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    Rachmaninoff: Moments Musicaux, Etudes-tableaux, Variations On A Theme Of Corelli - Xiayin Wang (2012)

    Posted By: peotuvave
    Rachmaninoff: Moments Musicaux, Etudes-tableaux, Variations On A Theme Of Corelli - Xiayin Wang (2012)

    Rachmaninoff: Moments Musicaux, Etudes-tableaux, Variations On A Theme Of Corelli - Xiayin Wang (2012)
    EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 184 MB
    Genre: Classical | Label: Chandos | Catalog Number: 10724

    With her winning combination of consummate technical brilliance, fine musicianship, and personal verve, the pianist Xiayin Wang captures the hearts of audiences wherever she appears. She is achiving high levels of recognision for her commanding performances as a recitalist, chamber musician, and orchestral soloist in such venues as New York’s Carnegie Hall and Lincoln Center. This is Wang’s second disc for Chandos Records. Her previous disc, of piano works by Earl Wild, was an ‘International Piano Choice’ in International Piano.

    The six Moments musicaux constitute a set of solo piano pieces, each representing a different but complementary musical form, such as the nocturne, song without words, barcarolle, virtuoso étude, or variations. Although intended from the beginning as part of a set, each piece holds its own well, with individual themes and moods, ranging from the sombre funeral march of No. 3 to the majestic canon of No. 6. Revolutionary and grand in style, the Moments musicaux still retain the charm of Rachmaninoff’s early works: dense, rich in counterpoint, highly chromatic, poignantly nationalistic, deeply felt, and, of course, exceptionally challenging to the pianist.

    The Études-tableaux were composed as ‘picture pieces’. Rachmaninoff never did disclose what inspired each piece, but stated: ‘I don’t believe in the artist that discloses too much of his images. Let [the public] paint for themselves what [the music] most suggests.’

    The Variations on a Theme of Corelli was the last original solo piano work that Rachmaninoff wrote, and the only one he composed outside Russia. The theme of this cycle is actually not by Arcangelo Corelli (1653 – 1713), but an old Spanish-French folk dance. The Variations were written in 1931, the same year that the composer boldly denounced the Soviet Union, referring to its leaders as ‘Communist grave-diggers’. Stalin consequently banned Rachmaninoff’s music, but, recognising its more appealing and generally less radical nature, rehabilitated it three years later. The work is among several pieces that were later well received in Moscow.

    Composer: Sergei Rachmaninov
    Performer: Xiayin Wang

    Reviews: When I reviewed Xiayin Wang’s solo debut for Marquis ( Fanfare 31: 3), I praised her “youthful confidence.” It was, I continued, “not arrogance, not self-importance, not haughtiness”; rather, it was “a sense of poise that gives [her performances] unpretentious clarity.” It will be no surprise to anyone who has been following her career (capped, so far, by her widely celebrated Wild collection on Chandos, 34:5) that five years later her playing has become, if anything, even more assured.

    What’s most arresting is her range of color and mood. Try, for instance, holding the supple melancholy of the first of the Moments (dissolving in soft raindrops of color at the end) up against the implacable solidity of the last of the Moments . In a blind listening test, you’d be hard-pressed to guess you were listening to a single pianist. Likewise, her prismatic Corelli Variations highlights the music’s mercurial shifts rather than its structural rigor. Yes, there is a certain consistency here: The technique is solid (listen to the evenness of the 16th-note triplets in the second Moment ), but never self-aggrandizing; the textures are always lucid, but never glaring in their clarity; the lyrical effusions are sumptuous, but never gushing; the rhythms are elastic, but never slack (try the climax of the G-Minor Etude-tableau ). But while that description might seem to imply a certain moderation (certainly, she is not a pianist who revels in excess), her composure is not allied to any sense of inhibition. I suggested in the earlier review that hers is the kind of discipline that leads to freedom, rather than restriction—and in the end, it’s the responsiveness, not the temperance, that most marks this recital. The soaring lines of op. 33/2; the delicious wit of the third of the Corelli Variations, which throws you dexterously off balance; the exuberance of the 20th variation; the inward pain of the third of the Moments ; the hard-bitten steeliness of the last of the Etudes-tableaux : From first note to last, Wang offers up playing of kaleidoscopic imagination.

    To put it simply, this is one of the most engaging Rachmaninoff solo collections to come my way in years—equally recommendable to seasoned pianophiles and to those just beginning to explore Rachmaninoff’s output. Even without Chandos’s excellent engineering, this would be a top priority.

    Tracklisting:

    1. Variations on a theme of Corelli, Op. 42 by Sergei Rachmaninov
    Performer: Xiayin Wang (Piano)
    Period: Romantic
    Written: 1931; USA

    2. Moments musicaux (6), Op. 16 by Sergei Rachmaninov
    Performer: Xiayin Wang (Piano)
    Period: Romantic
    Written: 1896; Russia

    3. Etudes-tableaux (9) for Piano, Op. 33 by Sergei Rachmaninov
    Performer: Xiayin Wang (Piano)
    Period: Romantic
    Written: 1911; Russia

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 4. January 2013, 1:28

    Xiayin Wang / Moments musicaux/Études-tableaux/Corelli Var.

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    Track 1

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    Track 33

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    Track 34

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    Track 36

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    Track 37

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    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: lajTWvnFNMrw4XuRPhWsrQ5wmPQ-] found, Submit result: lajTWvnFNMrw4XuRPhWsrQ5wmPQ- has been confirmed
    [906ddf1f] (1/1) Accurately ripped


    ==== Log checksum 459020F36424F7134DC911B8D76300E71F9A531214EB4619DB9F0E9920B57192 ====



    Thanks to the original releaser