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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Ravel: Bolero / Immerseel

    Posted By: knmn
    Ravel: Bolero / Immerseel

    Ravel: Bolero / Immerseel
    Classical | 2006 | 1 CD | 247 Mb | APE/CUE/LOG/SCANS | Rs.Com


    Bolero, Concerto for the left hand, Rhapsodie espagnole, Pavane pour une infante defunte Anima Eterna, Jos van Immerseel Claire Chevallier, piano "Ravel on period instrument brings results of striking clarity…. this is the perfect showcase for period instruments from the early 20th century. With Claire Chevalier a most sensitive soloist, very French in style, the piano is more clearly defined over the highly original, generally low-lying orchestration, growling up from nowhere at the start."- Gramophone October 2006 - Edward Greenfield

    Ravel is as far removed in time from us as Mozart was from Tchaikovsky: Jos van Immerseel assimilates this fact to achieve the distance necessary to situate Ravel in his own era

    After Strauss, Brahms and Tchaikovsky, followed by Rimsky-Korsakov and Borodin by way of Liszt, Anima Eterna now tackles the twentieth century. The projects centring on the music of Tchaikovsky and Liszt, especially, have already caused listeners to exclaim: ‘It almost sounds like Ravel!’

    So Ravel marks the next step for Anima Eterna: to rediscover the highly characteristic timbres of the period 1900-1940 in France, with the aid of genuine French rather than standard American instruments. The distance in time between Ravel’s era and our own is now the same as that separating Mozart from Tchaikovsky.

    The musicians of the orchestra are specialists. They show their passion for their instruments in their outstanding virtuosity, but also, very often, by building private collections of historical instruments. Claire Chevallier plays the Concerto for the left hand on an Erard of 1905. Each wind player has sought out the appropriate French instrument - one of the bassoonists reconstructed his instrument specially for this project. Midori Seiler asked the violinists to use a plain gut D string. The celesta is a historical model built by the firm of Hustel in 1920.

    This is the last project of Anima Eterna before the complete symphonies of Beethoven which will be released in 2008! As you can see on their concerts’agenda, many Beethoven concerts are scheduled to prepare this big event.