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    Steffani - Niobe, Regina di Tebe (Paul O’Dette, Stephen Stubbs, Karina Gauvin, Philippe Jaroussky)

    Posted By: Sowulo
    Steffani - Niobe, Regina di Tebe (Paul O’Dette, Stephen Stubbs, Karina Gauvin, Philippe Jaroussky)

    Steffani - Niobe, Regina di Tebe (Paul O’Dette, Stephen Stubbs, Karina Gauvin, Philippe Jaroussky) (2015)
    EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3d, 995 MB
    Classical | Erato | 2564-634354

    Agostino Steffani’s sumptuous 1688 opera Niobe, Regina di Tebe has proved a revelation to audiences since its first modern production in 2008. The spellbinding French countertenor Philippe Jaroussky, who appeared in its US premiere at the Boston Early Music Festival in 2011, stars in this new recording, with Canadian soprano Karina Gauvin in the title role of the proud, but tragic Theban queen.

    Niobe, Regina di Tebe by Agostino Steffani (1654-1728) has proved a revelation to audiences since its rediscovery and its first modern production, staged in 2008 at Germany’s Schwetzingen Festival. Its sumptuous, expressive music has also attracted such virtuoso singers as countertenor Philippe Jaroussky – who describes it as “a beautiful bridge between Monteverdi and Handel” – and soprano Karina Gauvin, the two stars of this new recording, made in Autumn 2013 in collaboration with the Boston Early Music Festival and Radio Bremen.

    Jaroussky, taking the role of King Anfione of Thebes, appeared in the first US performances of Niobe in Boston in 2011, prompting the New York Times to say that: “[in a] finely balanced cast … the clear standout was the countertenor Philippe Jaroussky, who sang powerfully and sweetly and created a nuanced portrayal.” As the Boston Globe observed later in the year, “His voice combines a limpid purity of timbre, a weightless agility, and an elegant control of nuance that allows him to shade a single phrase with a multitude of colors.”

    When Niobe, first seen in 1688, was staged at London’s Royal Opera House in 2010, The Independent enticingly summarised the work and its appeal: “Lust, ambition and grief are expressed extravagantly yet succinctly … The arias are brilliant and abundant, propelled by athletic ground basses, interrupted by prowling kettle-drums, or sinuously laced with viola da gamba … Composer, diplomat and theologian, Steffani knew how to tickle the interest of his audience, spiking Niobe's maternal hubris with adultery, magic spells, political intrigue, romantic sub-plots and the stock sardonic nurse who is there to comment on human folly. The opera was premiered in Munich's carnival season, and it shows. So do the diverse musical influences in Steffani's life: the stile antico training of his boyhood, an early baptism in Venetian opera, and a pivotal journey to Lully's Paris.”

    Based on the Metamorphoses of Ovid, the opera offers a dramatic and tragic climax: punishing Queen Niobe for her disrespectful display of pride, the gods kill her 14 children. Such is her grief that she turns to stone, while her husband, King Anfione kills himself. As Opera Today wrote after Jaroussky’s performance in Boston in 2011: “Jaroussky sang all this movingly in his pure countertenor, none the less exciting for his prevailing calm. His style of ornament hewed scrupulously to the earlier, French style rather than the rapid divisions he performs in Handel’s operas, lingering to express ‘tormenti’, weeping his ‘pianti’, and at last (having stabbed himself) dying on a delicious fading melisma.”

    “What I like about my character, Anfione, is that he is a King who would like to give up his power and just compose music,” explains Jaroussky. “He’s a little bit like Orfeo. In the middle of the opera, just by singing he magically builds new walls to defend his city … His music is particularly beautiful. Niobe is a huge, challenging work, and it has me singing through my entire range. It’s in a very special style: very virtuosic and very touching. Steffani was a very original composer who helped to advance the style between the periods of Monteverdi and Handel. Sometimes his music sounds like Cavalli, sometimes like the young Handel – it’s very inspiring.”

    In addition to Karina Gauvin – especially celebrated in Handel and praised by The Sunday Times for “her glinting soprano, bright-edged yet deliciously rounded and sensual … used with rare understanding for character” – the cast includes the American soprano Amanda Forsythe as the young priestess Manto (she in fact sang the role of Niobe in Boston in 2011) and the Swiss tenor Terry Wey as the Thessalonian prince Creonte. Sharing the musical direction are Paul O’Dette and Stephen Stubbs, co-directors of the Boston Early Music Festival. “Our discovery of this unknown masterpiece has been very exciting,” says O’Dette. “Niobe is an extraordinary piece – with breathtaking music and intense drama.”

