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Roel Dieltiens - Vivaldi & Geminiani: Sonatas for Violoncello and Basso Continuo (1991) Reissue 2008

Posted By: Designol

Date: 21 May 2023 19:28:00

Roel Dieltiens - Vivaldi & Geminiani: Sonatas for Violoncello and Basso Continuo (1991) Reissue 2008

Vivaldi & Geminiani - Sonatas for Violoncello and Basso Continuo (1991) Reissue 2008
Roel Dieltiens (violoncello), Richte van der Meer (violoncello continuo)
Anthony Woodrow (double bass), Robert Kohnen (organ & harpsichord)
EAC | FLAC | Image (Cue&Log) ~ 365 Mb | Mp3 (CBR320) ~ 193 Mb | Scans included
Genre: Classical | Label: Accent | # ACC 10081 | Time: 01:11:19

It is now generally accepted that Vivaldi wrote ten cello sonatas – one of them now lost. Six (RV 47, 41, 43, 45, 40 and 46) of the surviving nine were published posthumously as a set, in Paris, by Charles-Nicolas Le Clerc around 1740. The other three survive in manuscript collections: RV 42 (along with RV 46) is preserved in the library at Wiesentheid Castle at Unterfranken in Germany; RV 39 and 44 (along with RV 47) are to be found in a manuscript in the Naples Conservatoire.

Geminiani’s opus 5 consists of six cello sonatas, and was first published in Paris in 1746.

The twenty years either side of 1740 saw the cello rise to a very fashionable position in French musical society, largely at the expense of the bass-viol – a change of fashion which stirred such strong emotions that in 1740 Hubert Le Blanc published his fierce Defense de la basse de viole contre les entreprises du violon et les pretensions du violencel. Music such as that by Vivaldi and Geminiani which is played here by Roel Dieltiens and his colleagues must have made a powerful counter-case for the cello.

Vivaldi’s sonatas cannot be dated precisely. Without fail they display his profound understanding of the expressive capacities of the instrument. Presumably the lessons he himself learned from his work as teacher of stringed instruments at the Pietà in Venice fed into his writing in these sonatas. All of his nine sonatas are in four movements, disposed slow-fast-slow-fast. In the manuscript of RV 42 the movements carry titles suggesting relationship to particular dances: Preludio-Allemande-Sarabande-Gigue. In the other sonatas the designations are simply of tempos, but the spirit of the dance is never too far away. In his slow movements, Vivaldi’s writing for the cello is often lyrically poignant, but too dignified ever to be merely sentimental.

Geminiani’s sonatas follow the same basic four movement pattern, though some of his slow movements - such as both the adagio and the grave of Sonata no.6 - are so short that the works are less perfectly balanced as regards tempo. All three of the sonatas played here are full of inventive, but unflashy, writing; the best of the slow movements have a tender melancholy and the closing allegros are delightfully vivacious and witty.

Roel Dieltiens’ playing has both the drive and the subtlety displayed in his acclaimed recording (also on Accent) of the Bach suites for solo cello. Given that he has worked regularly with masters such as René Jacobs, Frans Brüggen and Philippe Herreweghe his musicianship need come as no surprise. He will also be familiar to followers of post-baroque music, having recorded and performed works by Kodaly, William Bolcom and Luc van Hove. Here he shows himself fully responsive to the demands of the music, in terms of phrasing and intonation, rhythm and ornamentation alike. There are other fine performances of both the Vivaldi and Geminiani sonatas – such as the Vivaldi by Christophe Coin (L’Oiseau Lyre), Anner Bylsma (Deutsche Harmonia Mundi), Anthony Pleeth (ASV), Pieter Wispelwey (Channel Classics) and a complete set by David Watkin (Hyperion) and the Geminiani by Alison McGillivary (Linn). In the cases of both Vivaldi and Geminiani this is music which both leaves scope for a variety of interpretations and which, in a sense, demands such variety. Given, for example, the decisions that must be made about the instrumentation of the accompaniment – no details being specified in the sources – there is room for a number of interpretative choices, none of which are necessarily ‘wrong’. Here Dieltens eschews the theorbos, archlutes or baroque guitars that some employ. The results are relatively plain in colouring, but none the worse for that.

I wouldn’t want to make a ‘first choice’ in any of this music. Suffice it to say that Dieltens’ performances are ones to which any listener fond of the baroque cello is likely to make frequent returns. The mixing of sonatas by the two composers is suggestive – though I can’t help wishing that Dieltens had given us a complete recording of one the sonatas by one or other of these two Italian masters.

