Roberta Invernizzi, Retablo Barocco - George Frideric Handel: Lucrezia: Cantate e Sonate da Camera (2006)
Roberta Invernizzi, Retablo Barocco - George Frideric Handel: Lucrezia: Cantate e Sonate da Camera (2006)
EAC | FLAC | Image (Cue & Log) ~ 303 Mb | Total time: 58:37 | Scans included
Classical | Label: Stradivarius | STR 35701 | Recorded: 1996
EAC | FLAC | Image (Cue & Log) ~ 303 Mb | Total time: 58:37 | Scans included
Classical | Label: Stradivarius | STR 35701 | Recorded: 1996
There has been a resurgence of interest in Handel's Italian-language cantatas as recordings have begun to reflect the vast totality of his output rather than a selection of big hits ideologically bound up with British nationhood. The works on this disc date from early in Handel's career, while he was working in Italy; this Italian recording accurately uses the German spelling of the composer's name, Händel, which he would still have been employing at the time. They are youthful works in the best sense of the word: they break formal boundaries, give full voice to passions, and feel gloriously free to push performers to the edge. The last sections of a work like Non sospirar, non piangere, HWV 141, require a soprano with a commanding sense of musical momentum to overcome passages that do not lie easily within anybody's vocal cords, and fortunately Roberta Invernizzi, who has been heard on several fine recordings of rediscovered works from the Italian Baroque, has what it takes. She brings high drama to Lucrezia, HWV 145, the central and most varied of the three cantatas on the disc, and her interaction with the period-instrument group Retablo Barocco is both close and natural. Sample her treatment of the first main melody in the cantata, about a minute in from the beginning of track 10: she reacts strongly to the text without seeming mannered in the least. The cantatas are separated by instrumental sonatas in the Italian style, some of them dating from later in Handel's career. Retablo Barocco's performances are sensitive, and they stay out of Invernizzi's way. This fine Baroque disc is recommended for singers looking to get to know some very tough Italian repertory, and for anyone bitten by the early Handel bug.–James Manheim
Performer:
Roberta Invernizzi, soprano
Retablo Barocco
Tracklist:
George Frideric Handel (1685-1759)
Trio sonata for flute/violin, violin & continuo in B minor, Op. 2/1, HWV 386b
01. Andante
02. Allegro ma non troppo
03. Largo
04. Allegro
05. Non sospirar, non piangere, cantata, HWV 141
Flute Sonata in E minor (Halle Sonata No.2), HWV 375 (possibly spurious)
06. Adagio
07. Allegro
08. Grave
09. Minuet
10. La Lucrezia (O Numi Eterni), cantata for soprano & continuo, HWV 145
Violin Sonata in A major, Op.1/3, HWV 361
11. Andante
12. Allegro
13. Adagio
14. Allegro
15. Hendel, non può mia musa, cantata, HWV 117
Concerto a quattro, for recorder, violin, bassoon & continuo in D minor (doubtful)
16. Adagio
17. Allegro
18. Largo
19. Allegro
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 18. January 2020, 14:19
Roberta Invernizzi / Handel - Lucrezia
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2 | 3:14.60 | 2:32.00 | 14610 | 26009
3 | 5:46.60 | 2:36.13 | 26010 | 37722
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6 | 18:20.55 | 1:42.43 | 82555 | 90247
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9 | 23:16.51 | 1:52.00 | 104751 | 113150
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11 | 40:01.35 | 2:21.21 | 180110 | 190705
12 | 42:22.56 | 1:51.74 | 190706 | 199104
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14 | 45:01.61 | 2:28.48 | 202636 | 213783
15 | 47:30.34 | 5:13.65 | 213784 | 237323
16 | 52:44.24 | 1:39.03 | 237324 | 244751
17 | 54:23.27 | 1:29.33 | 244752 | 251459
18 | 55:52.60 | 1:03.08 | 251460 | 256192
19 | 56:55.68 | 1:49.12 | 256193 | 264379
Range status and errors
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Filename C:\rips\Roberta Invernizzi - Handel - Lucrezia.wav
Peak level 93.7 %
Extraction speed 3.2 X
Range quality 100.0 %
Test CRC 0049E7E8
Copy CRC 0049E7E8
Copy OK
No errors occurred
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==== Log checksum 7429551E1735DB0A381A6335E05B8D5508DBEBAE88DA10812EBD13F6EEAA2D29 ====
Roberta Invernizzi, Retablo Barocco - George Frideric Handel: Lucrezia: Cantate e Sonate da Camera (2006)
Thanks to the original releaser