    Performed:
    Niobe - Karina Gauvin
    Anfione - Philippe Jaroussky
    Manto - Amanda Forsythe
    Tiresia - Christian Immler
    Clearte - Aaron Sheehan
    Creonte - Terry Wey
    Poliferno - Jesse Blumberg
    Tiberino - Colin Balzer
    Nerea - José Lemos
    Boston Early Music Festival Orchestra
    Paul O’Dette and Stephen Stubbs, Musical Directors

    Tracklist:
    CD1
    01. Sinfonia
    02. Atto I. Scena 1. Recitativo: Venga Clearte
    03. Scena 1. Duetto: Sollievo del mio seno
    04. Scena 2. Recitativo: Ecco à piè di chi impera
    05. Scena 2. Aria: Miratemi begl'occhi
    06. Scena 3. Recitativo: Splendetemi d'intorno
    07. Scena 3. Aria: È felice il tuo cor
    08. Scena 4. Recitativo: Che sento?
    09. Scena 4. Aria: Quasi tutte
    10. Scena 5. Recitativo: Rio destin che pretendi
    11. Scena 5. Aria: Son amante, e sempre peno
    12. Scena 6. Recitativo: Della famosa Tebe
    13. Scena 6. Aria: Alba essulti, e il Lazio goda
    14. Scena 7. Hunting calls / Recitativo: Suon di lontana caccia
    15. Scena 7. Ritornello
    16. Scena 7. Recitativo: Oh valor; oh virtute
    17. Scena 7. Aria: Se la vita à me donasti
    18. Scena 8. Recitativo: Figlia ove sei
    19. Scena 8. Aria: Amor t'attese al varco
    20. Scena 9. Recitativo: Svelò fatal la piaga
    21. Scena 9. Aria: Tu non sai che sia diletto
    22. Scena 10. Recitativo: Oh d'amor troppo ignaro
    23. Scena 10. Aria: Vuoi ch'io parli, parlerò
    24. Scena 10. Ritornello
    25. Scena 11. Recitativo: Dormi Creonte, e in tanto
    26. Scena 11. Aria: Dove sciolti à volo i vanni
    27. Scena 11. Recitativo: Sù, per goder ben tosto
    28. Scena 11. Aria: Nuovo soglio, e nuova bella / Scena 12 [omitted]
    29. Scena 13. Accompagnato: Dell'alma stanca
    30. Scena 13. Aria: Sfere amiche
    31. Scena 14. Recitativo: Anfion mio desio
    32. Scena 14. Aria: Vorrei sempre vagheggiarti
    33. Scena 15. Recitativo: Eccola
    34. Scena 16. Recitativo: E tu qual gelo, ò sasso
    35. Scena 17. Aria: C'hò da morir tacendo
    36. Scena 18. Recitativo: Forsennato vaneggia
    37. Scena 18. Aria: Che agli assalti degli amanti / Ritornello
    38. Scena 19. Recitativo: Ecco Tebe
    39. Scena 19. Aria: Anderei fin nell'Inferno
    40. Scena 20. Recitativo: Oh di Lico infelice
    41. Scena 20. Aria: Fiera Aletto
    42. Scena 21. Fanfare / Recitativo: Popoli o voi, ch'un tempo
    43. Scena 21. Aria: Come padre, e come dio
    44. Scena 21. Recitativo: Mà che miro?
    45. Scena 22. Aria: Assistetemi
    46. Scena 22. Recitativo: Niobe ove giungi
    47. Scena 23. Recitativo: O d'insano ardimento
    48. Scena 23. Duetto: Mia fiamma, mio ardore