Review by Glyn Pursglove, MusicWeb-International.com

Antonio Vivaldi at Allmusic
Antonio Vivaldi at Wiki

Francesco Geminiani at Allmusic
Francesco Geminiani at Wiki

Roel Dieltiens at Allmusic
Roel Dieltiens Website
Roel Dieltiens at Wiki

Roel Dieltiens - cello
Richte van der Meer - cello continuo (5-8, 13-20)
Anthony Woodrow - double bass (1-4, 9-12, 21-24)
Robert Kohnen - organ(1-4, 9-12, 21-24), harpsichord (5-8, 13-20)

Recorded: Vereenigde Doopsgezinde Kerk, Haarlem, November 1991

Tracklist:

Antonio VIVALDI (1678-1741)
Sonata E minor RV 40
01. I. Largo (4:40)
02. II. Allegro (2:55)
03. III. Largo (3:29)
04. IV. Allegro (2:34)

Francesco GEMINIANI (1687-1762)
Sonata No.6 A minor
05. I. Adagio (0:52)
06. II. Allegro assai (3:22)
07. III. Grave (0:34)
08. IV. Allegro (4:06)

Antonio VIVALDI
Sonata B flat major RV 46
09. I. Largo (3:00)
10. II. Allegro (2:50)
11. III. Largo (3:18)
12. IV. Allegro (2:52)

Francesco GEMINIANI
Sonata No.3 C major
13. I. Andante (1:48)
14. II. Allegro (4:05)
15. III. Affettuoso (3:38)
16. IV. Allegro (3:01)

Francesco GEMINIANI
Sonata No.2 D minor
17. I. Andante (2:23)
18. II. Presto (2:27)
19. III. Adagio (0:51)
20. IV. Allegro (5:53)

Antonio VIVALDI
Sonata G minor
21. I. Preludio (Largo) (3:04)
22. II. Allemande (Andante) (3:44)
23. III. Sarabande (Largo) (3:15)
24. IV. Gigue (Allegro) (2:38)

EAC log

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 30. April 2013, 1:28

Vivaldi & Geminiani / Sonatas for Violoncello and Basso Continuo

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DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-01-08 22:31:40

––––––––––––––––––––––––––––––––––––––––
Analyzed: Roel Dieltiens, Anthony Woodrow, Robert Kohnen / Vivaldi & Geminiani: Sonatas for Violoncello and Basso Continuo
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -4.26 dB -21.94 dB 4:40 01-Vivaldi - Sonata E minor RV 40 - I. Largo
DR13 -4.39 dB -22.43 dB 2:55 02-Vivaldi - Sonata E minor RV 40 - II. Allegro
DR11 -8.09 dB -22.37 dB 3:29 03-Vivaldi - Sonata E minor RV 40 - III. Largo
DR12 -5.42 dB -21.85 dB 2:34 04-Vivaldi - Sonata E minor RV 40 - IV. Allegro
DR12 -4.83 dB -20.81 dB 3:00 09-Vivaldi - Sonata B flat major RV 46 - I. Largo
DR13 -2.52 dB -19.36 dB 2:50 10-Vivaldi - Sonata B flat major RV 46 - II. Allegro
DR11 -4.76 dB -20.43 dB 3:18 11-Vivaldi - Sonata B flat major RV 46 - III. Largo
DR13 -3.72 dB -20.41 dB 2:52 12-Vivaldi - Sonata B flat major RV 46 - IV. Allegro
DR12 -2.30 dB -19.58 dB 3:04 21-Vivaldi - Sonata G minor - I. Preludio (Largo)
DR13 -4.36 dB -20.86 dB 3:44 22-Vivaldi - Sonata G minor - II. Allemande (Andante)
DR12 -4.14 dB -20.57 dB 3:15 23-Vivaldi - Sonata G minor - III. Sarabande (Largo)
DR12 -6.47 dB -22.46 dB 2:38 24-Vivaldi - Sonata G minor - IV. Gigue (Allegro)
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 657 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Roel Dieltiens, Richte van der Meer, Robert Kohnen / Vivaldi & Geminiani: Sonatas for Violoncello and Basso Continuo
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -6.78 dB -21.51 dB 0:52 05-Geminiani - Sonata No.6 A minor - I. Adagio
DR13 -1.28 dB -19.97 dB 3:22 06-Geminiani - Sonata No.6 A minor - II. Allegro assai
DR12 -4.52 dB -21.55 dB 0:34 07-Geminiani - Sonata No.6 A minor - III. Grave
DR12 -3.70 dB -22.14 dB 4:06 08-Geminiani - Sonata No.6 A minor - IV. Allegro
DR13 -2.40 dB -20.41 dB 1:48 13-Geminiani - Sonata No.3 C major - I. Andante
DR13 -1.48 dB -19.47 dB 4:05 14-Geminiani - Sonata No.3 C major - II. Allegro
DR12 -4.60 dB -21.49 dB 3:38 15-Geminiani - Sonata No.3 C major - III. Affettuoso
DR13 -1.94 dB -20.74 dB 3:01 16-Geminiani - Sonata No.3 C major - IV. Allegro
DR12 -2.03 dB -19.28 dB 2:23 17-Geminiani - Sonata No.2 D minor - I. Andante
DR13 -0.24 dB -18.98 dB 2:27 18-Geminiani - Sonata No.2 D minor - II. Presto
DR9 -7.47 dB -23.35 dB 0:51 19-Geminiani - Sonata No.2 D minor - III. Adagio
DR14 -1.33 dB -19.91 dB 5:53 20-Geminiani - Sonata No.2 D minor - IV. Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 12
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 657 kbps
Codec: FLAC
================================================================================

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