 136645 | 159949
8 | 35:32.50 | 2:44.15 | 159950 | 172264
9 | 38:16.65 | 2:54.35 | 172265 | 185349
10 | 41:11.25 | 5:24.60 | 185350 | 209709
11 | 46:36.10 | 4:46.65 | 209710 | 231224
12 | 51:23.00 | 4:17.65 | 231225 | 250564
Track 1
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\01 - Interieur Jour.wav
Pre-gap length 0:00:02.00
Peak level 99.9 %
Track quality 100.0 %
Test CRC BF82F4DA
Copy CRC BF82F4DA
Copy OK
Track 2
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\02 - Five Miles to Wrentham.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC BC398684
Copy CRC BC398684
Copy OK
Track 3
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\03 - Dance.wav
Peak level 99.2 %
Track quality 100.0 %
Test CRC 7FEA2FC3
Copy CRC 7FEA2FC3
Copy OK
Track 4
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\04 - Sables.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 2C1EEA44
Copy CRC 2C1EEA44
Copy OK
Track 5
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\05 - Fantasm.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 1A145339
Copy CRC 1A145339
Copy OK
Track 6
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\06 - Blue Midnight.wav
Peak level 79.4 %
Track quality 100.0 %
Test CRC D32693A2
Copy CRC D32693A2
Copy OK
Track 7
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\07 - Fiasco.wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC 6137107D
Copy CRC 6137107D
Copy OK
Track 8
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\08 - Impromede.wav
Peak level 63.0 %
Track quality 100.0 %
Test CRC 1226BE3E
Copy CRC 1226BE3E
Copy OK
Track 9
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\09 - Etude.wav
Peak level 70.7 %
Track quality 100.0 %
Test CRC CD7D723A
Copy CRC CD7D723A
Copy OK
Track 10
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\10 - 'M'.wav
Peak level 84.1 %
Track quality 100.0 %
Test CRC 557F1B44
Copy CRC 557F1B44
Copy OK
Track 11
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\11 - Folk Song for Rosie.wav
Peak level 99.9 %
Track quality 99.9 %
Test CRC 1C6DFA8B
Copy CRC 1C6DFA8B
Copy OK
Track 12
Filename F:\DL\Oliva Chevillon Motian - Fantasm (2000) [FLAC]\12 - It Should Have Happened a Long Time Ago.wav
Peak level 100.0 %
Track quality 100.0 %
Test CRC 3BDAE14B
Copy CRC 3BDAE14B
Copy OK
No errors occurred
End of status report
[CUETools log; Date: 13.10.2019 20:17:01; Version: 2.1.4]
[CTDB TOCID: G_4yDlMYoSaPpNPWrVzqwqG0i_Y-] found.
Track | CTDB Status
1 | (14/14) Accurately ripped
2 | (14/14) Accurately ripped
3 | (14/14) Accurately ripped
4 | (14/14) Accurately ripped
5 | (14/14) Accurately ripped
6 | (14/14) Accurately ripped
7 | (14/14) Accurately ripped
8 | (14/14) Accurately ripped
9 | (14/14) Accurately ripped
10 | (14/14) Accurately ripped
11 | (14/14) Accurately ripped
12 | (14/14) Accurately ripped
[AccurateRip ID: 0019c747-00ee3843-b20d0c0c] found.
Track [ CRC | V2 ] Status
01 [d31b2b7b|3322cfc2] (2+2/4) Accurately ripped
02 [a95fd227|0ccb4deb] (2+2/4) Accurately ripped
03 [298d24f8|3f4fa049] (2+2/4) Accurately ripped
04 [bec17331|0406a5ea] (2+2/4) Accurately ripped
05 [94d64fbe|3106dcd7] (2+2/4) Accurately ripped
06 [46196933|d946df8e] (2+2/4) Accurately ripped
07 [16bf1708|87cc8a4d] (2+2/4) Accurately ripped
08 [4772ef13|18e37e4b] (2+2/4) Accurately ripped
09 [7570e73e|bf31c30e] (2+2/4) Accurately ripped
10 [21418215|488a3491] (2+2/4) Accurately ripped
11 [ad7aeadf|9e4b06b0] (2+2/4) Accurately ripped
12 [9ad835fa|0241f765] (2+2/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [8E98F1B8] [C54489AF]
01 99,9 [BF82F4DA] [CDD26F0E] CRC32
02 99,9 [BC398684] [32F52AF0] CRC32
03 99,2 [7FEA2FC3] [015EC378] CRC32
04 99,9 [2C1EEA44] [92A51646] CRC32
05 99,9 [1A145339] [EBA95161] CRC32
06 79,4 [D32693A2] [525ACF30] CRC32
07 99,9 [6137107D] [E11B3854] CRC32
08 63,0 [1226BE3E] [A43A8C45] CRC32
09 70,7 [CD7D723A] [162006BD] CRC32
10 84,1 [557F1B44] [A0113467] CRC32
11 99,9 [1C6DFA8B] [350C3443] CRC32
12 100,0 [3BDAE14B] [49BF1316] CRC32
[CTDB TOCID: G_4yDlMYoSaPpNPWrVzqwqG0i_Y-] found.