    CD2
    01. Scena 23. Recitativo: Tu con lingua si sciolta / Scena 24. Recitativo: Numi datemi aita
    02. Scena 24. Aria: Di strali, e fulmini
    03. Scena 25. Recitativo: Discaccia il duolo
    04. Scena 25. Aria: Nel mio seno à poco à poco
    05. Scena 26. Recitativo: Oh stravaganza
    06. Scena 26. Aria: Quanto sospirerai
    07. Scena 26. Ballo dei cacciatori. Rigaudon & Gigue
    08. Atto II. Sinfonia / Scena 1. Recitativo: Ritornate à gli abissi
    09. Scena 1. Aria: Del mio ben occhi adorati
    10. Scena 2. Recitativo; Il gran portento amici
    11. Scena 2. Aria: Voglio servir fedel
    12. Scena 3. Recitativo: Vien al fine la bella
    13. Scena 3. Aria: Qui la dea cieca volante
    14. Scena 4. Recitativo: Giunge il re
    15. Scena 4. Aria: Ascendo alle stelle
    16. Scena 4. Recitativo: Con fronti humiliate
    17. Scena 4. Ballo. Entrée, Rondeau
    18. Scena 4. Aria: Numi tartarei
    19. Scena 5. Recitativo: Ove son? chi m'aita?
    20. Scena 5. Aria: Dal mio petto o pianti uscite
    21. Scena 6. Aria: Confuse potenze
    22. Scena 6. Recitativo: Ove quasi furente
    23. Scena 7. Recitativo: Fuggirò questo Cielo
    24. Scena 7. Aria: Il tuo squardo o bella mia
    25. Scena 8. Recitativo: Odi come diverso
    26. Scena 8. Aria: Tu ci pensasti poco
    27. Scena 9. Recitativo: Chi sei, dove mi guidi?
    28. Scena 9. Aria: Stringo al seno un nume amante
    29. Scena 10. Recitativo: Mira: già il dio guerriero
    30. Scena 10. Aria: Lascio l'armi, e cedo il campo
    31. Scena 10. Recitativo: Agevolò l'impresa
    32. Scena 10. Duetto: T'abbraccio mia diva
    33. Scena 10. Aria: Gioite, godete
    34. Scena 11. Recitativo: Tù mi laceri il core
    35. Scena 11. Aria: De numi la legge
    36. Scena 12. Recitativo: Et ancor neghittosi
    37. Scena 12. Aria: Trà bellici carmi

    CD3
    01. Scena 12. Ritornello
    02. Scena 13. Recitativo. De tebani pastori
    03. Scena 13. Aria. Non mi far pianger sempre
    04. Scena 14. Recitativo. Ratto sen và
    05. Scena 14. Aria. Hò troppo parlato
    06. Scena 15. Recitativo. Mi commove à pietade
    07. Scena 15. Aria. Ci sei colto mio cor
    08. Scena 16. Recitativo. Oh che dolci concetti
    09. Scena 16. Aria. Questi giovani moderni
    10. Scena 16. Ballo de' pastori. Rondeau, Menuet, Sarabande, Rigaudon 1 & 2
    11. Atto III. Sinfonia
    12. Scena 1. Recitativo. Delle celesti soglie
    13. Scena 1. Aria. Amami, e vederai
    14. Scena 1. Recitativo. Mà da qual nube interna
    15. Scena 2. Recitativo. Fuggi Creonte
    16. Scena 2. Aria. Luci belle
    17. Scena 3. Recitativo e Arioso. Qui, dove muto, e solo
    18. Scena 3. Aria. Contro il Ciel
    19. Scena 4. Recitativo. Nell'Egeo tempestoso
    20. Scena 4. Aria. Hò perduta la speranza
    21. Scena 5. Entrée
    22. Scena 5. Recitativo. Con eterni legami
    23. Scena 5. Aria. Hor ch'è mio quel vago labro
    24. Scena 6. Recitativo. Foste al fine pietosi
    25. Scena 6. Aria. Chiudetevi miei lumi
    26. Scena 6. Recitativo. Mi si toglia da gli occhi
    27. Scena 7. Recitativo. Senza indugio Clearte
    28. Scena 8. Recitativo. Vinti sono i celesti
    29. Scena 8. Aria. In mezzo al armi
    30. Scena 9. Recitativo. Affè ch'è un brutto intrico
    31. Scena 9. Aria. Che alla fè di donne amanti
    32. Scena 10. Entrée
    33. Scena 10. Aria. Tutta gioia, e tutta riso / Accompagnato. Ma lasso
    34. Scena 11. Recitativo. Fin dove m'inseguite / Scena 12. Fermati
    35. Scena 12. Aria. Spira già nel proprio sangue
    36. Scena 12. Recitativo. Inopportuno arrivo
    37. Scena 12. Aria. Funeste imagini
    38. Scena 13. Marcia di Creonte
    39. Scena 13. Recitativo. Doma è già Tebe
    40. Scena 14. Recitativo. Hor voi felici amanti
    41. Scena 14. Aria. Di palme, e d'allori
    42. Scena 14. Ballo di soldati festeggianti. Chaconne

    Steffani - Niobe, Regina di Tebe (Paul O’Dette, Stephen Stubbs, Karina Gauvin, Philippe Jaroussky)


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    EAC extraction logfile from 27. February 2015, 15:54

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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

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    EAC extraction logfile from 27. February 2015, 16:18

    Paul O’Dette and Stephen Stubbs / Steffani - Niobe, regina di Tebe CD2

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    ==== Log checksum E0FF5CEFDCF7BC7AA6203BA92E1C9AA8B89161CCB378538843F759DBF53E2AB1 ====

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 27. February 2015, 16:46

    Paul O’Dette and Stephen Stubbs / Steffani - Niobe, regina di Tebe CD3

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    Read offset correction : 6
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    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 0:52.56 | 0 | 3955
    2 | 0:52.56 | 2:04.52 | 3956 | 13307
    3 | 2:57.33 | 2:41.67 | 13308 | 25449
    4 | 5:39.25 | 1:36.48 | 25450 | 32697
    5 | 7:15.73 | 1:43.45 | 32698 | 40467
    6 | 8:59.43 | 0:57.17 | 40468 | 44759
    7 | 9:56.60 | 2:11.62 | 44760 | 54646
    8 | 12:08.47 | 0:25.11 | 54647 | 56532
    9 | 12:33.58 | 2:36.26 | 56533 | 68258
    10 | 15:10.09 | 5:43.25 | 68259 | 94008
    11 | 20:53.34 | 0:48.67 | 94009 | 97675
    12 | 21:42.26 | 0:50.25 | 97676 | 101450
    13 | 22:32.51 | 4:20.11 | 101451 | 120961
    14 | 26:52.62 | 0:33.61 | 120962 | 123497
    15 | 27:26.48 | 0:55.57 | 123498 | 127679
    16 | 28:22.30 | 2:59.65 | 127680 | 141169
    17 | 31:22.20 | 4:03.57 | 141170 | 159451
    18 | 35:26.02 | 0:48.43 | 159452 | 163094
    19 | 36:14.45 | 0:56.08 | 163095 | 167302
    20 | 37:10.53 | 3:14.17 | 167303 | 181869
    21 | 40:24.70 | 0:58.63 | 181870 | 186282
    22 | 41:23.58 | 1:29.71 | 186283 | 193028
    23 | 42:53.54 | 1:22.41 | 193029 | 199219
    24 | 44:16.20 | 2:05.05 | 199220 | 208599
    25 | 46:21.25 | 2:05.16 | 208600 | 217990
    26 | 48:26.41 | 0:08.10 | 217991 | 218600
    27 | 48:34.51 | 0:38.35 | 218601 | 221485
    28 | 49:13.11 | 0:29.07 | 221486 | 223667
    29 | 49:42.18 | 1:32.18 | 223668 | 230585
    30 | 51:14.36 | 0:25.34 | 230586 | 232494
    31 | 51:39.70 | 1:34.39 | 232495 | 239583
    32 | 53:14.34 | 1:13.71 | 239584 | 245129
    33 | 54:28.30 | 1:29.68 | 245130 | 251872
    34 | 55:58.23 | 2:14.24 | 251873 | 261946
    35 | 58:12.47 | 4:00.11 | 261947 | 279957
    36 | 62:12.58 | 2:53.57 | 279958 | 292989
    37 | 65:06.40 | 2:17.63 | 292990 | 303327
    38 | 67:24.28 | 0:56.58 | 303328 | 307585
    39 | 68:21.11 | 2:07.69 | 307586 | 317179
    40 | 70:29.05 | 0:50.09 | 317180 | 320938
    41 | 71:19.14 | 1:42.28 | 320939 | 328616
    42 | 73:01.42 | 2:40.53 | 328617 | 340669


    Range status and errors

    Selected range

    Filename C:\Program Files (x86)\Exact Audio Copy\Flac\Steffani - Niobe, regina di Tebe CD3.wav

    Peak level 98.8 %
    Extraction speed 8.2 X
    Range quality 100.0 %
    Test CRC 7DCF4854
    Copy CRC 7DCF4854
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 not present in database
    Track 2 not present in database
    Track 3 not present in database
    Track 4 not present in database
    Track 5 not present in database
    Track 6 not present in database
    Track 7 not present in database
    Track 8 not present in database
    Track 9 not present in database
    Track 10 not present in database
    Track 11 not present in database
    Track 12 not present in database
    Track 13 not present in database
    Track 14 not present in database
    Track 15 not present in database
    Track 16 not present in database
    Track 17 not present in database
    Track 18 not present in database
    Track 19 not present in database
    Track 20 not present in database
    Track 21 not present in database
    Track 22 not present in database
    Track 23 not present in database
    Track 24 not present in database
    Track 25 not present in database
    Track 26 not present in database
    Track 27 not present in database
    Track 28 not present in database
    Track 29 not present in database
    Track 30 not present in database
    Track 31 not present in database
    Track 32 not present in database
    Track 33 not present in database
    Track 34 not present in database
    Track 35 not present in database
    Track 36 not present in database
    Track 37 not present in database
    Track 38 not present in database
    Track 39 not present in database
    Track 40 not present in database
    Track 41 not present in database
    Track 42 not present in database

    None of the tracks are present in the AccurateRip database

    End of status report

    ==== Log checksum C6F36BDB295233781CC93405E5FF52D1DEF5C9B90DBF039C70260E1FED558E4B ====