Track | CTDB Status
1 | (14/14) Accurately ripped
2 | (14/14) Accurately ripped
3 | (14/14) Accurately ripped
4 | (14/14) Accurately ripped
5 | (14/14) Accurately ripped
6 | (14/14) Accurately ripped
7 | (14/14) Accurately ripped
8 | (14/14) Accurately ripped
9 | (14/14) Accurately ripped
10 | (14/14) Accurately ripped
11 | (14/14) Accurately ripped
12 | (14/14) Accurately ripped
[AccurateRip ID: 0019c747-00ee3843-b20d0c0c] found.
Track [ CRC | V2 ] Status
01 [d31b2b7b|3322cfc2] (2+2/4) Accurately ripped
02 [a95fd227|0ccb4deb] (2+2/4) Accurately ripped
03 [298d24f8|3f4fa049] (2+2/4) Accurately ripped
04 [bec17331|0406a5ea] (2+2/4) Accurately ripped
05 [94d64fbe|3106dcd7] (2+2/4) Accurately ripped
06 [46196933|d946df8e] (2+2/4) Accurately ripped
07 [16bf1708|87cc8a4d] (2+2/4) Accurately ripped
08 [4772ef13|18e37e4b] (2+2/4) Accurately ripped
09 [7570e73e|bf31c30e] (2+2/4) Accurately ripped
10 [21418215|488a3491] (2+2/4) Accurately ripped
11 [ad7aeadf|9e4b06b0] (2+2/4) Accurately ripped
12 [9ad835fa|0241f765] (2+2/4) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [8E98F1B8] [C54489AF]
01 99,9 [BF82F4DA] [CDD26F0E] CRC32
02 99,9 [BC398684] [32F52AF0] CRC32
03 99,2 [7FEA2FC3] [015EC378] CRC32
04 99,9 [2C1EEA44] [92A51646] CRC32
05 99,9 [1A145339] [EBA95161] CRC32
06 79,4 [D32693A2] [525ACF30] CRC32
07 99,9 [6137107D] [E11B3854] CRC32
08 63,0 [1226BE3E] [A43A8C45] CRC32
09 70,7 [CD7D723A] [162006BD] CRC32
10 84,1 [557F1B44] [A0113467] CRC32
11 99,9 [1C6DFA8B] [350C3443] CRC32
12 100,0 [3BDAE14B] [49BF1316] CRC32
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2019-10-13 20:19:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Stephan OLIVA, Bruno CHEVILLON, Paul MOTIAN / Fantasm
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 0.00 dB -11.99 dB 3:39 01-Interieur Jour
DR11 0.00 dB -15.76 dB 6:06 02-Five Miles to Wrentham
DR9 -0.07 dB -12.07 dB 5:17 03-Dance
DR12 0.00 dB -18.02 dB 6:21 04-Sables
DR13 0.00 dB -17.08 dB 5:09 05-Fantasm
DR11 -2.00 dB -17.93 dB 3:50 06-Blue Midnight
DR10 0.00 dB -13.09 dB 5:11 07-Fiasco
DR13 -4.00 dB -20.68 dB 2:44 08-Impromede
DR11 -3.00 dB -18.33 dB 2:54 09-Etude
DR8 -1.50 dB -12.25 dB 5:25 10-'M'
DR13 0.00 dB -20.30 dB 4:47 11-Folk Song for Rosie
DR13 0.00 dB -16.34 dB 4:18 12-It Should Have Happened a Long Time Ago
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 755 kbps
Codec: FLAC
================================================================================
log date: 2019-10-13 20:19:04
––––––––––––––––––––––––––––––––––––––––
Analyzed: Stephan OLIVA, Bruno CHEVILLON, Paul MOTIAN / Fantasm
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR9 0.00 dB -11.99 dB 3:39 01-Interieur Jour
DR11 0.00 dB -15.76 dB 6:06 02-Five Miles to Wrentham
DR9 -0.07 dB -12.07 dB 5:17 03-Dance
DR12 0.00 dB -18.02 dB 6:21 04-Sables
DR13 0.00 dB -17.08 dB 5:09 05-Fantasm
DR11 -2.00 dB -17.93 dB 3:50 06-Blue Midnight
DR10 0.00 dB -13.09 dB 5:11 07-Fiasco
DR13 -4.00 dB -20.68 dB 2:44 08-Impromede
DR11 -3.00 dB -18.33 dB 2:54 09-Etude
DR8 -1.50 dB -12.25 dB 5:25 10-'M'
DR13 0.00 dB -20.30 dB 4:47 11-Folk Song for Rosie
DR13 0.00 dB -16.34 dB 4:18 12-It Should Have Happened a Long Time Ago
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR11
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 755 kbps
Codec: FLAC
================================================================================
Stephan Oliva, Bruno Chevillon, Paul Motian - Fantasm / Phantasme: The Music of Paul Motian (2000)
Stephan Oliva, Bruno Chevillon, Paul Motian - Fantasm / Phantasme: The Music of Paul Motian (2000)
